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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Romeo Grünfelder

Works


Galleries

felderfilm
Filmproduktion Hamburg

Beim Schlump 53
D-20144 Hamburg
Germany

Phone: +49-40-18005763
E-Mail: info@felderfilm.de




Statement

The appeal of cinema to me lies in its ability to suggest the kind of knowledge that might be said to reside in the virtual—hinted at by sound and visual associations, as if in a dream or nightmare—and whether I follow, observe, deconstruct or altogether dispense with narrative, it is this affection for the ineffable that informs my work more consistently than anything else.

The non-structural content of my work is generally a foray into structures that I find confusing—myths, paranormal effects like television in the closest sense of the word, miraculous stories and ideas which demand questions rather than being presented as complete. My intent is to work towards an epiphany of opening rather than one of certitude.

Beyond this, however, my work is rooted in structural concerns, and as much as I explore myth-reality discrepancies, I am also exploring tensions between word and image as elements which struggle to describe a certain meaning but which have their own agendas. The conjunction of these elements in unfamiliar and unusual manners serves to destabilize any viewer attempt to completely synthesize one meaning from the experience—but encourages them, I hope, to aesthetically appreciate and savour the experience of incompleteness and uncertainty.


Biography

born 1968 in Hamburg
lives and works in Hamburg

Education

2002 Diplom Visuelle Kommunikation an der Hochschule für Bildende Künste, Hamburg bei Bernhard Johannes Blume und Hans Joachim Lenger
2001 Assistenz Filmproduktion Deevanapan, Dilay Productions Ltd., Bombay, Indien
2001 Diplom Klassische Gitarre an der Hochschule für Theater und Musik, Hamburg
1997 Hospitanz Hessischer Rundfunk (TV)
1987-1990 Ausbildung zum Tischler

Teaching

2014 "Found Footage und Konstruktion von Geschichte(n)", Workshop Freie Kunstakademie Nürtingen
2008-2010 Künstlerisch-wissenschaftlicher Assistent für Inszenierten Raum, Hochschule für Bildende Künste, Hamburg
2002-2003 Künstlerisch-wissenschaftlicher Assistent für Film- und Medienphilosophie an der Hochschule für Bildende Künste, Hamburg
2001 Avid DV Trainer, Ashram Prashanti Nilayam, Sai Baba, Bangalore, Indien

Solo exhibitions (selection)

2010
Prinzip Zufall, Feldbuschwiesner Gallery, Berlin

2009
Der Malteser, Galerie Ruzicska/Weiss, Düsseldorf

2008
Subversion d’Image, Kunstagenten Gallery, Berlin

2007
[desi’re:] - the Goldstein reels, Kunstagenten Gallery, Berlin

Group exhibitions / festivals (selection)

2015
sorcière japonaise, Int. Kurzfilmfestival Hamburg, “black & light” Sonderprogramm
Studie: Hand, Premiere Metropolis Kino

2014
sorcière japonaise, Int. film festival, Pançevo, Serbien
sorcière japonaise, silhouette film festival, Paris
Schweinskruste, Objekt mit Elektronik, Die Welt ist Gans, Galerie Melike Bilir, Hamburg
[desi’re:] - the Goldstein reels, Kunstverein Hamburg
[desi’re:] - the Goldstein reels, Kunstverein Neukölln
sorcière japonaise, pasaje-antipajsaje, Tabakalera San Sebastian
sorcière japonaise, Filmwoche Regensburg sorcière japonaise, Filmfest Dresden

2013
[desi’re:] - the Goldstein reels, Filmmakers Choice - Kurzfilmtag, Arsenal
[desi’re:] - the Goldstein reels in “KINO und der kinematografische Blick“, Kunsthalle Memmingen
Presend tense, future perfect, Galerie Feldbuschwiesner
Werkschau Experimentalfestival "extra", Leipzig
Une vie voll, Eventdiner mit Filmen und Performances, Galerie Dorothea Schlüter
[desi’re:] - the Goldstein reels , (e)merge art fair, Washington
sorcière japonaise, Filmfestival Locarno (Premiere)
Prinzip Zufall,Short Film Review, Polen

