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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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Martina Wolf

Works


Galleries

Daniel Marzona
Daniel Marzona
Friedrichstraße 17
10969 Berlin
Germany

Phone: +49 30 54622140
E-Mail: info@danielmarzona.com

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Stillness and movement, variation, change and continuity – time plays a central role in Martina Wolf’s work, namely as an artistic tool and, at the same time, as a recurring theme in her filmlike reflections on the theme of memory and the culture of remembrance. Her reduced-form photographs and video pieces effect a radical deceleration of perception and thus steer the attention towards the artistic and perceptive structures that define our image of the world.


Biography

born 1971 in Wurzen/Sachsen

Education

1988–1992 study at University Rostock
1992–1994 education in grafik design / project management
1997–2002 study at Dresden Academy of Fine Art project class of New Media – Diploma
2002–2005 masterclass in class of New Media of Lutz Dammbeck Dresden Academy of Fine Art

martinawolf.de


Solo exhibitions (extract)

2017
so – Victoria Bar – Berlin – Space Installation / Photo Installation
Wall Works #3 – Daniel Marzona – Berlin – Video Installations

2016
Reise nach Arglosen – Museum Bad Arolsen – Photo- and Video Installations – with Laura J. Padgett

2015
Meno male che ora è tutto diverso – Kunstverein, Rostock – Photo- and Video Installations

2014
ХОТЕЛИ КАК ЛУЧШЕ … – Oberfinanzdirektion / Regional Finance Office, Frankfurt am Main (D) – Photo- and Video Installations

2013
LESS – Schauraum Wiensowski & Harbord – Berlin (D) – Video Installations
ZWISCHENDURCH: Konkrete Wände – Hannes Broecker und Martina Wolf – galerie baer, Dresden (D) – Photographs and Video Works

2011
Fenster, Wände – Weißfrauen Diakoniekirche – Frankfurt am Main (D) – Photographs and Video Works
PLAZA SHOWS – Head Quarter, Commerzbank, Frankfurt am Main (D) – Photographs and Video Works

2010
Martina Wolf. – Goethe Institute Moscow (RU) – Video Works
Sturm auf Berlin (Stroming of Berlin) – Galerie Anita Beckers, Frankfurt am Main (D) – Video Installation
Tag des Sieges (Day of Victory) – Städtische Galerie Dresden (D) – Video Installation
КУДА / WOHIN. Video Works – Ine Lamers and Martina Wolf –
Motorenhalle. Project Centre for Contemporary Arts, Dresden (D) – Video Installation
Lenin, Sieg und Wahrheit. Moscow Video Works – gallery baer, Dresden

2009
Day of Victory – VIDEOSPACE – Dresdner Bank / Commerzbank – Frankfurt am Main (D) – Video Work
ОБЪЕКТ ВООБРАЖЕНИЯ / Object of imagination – Herbert Warmuth and Martina Wolf – NCCA – National Centre for Contemporary Arts, Moscow (RU) – Video Works

2008
ALMATY_house – Project Space of the Hess Cultural Foundation, Frankfurt am Main (D) – Video Works

2007
ZWIELING – Herbert Warmuth and Martina Wolf – mousonturm, Frankfurt am Main (D) – Installation, Video Works

2006
Der eigene Doppelsinn – Herbert Warmuth and Martina Wolf – gallery baer, Dresden (D) – Video Works
HIAP open studios Helsinki – HIAP, Helsinki (FI) – Video Works

2005
sicht.auf.bau – Alexander Höfs and Martina Wolf – gallery baer, Dresden (D) – Photographs and Video Works
Topografische Auslassungen – Ideenlabor, Frankfurt am Main (D) – Photographs

2004
Martina Wolf – Tower of the Dresdner Bank, Frankfurt am Main (D) – Photographs and Video Works

2003
Martina Wolf. RAUM II.2 – gallery gauche – ENSBA – École Nationale Supérieure des Beaux-Arts de Paris (F) – Photographs and Video Works

2002
RAUM II – Dresden Academy of Fine Arts – Installation

Group exhibitions (extract)

