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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Martina Wolf

Works


Galleries

Daniel Marzona
Daniel Marzona
Friedrichstraße 17
10969 Berlin
Germany

Phone: +49 30 54622140
E-Mail: info@danielmarzona.com

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Stillness and movement, variation, change and continuity – time plays a central role in Martina Wolf’s work, namely as an artistic tool and, at the same time, as a recurring theme in her filmlike reflections on the theme of memory and the culture of remembrance. Her reduced-form photographs and video pieces effect a radical deceleration of perception and thus steer the attention towards the artistic and perceptive structures that define our image of the world.


Biography

born 1971 in Wurzen/Sachsen

Education

1988–1992 study at University Rostock
1992–1994 education in grafik design / project management
1997–2002 study at Dresden Academy of Fine Art project class of New Media – Diploma
2002–2005 masterclass in class of New Media of Lutz Dammbeck Dresden Academy of Fine Art

martinawolf.de


Solo exhibitions (extract)

2017
so – Victoria Bar – Berlin – Space Installation / Photo Installation
Wall Works #3 – Daniel Marzona – Berlin – Video Installations

2016
Reise nach Arglosen – Museum Bad Arolsen – Photo- and Video Installations – with Laura J. Padgett

2015
Meno male che ora è tutto diverso – Kunstverein, Rostock – Photo- and Video Installations

2014
ХОТЕЛИ КАК ЛУЧШЕ … – Oberfinanzdirektion / Regional Finance Office, Frankfurt am Main (D) – Photo- and Video Installations

2013
LESS – Schauraum Wiensowski & Harbord – Berlin (D) – Video Installations
ZWISCHENDURCH: Konkrete Wände – Hannes Broecker und Martina Wolf – galerie baer, Dresden (D) – Photographs and Video Works

2011
Fenster, Wände – Weißfrauen Diakoniekirche – Frankfurt am Main (D) – Photographs and Video Works
PLAZA SHOWS – Head Quarter, Commerzbank, Frankfurt am Main (D) – Photographs and Video Works

2010
Martina Wolf. – Goethe Institute Moscow (RU) – Video Works
Sturm auf Berlin (Stroming of Berlin) – Galerie Anita Beckers, Frankfurt am Main (D) – Video Installation
Tag des Sieges (Day of Victory) – Städtische Galerie Dresden (D) – Video Installation
КУДА / WOHIN. Video Works – Ine Lamers and Martina Wolf –
Motorenhalle. Project Centre for Contemporary Arts, Dresden (D) – Video Installation
Lenin, Sieg und Wahrheit. Moscow Video Works – gallery baer, Dresden

2009
Day of Victory – VIDEOSPACE – Dresdner Bank / Commerzbank – Frankfurt am Main (D) – Video Work
ОБЪЕКТ ВООБРАЖЕНИЯ / Object of imagination – Herbert Warmuth and Martina Wolf – NCCA – National Centre for Contemporary Arts, Moscow (RU) – Video Works

2008
ALMATY_house – Project Space of the Hess Cultural Foundation, Frankfurt am Main (D) – Video Works

2007
ZWIELING – Herbert Warmuth and Martina Wolf – mousonturm, Frankfurt am Main (D) – Installation, Video Works

2006
Der eigene Doppelsinn – Herbert Warmuth and Martina Wolf – gallery baer, Dresden (D) – Video Works
HIAP open studios Helsinki – HIAP, Helsinki (FI) – Video Works

2005
sicht.auf.bau – Alexander Höfs and Martina Wolf – gallery baer, Dresden (D) – Photographs and Video Works
Topografische Auslassungen – Ideenlabor, Frankfurt am Main (D) – Photographs

2004
Martina Wolf – Tower of the Dresdner Bank, Frankfurt am Main (D) – Photographs and Video Works

2003
Martina Wolf. RAUM II.2 – gallery gauche – ENSBA – École Nationale Supérieure des Beaux-Arts de Paris (F) – Photographs and Video Works

2002
RAUM II – Dresden Academy of Fine Arts – Installation

Group exhibitions (extract)

