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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Ann Oren

Works


Statement

My films, videos and installations explore the performative quality of everyday life by tracing its cultural and historical origins. As social media invites our fictitious personas to come forth, true intimacy increasingly gives way to a dynamic of performers and audiences. When everyone is both a viewer and a “star”, the line between exhibitionism, voyeurism and spectatorship evaporates. Similarly, the characters in my projects exist in the liminal space between performers and viewers.

Working at the perplexing intersection of the narrative and the conceptual, I use narrative elements to lure viewers emotionally into a space that engages both critical thinking and the affective dimension. Ordinary behaviors are exaggerated to highlight the theatricality of the everyday, and presented in a dialogue with our collective legends from the history of literature, theater, and cinema.

www.annoren.com


Biography

Education

2009 Skowhegan School of Art, ME.
2007 The School of Visual Arts, NY. MFA. Major: Fine Arts.
2004 The School of Visual Arts, NY. BFA. Major: Film & Television.


Solo Screenings, Exhibitions and Commissions

2017
THE WORLD IS MINE New Horizons Film Festival, Wroclaw, Poland.
THE WORLD IS MINE Dok Leipzig.
THE WORLD IS MINE New Orleans Film Festival.
DEUX FEMMES Ann Arbor Film Festival.
THE WORLD IS MINE Olympia Film Festival, Olympia, WA.
THE WORLD IS MINE Sound Unseen Film Festival, Minneapolis, MT.

2016
THE SUPREME SPASM Künstlerhaus Bethanien, Berlin.
THE SUPREME SPASM Cindy Rucker Gallery, New York, NY.

2015
InContact APEXART, NY.

2013
InContact The Tel-Aviv Cinematheque.
InContact Carnegie Mellon Film Festival.

2012
InContact Anthology Film Archives. New York, NY.
InContact The Social Media Film Festival, Las Vegas.

2010
COLOR OCCURRENCE MediaLab Prado, Madrid. In collaboration with Zevan Rosser.

2009
IN SECURITY multi-media play, collaboration with Unbound Collective. 3LD, New York, NY.


Group Exhibitions and Screenings (Selected)

2017
B3 Biennial of the Moving Image,Frankfurt.
The Praders, with Locarno Film Festival, a program dedicated to artists' films, Switzerland.
Space Odyssey beyond Material Confinements, Radiator Gallery, New York.
Musrara Mix Festival, Jerusalem.
Videoformes 2017, Clermont-Ferrand, France.

2016
Custom Paradise SomoS Art, Berlin.
ULTImate Event DISKURS, Berlin.
Seattle Transmedia & Independent Film Festival.
DELETE TV - Broadcast exhibition program. ch. LA36, Los Angeles/ch. C31 Melbourne.

2015
the trees the trees the trees Cindy Rucker Gallery, NY, NY.
Roots On The Ground Floor, LA.
NewFilmmakers Anthology Film Archives. New York, NY.
artvideoKOELN German-Japanese Cultural Centre Cologne, Germany.

2014
Le Deuxieme Sexe Nuit Blanche aux Salaisons, Les Salaisons, Paris.
Preliminary Study: RSI –T, Slag Gallery, Brooklyn, NY/ Muskegon Museum of Art, MI.
FILE Festival FIESP Cultural Centre - Ruth Cardoso, Sau Paulo, Brasil.
Seoul International NewMedia Festival.

2013
WRO Art Center Biennale Wroclaw, Poland.
F_ll in the bl_nk. Nars Foundation. Brooklyn, NY.

2012
EPOS - Cinepublika The Tel-Aviv Museum of Art.
Me Pix Rochester Contemporary Art Center, NY.
Re-new / The Interactive Media Arts Conference (IMAC) Copenhagen.
The Double Cabinet, NY and LAXART, LA.
Skowhegan at 92YTribeca, NY.

2010
Moscow Biennale of Young Art Tsaritsyno Museum, Moscow.
Media Façade Festival Europe 2010 Collegium Hungaricum, Berlin.
NewTown: Convergences The Armory Center for the Arts, Pasadena, CA.
(IN)TANGIBLE Taller Boricua, NY, NY.

