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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Lukas Marxt

Works


Galleries

Galerie Reinthaler
Agnes Reinthaler
Gumpendorfer Straße 53
A-1060 Wien
Austria

Phone: +43 699 10681871
E-Mail: office@agnesreinthaler.com




Biography

*1983, Austria
lives and works in Cologne and Graz

Education

2009 - 2012 Postgraduate program, Academy of Media Arts Cologne, Germany
2009 - 2010 Master pupil program, Academy of Visual Arts Leipzig, Germany
2007 - 2008 Belas Artes Lisboa, University Lisboa, Portugal
2004 - 2009 University of Arts and Industrial Design Linz, Audiovisuelle Gestaltung, Austria
2003 - 2004 Environmental Sciences for Geography, University Graz, Austria

Awards and Scholarships

2018
EMAF Media Art Award of the German Film Critics
Project grant Kunststiftung NRW, Germany

2017
USA Grant, NRW-Ministry MfKJKS, Germany
Project grant, Stiftung Kunstfonds, Germany
Nominee German Shortfilmprize, Germany

2016
START-Stipendium for Video- and Mediaart, BKA, Vienna, Austria
Art Prize of the Energie AG, Linz, Austria

2014 Diagonale Prize for Innovative Cinema, Austria
Scholarship Stiftung Kunstfonds, Germany
Lentos Art Award, Linz, Austria
Abroad Scholarship for Film, Graz, Austria
Forum Scholarship, Linz Austria
Media Art Prize Horb, Germany
Special mentions, Diagonale Graz, Austria
Special mentions, The Edith-Russ-Haus Award for Emerging Media Artists, Oldenburg
The TFHMF Award, Stockholm, Sweden

2013
Marler Video Art-Prize, Marl, Germany
Förderpreis des Landes Nordrhein-Westfalen, Germany
Spiridon Neven Dumont Prize, Cologne, Germany

2012
The Arctic Circle Residency Program, USA

2011
RWE Visit Stipendium, Germany

2010
Promotion Prize of the State of Styria, Austria

2009
Federal Ministary of Education, Science and Culture, Austria
Traileraward Filmriss, Salzburg, Austria

2007
Juryprize Filmriss, Salzburg, Austria
Special mentions, Crossing Europe, Linz, Austria


Solo Exhibition

2018
Torrance Art Museum, Los Angeles
Raum D: Digitale Projekte, mit Vanja Smiljanic, Künstlerhaus Halle für Kunst & Medien, Graz

2017
I ain´t coming down, 8 Quadrat, Cologne, Germany
Imperial Valley (cultivated run-off), Galerie Reinthaler, Vienna, Austria

2016
From Light to Cold, Weisse Haus, Vienna, Austria
Circular Inscription, 8 Quadrat, Köln, Germany
Selected Works by Lukas Marxt, Black Box Screening, Argos, Brussels, Belgium
Echoes from the Sky, Quatier am Hafen, with Vanja Smiljanic
Lukas Marxt, OK Offenes Kulturhaus, Linz, Austria
It seems to be loneliness but it is not with Jakub Vrba, Pinacoteca, Vienna, Austria

2015
Galerie Reinthaler, Vienna, Austria
Wunderschön und gut gelegen with Jakub Vrba, Schneiderei, Vienna Austria

2014
Studio Brugmann with Marcel Odenbach, Brussels, Belgium
Captive Horizon, Schmidt & Handrup, Cologne, Germany
Current Interception, Ortloff, Leipzig, Germany
Oscillated Horizon, Bruch & Dallas, Cologne, Germany

2013
Solid Interseption, Kunsthaus Graz, Austria
Directed Oscillation, Walzwerk, Düsseldorf, Germany
02:44:42 Ich habe Spaghetti gekocht, ich weiß nicht, wer ich bin. Ich habe ein Problem mit Mais. Das kann an der Dosis liegen. Ich nehme wieder ab. Ich habe schon mein ganzes Leben ein Problem mit Mais. Ich esse ihn gekocht mit Majonäse und mit Salat, Studio Dumont, Cologne, Germany


Group Exhibitions

2018
Steve Turner Galerie, Los Angeles
Höhenrausch, OK Offenes Kulturhaus, Linz, Austria
The Biennial of Painting, Deurle - Museum Dhondt-Dhaenens, Belgium

2017
ALMLA, The Artist Loft Museum, Los Angeles
House Turtel, Ungers Archiv für Architekturwissenschaft, Cologne
Ottignies-Louvain-la-Neuve Biennial, Brussels
Don't call it off-space, Weisse Haus, Vienna
On Photography, Stifting imai, Düsseldorf, Germany

2016
waterproof, Klingental, Basel, Swiss
A Thousand Horsepower, Barcelona, Spain
Energie AG, Linz, Austria

