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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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Yoi Kawakubo

Works


Galleries

Galerie Yamamoto Keiko Rocheix
Keiko Yamamoto
19 Goulston St
E1 7TP London
United Kingdom

Phone: +44 20 7247 1167
E-Mail: keiko@yamamotokeiko.com




Biography

1979
Born in Toledo, Spain


2003 BA in Human Sciences, Universtity of Tsukuba, Japan

2005 Leave MA in Human Sciences. Started career as finances trader.

2008 Leave finances market, start artistic career.


Selected Solo Exhibitions

2018
I/body/ghost, Yamamoto Keiko Rochaix, London

2017
Two million years of solitude, cherry blossoms and fifty thousand light years more, Koganecho Site-A, Yokohama, Japan

2016
Stella Maris was a name I found in a dream, Daiwa Foundation Japan House, London
Fall, Shiseido Gallery, Tokyo

2015
15,700 Suns, Project Sono-Aida, Tokyo
To tell a (hi)story, Husk Gallery, London

2013
Infininte vision, Tokyo arts Gallery, Tokyo
Beyond the horizon, SEIBU Shibuya Art Gallery, Tokyo

2012
Vortex blue, Mitsukoshi Ginza Art Gallery, Tokyo
The Colossus drive and the black sun, hpgrp Gallery Tokyo
Before night falls, Shinseido-Hatanaka, Tokyo
Speak the Unspeakable, Tokyo Wonder Site Hongo, Tokyo
The Heaven Underground, Gallery Speak for, Tokyo
From Dawn to Dusk, Takashimaya Shinjuku Art Gallery, Tokyo

2011
Still life, Shinseido-Hatanaka, Tokyo
Forgotten realms, H.P. France Marunouchi Gallery, Tokyo

2009
Between Heaven and Hell, Shinjuku Ganka Gallery, Tokyo

2008
Lucid Dream, Punctum, Tokyo


Selected Group Exhibitons


2018
Hello Arts Tropical, Arts Tropical, Okinawa, Japan
Secession, Hagiso, Tokyo

2017
All those ends, Arebyte London City Island, London
Kakegawa Chaennale, Kakegawa city hall, Japan
Yokohama Triennale 2017 - Islands, Constellations and Galapagos, Yokohama, Japan
Seize the uncertain day, The University Art Museum - Tokyo University of the Arts, Tokyo
Linguamania, Ashmolean Museum, Oxford

2016
From seeing to seen, Sezon Art Gallery, Tokyo
The 19th Taro Award for Contemporary Art, Taro Okamoto Museum of Art, Kawasaki

2015
The Vision of Contemporary Art 2015, The Ueno Royal Museum of Art, Tokyo

2014
Art after Fukushima and Tohoku (artist talk), ICA, London.
The Children of the Sun Dreaming of a Hidden Place, Tokyo Wonder Site Shibuya, Tokyo
Eyes of Nikon, Nikon Plaza Shanghai, Shanghai

2013
Tokyo Experimental Festival 2013, Tokyo Wonder Site Shibuya, Tokyo
Visceral Sensations, 21st Century Museum of Contemporary Art, Kanazawa, Japan
Sovereign Art Prize Finalists Exhibition 2012, Espace Louis Vuitton Singapore, Singapore
18th NHK HEART EXHIBITION, Japan touring exhibition
Landtschaft: Solitude und Katharsis, Shinseido Tokyo Berlin, Berlin

2012
13 Gunzou, Canon Gallery Ginza, Tokyo
The Scene, hpgrp Gallery Tokyo, Tokyo
KISS THE HEART#1, Mitsukoshi Nihonbashi Store, Tokyo

2011
+81 Tokyo Graphic Passport 2011 winners exhibition, 3331 Arts Chiyoda, Tokyo
Medium, Ohshima Fine Art, Tokyo
TOKYO WONDERWALL 2011, Museum of Contemporary Art, Tokyo
Images on twelve minds, Museum of Modern Art, Saitama

2010
Air, Space Womb, New York
LANDSCHAFT V, Radi-um Roengenwerke, Tokyo
Memories of Light and Shadow, Museum of Modern Art, Saitama
Tagboat DNAT, Sato Museum, Tokyo

2009
Photo Taipei 2009, Taipei

2008
Foto Tortuga, Museum of Modern Art, Saitama

2007
36th JAPA Awards, Metropolitan Museum of Photography, Tokyo


Awards and Grants


2016
Florence Trust Artist in Residency 2016
Fellow of Overseas Research Programme for Artists, Agency for Cultural Affairs, Government of Japan
10th Shiseido Art Egg Prize, nominee.
19th Taro Award for Contemporary Art, shortlist.

