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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Reynold Reynolds

Works


Statement

Influenced early on by philosophy and science, and working primarily with 16mm as an art medium, Reynold Reynolds has developed a film grammar based on transformation, consumption and decay. Detailed evolving symbols and allusive references create a powerful pictorial language based on Reynolds’ analytical point of view. His depiction of people often makes us aware of the small frames we use to understand reality. By subtly altering the regular conditions of life and watching their effects, he transfers the experimental methods of science to filmmaking, where he frames reality in his laboratory and changes one variable at a time to reveal an underlying causality.


Biography

Born in 1966 in Central Alaska, USA

Solo exhibitions

2015
Reynold Reynolds, 2÷7, Casa Maauad, Mexico City, Mexico
Reynold Reynolds; Almost Six Pieces, Dazibao, Montreal, Canada

2014
Reynold Reynolds: Six or Seven Pieces Retrospective of 13 Installations, Kunstpalais Erlangen, Germany
Reynold Reynolds: The Lost, MUAC Mexico City, Mexico

2013
Reynold Reynolds: The Lost, Galerie Zink, Berlin, Germany
Reynold Reynolds: The Lost at Volkspaleis, West, The Hague, The Netherlands
Reynold Reynolds/ The Secrets Trilogy, Casa Maauad, Mexico D.F
Reynold Reynolds, Christopher Grimes Gallery, Santa Monica, CA

2012
Reynold Reynolds- Five work Retrospective, Videotage, Hong Kong
Reynold Reynolds- The Lost fragments and five works, Galeria Arsenal, Bialystok, Poland
Reynold Reynolds- The Lost, Lokal_30 Warsaw, Poland

2011
The Lost: Film Performances, Galerie Zink, Berlin, Germany
Reynold Reynolds: Six Pieces, West, The Hague, The Netherlands
Video des Monats #68: Reynold Reynolds – Secrets Trilogy, Kunsthalle Wien, Austria
Apocalypso Place; The collaborations of Reynold Reynolds & Christoph Draeger, Lokal_30, Warsaw, Poland
Labor Berlin #4: Reynold Reynolds: The Secrets Trilogy, Haus der Kulturen der Welt, Berlin, Germany

2010
Cuatro Instalaciones de Cine, Centro de Cultura Antiguo Instituto, Gijon, Spain
Reynold Reynolds ‘Six Apartments and Secret Life’, Galerie Zink, Munich, Germany

2009
Reynold Reynolds: FILMS, Institut für Moderne Kunst Nürnberg/Zumikon, Germany
Six Easy Pieces: Film performances, Invaliden1, Berlin, Germany
Burn, Nassauischer Kunstverein, Wiesbaden, Wiesbaden, Germany
Reynold Reynolds: Six Not So Easy Pieces, basis, Frankfurt/M, Germany

2008
Reynold Reynolds: Life and Machine, COMA, Berlin, Germany
Reynold Reynolds, Raum für Video: Figge von Rosen, Cologne, Germany

2007
Six Apartments, Roebling Hall, New York, NY
Six Apartments, Galerie Alexandra Saheb, Berlin, Germany

2005
Burn, Vita Kuben. Umeå, Sweden
Sugar, Galerie Alexandra Saheb, Berlin, Germany
Sugar, Roebling Hall, New York, NY

2004
Reynold Reynolds- Stadtplan, Künstlerhaus Bethanien, Berlin

2002
Burn, Roebling Hall, New York, NY

2000
The Drowning Room, Roebling Hall, New York, NY
Apocalypso Place/Fall Season, Kunsthaus, Zurich, Switzerland (in collaboration with Christoph Draeger)

1999
Apocalypso Place, LiebmanMagnan Gallery, New York, New York (in collaboration with Christoph Draeger)

Selected group exhibitions

2015
Exo-Evolution, ZKM Karlsruhe, Germany
Zeitgeist – A Arte da nova Berlim, Centro Cultural Banco do Brasil, Belo Horizonte, Brazil
TELE-Gen.The Language of Television as Reflected in Art 1964–2015, Kunstmuseum Bonn, Germany
Brave New World Ltd., DOX Centre of Contemporary Art Prague, Czech Republic