2015
Landschaft: Transformation einer Idee, Neuen Galerie, Graz, Austria
Monitoring, Kasseler Dok Festival, Germany
Städtische Galerie Neunkirchen, Germany
Art Nova 100, Beijing, China
Landscape in Motion, Kunsthaus, Graz, AustriaWRO Media Art Biennale, Wrocław, Poland
Landscape in Motion, Kunsthaus Graz, Austria
Terra Incognita, K.I.T., Düsseldorf, Germany
Suburban PS, Rotterdam, Netherlands
An Earthquake at the Racetracks, Museo de la Ciudad Guerrero, Mexico
Arte Laguna Prize, Arsenale, Venice, Italy
Kunstfestival Strom, Kunsthaus Rhenania, Cologne
LIQUID IDENTITIES, Ferry Gallery, Bangkok, Thailand

2014
Beyond the Summit, Schmidt & Handrup, Berlin, Germany
Edith-Russ-Haus Award for Emerging Media Artists, Oldenburg, Germany
Lentos Art Award, Lentos, Linz, Austria
Restaurering av inre rum, Stockholm, Sweden
Unbroken Cold Chain, Galerie Reinthaler, Vienna, Austria
new talents - biennale cologne 2014, Cologne, Germany

2013
Medienkunstpreis Horb, Germany
Marler Medienkunst-Preise, Skulpturenmuseum Glaskasten Marl, Germany
Landschaft, Ausstellungshalle, Frankfurt, Germany
PLAY, Galerie Ampersand, Cologne, Germany
Vkunst, Frankfurt, Germany
21. Bundeswettbewerb „KunststudentInnen stellen aus“, Bundeskunsthalle Bonn, Germany
medien.kunst.sammeln, Perspektiven einer Sammlung, Kunsthaus Graz, Austria
My Eyes Hurt, ArtCologne, Cologne, Germany

Lukas Marxt
*1983, Austrialives and works in Cologne and Graz Education 2009 - 2012 Postgraduate program, Academy of Media Arts Cologne, Germany2009 - 2010 Master pupil program, Academy of Visual Arts Leipzig, Germany2007 - 2008 Belas Artes Lisboa, University Lisboa, Portugal2004 - 2009 University of Arts and Industrial Design Linz, Audiovisuelle Gestaltung, Austria2003 - 2004 Environmental Sciences for Geography, University Graz, Austria Awards and Scholarships 2018 EMAF Media Art Award of the German Film CriticsProject grant Kunststiftung NRW, Germany 2017USA Grant, NRW-Ministry MfKJKS, GermanyProject grant, Stiftung Kunstfonds, GermanyNominee German Shortfilmprize, Germany 2016 START-Stipendium for Video- and Mediaart, BKA, Vienna, AustriaArt Prize of the Energie AG, Linz, Austria 2014 Diagonale Prize for Innovative Cinema, AustriaScholarship Stiftung Kunstfonds, GermanyLentos Art Award, Linz, AustriaAbroad Scholarship for Film, Graz, AustriaForum Scholarship, Linz AustriaMedia Art Prize Horb, GermanySpecial mentions, Diagonale Graz, AustriaSpecial mentions, The Edith-Russ-Haus Award for Emerging Media Artists, OldenburgThe TFHMF Award, Stockholm, Sweden 2013 Marler Video Art-Prize, Marl, GermanyFörderpreis des Landes Nordrhein-Westfalen, GermanySpiridon Neven Dumont Prize, Cologne, Germany 2012 The Arctic Circle Residency Program, USA 2011 RWE Visit Stipendium, Germany 2010 Promotion Prize of the State of Styria, Austria 2009 Federal Ministary of Education, Science and Culture, AustriaTraileraward Filmriss, Salzburg, Austria 2007 Juryprize Filmriss, Salzburg, AustriaSpecial mentions, Crossing Europe, Linz, Austria Solo Exhibition 2018 Torrance Art Museum, Los AngelesRaum D: Digitale Projekte, mit Vanja Smiljanic, Künstlerhaus Halle für Kunst & Medien, Graz 2017 I ain´t coming down, 8 Quadrat, Cologne, GermanyImperial Valley (cultivated run-off), Galerie Reinthaler, Vienna, Austria 2016 From Light to Cold, Weisse Haus, Vienna, AustriaCircular Inscription, 8 Quadrat, Köln, GermanySelected Works by Lukas Marxt, Black Box Screening, Argos, Brussels, BelgiumEchoes from the Sky, Quatier am Hafen, with Vanja SmiljanicLukas Marxt, OK Offenes Kulturhaus, Linz, AustriaIt seems to be loneliness but it is not with Jakub Vrba, Pinacoteca, Vienna, Austria 2015 Galerie Reinthaler, Vienna, AustriaWunderschön und gut gelegen with Jakub Vrba, Schneiderei, Vienna Austria 2014 Studio Brugmann with Marcel Odenbach, Brussels, BelgiumCaptive Horizon, Schmidt & Handrup, Cologne, GermanyCurrent Interception, Ortloff, Leipzig, GermanyOscillated Horizon, Bruch & Dallas, Cologne, Germany 2013 Solid Interseption, Kunsthaus Graz, AustriaDirected Oscillation, Walzwerk, Düsseldorf, Germany02:44:42 Ich habe Spaghetti gekocht, ich weiß nicht, wer ich bin. Ich habe ein Problem mit Mais. Das kann an der Dosis liegen. Ich nehme wieder ab. Ich habe schon mein ganzes Leben ein Problem mit Mais. Ich esse ihn gekocht mit Majonäse und mit Salat, Studio Dumont, Cologne, Germany Group Exhibitions 2018 Steve Turner Galerie, Los AngelesHöhenrausch, OK Offenes Kulturhaus, Linz, AustriaThe Biennial of Painting, Deurle - Museum Dhondt-Dhaenens, Belgium 2017 ALMLA, The Artist Loft Museum, Los AngelesHouse Turtel, Ungers Archiv für Architekturwissenschaft, CologneOttignies-Louvain-la-Neuve Biennial, BrusselsDon't call it off-space, Weisse Haus, ViennaOn Photography, Stifting imai, Düsseldorf, Germany 2016 waterproof, Klingental, Basel, SwissA Thousand Horsepower, Barcelona, SpainEnergie AG, Linz, Austria 2015 Landschaft: Transformation einer Idee, Neuen Galerie, Graz, AustriaMonitoring, Kasseler Dok Festival, GermanyStädtische Galerie Neunkirchen, GermanyArt Nova 100, Beijing, ChinaLandscape in Motion, Kunsthaus, Graz, AustriaWRO Media Art Biennale, Wrocław, PolandLandscape in Motion, Kunsthaus Graz, AustriaTerra Incognita, K.I.T., Düsseldorf, GermanySuburban PS, Rotterdam, NetherlandsAn Earthquake at the Racetracks, Museo de la Ciudad Guerrero, MexicoArte Laguna Prize, Arsenale, Venice, ItalyKunstfestival Strom, Kunsthaus Rhenania, CologneLIQUID IDENTITIES, Ferry Gallery, Bangkok, Thailand 2014 Beyond the Summit, Schmidt & Handrup, Berlin, GermanyEdith-Russ-Haus Award for Emerging Media Artists, Oldenburg, GermanyLentos Art Award, Lentos, Linz, AustriaRestaurering av inre rum, Stockholm, SwedenUnbroken Cold Chain, Galerie Reinthaler, Vienna, Austrianew talents - biennale cologne 2014, Cologne, Germany 2013 Medienkunstpreis Horb, GermanyMarler Medienkunst-Preise, Skulpturenmuseum Glaskasten Marl, GermanyLandschaft, Ausstellungshalle, Frankfurt, GermanyPLAY, Galerie Ampersand, Cologne, GermanyVkunst, Frankfurt, Germany21. Bundeswettbewerb „KunststudentInnen stellen aus“, Bundeskunsthalle Bonn, Germanymedien.kunst.sammeln, Perspektiven einer Sammlung, Kunsthaus Graz, AustriaMy Eyes Hurt, ArtCologne, Cologne, Germany