2009
WRO 13th Media Art Biennale WRO Art Center, Wroclaw, Poland.

2008
Come Out & Play APEXART, New York, NY.

2007
Crude Technology The Annex, Whitebox, NYC.
View From Here PS122, New York, NY.
$960,000+ SVA gallery, New York, NY.

2006
Too much freedom? ‘Freewaves’, The Hammer museum, LA.


Awards

2017
Best Artwork Award, B3 Moving Image Biennial, Frankfurt.
The New York State Council on the Arts Project Grant
2016
Rabinovich Foundation Grant
Israel Lottery Council for Culture and Arts Grant
Ostrovsky Family Fund Grant
2014
New Artist Award, NeMaf
Seoul International NewMedia Festival.
Nars Foundation Fellowship
2012
Special Jury Award, The Social Media Film Festival.
2009
Spiro Arts Fellowship.
2008
The Jerome Foundation Travel and Study Grant.
2006-2007
Scholarship from The School of Visual Arts.
2004
Visual arts fund grant, The School of Visual Arts.
2003
The National board of reviews New York Grant


Residencies

2015 - 2016
Künstlerhaus Bethanien, Berlin.
2014
Nars Foundation, NY.
2013
I-Park, Connecticut.
Aljira Emerge 11, NJ.
2010
NES, Skagaströnd, Iceland.
Open Up MediaLab Prado, Madrid, Spain.
2009
Spiro Arts Park City, UT.

Ann Oren
Education2009 Skowhegan School of Art, ME.2007 The School of Visual Arts, NY. MFA. Major: Fine Arts.2004 The School of Visual Arts, NY. BFA. Major: Film & Television.Solo Screenings, Exhibitions and Commissions2017THE WORLD IS MINE New Horizons Film Festival, Wroclaw, Poland.THE WORLD IS MINE Dok Leipzig.THE WORLD IS MINE New Orleans Film Festival.DEUX FEMMES Ann Arbor Film Festival.THE WORLD IS MINE Olympia Film Festival, Olympia, WA.THE WORLD IS MINE Sound Unseen Film Festival, Minneapolis, MT.2016THE SUPREME SPASM Künstlerhaus Bethanien, Berlin.THE SUPREME SPASM Cindy Rucker Gallery, New York, NY.2015InContact APEXART, NY.2013InContact The Tel-Aviv Cinematheque.InContact Carnegie Mellon Film Festival.2012InContact Anthology Film Archives. New York, NY.InContact The Social Media Film Festival, Las Vegas.2010COLOR OCCURRENCE MediaLab Prado, Madrid. In collaboration with Zevan Rosser.2009IN SECURITY multi-media play, collaboration with Unbound Collective. 3LD, New York, NY.Group Exhibitions and Screenings (Selected)2017B3 Biennial of the Moving Image,Frankfurt.The Praders, with Locarno Film Festival, a program dedicated to artists' films, Switzerland.Space Odyssey beyond Material Confinements, Radiator Gallery, New York.Musrara Mix Festival, Jerusalem.Videoformes 2017, Clermont-Ferrand, France.2016Custom Paradise SomoS Art, Berlin.ULTImate Event DISKURS, Berlin.Seattle Transmedia & Independent Film Festival.DELETE TV - Broadcast exhibition program. ch. LA36, Los Angeles/ch. C31 Melbourne.2015the trees the trees the trees Cindy Rucker Gallery, NY, NY.Roots On The Ground Floor, LA.NewFilmmakers Anthology Film Archives. New York, NY. artvideoKOELN German-Japanese Cultural Centre Cologne, Germany.2014Le Deuxieme Sexe Nuit Blanche aux Salaisons, Les Salaisons, Paris.Preliminary Study: RSI –T, Slag Gallery, Brooklyn, NY/ Muskegon Museum of Art, MI.FILE Festival FIESP Cultural Centre - Ruth Cardoso, Sau Paulo, Brasil.Seoul International NewMedia Festival.2013WRO Art Center Biennale Wroclaw, Poland.F_ll in the bl_nk. Nars Foundation. Brooklyn, NY.2012 EPOS - Cinepublika The Tel-Aviv Museum of Art.Me Pix Rochester Contemporary Art Center, NY.Re-new / The Interactive Media Arts Conference (IMAC) Copenhagen.The Double Cabinet, NY and LAXART, LA.Skowhegan at 92YTribeca, NY.2010Moscow Biennale of Young Art Tsaritsyno Museum, Moscow.Media Façade Festival Europe 2010 Collegium Hungaricum, Berlin.NewTown: Convergences The Armory Center for the Arts, Pasadena, CA.(IN)TANGIBLE Taller Boricua, NY, NY.2009WRO 13th Media Art Biennale WRO Art Center, Wroclaw, Poland.2008Come Out & Play APEXART, New York, NY.2007Crude Technology The Annex, Whitebox, NYC.View From Here PS122, New York, NY.$960,000+ SVA gallery, New York, NY.2006Too much freedom? ‘Freewaves’, The Hammer museum, LA.Awards2017Best Artwork Award, B3 Moving Image Biennial, Frankfurt.The New York State Council on the Arts Project Grant2016Rabinovich Foundation GrantIsrael Lottery Council for Culture and Arts GrantOstrovsky Family Fund Grant2014New Artist Award, NeMafSeoul International NewMedia Festival.Nars Foundation Fellowship2012Special Jury Award, The Social Media Film Festival.2009Spiro Arts Fellowship.2008The Jerome Foundation Travel and Study Grant.2006-2007Scholarship from The School of Visual Arts.2004Visual arts fund grant, The School of Visual Arts.2003The National board of reviews New York GrantResidencies2015 - 2016Künstlerhaus Bethanien, Berlin.2014Nars Foundation, NY.2013I-Park, Connecticut.Aljira Emerge 11, NJ.2010NES, Skagaströnd, Iceland.Open Up MediaLab Prado, Madrid, Spain.2009Spiro Arts Park City, UT.