2014
MADATAC 06, Centro Centro Palacio de Cibeles, Madrid, Spain
SOUS SURVEILLANCE/UNTER VERDACHTNIS, Goethe Institut Paris, France
Marler Video Kunst-Preis 2014, Skulpturenmuseum Glaskasten Marl, Germany
Inside, Palais de Tokyo, Paris, France
Fear & Desire, Young Projects, Los Angeles, USA
Distance to Zero, Garage Rotterdam, The Netherlands
Megapolis, ERES Stiftung, München, Germany
Home Sweet Home, À propos de l’inquiétude, Dazibao, Montreal, Canada
Time and Again- CINQUE MOSTRE 2014 (Concrete Ghost), American Academy in Rome, Rome, Italy
Beyond Earth Art, Johnson Museum of Art, Cornell Ithaca, USA

2013
VII Tashkent Biennale of Contemporary Art, ‘Different Cultures – One World’, Tashkent, Uzbekistan
‘YOU ARE THE COMPANY IN WHICH YOU KEEP’, Northern Gallery for Contemporary Art, UK
Wine Me, Dine Me, 2A Gallery, Los Angeles
fALSE fAKES, Centre de la Photographie Genève, Switzerland
EXPO 1: NEW YORK, MoMA PS1, New York, USA
HEIMsuchung: Unsafe Spaces in Contemporary Art, Kunstmuseum Bonn, Germany
Super 8, MAM- Museum of Modern Art, Rio de Janeiro, Brazil
I HAVE A DREAM, SMCA, Thessaloniki State Museum of Contemporary Art , Greece
Cultural Freedom in Europe– Sint Lukas/ Goethe Institut, Brussels
Accumulations – A Themed Video Art Exhibition, Galerie Sherin Najjar Berlin, Germany

2012
Sammlung neue kunst VI , H2 Zentrum für Gegenwartskunst im Glaspalast Augsburg, Germany
Based on a true story, Salvador Allende Museum of Contemporary Art, Santiago Chile
Video Container, week 5: Reynold Reynolds- Last Day of the Republic, MMX Berlin
9 + 1 Ways of Being Political, MoMA New York, NY
Super 8, Künstlerhaus Bethanien, Berlin, Germany
Behind Landscape, H2-Zentrum für Gegenwartskunst im Glaspalast Augsburg, Germany
Raum für Video: 8 Wochen / 8 Künstler, Figge von Rosen Galerie, Berlin, Germany
Videoformes@Galerie Odile Ouizeman, Galerie Odile Ouizeman, Paris, France
I have a dream, Wrocław Contemporary Museum, Wrocław, Poland
Seeing Things – Kleine Humboldt Galerie, Berlin
Made in Germany Zwei, Kestnergesellschaft/Sprengel Museum, Hanover, Germany
Supertemporal. International Video Art Today, Kulturhuset Stockholm, Sweden
Certains pleurent d’émotion devant les équations de Maxwel, Galerie Odile Ouizeman, Paris, France
Suspension, Young Projects Gallery, Los Angeles, CA
Super 8, Yerba Buena Center for the Arts, San Francisco, CA

2011
Super 8, Christopher Grimes Gallery, Santa Monica, CA
Videonale-Donetsk – Foundation Isolyatsia Platform for Cultural Initiatives, Donetsk
Knotting: Swarm in the Era of Digital Media, National Taiwan Museum of Fine Arts, Taiwan
Small Fires, Sint-Lukasgalerie, Brussels, Belgium
Open Frame II, Centre Regional d’Art Contemporain Languedoc-Roussillon, Sète, France
Über die Metapher des Wachstums, Kunstverein Hannover, Germany
Videonale 13, Kunstmuseum Bonn, Germany
Transmediale.11, RESPONSE:ABILITY, Haus der Kulturen der Welt, Berlin
gehen blühen fließen, Naturverhältnisse in der Kunst, Stadtgalerie Kiel, Kiel Germany
Monanism, opening exhibition, Museum of Old and New Art (MONA) Tasmania, Australia
Unwetter/Thunderstorm, Ayala Museum, Makati City, Philippines

2010
Höhepunkte der Kölner KunstFilmBiennale, Kunst Werke, Berlin, Germany
Forbidden Love: Art in the Wake of Television Camp, Kunstverein Medienturm, Graz, Austria
14. Marler Video Kunst-Preis, Skulpturenmuseum Glaskasten Marl, Germany
Intensif-Station, K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany
To the Elements!, Goethe-Institut NYC and Goethe-Institute Boston, MA
As Soon As Possible, Centro di Cultura Contemporanea Strozzina, Florence, Italy
Remote Vision, Arts Santa Monica, Barcelona, Spain
Unwetter: Video und Soundinstallation, Akademie der Künste, Berlin, Germany
Augentäuschung. Special Effects in der Gegenwartskunst, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany
Telling Stories, WUK Kunsthalle Exnergasse, Vienna, Austria