Lukas Marxt
Cape Ground

Artist Lukas Marxt
Year 2016
Duration 26:27 min
Contact
Galerie Reinthaler
Agnes Reinthaler
Gumpendorfer Straße 53
A-1060 Wien
Austria

Phone: +43 699 10681871
E-Mail: office@agnesreinthaler.com

About the video

Referring to a study that the Bosphorus repeatedly reversed flow direction over geological time, and that it still has two streams flowing in opposite directions, Lukas Marxt calls upon this strait with the binary current, as a metaphor for the binary relation between Culture and Nature.

A clash…

In Cape Ground, Windows 95 desktop landscape is being invaded by rocketing skyscrapers, taken over by the hyper-gentrifying processes, and that familiar comforting green meadow has mutated into a field for mass food production.

A clash…yet, something is mesmerising in it.

Bewitched by the pannings of the digitally zoomed-in landscape, the spectator is invited to drift through the abstract forms, pondering on notions of scale, and relations between close and distant, involvement and disengagement, romance and reality.

In order to emphasise this dichotomy Marxt has placed the construction of the controversial Yavuz Sultan Selim Bridge, a symbolically charged meeting place between Asia and Europe, as a leitmotiv of the video.


Vanja Smiljanic

Lukas Marxt - Cape Ground
Referring to a study that the Bosphorus repeatedly reversed flow direction over geological time, and that it still has two streams flowing in opposite directions, Lukas Marxt calls upon this strait with the binary current, as a metaphor for the binary relation between Culture and Nature. A clash… In Cape Ground, Windows 95 desktop landscape is being invaded by rocketing skyscrapers, taken over by the hyper-gentrifying processes, and that familiar comforting green meadow has mutated into a field for mass food production. A clash…yet, something is mesmerising in it. Bewitched by the pannings of the digitally zoomed-in landscape, the spectator is invited to drift through the abstract forms, pondering on notions of scale, and relations between close and distant, involvement and disengagement, romance and reality. In order to emphasise this dichotomy Marxt has placed the construction of the controversial Yavuz Sultan Selim Bridge, a symbolically charged meeting place between Asia and Europe, as a leitmotiv of the video. Vanja Smiljanic

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