2018
BACKSTAGE: die Rückseite / the rear side – Mehdi Chouakri – Berlin – Video Work

2017
Soft Architecture – Collection Finstral – Friedberg(Augsburg) – Photographs
BACKSTAGE: die Rückseite / the rear side – Gallery Sofie Van de Velde – Antwerp – Video Work

2016
Conceptual Landscapes – Galerie Mathais Güntner – Hamburg
REDUCING – Daniel Marzona – Berlin

2015
REDUCING – Daniel Marzona – Berlin – Julian Fickler, Olaf Holzapfel, Charlotte Posenenske, Michael Reiter, Gedi Sibony, Martina Wolf – Video Works
Notes on the beginning of the short 20th century – Emil Filla Gallery – Ústí nad Labem (CZ) – Curators: Andrea Domesle und Frank Eckhradt – Video Installation
That’s all – G262 – Sophie van de Velde – Antwerpen (BE) – Kirstin Arndt, Franka Hörnschemeyer, Olaf Holzapfel, Charlotte Posenenske, Michael Reiter, Martina Wolf – Video Works
nur das – Galerie Martina Detterer – Frankfurt am Main – Charlotte Posenenske, Micheal Reiter, Kirstin Arndt, Martina Wolf – Video Installation and Video Works

2014
UPDATE/POSTMEMORY – International Video Art facing the East – Motorenhalle Dresden – Curator: Susanne Altmann

2013
LESS – Schauraum Wiensowski & Harbord – Berlin (D) – Charlotte Posenenske, Micheal Reiter, Martina Wolf – Video Works
jetzt hier – Staatliche Kunstsammlungen Dresden (D) – Video Work

2012
Addition – galerie baer – Dresden (D) – Photograph
dasselbe anders / immer dasselbe – Kunsthalle Wiesbaden (D) – Charlotte Posenenske, Peter Roehr, Micheal Reiter, Martina Wolf – Video Work
OPEN STUDIOS – Deutsche Akademie Rom (I) – Villa Massimo – Video Works

2010
Playing the City 2 – SCHIRN, Kunsthalle, Frankfurt am Main (D) – Video Program
Fishing a Dragon – KingKong-Contemporary – Video Block Display – Baroque Palace Mannheim (D) – Video Installation
Unter Oberflächen – Galerie Delikatessenhaus – Leipzig (D) – Photographs

2009
OHNE UNS! – Motorenhalle Dresden (D) – Project Centre for Contemporary Arts, Dresden – Art & alternative Culture in Dresden before and after ‘89 – Curators: Frank Eckhard, Paul Kaiser – Video Work

2009
ВИДЕО ФОРМАТ [Linearity] – National Centre for Contemporary Arts, Moscow (RU) – International Video Exhibition – Curator: Karina Karaeva – Video Installation

2008
Moves – Kunsthalle Koidl, Berlin (D) – Extracts of the Art Collection of the Dresdner Bank, Frankfurt am Main – Photographs
remarks on color_part II_german tendencies Exhibition – Priska Juschka Fine Art New York (USA) – Video Works

2007
HOT.DESTINATION IV – Motorenhalle Dresden (D) – Project Centre for Contemporary Arts, Dresden – Curators: Frank Eckhardt, Michal Kolecek – Photographs, Installation
HOT.DESTINATION IV – Gallery Filla, Usti (CZ) – Curators: Frank Eckhardt, Michal Kolecek – Video Work, Installation

2006
Kulturinvest Dresden – Residencies of the Cultural Foundation Dresden (D)
of the der Dresdner Bank – Oktogon, Dresden Academie of Fine Arts – Video Installation
diStilled – Izmir (TÜ) – Exhibition Project with 8 international Artists – Video Works

2001
screenings 08 – MMK – Museum of Modern Arts Frankfurt am Main (D) – Presentation of the Project Class „New Media“ of the Dresden Academie of Fine Arts

Screenings

2015
Video Workshop: Moving Stills – Faculty Of Fine Arts And Design – IZMIR ECONOMI ÜNVERSITESI (TR)

2011
Sasiedzi / Neighbors 2.0 – WAWEL Illumination – Cracow (PL) – Guest contribution by the City of Frankfurt am Main – Façade Projection onto Wawel