2009
Inclemencia del Tiempo – Centro de Exposiciones Subte, Montevideo
Best of Loop, Museum of Contemporary Art Pacific Design Center, West Hollywood, CA
Monitoring, Medienkunstausstellung im Rahmen des 26, Kasseler Dokumentarfilm und Videofestes, Kasseler Kunstverein, Kassel, Germany
3rd Moscow Biennale of Contemporary Art, Russia
Berlin 89/09, Kunst zwischen Spurensuche und Utopie, Berlinische Galerie, Berlin, Germany
Besuch aus Berlin, Galerie Z Im Kulturpark Berg, Stuttgart, Germany
Steppenwolf: oder das Geräusch des urbanen Raums, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin, Germany
unerreichbar ist gerade nah genug, Galerie Alexandra Saheb, Berlin, Germany
Bad Moon Rising 4, Galerie sans titre, Brussels, Belgium
2da. Bienal del Fin del Mundo, Intemperie -, Ushuaia, Argentina & Intempéries in Sao Paulo, Brazil
Kunst und Öffentlichkeit. 40 Jahre Neuer Berliner Kunstverein – NBK – Neuer Berliner Kunstverein, Berlin
Videonale 12, Bonn, Germany
VIDEOFORMES, 24th Digital culture & Video art International Festival
Berlin change plus vite que mon Coeur, Saint Sauveur Station, Lille, France
SIK: Spridd isolerad konst, Kalmar konstmuseum, Kalmar, Sweden
Transmediale 09 ‘Deep North’, Haus der Kulturen der Welt, Berlin, Germany

2008
Naturaleza Intervenida, Seville, Spain
Nicole Hoesli / Reynold Reynolds, Stiftung Binz 39, Zurich, Switzerland
Rhine on the Dnipro: J. Stoschek Collection: Destroy, she said, Pinchuk Art Center, Kiev, Ukraine
The 3rd Guangzhou Triennial, China
TONIGHT FORGET ABOUT YOUR HOUSES AND CARS, Union Gallery, London, UK
checkpoint berlin, Villa du Parc, Centre d’Art Contemporain, Annemasse, France
European Media Art Festival – Young Identities-Global Youth – Kunsthalle Dominikanerkirche, Osnabruck
Was Schläft: Syker Vorwerk, Zentrum für zeitgenössische Kunst, Syke, Germany
REYNOLD REYNOLDS and PATRICK JOLLEY / NICOLAS GUAGNINI / ALEX LARGE and LIANE SOMMERS, COMA, Berlin, Germany

2007
Berlin Noir, Perry Rubenstein Gallery, New York, NY
Krasnoyarsk Museum, Krasnoyarsk, Russia
Opening Kunsthalle Berlin-Lichtenberg, Kunsthalle Berlin, Lichtenberg, Berlin, Germany
Mayflies, Site Gallery, Sheffield, UK
No. 1: Destroy, she said, Julia Stoschek Collection, Dusseldorf, Germany
TO BE CONTINUED… (Was macht Video anders? Teil I), Galerie Anita Beckers, Frankfurt/Main, Germany
INTO ME/OUT OF ME, MACRO Testaccio (MACRO Future), Rome, Rome, Italy
Phantom Power, Carnegie Art Center, North Tonawanda, NY
Mobili, Nosadella.due, Bologna, Italy

2006
INTO ME/OUT OF ME, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin, Germany
Newark Between Us, Newark Arts Council, Newark, NJ
Constructing New Berlin, Bass Museum of Art, Miami, FL
INTO ME/ OUT OF ME, MoMA P.S.1, New York, NY
Elements – Carrie Haddad Gallery, Hudson, NY
Constructing New Berlin, Phoenix Art Museum, Phoenix, AZ
4th Berlin Biennale für Zeitgenössische Kunst, Kunst Werke, Berlin, Germany

2005
11ème Biennale de l’Image en Mouvement, Biennale de l’Image en Mouvement, Geneva, Switzerland
LEAVES OF CRAB GRASS, Hallwalls Contemporary Arts Center, Buffalo, NY
Urbane Realitäten: Fokus Istanbul, Martin-Gropius-Bau, Berlin, Germany
presencias/ausencias, CAB Centro de Arte Caja Burgos, Burgos, Spain

2004
Galerie Anita Beckers, Frankfurt, Germany
Dwelling, Tina Kim Gallery, New York, NY
Parodie, Galerie les filles du calvaire, Paris, France