2015
Recipient for Grant for overseas research 2015-2016, POLA Art Foundation.
Ohara Museum of Art Prize,VOCA 2015.

2014
London-Tokyo Artist in residency Exchange Program (TWS-UAL), Chelsea College of Arts and Design
Program for Young Japanese Emerging Artists 2014, Japanese Agency for Cultural Affairs
Grant for Young artists, 2012-2013, The Contemporary Art Foundation, Japan

2013
Tokyo Wonder Site Creator in Residence 2013-2014

2012
Sovereign Asian Art Prize 2012, Finalist

2011
International Color Awards, Photography Masters Cup, Honorable Mention, Nominee
Kareizawa artist in residence, Aomori, Japan
Tokyo Wonderwall 2011, Nominee

2009
Tagboat Summer Awards 2009, First prize

Yoi Kawakubo
1979Born in Toledo, Spain 2003 BA in Human Sciences, Universtity of Tsukuba, Japan 2005 Leave MA in Human Sciences. Started career as finances trader. 2008 Leave finances market, start artistic career. Selected Solo Exhibitions 2018I/body/ghost, Yamamoto Keiko Rochaix, London 2017Two million years of solitude, cherry blossoms and fifty thousand light years more, Koganecho Site-A, Yokohama, Japan 2016Stella Maris was a name I found in a dream, Daiwa Foundation Japan House, LondonFall, Shiseido Gallery, Tokyo 201515,700 Suns, Project Sono-Aida, TokyoTo tell a (hi)story, Husk Gallery, London 2013Infininte vision, Tokyo arts Gallery, TokyoBeyond the horizon, SEIBU Shibuya Art Gallery, Tokyo 2012Vortex blue, Mitsukoshi Ginza Art Gallery, TokyoThe Colossus drive and the black sun, hpgrp Gallery TokyoBefore night falls, Shinseido-Hatanaka, TokyoSpeak the Unspeakable, Tokyo Wonder Site Hongo, TokyoThe Heaven Underground, Gallery Speak for, TokyoFrom Dawn to Dusk, Takashimaya Shinjuku Art Gallery, Tokyo 2011Still life, Shinseido-Hatanaka, TokyoForgotten realms, H.P. France Marunouchi Gallery, Tokyo 2009Between Heaven and Hell, Shinjuku Ganka Gallery, Tokyo 2008Lucid Dream, Punctum, Tokyo Selected Group Exhibitons 2018Hello Arts Tropical, Arts Tropical, Okinawa, JapanSecession, Hagiso, Tokyo 2017All those ends, Arebyte London City Island, LondonKakegawa Chaennale, Kakegawa city hall, JapanYokohama Triennale 2017 - Islands, Constellations and Galapagos, Yokohama, JapanSeize the uncertain day, The University Art Museum - Tokyo University of the Arts, TokyoLinguamania, Ashmolean Museum, Oxford 2016From seeing to seen, Sezon Art Gallery, TokyoThe 19th Taro Award for Contemporary Art, Taro Okamoto Museum of Art, Kawasaki 2015The Vision of Contemporary Art 2015, The Ueno Royal Museum of Art, Tokyo 2014Art after Fukushima and Tohoku (artist talk), ICA, London.The Children of the Sun Dreaming of a Hidden Place, Tokyo Wonder Site Shibuya, TokyoEyes of Nikon, Nikon Plaza Shanghai, Shanghai 2013Tokyo Experimental Festival 2013, Tokyo Wonder Site Shibuya, TokyoVisceral Sensations, 21st Century Museum of Contemporary Art, Kanazawa, JapanSovereign Art Prize Finalists Exhibition 2012, Espace Louis Vuitton Singapore, Singapore18th NHK HEART EXHIBITION, Japan touring exhibitionLandtschaft: Solitude und Katharsis, Shinseido Tokyo Berlin, Berlin 201213 Gunzou, Canon Gallery Ginza, TokyoThe Scene, hpgrp Gallery Tokyo, TokyoKISS THE HEART#1, Mitsukoshi Nihonbashi Store, Tokyo 2011+81 Tokyo Graphic Passport 2011 winners exhibition, 3331 Arts Chiyoda, TokyoMedium, Ohshima Fine Art, TokyoTOKYO WONDERWALL 2011, Museum of Contemporary Art, TokyoImages on twelve minds, Museum of Modern Art, Saitama 2010Air, Space Womb, New YorkLANDSCHAFT V, Radi-um Roengenwerke, TokyoMemories of Light and Shadow, Museum of Modern Art, SaitamaTagboat DNAT, Sato Museum, Tokyo 2009Photo Taipei 2009, Taipei 2008Foto Tortuga, Museum of Modern Art, Saitama 200736th JAPA Awards, Metropolitan Museum of Photography, Tokyo Awards and Grants 2016Florence Trust Artist in Residency 2016Fellow of Overseas Research Programme for Artists, Agency for Cultural Affairs, Government of Japan10th Shiseido Art Egg Prize, nominee.19th Taro Award for Contemporary Art, shortlist. 2015Recipient for Grant for overseas research 2015-2016, POLA Art Foundation.Ohara Museum of Art Prize,VOCA 2015. 2014London-Tokyo Artist in residency Exchange Program (TWS-UAL), Chelsea College of Arts and DesignProgram for Young Japanese Emerging Artists 2014, Japanese Agency for Cultural AffairsGrant for Young artists, 2012-2013, The Contemporary Art Foundation, Japan 2013Tokyo Wonder Site Creator in Residence 2013-2014 2012Sovereign Asian Art Prize 2012, Finalist 2011International Color Awards, Photography Masters Cup, Honorable Mention, NomineeKareizawa artist in residence, Aomori, JapanTokyo Wonderwall 2011, Nominee 2009Tagboat Summer Awards 2009, First prize