2012
Rallye, (Chrono)Skopie, kunstraum 27, Berlin
[desi’re:] - the Goldstein reels, Jack Goldstein Connections, KuK, Monschau
K3 Festival Udine, Ljubljana, Villach
New Cross and Deptford Film Festival, London
Krakow Film Festival Market
Open City Documentary Film Festival London
Powers of the false, Symposion, Institut Francais & Cine Lumiere, London
The haunted Sea, Ghost IV, The Workspace Group London
Artists Merchandising Art, Wonderloch Kellerland Berlin & Los Angeles
Artists Merchandising Art, What the shop, Hotel am Museum, Wien
Artists Merchandising Art, La Guillotine / Atelier Reflexe, Paris
Artists Merchandising Art, 8. Salon, Hamburg
Über die Dinge, Schloß Agathenburg

2011
Prinzip Zufall, fipa Biarritz, Frankreich
Prinzip Zufall,, SoHo House - Club Kino, Berlin
Horror Vacui, Bookrelease und Film naissance d’un objet, Logensaal Kammerspiele Hamburg
Prinzip Zufall,, Video- und Dokumentarfilmfestival Kassel
Prinzip Zufall, 5x3, Ausstellungsraum Düsseldorf; Film und Experiment
Prinzip Zufall,, DOX:CPH Kopenhagen
Prinzip Zufall,, idfa Amsterdam
Prinzip Zufall,, Kino Bambi, Premiere Düsseldorf
Prinzip Zufall,, Super8 Cinemascope, Festivalpremiere Int.Wettbewerb Kurzfilmfestival HH

2010
[desi’re:] - the Goldstein reels, Das in Entschwinden Erfasste. Video Art, Museum FOLKWANG, Essen
naissance d’un objet, Black & White Audiovisual Festival, Portugal
GHost III, St John on Bethnal Green, London

2009
naissance d’un objet,, Stipendiaten 08, Kunsthaus Hamburg
naissance d’un objet, Int. Filmfestival Singapur
Filme von Romeo Grünfelder, Kunst und Begegnung Hermannshof e.V, Springe-Völksen
The Jack Goldstein Connections, Galerie Anita Beckers, Frankfurt am Main
naissance d’un objet, Filmmarkt Cannes, 61. Filmfestival Cannes, France
naissance d’un objet,, Loop, Barcelona
Jimmy jenseits, Druid unterground film festival, Los Angeles
naissance d’un objet, EMAF 2009 (European Media Art Festival), Osnabrück

2008
Shift, Galerie Ruzicska/Weiss, Düsseldorf
naissance d’un objet, Filmpremiere, Filmfest Hamburg
Wir nennen es Hamburg, Kunstverein Hamburg
Art Cologne, Galerie Ruzicska/Weiss Düsseldorf, Köln
Vienna Art Fair, Galerie Ruzicska/Weiss Düsseldorf, Wien, Österreich
Occult, Programm Impact Festival, Uetrecht, Niederlande
OmU, Raum für Photographie, Hamburg

2007
Ihr glaubt alle, ich sei wahnsinnig!, Galerie Ruzicska/Weiss, Düsseldorf
[desi’re:] - the Goldstein reels, Galerie KUNSTAGENTEN, Berlin
Castlefield Gallery, Manchester, Großbritannien
29. Cine du reel, Centre Pompidou, Paris, Frankreich
Kultur und Gespenster, Buchpräsentation, Blumenbar-Verlag/Münchner Kammerspiele, München
Okkult. Filme und Videos zu Spuk und Psychokinese, Kunsthalle Hamburg, Hamburg
Dokumentarische Beschwichtigungen III, Kunstverein Düsseldorf, Düsseldorf
Exground on screen, Wiesbaden
Dokumentarische Beschwichtigungen III, Ausstellungsraum Friese, Hamburg
Dokumentarische Beschwichtigungen III, Ausstellungsraum KX., Hamburg