2003
10e Biennale de l’Image en Mouvement, Biennale de l’Image en Mouvement, Geneva, Switzerland
Now What? Dreaming a better world in six parts, Basis voor Actuele Kunst (BAK), Utrecht
Nothing Special, FACT (Foundation for Art and Creative Technology), Liverpool, UK
Beta Launch ’03, Eyebeam, New York, NY
Paradigms, Longwood Arts Project, New York, NY
B.Q.E., Part II: Brooklyn, White Box, New York, NY
Copy It, Steal It, Share It, Borusan Sanat Galerisi / Borusan Art Gallery, Borusan, Istanbul
Hammer Projects: Displaced: A group video exhibition, Hammer Museum, Los Angeles, CA
Anxiety, Chelsea Art Museum (CAM), New York, NY
Ameri©an Dre@m: A Survey, Ronald Feldman Fine Arts Inc, New York, NY
G-module, Paris, France
New Museum of Contemporary Art, New York, NY
National Gallery of Art, Washington D.C.

2002
Biennial Big Torino, Turin, Italy

2001
AUSGETRÄUMT, Wiener Secession, Vienna, Austria
European Media Art Festival (EMAF), Kunsthalle Dominikanerkirche, Osnabruck, Germany
Impakt festival, Installation, Netherlands

2000
Performing Bodies, Tate Modern, London, UK
Bienal de La Habana, Havana, Cuba

Selected grants and residencies

2015
Amsterdams Fonds voor de Kunst (Die Verlorenen in EYE Amsterdam, The Netherlands)
Casa Maauad, Mexico D.F. (Mexico)
2014
Roman J. Witt Residency; Stamps School of Art & Design, University of Michigan (USA)
2013
Joseph H. Hazen Rome Prize; American Academy in Rome (Italy)
18th Street Arts Center (USA)
2011
Centre for Contemporary Art Ujazdowski Castle, Warsaw (Poland)
2010
Akademie Schloss Solitude, Stuttgart (Germany)
2009
Impakt Utrecht (The Netherlands)
2008
Stiftung Kunstfonds Arbeitsstipendium Deutschland
New York Foundation for the Arts
2006
Sacatar (Brazil)
2005
Yaddo New York (USA)
2004
American Academy in Berlin (1 year)
2003
John Simon Guggenheim Memorial Foundation
Jerome Foundation Grant
New York Foundation for the Arts
Eyebeam New York Residency (USA)
2001
Creative Capital
1995
Paula Rhodes Graduation Award

Selected festival awards

2015
Festival Award, 1 Part 7 at Videoformes
2012
Honorable Mention Secret Life, at Chicago Underground Film Festival
Festival Award Six Easy Pieces, at Oslo Screen Festival
2011
Mention spéciale du jury, Last Day of the Republic at Videoformes
Jury Mention, Stadtplan, at the 5th Cambridge International Super8 Filmfestival
Second Prize- Jury’s Citation Selections, Six Easy Pieces, at the Black Maria Film Festival
2009
First Prize – Jury’s Choice Secret Machine at the Black Maria Film Festival
Distinction Award for Six Apartments at the Transmediale Berlin
2008
EMAF Festival Award, Secret Life European Media Art Festival Osnabrueck
2006
Runner up, Experimental, Stadtplan SXSW Film Festival
2003
First Prize – Jury’s Choice Burn Black Maria Film Festival
2000
First Place, Experimental the Drowning Room SXSW Film Festival
Honorable Mention the Drowning Room Sundance Film Festival
1999
First Place, Experimental Seven Days Til Sunday SXSW Film Festival
1998
First Place, Experimental Seven Days Til Sunday NY Underground Film Festival
Best New Film Director, Seven Days Til Sunday Cork Film Festival
1997
Third Place, Experimental The History of the Future Central Florida Film Festival
1996
First Place, Audience NYC-Symphony US S-8mm Film Festival

Collections

Germany
Julia Stoschek Collection, Dusseldorf
Sammlung Hoffmann, Berlin
Neuer Berliner Kunstverein (n.b.k.), Berlin
Fluentum Collection, Berlin
H2 Zentrum für Gegenwartskunst, Augsburg
USA
MoMA – Museum of Modern Art, New York City, NY
Australia
Museum of Old and New Art (MONA), Hobart-Tasmania
France
Lyon Museum of Contemporary Art, Lyon
Portugal
Ellipse Foundation, Alcoitão
Spain
CAB Centro de Arte Caja Burgos, Burgos