2018
BACKSTAGE: die Rückseite / the rear side – Mehdi Chouakri – Berlin – Video Work

2017
Soft Architecture – Collection Finstral – Friedberg(Augsburg) – Photographs
BACKSTAGE: die Rückseite / the rear side – Gallery Sofie Van de Velde – Antwerp – Video Work

2016
Conceptual Landscapes – Galerie Mathais Güntner – Hamburg
REDUCING – Daniel Marzona – Berlin

2015
REDUCING – Daniel Marzona – Berlin – Julian Fickler, Olaf Holzapfel, Charlotte Posenenske, Michael Reiter, Gedi Sibony, Martina Wolf – Video Works
Notes on the beginning of the short 20th century – Emil Filla Gallery – Ústí nad Labem (CZ) – Curators: Andrea Domesle und Frank Eckhradt – Video Installation
That’s all – G262 – Sophie van de Velde – Antwerpen (BE) – Kirstin Arndt, Franka Hörnschemeyer, Olaf Holzapfel, Charlotte Posenenske, Michael Reiter, Martina Wolf – Video Works
nur das – Galerie Martina Detterer – Frankfurt am Main – Charlotte Posenenske, Micheal Reiter, Kirstin Arndt, Martina Wolf – Video Installation and Video Works

2014
UPDATE/POSTMEMORY – International Video Art facing the East – Motorenhalle Dresden – Curator: Susanne Altmann

2013
LESS – Schauraum Wiensowski & Harbord – Berlin (D) – Charlotte Posenenske, Micheal Reiter, Martina Wolf – Video Works
jetzt hier – Staatliche Kunstsammlungen Dresden (D) – Video Work

2012
Addition – galerie baer – Dresden (D) – Photograph
dasselbe anders / immer dasselbe – Kunsthalle Wiesbaden (D) – Charlotte Posenenske, Peter Roehr, Micheal Reiter, Martina Wolf – Video Work
OPEN STUDIOS – Deutsche Akademie Rom (I) – Villa Massimo – Video Works

2010
Playing the City 2 – SCHIRN, Kunsthalle, Frankfurt am Main (D) – Video Program
Fishing a Dragon – KingKong-Contemporary – Video Block Display – Baroque Palace Mannheim (D) – Video Installation
Unter Oberflächen – Galerie Delikatessenhaus – Leipzig (D) – Photographs

2009
OHNE UNS! – Motorenhalle Dresden (D) – Project Centre for Contemporary Arts, Dresden – Art & alternative Culture in Dresden before and after ‘89 – Curators: Frank Eckhard, Paul Kaiser – Video Work

2009
ВИДЕО ФОРМАТ [Linearity] – National Centre for Contemporary Arts, Moscow (RU) – International Video Exhibition – Curator: Karina Karaeva – Video Installation

2008
Moves – Kunsthalle Koidl, Berlin (D) – Extracts of the Art Collection of the Dresdner Bank, Frankfurt am Main – Photographs
remarks on color_part II_german tendencies Exhibition – Priska Juschka Fine Art New York (USA) – Video Works

2007
HOT.DESTINATION IV – Motorenhalle Dresden (D) – Project Centre for Contemporary Arts, Dresden – Curators: Frank Eckhardt, Michal Kolecek – Photographs, Installation
HOT.DESTINATION IV – Gallery Filla, Usti (CZ) – Curators: Frank Eckhardt, Michal Kolecek – Video Work, Installation

2006
Kulturinvest Dresden – Residencies of the Cultural Foundation Dresden (D)
of the der Dresdner Bank – Oktogon, Dresden Academie of Fine Arts – Video Installation
diStilled – Izmir (TÜ) – Exhibition Project with 8 international Artists – Video Works

2001
screenings 08 – MMK – Museum of Modern Arts Frankfurt am Main (D) – Presentation of the Project Class „New Media“ of the Dresden Academie of Fine Arts

Screenings

2015
Video Workshop: Moving Stills – Faculty Of Fine Arts And Design – IZMIR ECONOMI ÜNVERSITESI (TR)

2011
Sasiedzi / Neighbors 2.0 – WAWEL Illumination – Cracow (PL) – Guest contribution by the City of Frankfurt am Main – Façade Projection onto Wawel