2006
the ghost who refuses to play dead, Art Cologne, Galerie Ruzicska/Weiss, Düsseldorf
10. Int. Kurzfilmtage, Winterthur, Schweiz
Shahrzadeh Scampolo, HH-Stipendiaten, Kunsthaus Hamburg, Hamburg
Shahrzadeh Scampolo, Reel to real, „von grün zu blau“, Künstlerhaus Mousonturm, Frankfurt
Festival of German Films, Next Generation, Rom, Italien
19. Stuttgarter Filmwinter, Stuttgart
35. International Filmfestival Rotterdam, Niederlande
10 Jahre Villa Aurora Artists in Residence, Los Angeles, USA
5th Hull International Short Film Festival, Hull, Großbritannien
impakt festival, Utrecht, Niederlande
22. Kurzfilmfestival, Hamburg
VideoEX , Experimentalfilm & Video Festival, Zürich, Schweiz
3. Indie Lisboa - Lisbon International, Film Festival, Lissabon, Portugal
6éme Festival du court métrage, Nice, Frankreich
Navarra International Documentary Film Festival, Pamplona, Spanien

2005
Int. Filmfestival, Mannheim-Heidelberg
Next Gerneration - German Films, London, GB
Interval 1 - symposion & conference screening, Buffalo, USA
Kino! 2005, MoMA, New York, USA
Filmpräsentation, Edith Ruß Haus, Oldenburg
MAX! Festival Hong Kong
22.Kasseler Dokumentarfilm- & Videofest
Deutsche Filmwoche Kopenhagen
Edith Ruß Haus, VideoVisionen
Kunstfilmbiennale Köln
Warschau Film Festival
Deutsche Filmwoche Stockholm
Festival of German Films, Mexico City
NEXT REEL International Film Festival, NY
Festival of German Films, Buenos Aires
58.Filmfestival Cannes
Festival of German Films, Madrid
18. Stuttgarter Filmwinter

2004
Cardiff Screen Festival
Asiana International Short Film Festival, South Korea
Save the Moon, Walcheturm, Zürich
20th International Shortfilmfestival Hamburg

2002
Film philosophy after Deleuze, symposion & conference screening, Pecs, Hungary

2001
BAPH - Bilder aus der Physik, Festival des Physikalischen Films, IWF Göttingen
Stuttgarter Filmwinter
Filmfest Kontrast, Bayreuth

2000
17. Kasseler Dokumentarfilm- und Videofestival
focus2tausend – Parallelwelten, Dortmund, Symposion
It’s the beginning of a real good friendship, Kunstverein Düsseldorf
MidSummerNight Movies, Graz
Infection manifesto, Kunstverein Bonn

1999
Lange Nacht der Wissenschaften, HR-Fernsehen Frankfurt

1997
6.Filmfest Bamberg
8.Filmfest Emden
Tanztheaterfestival Halle
Filmfestival Max-Ophüls Saarbrücken
10.Stuttgarter Filmwinter

1996
6.DokumentArt - Dokumentarfilmfestival Neubrandenburg
Filmfestival Göttingen
10.Film&Videoforum Freiburg
12.Internationales Kurzfilmfestival Hamburg

1995
Filmfest Villingen Schwenningen

1994
Filmfest Ludwigsburg
10.Internationales Kurzfilmfestival Hamburg

Prices / fellowships / grants

2015 Artist in Residency, Fondazione Sciaredo, Lugano
2014 FFHSH Filmförderung Teil V – “entretemps” aus “subversion d’image”
2013 FFHSH Drehbuchförderung Spielfilm
Projektförderung Kulturbehörde Hamburg
2011 FFHSH/BKM Filmförderung Teil IV – “sorciere japonaise” aus “subversion d’image”
2008 Arbeitsstipendium, Stadt Hamburg
2006 2.Jurypreis, VideoEX , Experimentalfilm & Video Festival, Zürich, Schweiz
2005 Artist in Residency, Villa Aurora, Los Angeles, USA
2004 Artist in Residency, Arbeitskreis Züricher Bildhauer (AZB), Zürich, Schweiz
Arbeitsstipendium, Rotary Club, Hamburg
2001 Reisestipendium Bombay, Indien, Studienstiftung des Deutschen Volkes
1997-2000 Stipendium, Studienstiftung des Deutschen Volkes
1997 Max Ophüls Preis, Max Ophüls Filmfestival, Saarbrücken
Spezialpreis des Hessischen Fernsehens, Filmfest, Göttingen
1996 Auszeichnung DocART Filmfest, Neubrandenburg