Reynold Reynolds
Born in 1966 in Central Alaska, USA Solo exhibitions 2015 Reynold Reynolds, 2÷7, Casa Maauad, Mexico City, Mexico Reynold Reynolds; Almost Six Pieces, Dazibao, Montreal, Canada 2014 Reynold Reynolds: Six or Seven Pieces Retrospective of 13 Installations, Kunstpalais Erlangen, Germany Reynold Reynolds: The Lost, MUAC Mexico City, Mexico 2013 Reynold Reynolds: The Lost, Galerie Zink, Berlin, Germany Reynold Reynolds: The Lost at Volkspaleis, West, The Hague, The Netherlands Reynold Reynolds/ The Secrets Trilogy, Casa Maauad, Mexico D.F Reynold Reynolds, Christopher Grimes Gallery, Santa Monica, CA 2012 Reynold Reynolds- Five work Retrospective, Videotage, Hong Kong Reynold Reynolds- The Lost fragments and five works, Galeria Arsenal, Bialystok, Poland Reynold Reynolds- The Lost, Lokal_30 Warsaw, Poland 2011 The Lost: Film Performances, Galerie Zink, Berlin, Germany Reynold Reynolds: Six Pieces, West, The Hague, The Netherlands Video des Monats #68: Reynold Reynolds – Secrets Trilogy, Kunsthalle Wien, Austria Apocalypso Place; The collaborations of Reynold Reynolds & Christoph Draeger, Lokal_30, Warsaw, Poland Labor Berlin #4: Reynold Reynolds: The Secrets Trilogy, Haus der Kulturen der Welt, Berlin, Germany 2010 Cuatro Instalaciones de Cine, Centro de Cultura Antiguo Instituto, Gijon, Spain Reynold Reynolds ‘Six Apartments and Secret Life’, Galerie Zink, Munich, Germany 2009 Reynold Reynolds: FILMS, Institut für Moderne Kunst Nürnberg/Zumikon, Germany Six Easy Pieces: Film performances, Invaliden1, Berlin, Germany Burn, Nassauischer Kunstverein, Wiesbaden, Wiesbaden, Germany Reynold Reynolds: Six Not So Easy Pieces, basis, Frankfurt/M, Germany 2008 Reynold Reynolds: Life and Machine, COMA, Berlin, Germany Reynold Reynolds, Raum für Video: Figge von Rosen, Cologne, Germany 2007 Six Apartments, Roebling Hall, New York, NY Six Apartments, Galerie Alexandra Saheb, Berlin, Germany 2005 Burn, Vita Kuben. Umeå, Sweden Sugar, Galerie Alexandra Saheb, Berlin, Germany Sugar, Roebling Hall, New York, NY 2004 Reynold Reynolds- Stadtplan, Künstlerhaus Bethanien, Berlin 2002 Burn, Roebling Hall, New York, NY 2000 The Drowning Room, Roebling Hall, New York, NY Apocalypso Place/Fall Season, Kunsthaus, Zurich, Switzerland (in collaboration with Christoph Draeger) 1999 Apocalypso Place, LiebmanMagnan Gallery, New York, New York (in collaboration with Christoph Draeger) Selected group exhibitions 2015 Exo-Evolution, ZKM Karlsruhe, Germany Zeitgeist – A Arte da nova Berlim, Centro Cultural Banco do Brasil, Belo Horizonte, Brazil TELE-Gen.The Language of Television as Reflected in Art 1964–2015, Kunstmuseum Bonn, Germany Brave New World Ltd., DOX Centre of Contemporary Art Prague, Czech Republic 2014 MADATAC 06, Centro Centro Palacio de Cibeles, Madrid, Spain SOUS SURVEILLANCE/UNTER VERDACHTNIS, Goethe Institut Paris, France Marler Video Kunst-Preis 2014, Skulpturenmuseum Glaskasten Marl, Germany Inside, Palais de Tokyo, Paris, France Fear & Desire, Young Projects, Los Angeles, USA Distance to Zero, Garage Rotterdam, The Netherlands Megapolis, ERES Stiftung, München, Germany Home Sweet Home, À propos de l’inquiétude, Dazibao, Montreal, Canada Time and Again- CINQUE MOSTRE 2014 (Concrete Ghost), American Academy in Rome, Rome, Italy Beyond Earth Art, Johnson Museum of Art, Cornell Ithaca, USA 2013 VII Tashkent Biennale of Contemporary Art, ‘Different Cultures – One World’, Tashkent, Uzbekistan ‘YOU ARE THE COMPANY IN WHICH YOU KEEP’, Northern Gallery for Contemporary Art, UK Wine Me, Dine Me, 2A Gallery, Los Angeles fALSE fAKES, Centre de la Photographie Genève, Switzerland EXPO 1: NEW YORK, MoMA PS1, New York, USA HEIMsuchung: Unsafe Spaces in Contemporary Art, Kunstmuseum Bonn, Germany Super 8, MAM- Museum of Modern