2010
Moscow Video Works – RGGU, Russian State University of Arts, Moscow (RU) – Lecture
Table – Algier. 2009 – VIDEOSPACE, Commerzbank AG, Frankfurt am Main (D) – Video Installation
Urban Photographs – Art Academie Berlin-Weißensee – Berlin (D) – Lecture
Vicotory – Moskau. 2009 – VIDEOSPACE, Commerzbank AG, Frankfurt am Main (D) – Video Installation

2009
Video Works – MARCHI, Moscow Architecture Institute – Moscow (RU) – Lecture
LOOP – Videoart Barcelona 2009 (ES) – Curator: Patrizia Monzani – Video Works
The (re)production of space – VisualContainerTV – visualcontainer.twww.tv – Milano (I) – Curator: Patrizia Monzani – Video Works

2008
Videoarbeiten – SOROS Centre, Almaty (KZ) – Presentation / Lecture
Videoarbeiten – Goethe Institute, Algiers (DZ) – Presentation / Lecture
Videoarbeiten – Staatlichen Kunstakademie Almaty (KZ) – Presentation / Lecture
directors lounge – Berlin (D) – Festival of Video and Media Arts in the Frame of the Berlinale – Presentationen of Video Works

2007
Video Works – Art Department der Ohio State, University, Columbus/Ohio (USA) – Presentation / Lecture
Video Works – Columbus College of Art and Design, Columbus/Ohio (USA) – Presentation / Lecture

2004
Sommerfenster – Dresdner Bank, Frankfurt am Main (D) – Video Installation
Angleichung – Dresdner Bank, Frankfurt am Main (D) – Photo Installation on LED-Wall

2003
The New York Expo – Anthology Film Archiv New York (USA) –
New Media Project of the Dresden Academy of Fine Art – Presentation of Video Works

2001
Szenenwechsel – Staatsschauspiel Dresden (D) – Presentation of Video Works

Grants / prices

2015
Grant of the Stiftung Kunstfonds for the Year 2015
2012
Residency in the Deutsche Akademie Rom, Casa Baldi, Olevano Romano
2011
Residency in Art Lazareti, in Dubrovnik (HR)
International Artist Exchange of the City of Frankfurt am Main
2009
Video Project Algier (DZ) – Project Development
Goethe Institute Algiers, Algeria
2008
Grant for an exihibition project in Moscow (RU) – ifa
Institute for Foreign Cultural Relations
Residency in Moscow / Russia
by Hess Cultural Foundation
Video Project Almaty (KZ)
Goethe Institute Almaty, Kazakhstan
2007
Studio residency in Columbus / Ohio (USA)
by Ministery of Science and Art of Saxonia
2006
Grant for film project in Moscow (RU)
by Cultural Foundation of the State Saxonia
Grant for film project in Moscow (RU)
by DEFA Foundation
2004–2006
Studio Program of the City of Frankfurt/Main
2003/2004
Studio residency „dynamo.eintracht“
in Frankfurt am Main (D) by Cultural Foundation of the Dresdner Bank
2003
DAAD scholarship – École Nationale Superieure des Beaux-Arts – Paris (F)
2002
Award of Hegenbarth Fellowship
Penta Park Photo Prize
Erasmus scholarship – ENSBA – Paris (F)

Works in collections

Kunstfonds / Staatliche Kunstsammlungen Dresden – Art Collection
National Centre for Contemporary Arts – NCCA, Moskau
Städtische Galerie Dresden – Art Collection
Kunstsammlung der Dresdner Bank / Art Collection, Commerzbank AG, Frankfurt am Main
Hessisches Baumanagement, Frankfurt am Main
Kunstsammlung der Ostsächsischen Sparkasse Dresden / Art Collection
Art Collection of Manuel de Santaren, New York, Guggenheim
Collections in: Miami, Rotterdam, Hamburg, Frankfurt am Main, Berlin, Dresden