2010
Moscow Video Works – RGGU, Russian State University of Arts, Moscow (RU) – Lecture
Table – Algier. 2009 – VIDEOSPACE, Commerzbank AG, Frankfurt am Main (D) – Video Installation
Urban Photographs – Art Academie Berlin-Weißensee – Berlin (D) – Lecture
Vicotory – Moskau. 2009 – VIDEOSPACE, Commerzbank AG, Frankfurt am Main (D) – Video Installation

2009
Video Works – MARCHI, Moscow Architecture Institute – Moscow (RU) – Lecture
LOOP – Videoart Barcelona 2009 (ES) – Curator: Patrizia Monzani – Video Works
The (re)production of space – VisualContainerTV – visualcontainer.twww.tv – Milano (I) – Curator: Patrizia Monzani – Video Works

2008
Videoarbeiten – SOROS Centre, Almaty (KZ) – Presentation / Lecture
Videoarbeiten – Goethe Institute, Algiers (DZ) – Presentation / Lecture
Videoarbeiten – Staatlichen Kunstakademie Almaty (KZ) – Presentation / Lecture
directors lounge – Berlin (D) – Festival of Video and Media Arts in the Frame of the Berlinale – Presentationen of Video Works

2007
Video Works – Art Department der Ohio State, University, Columbus/Ohio (USA) – Presentation / Lecture
Video Works – Columbus College of Art and Design, Columbus/Ohio (USA) – Presentation / Lecture

2004
Sommerfenster – Dresdner Bank, Frankfurt am Main (D) – Video Installation
Angleichung – Dresdner Bank, Frankfurt am Main (D) – Photo Installation on LED-Wall

2003
The New York Expo – Anthology Film Archiv New York (USA) –
New Media Project of the Dresden Academy of Fine Art – Presentation of Video Works

2001
Szenenwechsel – Staatsschauspiel Dresden (D) – Presentation of Video Works

Grants / prices

2015
Grant of the Stiftung Kunstfonds for the Year 2015
2012
Residency in the Deutsche Akademie Rom, Casa Baldi, Olevano Romano
2011
Residency in Art Lazareti, in Dubrovnik (HR)
International Artist Exchange of the City of Frankfurt am Main
2009
Video Project Algier (DZ) – Project Development
Goethe Institute Algiers, Algeria
2008
Grant for an exihibition project in Moscow (RU) – ifa
Institute for Foreign Cultural Relations
Residency in Moscow / Russia
by Hess Cultural Foundation
Video Project Almaty (KZ)
Goethe Institute Almaty, Kazakhstan
2007
Studio residency in Columbus / Ohio (USA)
by Ministery of Science and Art of Saxonia
2006
Grant for film project in Moscow (RU)
by Cultural Foundation of the State Saxonia
Grant for film project in Moscow (RU)
by DEFA Foundation
2004–2006
Studio Program of the City of Frankfurt/Main
2003/2004
Studio residency „dynamo.eintracht“
in Frankfurt am Main (D) by Cultural Foundation of the Dresdner Bank
2003
DAAD scholarship – École Nationale Superieure des Beaux-Arts – Paris (F)
2002
Award of Hegenbarth Fellowship
Penta Park Photo Prize
Erasmus scholarship – ENSBA – Paris (F)

Works in collections

Kunstfonds / Staatliche Kunstsammlungen Dresden – Art Collection
National Centre for Contemporary Arts – NCCA, Moskau
Städtische Galerie Dresden – Art Collection
Kunstsammlung der Dresdner Bank / Art Collection, Commerzbank AG, Frankfurt am Main
Hessisches Baumanagement, Frankfurt am Main
Kunstsammlung der Ostsächsischen Sparkasse Dresden / Art Collection
Art Collection of Manuel de Santaren, New York, Guggenheim
Collections in: Miami, Rotterdam, Hamburg, Frankfurt am Main, Berlin, Dresden