Art, Rio de Janeiro, Brazil I HAVE A DREAM, SMCA, Thessaloniki State Museum of Contemporary Art , Greece Cultural Freedom in Europe– Sint Lukas/ Goethe Institut, Brussels Accumulations – A Themed Video Art Exhibition, Galerie Sherin Najjar Berlin, Germany 2012 Sammlung neue kunst VI , H2 Zentrum für Gegenwartskunst im Glaspalast Augsburg, Germany Based on a true story, Salvador Allende Museum of Contemporary Art, Santiago Chile Video Container, week 5: Reynold Reynolds- Last Day of the Republic, MMX Berlin 9 + 1 Ways of Being Political, MoMA New York, NY Super 8, Künstlerhaus Bethanien, Berlin, Germany Behind Landscape, H2-Zentrum für Gegenwartskunst im Glaspalast Augsburg, Germany Raum für Video: 8 Wochen / 8 Künstler, Figge von Rosen Galerie, Berlin, Germany Videoformes@Galerie Odile Ouizeman, Galerie Odile Ouizeman, Paris, France I have a dream, Wrocław Contemporary Museum, Wrocław, Poland Seeing Things – Kleine Humboldt Galerie, Berlin Made in Germany Zwei, Kestnergesellschaft/Sprengel Museum, Hanover, Germany Supertemporal. International Video Art Today, Kulturhuset Stockholm, Sweden Certains pleurent d’émotion devant les équations de Maxwel, Galerie Odile Ouizeman, Paris, France Suspension, Young Projects Gallery, Los Angeles, CA Super 8, Yerba Buena Center for the Arts, San Francisco, CA 2011 Super 8, Christopher Grimes Gallery, Santa Monica, CA Videonale-Donetsk – Foundation Isolyatsia Platform for Cultural Initiatives, Donetsk Knotting: Swarm in the Era of Digital Media, National Taiwan Museum of Fine Arts, Taiwan Small Fires, Sint-Lukasgalerie, Brussels, Belgium Open Frame II, Centre Regional d’Art Contemporain Languedoc-Roussillon, Sète, France Über die Metapher des Wachstums, Kunstverein Hannover, Germany Videonale 13, Kunstmuseum Bonn, Germany Transmediale.11, RESPONSE:ABILITY, Haus der Kulturen der Welt, Berlin gehen blühen fließen, Naturverhältnisse in der Kunst, Stadtgalerie Kiel, Kiel Germany Monanism, opening exhibition, Museum of Old and New Art (MONA) Tasmania, Australia Unwetter/Thunderstorm, Ayala Museum, Makati City, Philippines 2010 Höhepunkte der Kölner KunstFilmBiennale, Kunst Werke, Berlin, Germany Forbidden Love: Art in the Wake of Television Camp, Kunstverein Medienturm, Graz, Austria 14. Marler Video Kunst-Preis, Skulpturenmuseum Glaskasten Marl, Germany Intensif-Station, K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany To the Elements!, Goethe-Institut NYC and Goethe-Institute Boston, MA As Soon As Possible, Centro di Cultura Contemporanea Strozzina, Florence, Italy Remote Vision, Arts Santa Monica, Barcelona, Spain Unwetter: Video und Soundinstallation, Akademie der Künste, Berlin, Germany Augentäuschung. Special Effects in der Gegenwartskunst, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany Telling Stories, WUK Kunsthalle Exnergasse, Vienna, Austria 2009 Inclemencia del Tiempo – Centro de Exposiciones Subte, Montevideo Best of Loop, Museum of Contemporary Art Pacific Design Center, West Hollywood, CA Monitoring, Medienkunstausstellung im Rahmen des 26, Kasseler Dokumentarfilm und Videofestes, Kasseler Kunstverein, Kassel, Germany 3rd Moscow Biennale of Contemporary Art, Russia Berlin 89/09, Kunst zwischen Spurensuche und Utopie, Berlinische Galerie, Berlin, Germany Besuch aus Berlin, Galerie Z Im Kulturpark Berg, Stuttgart, Germany Steppenwolf: oder das Geräusch des urbanen Raums, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin, Germany unerreichbar ist gerade nah genug, Galerie Alexandra Saheb, Berlin, Germany Bad Moon Rising 4, Galerie sans titre, Brussels, Belgium 2da. Bienal del Fin del Mundo, Intemperie -, Ushuaia, Argentina & Intempéries in Sao Paulo, Brazil Kunst und Öffentlichkeit. 