Martina Wolf
born 1971 in Wurzen/Sachsen Education 1988–1992 study at University Rostock 1992–1994 education in grafik design / project management 1997–2002 study at Dresden Academy of Fine Art project class of New Media – Diploma 2002–2005 masterclass in class of New Media of Lutz Dammbeck Dresden Academy of Fine Artmartinawolf.de Solo exhibitions (extract)2017so – Victoria Bar – Berlin – Space Installation / Photo Installation Wall Works #3 – Daniel Marzona – Berlin – Video Installations2016Reise nach Arglosen – Museum Bad Arolsen – Photo- and Video Installations – with Laura J. Padgett 2015 Meno male che ora è tutto diverso – Kunstverein, Rostock – Photo- and Video Installations 2014 ХОТЕЛИ КАК ЛУЧШЕ … – Oberfinanzdirektion / Regional Finance Office, Frankfurt am Main (D) – Photo- and Video Installations 2013 LESS – Schauraum Wiensowski & Harbord – Berlin (D) – Video Installations ZWISCHENDURCH: Konkrete Wände – Hannes Broecker und Martina Wolf – galerie baer, Dresden (D) – Photographs and Video Works 2011 Fenster, Wände – Weißfrauen Diakoniekirche – Frankfurt am Main (D) – Photographs and Video Works PLAZA SHOWS – Head Quarter, Commerzbank, Frankfurt am Main (D) – Photographs and Video Works 2010 Martina Wolf. – Goethe Institute Moscow (RU) – Video Works Sturm auf Berlin (Stroming of Berlin) – Galerie Anita Beckers, Frankfurt am Main (D) – Video Installation Tag des Sieges (Day of Victory) – Städtische Galerie Dresden (D) – Video Installation КУДА / WOHIN. Video Works – Ine Lamers and Martina Wolf – Motorenhalle. Project Centre for Contemporary Arts, Dresden (D) – Video Installation Lenin, Sieg und Wahrheit. Moscow Video Works – gallery baer, Dresden 2009 Day of Victory – VIDEOSPACE – Dresdner Bank / Commerzbank – Frankfurt am Main (D) – Video Work ОБЪЕКТ ВООБРАЖЕНИЯ / Object of imagination – Herbert Warmuth and Martina Wolf – NCCA – National Centre for Contemporary Arts, Moscow (RU) – Video Works 2008 ALMATY_house – Project Space of the Hess Cultural Foundation, Frankfurt am Main (D) – Video Works 2007 ZWIELING – Herbert Warmuth and Martina Wolf – mousonturm, Frankfurt am Main (D) – Installation, Video Works 2006 Der eigene Doppelsinn – Herbert Warmuth and Martina Wolf – gallery baer, Dresden (D) – Video Works HIAP open studios Helsinki – HIAP, Helsinki (FI) – Video Works 2005 sicht.auf.bau – Alexander Höfs and Martina Wolf – gallery baer, Dresden (D) – Photographs and Video Works Topografische Auslassungen – Ideenlabor, Frankfurt am Main (D) – Photographs 2004 Martina Wolf – Tower of the Dresdner Bank, Frankfurt am Main (D) – Photographs and Video Works 2003 Martina Wolf. RAUM II.2 – gallery gauche – ENSBA – École Nationale Supérieure des Beaux-Arts de Paris (F) – Photographs and Video Works 2002 RAUM II – Dresden Academy of Fine Arts – Installation Group exhibitions (extract)2018BACKSTAGE: die Rückseite / the rear side – Mehdi Chouakri – Berlin – Video Work2017Soft Architecture – Collection Finstral – Friedberg(Augsburg) – PhotographsBACKSTAGE: die Rückseite / the rear side – Gallery Sofie Van de Velde – Antwerp – Video Work2016Conceptual Landscapes – Galerie Mathais Güntner – HamburgREDUCING – Daniel Marzona – Berlin 2015 REDUCING – Daniel Marzona – Berlin – Julian Fickler, Olaf Holzapfel, Charlotte Posenenske, Michael Reiter, Gedi Sibony, Martina Wolf – Video Works Notes on the beginning of the short 20th century – Emil Filla Gallery – Ústí nad Labem (CZ) – Curators: Andrea Domesle und Frank Eckhradt – Video