Publicationen

• Kunst oder Kino? Kurzfilm im Hinterhalt – von Zufällen und Determinanten, short report shorfilm Magazin - Kurzfilmszene Deutschland 2014, Hrsg AG-Kurzfilm eV. Dresden, S.40 ff

• Kino und der kinematografische Blick, Ausstellungskatalog Kunsthalle Memmingen, 2013 anlässlich der Ausstellung "Kino und der Kinematografische Blick: Friedemann Hahn, Omer Fast, Romeo Grünfelder, Emanuel Mathias, Jana Müller, Georg Parthen, Martina Sauter, John Sealey, Jason Silva, John Stezaker, Clemens von Wedemeyer und Ming Wong

• QR. Enter the next level, short report shorfilm Magazin - Kurzfilmszene Deutschland 2012, Hrsg AG-Kurzfilm eV. Dresden, S.72 - 77

• Horror Vacui, Anthologie zum Film "naissance d'un objet" / Ausstellung subversion d'image, Greenbox Verlag Berlin, 2011, ISBN 978-3-941644-23-6 Mit Beiträgen von: Aristoteles, Peter Geimer, Romeo Grünfelder, David Hume, Louis Kaplan, Thomas Mann, Ursula Panhans-Bühler, Robert Pfaller, Gabi Schaffner, Jeoffrey Sconce, Martin Winter, Yvonne Wübben, Christian Wüthrich.

• Die Geburt des Objekts klein a*, Miszellen, ZEITSCHRIFT für psychoanalytische Theorie und Praxis, Jahrgang XXV, 2010, 1/2, Frankfurt

• public relation - Filmfestivals für Filmemacher, short report shorfilm Magazin - Kurzfilmszene Deutschland, 11.2009, Hrsg AG-Kurzfilm eV. Dresden, S.51 - 58

• "Subversion des Bildes" Zeitschrift für Ästhetik und allgemeine Kulturwissenschaft, Band 54. Heft 1; Frühjahr 2009

• Nelson Effect, Comic-Storyboardvorlage für einen Dokumentarfilm, Timur Seidel und Romeo Grünfelder, The Green Box, Berlin 2008, ISBN 978-3-908175-41-4

• Von Politik, Sex und anderen Dingen, Edition Material Verlag HfBK Hamburg, Material 197, 2004, ISBN 3-938158-00-X