Martina Wolf
born 1971 in Wurzen/Sachsen Education 1988–1992 study at University Rostock 1992–1994 education in grafik design / project management 1997–2002 study at Dresden Academy of Fine Art project class of New Media – Diploma 2002–2005 masterclass in class of New Media of Lutz Dammbeck Dresden Academy of Fine Artmartinawolf.de Solo exhibitions (extract)2017so – Victoria Bar – Berlin – Space Installation / Photo Installation Wall Works #3 – Daniel Marzona – Berlin – Video Installations2016Reise nach Arglosen – Museum Bad Arolsen – Photo- and Video Installations – with Laura J. Padgett 2015 Meno male che ora è tutto diverso – Kunstverein, Rostock – Photo- and Video Installations 2014 ХОТЕЛИ КАК ЛУЧШЕ … – Oberfinanzdirektion / Regional Finance Office, Frankfurt am Main (D) – Photo- and Video Installations 2013 LESS – Schauraum Wiensowski & Harbord – Berlin (D) – Video Installations ZWISCHENDURCH: Konkrete Wände – Hannes Broecker und Martina Wolf – galerie baer, Dresden (D) – Photographs and Video Works 2011 Fenster, Wände – Weißfrauen Diakoniekirche – Frankfurt am Main (D) – Photographs and Video Works PLAZA SHOWS – Head Quarter, Commerzbank, Frankfurt am Main (D) – Photographs and Video Works 2010 Martina Wolf. – Goethe Institute Moscow (RU) – Video Works Sturm auf Berlin (Stroming of Berlin) – Galerie Anita Beckers, Frankfurt am Main (D) – Video Installation Tag des Sieges (Day of Victory) – Städtische Galerie Dresden (D) – Video Installation КУДА / WOHIN. Video Works – Ine Lamers and Martina Wolf – Motorenhalle. Project Centre for Contemporary Arts, Dresden (D) – Video Installation Lenin, Sieg und Wahrheit. Moscow Video Works – gallery baer, Dresden 2009 Day of Victory – VIDEOSPACE – Dresdner Bank / Commerzbank – Frankfurt am Main (D) – Video Work ОБЪЕКТ ВООБРАЖЕНИЯ / Object of imagination – Herbert Warmuth and Martina Wolf – NCCA – National Centre for Contemporary Arts, Moscow (RU) – Video Works 2008 ALMATY_house – Project Space of the Hess Cultural Foundation, Frankfurt am Main (D) – Video Works 2007 ZWIELING – Herbert Warmuth and Martina Wolf – mousonturm, Frankfurt am Main (D) – Installation, Video Works 2006 Der eigene Doppelsinn – Herbert Warmuth and Martina Wolf – gallery baer, Dresden (D) – Video Works HIAP open studios Helsinki – HIAP, Helsinki (FI) – Video Works 2005 sicht.auf.bau – Alexander Höfs and Martina Wolf – gallery baer, Dresden (D) – Photographs and Video Works Topografische Auslassungen – Ideenlabor, Frankfurt am Main (D) – Photographs 2004 Martina Wolf – Tower of the Dresdner Bank, Frankfurt am Main (D) – Photographs and Video Works 2003 Martina Wolf. RAUM II.2 – gallery gauche – ENSBA – École Nationale Supérieure des Beaux-Arts de Paris (F) – Photographs and Video Works 2002 RAUM II – Dresden Academy of Fine Arts – Installation Group exhibitions (extract)2018BACKSTAGE: die Rückseite / the rear side – Mehdi Chouakri – Berlin – Video Work2017Soft Architecture – Collection Finstral – Friedberg(Augsburg) – PhotographsBACKSTAGE: die Rückseite / the rear side – Gallery Sofie Van de Velde – Antwerp – Video Work2016Conceptual Landscapes – Galerie Mathais Güntner – HamburgREDUCING – Daniel Marzona – Berlin 2015 REDUCING – Daniel Marzona – Berlin – Julian Fickler, Olaf Holzapfel, Charlotte Posenenske, Michael Reiter, Gedi Sibony, Martina Wolf – Video Works Notes on the beginning of the short 20th century – Emil Filla Gallery – Ústí nad Labem (CZ) – Curators: Andrea Domesle und Frank Eckhradt – Video Installation That’s all – G262 – Sophie van de Velde – Antwerpen (BE) – Kirstin Arndt, Franka Hörnschemeyer, Olaf Holzapfel, Charlotte Posenenske, Michael Reiter, Martina