Installation That’s all – G262 – Sophie van de Velde – Antwerpen (BE) – Kirstin Arndt, Franka Hörnschemeyer, Olaf Holzapfel, Charlotte Posenenske, Michael Reiter, Martina Wolf – Video Works nur das – Galerie Martina Detterer – Frankfurt am Main – Charlotte Posenenske, Micheal Reiter, Kirstin Arndt, Martina Wolf – Video Installation and Video Works 2014 UPDATE/POSTMEMORY – International Video Art facing the East – Motorenhalle Dresden – Curator: Susanne Altmann 2013 LESS – Schauraum Wiensowski & Harbord – Berlin (D) – Charlotte Posenenske, Micheal Reiter, Martina Wolf – Video Works jetzt hier – Staatliche Kunstsammlungen Dresden (D) – Video Work 2012 Addition – galerie baer – Dresden (D) – Photograph dasselbe anders / immer dasselbe – Kunsthalle Wiesbaden (D) – Charlotte Posenenske, Peter Roehr, Micheal Reiter, Martina Wolf – Video Work OPEN STUDIOS – Deutsche Akademie Rom (I) – Villa Massimo – Video Works 2010 Playing the City 2 – SCHIRN, Kunsthalle, Frankfurt am Main (D) – Video Program Fishing a Dragon – KingKong-Contemporary – Video Block Display – Baroque Palace Mannheim (D) – Video Installation Unter Oberflächen – Galerie Delikatessenhaus – Leipzig (D) – Photographs 2009 OHNE UNS! – Motorenhalle Dresden (D) – Project Centre for Contemporary Arts, Dresden – Art & alternative Culture in Dresden before and after ‘89 – Curators: Frank Eckhard, Paul Kaiser – Video Work 2009 ВИДЕО ФОРМАТ [Linearity] – National Centre for Contemporary Arts, Moscow (RU) – International Video Exhibition – Curator: Karina Karaeva – Video Installation 2008 Moves – Kunsthalle Koidl, Berlin (D) – Extracts of the Art Collection of the Dresdner Bank, Frankfurt am Main – Photographs remarks on color_part II_german tendencies Exhibition – Priska Juschka Fine Art New York (USA) – Video Works 2007 HOT.DESTINATION IV – Motorenhalle Dresden (D) – Project Centre for Contemporary Arts, Dresden – Curators: Frank Eckhardt, Michal Kolecek – Photographs, Installation HOT.DESTINATION IV – Gallery Filla, Usti (CZ) – Curators: Frank Eckhardt, Michal Kolecek – Video Work, Installation 2006 Kulturinvest Dresden – Residencies of the Cultural Foundation Dresden (D) of the der Dresdner Bank – Oktogon, Dresden Academie of Fine Arts – Video Installation diStilled – Izmir (TÜ) – Exhibition Project with 8 international Artists – Video Works 2001 screenings 08 – MMK – Museum of Modern Arts Frankfurt am Main (D) – Presentation of the Project Class „New Media“ of the Dresden Academie of Fine Arts Screenings 2015 Video Workshop: Moving Stills – Faculty Of Fine Arts And Design – IZMIR ECONOMI ÜNVERSITESI (TR) 2011 Sasiedzi / Neighbors 2.0 – WAWEL Illumination – Cracow (PL) – Guest contribution by the City of Frankfurt am Main – Façade Projection onto Wawel 2010 Moscow Video Works – RGGU, Russian State University of Arts, Moscow (RU) – Lecture Table – Algier. 2009 – VIDEOSPACE, Commerzbank AG, Frankfurt am Main (D) – Video Installation Urban Photographs – Art Academie Berlin-Weißensee – Berlin (D) – Lecture Vicotory – Moskau. 