40 Jahre Neuer Berliner Kunstverein – NBK – Neuer Berliner Kunstverein, Berlin Videonale 12, Bonn, Germany VIDEOFORMES, 24th Digital culture & Video art International Festival Berlin change plus vite que mon Coeur, Saint Sauveur Station, Lille, France SIK: Spridd isolerad konst, Kalmar konstmuseum, Kalmar, Sweden Transmediale 09 ‘Deep North’, Haus der Kulturen der Welt, Berlin, Germany 2008 Naturaleza Intervenida, Seville, Spain Nicole Hoesli / Reynold Reynolds, Stiftung Binz 39, Zurich, Switzerland Rhine on the Dnipro: J. Stoschek Collection: Destroy, she said, Pinchuk Art Center, Kiev, Ukraine The 3rd Guangzhou Triennial, China TONIGHT FORGET ABOUT YOUR HOUSES AND CARS, Union Gallery, London, UK checkpoint berlin, Villa du Parc, Centre d’Art Contemporain, Annemasse, France European Media Art Festival – Young Identities-Global Youth – Kunsthalle Dominikanerkirche, Osnabruck Was Schläft: Syker Vorwerk, Zentrum für zeitgenössische Kunst, Syke, Germany REYNOLD REYNOLDS and PATRICK JOLLEY / NICOLAS GUAGNINI / ALEX LARGE and LIANE SOMMERS, COMA, Berlin, Germany 2007 Berlin Noir, Perry Rubenstein Gallery, New York, NY Krasnoyarsk Museum, Krasnoyarsk, Russia Opening Kunsthalle Berlin-Lichtenberg, Kunsthalle Berlin, Lichtenberg, Berlin, Germany Mayflies, Site Gallery, Sheffield, UK No. 1: Destroy, she said, Julia Stoschek Collection, Dusseldorf, Germany TO BE CONTINUED… (Was macht Video anders? Teil I), Galerie Anita Beckers, Frankfurt/Main, Germany INTO ME/OUT OF ME, MACRO Testaccio (MACRO Future), Rome, Rome, Italy Phantom Power, Carnegie Art Center, North Tonawanda, NY Mobili, Nosadella.due, Bologna, Italy 2006 INTO ME/OUT OF ME, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin, Germany Newark Between Us, Newark Arts Council, Newark, NJ Constructing New Berlin, Bass Museum of Art, Miami, FL INTO ME/ OUT OF ME, MoMA P.S.1, New York, NY Elements – Carrie Haddad Gallery, Hudson, NY Constructing New Berlin, Phoenix Art Museum, Phoenix, AZ 4th Berlin Biennale für Zeitgenössische Kunst, Kunst Werke, Berlin, Germany 2005 11ème Biennale de l’Image en Mouvement, Biennale de l’Image en Mouvement, Geneva, Switzerland LEAVES OF CRAB GRASS, Hallwalls Contemporary Arts Center, Buffalo, NY Urbane Realitäten: Fokus Istanbul, Martin-Gropius-Bau, Berlin, Germany presencias/ausencias, CAB Centro de Arte Caja Burgos, Burgos, Spain 2004 Galerie Anita Beckers, Frankfurt, Germany Dwelling, Tina Kim Gallery, New York, NY Parodie, Galerie les filles du calvaire, Paris, France 2003 10e Biennale de l’Image en Mouvement, Biennale de l’Image en Mouvement, Geneva, Switzerland Now What? Dreaming a better world in six parts, Basis voor Actuele Kunst (BAK), Utrecht Nothing Special, FACT (Foundation for Art and Creative Technology), Liverpool, UK Beta Launch ’03, Eyebeam, New York, NY Paradigms, Longwood Arts Project, New York, NY B.Q.E., Part II: Brooklyn, White Box, New York, NY Copy It, Steal It, Share It, Borusan Sanat Galerisi / Borusan Art Gallery, Borusan, Istanbul Hammer Projects: Displaced: A group video exhibition, Hammer Museum, Los Angeles, CA Anxiety, Chelsea Art Museum (CAM), New York, NY Ameri©an Dre@m: A Survey, Ronald Feldman Fine Arts Inc, New York, NY G-module, Paris, France New Museum of Contemporary Art, New York, NY National Gallery of Art, Washington D.C. 2002 Biennial Big Torino, Turin, Italy 2001 AUSGETRÄUMT, Wiener Secession, Vienna, Austria European Media Art Festival (EMAF), Kunsthalle Dominikanerkirche, Osnabruck, Germany Impakt festival, Installation, Netherlands 2000 Performing Bodies, Tate Modern, London, UK Bienal de La Habana, Havana, Cuba Selected grants and residencies 2015 Amsterdams Fonds voor de Kunst (Die Verlorenen in EYE Amsterdam, The Netherlands) Casa Maauad, Mexico D.F. (Mexico) 2014 Roman J. Witt Residency; Stamps School of Art & Design, University of Michigan (USA) 