Romeo Grünfelder
born 1968 in Hamburg lives and works in Hamburg Education 2002 Diplom Visuelle Kommunikation an der Hochschule für Bildende Künste, Hamburg bei Bernhard Johannes Blume und Hans Joachim Lenger 2001 Assistenz Filmproduktion Deevanapan, Dilay Productions Ltd., Bombay, Indien 2001 Diplom Klassische Gitarre an der Hochschule für Theater und Musik, Hamburg 1997 Hospitanz Hessischer Rundfunk (TV) 1987-1990 Ausbildung zum Tischler Teaching 2014 Found Footage und Konstruktion von Geschichte(n), Workshop Freie Kunstakademie Nürtingen 2008-2010 Künstlerisch-wissenschaftlicher Assistent für Inszenierten Raum, Hochschule für Bildende Künste, Hamburg 2002-2003 Künstlerisch-wissenschaftlicher Assistent für Film- und Medienphilosophie an der Hochschule für Bildende Künste, Hamburg 2001 Avid DV Trainer, Ashram Prashanti Nilayam, Sai Baba, Bangalore, Indien Solo exhibitions (selection) 2010 Prinzip Zufall, Feldbuschwiesner Gallery, Berlin 2009 Der Malteser, Galerie Ruzicska/Weiss, Düsseldorf 2008 Subversion d’Image, Kunstagenten Gallery, Berlin 2007 [desi’re:] - the Goldstein reels, Kunstagenten Gallery, Berlin Group exhibitions / festivals (selection) 2015 sorcière japonaise, Int. Kurzfilmfestival Hamburg, “black & light” Sonderprogramm Studie: Hand, Premiere Metropolis Kino 2014 sorcière japonaise, Int. film festival, Pançevo, Serbien sorcière japonaise, silhouette film festival, Paris Schweinskruste, Objekt mit Elektronik, Die Welt ist Gans, Galerie Melike Bilir, Hamburg [desi’re:] - the Goldstein reels, Kunstverein Hamburg [desi’re:] - the Goldstein reels, Kunstverein Neukölln sorcière japonaise, pasaje-antipajsaje, Tabakalera San Sebastian sorcière japonaise, Filmwoche Regensburg sorcière japonaise, Filmfest Dresden 2013 [desi’re:] - the Goldstein reels, Filmmakers Choice - Kurzfilmtag, Arsenal [desi’re:] - the Goldstein reels in “KINO und der kinematografische Blick“, Kunsthalle Memmingen Presend tense, future perfect, Galerie Feldbuschwiesner Werkschau Experimentalfestival extra, Leipzig Une vie voll, Eventdiner mit Filmen und Performances, Galerie Dorothea Schlüter [desi’re:] - the Goldstein reels , (e)merge art fair, Washington sorcière japonaise, Filmfestival Locarno (Premiere) Prinzip Zufall,Short Film Review, Polen 2012 Rallye, (Chrono)Skopie, kunstraum 27, Berlin [desi’re:] - the Goldstein reels, Jack Goldstein Connections, KuK, Monschau K3 Festival Udine, Ljubljana, Villach New Cross and Deptford Film Festival, London Krakow Film Festival Market Open City Documentary Film Festival London Powers of the false, Symposion, Institut Francais & Cine Lumiere, London The haunted Sea, Ghost IV, The Workspace Group London Artists Merchandising Art, Wonderloch Kellerland Berlin & Los Angeles Artists Merchandising Art, What the shop, Hotel am Museum, Wien Artists Merchandising Art, La Guillotine / Atelier Reflexe, Paris Artists Merchandising Art, 8. Salon, Hamburg Über die Dinge, Schloß Agathenburg 2011 Prinzip Zufall, fipa Biarritz, Frankreich Prinzip Zufall,, SoHo House - Club Kino, Berlin Horror Vacui, Bookrelease und Film naissance d’un objet, Logensaal Kammerspiele Hamburg Prinzip Zufall,, Video- und Dokumentarfilmfestival Kassel Prinzip Zufall, 5x3, Ausstellungsraum Düsseldorf; Film und Experiment Prinzip Zufall,, DOX:CPH Kopenhagen Prinzip Zufall,, idfa Amsterdam Prinzip Zufall,, Kino Bambi, Premiere Düsseldorf Prinzip Zufall,, Super8 Cinemascope, Festivalpremiere Int.Wettbewerb Kurzfilmfestival HH 2010 [desi’re:] - the Goldstein reels, Das in Entschwinden Erfasste. Video Art, Museum FOLKWANG, Essen naissance d’un objet, Black & White Audiovisual Festival, Portugal GHost III, St John on Bethnal Green, London 2009 naissance