2009 – VIDEOSPACE, Commerzbank AG, Frankfurt am Main (D) – Video Installation 2009 Video Works – MARCHI, Moscow Architecture Institute – Moscow (RU) – Lecture LOOP – Videoart Barcelona 2009 (ES) – Curator: Patrizia Monzani – Video Works The (re)production of space – VisualContainerTV – visualcontainer.twww.tv – Milano (I) – Curator: Patrizia Monzani – Video Works 2008 Videoarbeiten – SOROS Centre, Almaty (KZ) – Presentation / Lecture Videoarbeiten – Goethe Institute, Algiers (DZ) – Presentation / Lecture Videoarbeiten – Staatlichen Kunstakademie Almaty (KZ) – Presentation / Lecture directors lounge – Berlin (D) – Festival of Video and Media Arts in the Frame of the Berlinale – Presentationen of Video Works 2007 Video Works – Art Department der Ohio State, University, Columbus/Ohio (USA) – Presentation / Lecture Video Works – Columbus College of Art and Design, Columbus/Ohio (USA) – Presentation / Lecture 2004 Sommerfenster – Dresdner Bank, Frankfurt am Main (D) – Video Installation Angleichung – Dresdner Bank, Frankfurt am Main (D) – Photo Installation on LED-Wall 2003 The New York Expo – Anthology Film Archiv New York (USA) – New Media Project of the Dresden Academy of Fine Art – Presentation of Video Works 2001 Szenenwechsel – Staatsschauspiel Dresden (D) – Presentation of Video Works Grants / prices 2015 Grant of the Stiftung Kunstfonds for the Year 2015 2012 Residency in the Deutsche Akademie Rom, Casa Baldi, Olevano Romano 2011 Residency in Art Lazareti, in Dubrovnik (HR) International Artist Exchange of the City of Frankfurt am Main 2009 Video Project Algier (DZ) – Project Development Goethe Institute Algiers, Algeria 2008 Grant for an exihibition project in Moscow (RU) – ifa Institute for Foreign Cultural Relations Residency in Moscow / Russia by Hess Cultural Foundation Video Project Almaty (KZ) Goethe Institute Almaty, Kazakhstan 2007 Studio residency in Columbus / Ohio (USA) by Ministery of Science and Art of Saxonia 2006 Grant for film project in Moscow (RU) by Cultural Foundation of the State Saxonia Grant for film project in Moscow (RU) by DEFA Foundation 2004–2006 Studio Program of the City of Frankfurt/Main 2003/2004 Studio residency „dynamo.eintracht“ in Frankfurt am Main (D) by Cultural Foundation of the Dresdner Bank 2003 DAAD scholarship – École Nationale Superieure des Beaux-Arts – Paris (F) 2002 Award of Hegenbarth Fellowship Penta Park Photo Prize Erasmus scholarship – ENSBA – Paris (F) Works in collections Kunstfonds / Staatliche Kunstsammlungen Dresden – Art Collection National Centre for Contemporary Arts – NCCA, Moskau Städtische Galerie Dresden – Art Collection Kunstsammlung der Dresdner Bank / Art Collection, Commerzbank AG, Frankfurt am Main Hessisches Baumanagement, Frankfurt am Main Kunstsammlung der Ostsächsischen Sparkasse Dresden / Art Collection Art Collection of Manuel de Santaren, New York, Guggenheim Collections in: Miami, Rotterdam, Hamburg, Frankfurt am Main, Berlin, Dresden

Martina Wolf
Souda Bay SWIMMINGPOOL

Artist Martina Wolf
Year 2013
Duration 1:00:00 hrs
Technical info HD Video / Quicktime Movie H.264. / 1920x1080, 25p, Mute. Loop
Contact
Daniel Marzona
Daniel Marzona
Friedrichstraße 17
10969 Berlin
Germany

Phone: +49 30 54622140
E-Mail: info@danielmarzona.com

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de

About the video

20.9.2013, 11:25–12:25 (MESZ)
The ball dances on the surface, dances with its shadow and its reflection. Reflections and shadows change due to the ball’s movements and the movements of the water surface. The latter stir the geometry of the tiles’ raster.

Martina Wolf - Souda Bay SWIMMINGPOOL
20.9.2013, 11:25–12:25 (MESZ)The ball dances on the surface, dances with its shadow and its reflection. Reflections and shadows change due to the ball’s movements and the movements of the water surface. The latter stir the geometry of the tiles’ raster.

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