2013 Joseph H. Hazen Rome Prize; American Academy in Rome (Italy) 18th Street Arts Center (USA) 2011 Centre for Contemporary Art Ujazdowski Castle, Warsaw (Poland) 2010 Akademie Schloss Solitude, Stuttgart (Germany) 2009 Impakt Utrecht (The Netherlands) 2008 Stiftung Kunstfonds Arbeitsstipendium Deutschland New York Foundation for the Arts 2006 Sacatar (Brazil) 2005 Yaddo New York (USA) 2004 American Academy in Berlin (1 year) 2003 John Simon Guggenheim Memorial Foundation Jerome Foundation Grant New York Foundation for the Arts Eyebeam New York Residency (USA) 2001 Creative Capital 1995 Paula Rhodes Graduation Award Selected festival awards 2015 Festival Award, 1 Part 7 at Videoformes 2012 Honorable Mention Secret Life, at Chicago Underground Film Festival Festival Award Six Easy Pieces, at Oslo Screen Festival 2011 Mention spéciale du jury, Last Day of the Republic at Videoformes Jury Mention, Stadtplan, at the 5th Cambridge International Super8 Filmfestival Second Prize- Jury’s Citation Selections, Six Easy Pieces, at the Black Maria Film Festival 2009 First Prize – Jury’s Choice Secret Machine at the Black Maria Film Festival Distinction Award for Six Apartments at the Transmediale Berlin 2008 EMAF Festival Award, Secret Life European Media Art Festival Osnabrueck 2006 Runner up, Experimental, Stadtplan SXSW Film Festival 2003 First Prize – Jury’s Choice Burn Black Maria Film Festival 2000 First Place, Experimental the Drowning Room SXSW Film Festival Honorable Mention the Drowning Room Sundance Film Festival 1999 First Place, Experimental Seven Days Til Sunday SXSW Film Festival 1998 First Place, Experimental Seven Days Til Sunday NY Underground Film Festival Best New Film Director, Seven Days Til Sunday Cork Film Festival 1997 Third Place, Experimental The History of the Future Central Florida Film Festival 1996 First Place, Audience NYC-Symphony US S-8mm Film Festival Collections Germany Julia Stoschek Collection, Dusseldorf Sammlung Hoffmann, Berlin Neuer Berliner Kunstverein (n.b.k.), Berlin Fluentum Collection, Berlin H2 Zentrum für Gegenwartskunst, Augsburg USA MoMA – Museum of Modern Art, New York City, NY Australia Museum of Old and New Art (MONA), Hobart-Tasmania France Lyon Museum of Contemporary Art, Lyon Portugal Ellipse Foundation, Alcoitão Spain CAB Centro de Arte Caja Burgos, Burgos

Reynold Reynolds
Secret Machine (part II of The Secrets Trilogy)

Artist Reynold Reynolds
Year 2009
Duration 13:40 min
Edition 5
Technical info HD video from 16 mm and stills
Contact

For further information contact blinkvideo
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About the video

Secret Machine (part II of The Secrets Trilogy): Reynold Reynolds uses the medium of film as an instrument of measurement. Basing his pictures on movement, sequence and the elapse of individual images, he uses a special stop-motion technique to capture them on 16mm film. Assuming the consistency of time and place and their influence on our perception, his highly experimental work Secret Machine transposes this concept into a symbol-laden configuration of change and transience.


Credits

Courtesy the Artist and Galerie Zink, Berlin

Reynold Reynolds - Secret Machine (part II of The Secrets Trilogy)
Secret Machine (part II of The Secrets Trilogy): Reynold Reynolds uses the medium of film as an instrument of measurement. Basing his pictures on movement, sequence and the elapse of individual images, he uses a special stop-motion technique to capture them on 16mm film. Assuming the consistency of time and place and their influence on our perception, his highly experimental work Secret Machine transposes this concept into a symbol-laden configuration of change and transience.

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