Yoi Kawakubo
The God of the Labyrinth

Artist Yoi Kawakubo
Year 2016
Duration 15:15 min
Edition of 5 + AE
Technical info single channel video with stereo sound
Contact
Galerie Yamamoto Keiko Rocheix
Keiko Yamamoto
19 Goulston St
E1 7TP London
United Kingdom

Phone: +44 20 7247 1167
E-Mail: keiko@yamamotokeiko.com

About the video

The story takes place far into the future, and is told in the first person by a clone/android whose mission is to colonise planets and prepare them to receive the humans who created him. On arriving on one of the planets, he begins exterminating all of its living creatures when he discovers a message coded in their DNA which was created million of years ago by the colonist clone/android and addressed to him, disclosing his origins and the history of the planet.

The work is a sophisticated amalgam of culture, language and literature. In this work Kawakubo dissects the Jorge Luis Borges short story ‘An Examination of the Work by Herbert Quain’ into individual alphabet letters, and reconstitutes them into a new story using all of, and only these, letters, to create a grand scale, advanced anagram. Viewers familiar with Borges’ original story may notice that the title of Kawakubo’s work “The God of the Labyrinth” is the fictitious novel mentioned within it. Thus through a Perec-like manoeuvre, Kawakubo affords the viewers the opportunity to encounter a possible story that Borges may have imagined.

The Importance of words and languages are prominent in his work. A few English words placed at the centre of the screen comprise the visual experience of each scene, as if to confirm the importance of every word and phrase. The Spanish and Japanese narrations are fed into left and right ears of a viewer separately and simultaneously, promoting reflection on relevance between languages as well as signifying and signified. A laconic, simple black screen without image, monotonous and affectless narration, and the single-note, drone audio accompaniment may evoke the abysmal depth of the universe, inviting the audience to imagine their own decor of the story.

Yoi Kawakubo - The God of the Labyrinth
The story takes place far into the future, and is told in the first person by a clone/android whose mission is to colonise planets and prepare them to receive the humans who created him. On arriving on one of the planets, he begins exterminating all of its living creatures when he discovers a message coded in their DNA which was created million of years ago by the colonist clone/android and addressed to him, disclosing his origins and the history of the planet. The work is a sophisticated amalgam of culture, language and literature. In this work Kawakubo dissects the Jorge Luis Borges short story ‘An Examination of the Work by Herbert Quain’ into individual alphabet letters, and reconstitutes them into a new story using all of, and only these, letters, to create a grand scale, advanced anagram. Viewers familiar with Borges’ original story may notice that the title of Kawakubo’s work “The God of the Labyrinth” is the fictitious novel mentioned within it. Thus through a Perec-like manoeuvre, Kawakubo affords the viewers the opportunity to encounter a possible story that Borges may have imagined. The Importance of words and languages are prominent in his work. A few English words placed at the centre of the screen comprise the visual experience of each scene, as if to confirm the importance of every word and phrase. The Spanish and Japanese narrations are fed into left and right ears of a viewer separately and simultaneously, promoting reflection on relevance between languages as well as signifying and signified. A laconic, simple black screen without image, monotonous and affectless narration, and the single-note, drone audio accompaniment may evoke the abysmal depth of the universe, inviting the audience to imagine their own decor of the story.

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