d’un objet,, Stipendiaten 08, Kunsthaus Hamburg naissance d’un objet, Int. Filmfestival Singapur Filme von Romeo Grünfelder, Kunst und Begegnung Hermannshof e.V, Springe-Völksen The Jack Goldstein Connections, Galerie Anita Beckers, Frankfurt am Main naissance d’un objet, Filmmarkt Cannes, 61. Filmfestival Cannes, France naissance d’un objet,, Loop, Barcelona Jimmy jenseits, Druid unterground film festival, Los Angeles naissance d’un objet, EMAF 2009 (European Media Art Festival), Osnabrück 2008 Shift, Galerie Ruzicska/Weiss, Düsseldorf naissance d’un objet, Filmpremiere, Filmfest Hamburg Wir nennen es Hamburg, Kunstverein Hamburg Art Cologne, Galerie Ruzicska/Weiss Düsseldorf, Köln Vienna Art Fair, Galerie Ruzicska/Weiss Düsseldorf, Wien, Österreich Occult, Programm Impact Festival, Uetrecht, Niederlande OmU, Raum für Photographie, Hamburg 2007 Ihr glaubt alle, ich sei wahnsinnig!, Galerie Ruzicska/Weiss, Düsseldorf [desi’re:] - the Goldstein reels, Galerie KUNSTAGENTEN, Berlin Castlefield Gallery, Manchester, Großbritannien 29. Cine du reel, Centre Pompidou, Paris, Frankreich Kultur und Gespenster, Buchpräsentation, Blumenbar-Verlag/Münchner Kammerspiele, München Okkult. Filme und Videos zu Spuk und Psychokinese, Kunsthalle Hamburg, Hamburg Dokumentarische Beschwichtigungen III, Kunstverein Düsseldorf, Düsseldorf Exground on screen, Wiesbaden Dokumentarische Beschwichtigungen III, Ausstellungsraum Friese, Hamburg Dokumentarische Beschwichtigungen III, Ausstellungsraum KX., Hamburg 2006 the ghost who refuses to play dead, Art Cologne, Galerie Ruzicska/Weiss, Düsseldorf 10. Int. Kurzfilmtage, Winterthur, Schweiz Shahrzadeh Scampolo, HH-Stipendiaten, Kunsthaus Hamburg, Hamburg Shahrzadeh Scampolo, Reel to real, „von grün zu blau“, Künstlerhaus Mousonturm, Frankfurt Festival of German Films, Next Generation, Rom, Italien 19. Stuttgarter Filmwinter, Stuttgart 35. International Filmfestival Rotterdam, Niederlande 10 Jahre Villa Aurora Artists in Residence, Los Angeles, USA 5th Hull International Short Film Festival, Hull, Großbritannien impakt festival, Utrecht, Niederlande 22. Kurzfilmfestival, Hamburg VideoEX , Experimentalfilm & Video Festival, Zürich, Schweiz 3. Indie Lisboa - Lisbon International, Film Festival, Lissabon, Portugal 6éme Festival du court métrage, Nice, Frankreich Navarra International Documentary Film Festival, Pamplona, Spanien 2005 Int. Filmfestival, Mannheim-Heidelberg Next Gerneration - German Films, London, GB Interval 1 - symposion & conference screening, Buffalo, USA Kino! 2005, MoMA, New York, USA Filmpräsentation, Edith Ruß Haus, Oldenburg MAX! Festival Hong Kong 22.Kasseler Dokumentarfilm- & Videofest Deutsche Filmwoche Kopenhagen Edith Ruß Haus, VideoVisionen Kunstfilmbiennale Köln Warschau Film Festival Deutsche Filmwoche Stockholm Festival of German Films, Mexico City NEXT REEL International Film Festival, NY Festival of German Films, Buenos Aires 58.Filmfestival Cannes Festival of German Films, Madrid 18. Stuttgarter Filmwinter 2004 Cardiff Screen Festival Asiana International Short Film Festival, South Korea Save the Moon, Walcheturm, Zürich 20th International Shortfilmfestival Hamburg 2002 Film philosophy after Deleuze, symposion & conference screening, Pecs, Hungary 2001 BAPH - Bilder aus der Physik, Festival des Physikalischen Films, IWF Göttingen Stuttgarter Filmwinter Filmfest Kontrast, Bayreuth 2000 17. Kasseler Dokumentarfilm- und Videofestival focus2tausend – Parallelwelten, Dortmund, Symposion It’s the beginning of a real good friendship, Kunstverein Düsseldorf MidSummerNight Movies, Graz Infection manifesto, Kunstverein Bonn 1999 Lange Nacht der Wissenschaften, HR-Fernsehen Frankfurt 