This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

64th International Short Film Festival Oberhausen 2018

In the course of more than five decades, the International Short Film Festival Oberhausen has become one of the world's most respected film events and in its 64th issue over 500 films were shown selected out of more than 7.000 films submitted.

Videoart at High Noon
Critics‘ Pick by Nicole Büsing and Heiko Klaas

Cologne/Brussels. How can video art be presented in a suitable way? While on “blinkvideo” you can enjoy watching video art comfortably from your couch, at your desk or on a train, viewing videos at art fairs often turns out to be quite a challenge. To concentrate on a work of moving pictures in the bustling atmosphere of an art fair requires maximum attention. And yet, this year’s Art Cologne and the simultaneous Art Brussels once more featured a number of intriguing video works, some of which we would like to present you here.

Christoph Faulhaber: Revolution & Architecture

Kunsthalle Osnabrück / June 15 to October 2, 2018
With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.

European Media Art Festival 2018

The various sections of the festival dealt primarily with one theme: the link between media art and journalism – under the heading “Report – Notes from Reality.” It was all about facebook data theft, interference in elections by secret services, the threat of trade war, and dubious arms exports.

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Breaking News
Von Kelterborn Collection

Over the past 20 years, the Frankfurt couple Mario and Julia von Kelterborn have put together a collection mostly of politically explosive, socially themed video art and photography by internationally known artists. It is their conviction that art can help us to understand the present day with all its complexity, contradictions and disturbing cruelty, but also its positive potential.

image: © Richard Mosse

Featured videos

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective. Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

image: Jesper Just, Servitudes (2015)

KINO DER KUNST

2017 a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

Anna Gaskell. Hide and Seek

Curated by Nadia Ismail

The Kunsthalle Gießen is pleased to present the first institutional solo-exhibition in Germany by the New York based artist Anna Gaskell (*1969 Des Moines/Iowa). The exhibition focuses on photographic and time-based works which have largely characterised the American artists Œuvre since 1996.

Duration: 27.01. - 08.04.2018

image: © Anna Gaskell and Light Manufacturing/Esto, Courtesy: Galerie Gisela Capitain, Köln

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

European Media Art Festival 2018

Works

The various sections of the festival dealt primarily with one theme: the link between media art and journalism – under the heading “Report – Notes from Reality.” It was all about facebook data theft, interference in elections by secret services, the threat of trade war, and dubious arms exports.

On blinkvideo you can watch a selection of the following films:

In their fourth collaborative film Zanny Begg (Sydney) and Oliver Ressler (Vienna) focus on Nauru, a tiny remote island in the Pacific with 10,000 inhabitants. The title “Anubumin” is Nauruan for “night” and symbolises a certain darkness that surrounds the island.

The sleeper by Alex Gerbaulet tells the stories of two different women, ten years apart, in two newspaper articles and nearly the same words. Up to the moment of their appearance between these newspaper lines, both women were invisible, forcefully concealed by their roles as wives and homemakers. Only for a brief moment did they claim visibility. Through acts of violence.

In the short film by Johan Grimonprez, philosopher/neurologist Raymond Tallis argues that consciousness is not an internal construct, but rather relational. Through the intriguing notion that humans are physically unable to tickle themselves, Tallis explores the philosophical notion that we become ourselves only through dialogue with others.

With Imperial Valley (cultivated run-off) Lukas Marxt shows one of California´s most important regions of industrial agriculture and at the same time becoming a place that is not yet or no longer natural and thereby appears eerie. A landscape post landscape (or its medial representation) is a geometric concept of lines, surfaces, points and colour spots, regardless whether of an animate or lifeless nature.

In her film Camp, Julia Charlotte Richter shows a small group of children who have set up a temporary camp. They are inside their sleeping bags, then they get up. Obviously, they all know their ritual, as if trying to conjure up a certain kind of spirit. It is an obscure scene full of strange actions and internalised moves ranging between obsession, child's play, hypnosis and worship.

When you drop off a bag of dirty laundry, who’s doing the washing and folding? The Washing Society brings us into New York City laundromats and the experiences of the people who work there. Collaborating together for the first time, filmmaker Lynne Sachs and playwright Lizzie Olesker observe the disappearing public space of the neighbourhood laundromat and the continual, intimate labour that happens there.

Before the rehearsal of Maya Schweizer, the comedy group Slow Children Crossing meeting in a private apartment to rehearse a new sketch between a microwave and a refrigerator. After the rehearsal the actors discuss marketing strategies for attracting greater media attention to their group. V

Clarissa Thieme's film REMEPLOV / TIME MACHINE is an artistic intervention of with a video message sent out by a group of young people in 1993 from the besieged city of Sarajevo. With a lot of black humor they imagine the escape from their enclosed hometown with a time machine.

European Media Art Festival 2018

Clarissa Thieme
Vremeplov / Time Machine

Artist Clarissa Thieme
Year 2018
Duration 15:00 min
Technical info Video Installation (Master VHS PAL transfer to SD Digital File, 15Min, Loop)
Contact

For further information contact blinkvideo
Phone: +49 172 4024342
E-Mail: info@blinkvideo.de

About the video

VREMEPLOV / TIME MACHINE 1993 I 2003 I 20XX I 2037 I 2320 I 2572

„The war has been going on for very long. I've tried everything to get out, to save myself, nothing worked. The only thing left is to make this videotape that I will give to my son, he to his, and so on, until a time machine is invented and someone watching this will come and get me out of this.“

VREMEPLOV / TIME MACHINE is an artistic intervention with a video message sent out by a group of young people in 1993 from the besieged city of Sarajevo. With a lot of black humor they imagine the escape from their enclosed hometown with a time machine.

Thieme activates the time machine again. The dialogue of the clip from 1993 is translated simultaneously into the local language of the exhibition space, performed by a member of the local community. The appeal from the past “Get me out of this” addresses our present (again). How will we react this time?

Thieme developed the work on the basis of an intense engagement with the Library Hamdija Kreševljaković Video Arhiv, a private collection of amateur videos made during the war in Sarajevo (1992-1996).


Credits

VREMEPLOV / TIME MACHINE by Clarissa Thieme

In collaboration with the Library Hamdija Kresevljaković Video Arhiv, Sarajevo

Performance / NN (performance) & Grace Sungeun Kim (installation)

Clarissa Thieme - Vremeplov / Time Machine
VREMEPLOV / TIME MACHINE 1993 I 2003 I 20XX I 2037 I 2320 I 2572„The war has been going on for very long. I've tried everything to get out, to save myself, nothing worked. The only thing left is to make this videotape that I will give to my son, he to his, and so on, until a time machine is invented and someone watching this will come and get me out of this.“VREMEPLOV / TIME MACHINE is an artistic intervention with a video message sent out by a group of young people in 1993 from the besieged city of Sarajevo. With a lot of black humor they imagine the escape from their enclosed hometown with a time machine. Thieme activates the time machine again. The dialogue of the clip from 1993 is translated simultaneously into the local language of the exhibition space, performed by a member of the local community. The appeal from the past “Get me out of this” addresses our present (again). How will we react this time?Thieme developed the work on the basis of an intense engagement with the Library Hamdija Kreševljaković Video Arhiv, a private collection of amateur videos made during the war in Sarajevo (1992-1996).

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.