Ann Oren
NATURE SPEAKS TO SELF. ONLY.

Artist Ann Oren
Year 2017
Duration 8:00 min
Edition 5 + 2 AE
Technical info Digital file loop
Contact

About the video

NATURE SPEAKS TO SELF. ONLY. weaves excerpts from two consecutive lead roles by Keir Dullea, the American actor known for his portrayal of David Bowman, the astronaut in Kubrick’s 2001: A Space Odyssey (1968). In the video, Dullea as astronaut gets to peek at himself in his following film role, as the title character of De Sade (1969). Superimposed using imbedded spaceship screens, the sequence is narrated by the later, with a short cameo by Hal 9000. From sophisticated Sci-Fi to period erotic drama, both films are noted for their psychedelic sensibilities and fit into the category of fantasy film.

If fantasy is the power of creating improbable mental images in response to a psychological need, then today’s many forms of virtual engagement – from social media and cybersex to virtual gaming – enable an individual to privately fulfill their desire while participating in a networked community. In NATURE SPEAKS TO SELF. ONLY., the two Keirs become entangled in a logic of pleasure and guilt, voyeurism and the performance of the self – much as it exists in today’s pervasive online consciousness.


Credits

Ann Oren

Ann Oren - NATURE SPEAKS TO SELF. ONLY.
NATURE SPEAKS TO SELF. ONLY. weaves excerpts from two consecutive lead roles by Keir Dullea, the American actor known for his portrayal of David Bowman, the astronaut in Kubrick’s 2001: A Space Odyssey (1968). In the video, Dullea as astronaut gets to peek at himself in his following film role, as the title character of De Sade (1969). Superimposed using imbedded spaceship screens, the sequence is narrated by the later, with a short cameo by Hal 9000. From sophisticated Sci-Fi to period erotic drama, both films are noted for their psychedelic sensibilities and fit into the category of fantasy film. If fantasy is the power of creating improbable mental images in response to a psychological need, then today’s many forms of virtual engagement – from social media and cybersex to virtual gaming – enable an individual to privately fulfill their desire while participating in a networked community. In NATURE SPEAKS TO SELF. ONLY., the two Keirs become entangled in a logic of pleasure and guilt, voyeurism and the performance of the self – much as it exists in today’s pervasive online consciousness.

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