1997 6.Filmfest Bamberg 8.Filmfest Emden Tanztheaterfestival Halle Filmfestival Max-Ophüls Saarbrücken 10.Stuttgarter Filmwinter 1996 6.DokumentArt - Dokumentarfilmfestival Neubrandenburg Filmfestival Göttingen 10.Film&Videoforum Freiburg 12.Internationales Kurzfilmfestival Hamburg 1995 Filmfest Villingen Schwenningen 1994 Filmfest Ludwigsburg 10.Internationales Kurzfilmfestival Hamburg Prices / fellowships / grants 2015 Artist in Residency, Fondazione Sciaredo, Lugano 2014 FFHSH Filmförderung Teil V – “entretemps” aus “subversion d’image” 2013 FFHSH Drehbuchförderung Spielfilm Projektförderung Kulturbehörde Hamburg 2011 FFHSH/BKM Filmförderung Teil IV – “sorciere japonaise” aus “subversion d’image” 2008 Arbeitsstipendium, Stadt Hamburg 2006 2.Jurypreis, VideoEX , Experimentalfilm & Video Festival, Zürich, Schweiz 2005 Artist in Residency, Villa Aurora, Los Angeles, USA 2004 Artist in Residency, Arbeitskreis Züricher Bildhauer (AZB), Zürich, Schweiz Arbeitsstipendium, Rotary Club, Hamburg 2001 Reisestipendium Bombay, Indien, Studienstiftung des Deutschen Volkes 1997-2000 Stipendium, Studienstiftung des Deutschen Volkes 1997 Max Ophüls Preis, Max Ophüls Filmfestival, Saarbrücken Spezialpreis des Hessischen Fernsehens, Filmfest, Göttingen 1996 Auszeichnung DocART Filmfest, Neubrandenburg Publicationen • Kunst oder Kino? Kurzfilm im Hinterhalt – von Zufällen und Determinanten, short report shorfilm Magazin - Kurzfilmszene Deutschland 2014, Hrsg AG-Kurzfilm eV. Dresden, S.40 ff • Kino und der kinematografische Blick, Ausstellungskatalog Kunsthalle Memmingen, 2013 anlässlich der Ausstellung Kino und der Kinematografische Blick: Friedemann Hahn, Omer Fast, Romeo Grünfelder, Emanuel Mathias, Jana Müller, Georg Parthen, Martina Sauter, John Sealey, Jason Silva, John Stezaker, Clemens von Wedemeyer und Ming Wong • QR. Enter the next level, short report shorfilm Magazin - Kurzfilmszene Deutschland 2012, Hrsg AG-Kurzfilm eV. Dresden, S.72 - 77 • Horror Vacui, Anthologie zum Film naissance d'un objet / Ausstellung subversion d'image, Greenbox Verlag Berlin, 2011, ISBN 978-3-941644-23-6 Mit Beiträgen von: Aristoteles, Peter Geimer, Romeo Grünfelder, David Hume, Louis Kaplan, Thomas Mann, Ursula Panhans-Bühler, Robert Pfaller, Gabi Schaffner, Jeoffrey Sconce, Martin Winter, Yvonne Wübben, Christian Wüthrich. • Die Geburt des Objekts klein a*, Miszellen, ZEITSCHRIFT für psychoanalytische Theorie und Praxis, Jahrgang XXV, 2010, 1/2, Frankfurt • public relation - Filmfestivals für Filmemacher, short report shorfilm Magazin - Kurzfilmszene Deutschland, 11.2009, Hrsg AG-Kurzfilm eV. Dresden, S.51 - 58 • Subversion des Bildes Zeitschrift für Ästhetik und allgemeine Kulturwissenschaft, Band 54. Heft 1; Frühjahr 2009 • Nelson Effect, Comic-Storyboardvorlage für einen Dokumentarfilm, Timur Seidel und Romeo Grünfelder, The Green Box, Berlin 2008, ISBN 978-3-908175-41-4 • Von Politik, Sex und anderen Dingen, Edition Material Verlag HfBK Hamburg, Material 197, 2004, ISBN 3-938158-00-X

Romeo Grünfelder
Jimmy jenseits

Artist Romeo Grünfelder
Year 1993
Duration 6:29 min
Edition 6 + 1 AE
Technical info 16mm, color, 1:1.37, 7min, mono, Magnetton
Contact
felderfilm
Filmproduktion Hamburg

Beim Schlump 53
D-20144 Hamburg
Germany

Phone: +49-40-18005763
E-Mail: info@felderfilm.de

About the video

Jimmy performs in his living room unorthodox mourning about the not-carried out act of interhuman approximation.


Credits

Jimmy: Wolfgang Miech
Driver: Florian Dietz

Romeo Grünfelder - Jimmy jenseits
Jimmy performs in his living room unorthodox mourning about the not-carried out act of interhuman approximation.

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