Wolf – Video Works nur das – Galerie Martina Detterer – Frankfurt am Main – Charlotte Posenenske, Micheal Reiter, Kirstin Arndt, Martina Wolf – Video Installation and Video Works 2014 UPDATE/POSTMEMORY – International Video Art facing the East – Motorenhalle Dresden – Curator: Susanne Altmann 2013 LESS – Schauraum Wiensowski & Harbord – Berlin (D) – Charlotte Posenenske, Micheal Reiter, Martina Wolf – Video Works jetzt hier – Staatliche Kunstsammlungen Dresden (D) – Video Work 2012 Addition – galerie baer – Dresden (D) – Photograph dasselbe anders / immer dasselbe – Kunsthalle Wiesbaden (D) – Charlotte Posenenske, Peter Roehr, Micheal Reiter, Martina Wolf – Video Work OPEN STUDIOS – Deutsche Akademie Rom (I) – Villa Massimo – Video Works 2010 Playing the City 2 – SCHIRN, Kunsthalle, Frankfurt am Main (D) – Video Program Fishing a Dragon – KingKong-Contemporary – Video Block Display – Baroque Palace Mannheim (D) – Video Installation Unter Oberflächen – Galerie Delikatessenhaus – Leipzig (D) – Photographs 2009 OHNE UNS! – Motorenhalle Dresden (D) – Project Centre for Contemporary Arts, Dresden – Art & alternative Culture in Dresden before and after ‘89 – Curators: Frank Eckhard, Paul Kaiser – Video Work 2009 ВИДЕО ФОРМАТ [Linearity] – National Centre for Contemporary Arts, Moscow (RU) – International Video Exhibition – Curator: Karina Karaeva – Video Installation 2008 Moves – Kunsthalle Koidl, Berlin (D) – Extracts of the Art Collection of the Dresdner Bank, Frankfurt am Main – Photographs remarks on color_part II_german tendencies Exhibition – Priska Juschka Fine Art New York (USA) – Video Works 2007 HOT.DESTINATION IV – Motorenhalle Dresden (D) – Project Centre for Contemporary Arts, Dresden – Curators: Frank Eckhardt, Michal Kolecek – Photographs, Installation HOT.DESTINATION IV – Gallery Filla, Usti (CZ) – Curators: Frank Eckhardt, Michal Kolecek – Video Work, Installation 2006 Kulturinvest Dresden – Residencies of the Cultural Foundation Dresden (D) of the der Dresdner Bank – Oktogon, Dresden Academie of Fine Arts – Video Installation diStilled – Izmir (TÜ) – Exhibition Project with 8 international Artists – Video Works 2001 screenings 08 – MMK – Museum of Modern Arts Frankfurt am Main (D) – Presentation of the Project Class „New Media“ of the Dresden Academie of Fine Arts Screenings 2015 Video Workshop: Moving Stills – Faculty Of Fine Arts And Design – IZMIR ECONOMI ÜNVERSITESI (TR) 2011 Sasiedzi / Neighbors 2.0 – WAWEL Illumination – Cracow (PL) – Guest contribution by the City of Frankfurt am Main – Façade Projection onto Wawel 2010 Moscow Video Works – RGGU, Russian State University of Arts, Moscow (RU) – Lecture Table – Algier. 2009 – VIDEOSPACE, Commerzbank AG, Frankfurt am Main (D) – Video Installation Urban Photographs – Art Academie Berlin-Weißensee – Berlin (D) – Lecture Vicotory – Moskau. 2009 – VIDEOSPACE, Commerzbank AG, Frankfurt am Main (D) – Video Installation 2009 Video Works – MARCHI, Moscow Architecture Institute – Moscow (RU) – Lecture LOOP – Videoart Barcelona 2009 (ES) – Curator: Patrizia Monzani – Video Works The (re)production of space – VisualContainerTV – visualcontainer.twww.tv – Milano (I) – Curator: Patrizia Monzani – Video Works 2008 Videoarbeiten – SOROS Centre, Almaty (KZ) – Presentation / Lecture Videoarbeiten – Goethe Institute, Algiers (DZ) – Presentation / Lecture Videoarbeiten – Staatlichen Kunstakademie Almaty (KZ) – Presentation / Lecture directors lounge – Berlin (D) – Festival of Video and Media Arts in the Frame of the Berlinale – Presentationen of Video Works 2007 Video Works – Art Department der Ohio State, University, Columbus/Ohio (USA) – Presentation / Lecture Video Works – Columbus College of Art and Design, Columbus/Ohio (USA) – Presentation / Lecture 2004 Sommerfenster – Dresdner Bank, Frankfurt am Main (D) – Video Installation Angleichung – Dresdner Bank, Frankfurt am Main (D) – Photo Installation on LED-Wall 2003 The New York Expo – Anthology Film Archiv New York (USA) – New Media Project of the Dresden Academy of Fine Art – Presentation of Video Works 2001 Szenenwechsel – Staatsschauspiel Dresden (D) – Presentation of Video Works Grants / prices 2015 Grant of the Stiftung Kunstfonds for the Year 2015 2012 Residency in the Deutsche Akademie Rom, Casa Baldi, Olevano Romano 2011 Residency in Art Lazareti, in Dubrovnik (HR) International Artist Exchange of the City of Frankfurt am Main 2009 Video Project Algier (DZ) – Project Development Goethe Institute Algiers, Algeria 2008 Grant for an exihibition project in Moscow (RU) – ifa Institute for Foreign Cultural Relations Residency in Moscow / Russia by Hess Cultural Foundation Video Project Almaty (KZ) Goethe Institute Almaty, Kazakhstan 2007 Studio residency in Columbus / Ohio (USA) by Ministery of Science and Art of Saxonia 2006 Grant for film project in Moscow (RU) by Cultural Foundation of the State Saxonia Grant for film project in Moscow (RU) by DEFA Foundation 2004–2006 Studio Program of the City of Frankfurt/Main 2003/2004 Studio residency „dynamo.eintracht“ in Frankfurt am Main (D) by Cultural Foundation of the Dresdner Bank 2003 DAAD scholarship – École Nationale Superieure des Beaux-Arts – Paris (F) 2002 Award of Hegenbarth Fellowship Penta Park Photo Prize Erasmus scholarship – ENSBA – Paris (F) Works in collections Kunstfonds / Staatliche Kunstsammlungen Dresden – Art Collection National Centre for Contemporary Arts – NCCA, Moskau Städtische Galerie Dresden – Art Collection Kunstsammlung der Dresdner Bank / Art Collection, Commerzbank AG, Frankfurt am Main Hessisches Baumanagement, Frankfurt am Main Kunstsammlung der Ostsächsischen Sparkasse Dresden / Art Collection Art Collection of Manuel de Santaren, New York, Guggenheim Collections in: Miami, Rotterdam, Hamburg, Frankfurt am Main, Berlin, Dresden

Martina Wolf
Train ride

Artist Martina Wolf
Year 2011
Duration 15:01 min
Edition 5 + 2 AE
Technical info HDV
Contact
Daniel Marzona
Daniel Marzona
Friedrichstraße 17
10969 Berlin
Germany

Phone: +49 30 54622140
E-Mail: info@danielmarzona.com

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de

About the video

On a train ride from Moscow to Odessa a video camera in a fixed position takes the passing landscape out of the window. The camera is directly connected with a laptop computer. The video image shows also the display of the computer standing directly in front of the window. In the same time the recorded scene is presented in the editing software of the computer, repeated in a recursive line.
The filmic space of the Mise-en-Abyme is crosses the axe and reproduces the movement of the train.


Credits

concept: Martina Wolf
camera: Martina Wolf
editing: Martina Wolf

Martina Wolf - Train ride
On a train ride from Moscow to Odessa a video camera in a fixed position takes the passing landscape out of the window. The camera is directly connected with a laptop computer. The video image shows also the display of the computer standing directly in front of the window. In the same time the recorded scene is presented in the editing software of the computer, repeated in a recursive line.The filmic space of the Mise-en-Abyme is crosses the axe and reproduces the movement of the train.

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