This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

Share your thoughts with the blinkvideo community.

Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Our Partners

Follow us on Instagram

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Susanna Wallin

Works


Galleries

Artprojx
David Gryn
1 Hillside Gardens
N6 5SU London
United Kingdom

Phone: +44(0)7711 127848
E-Mail: david@artprojx.com




Statement

Susanna Wallin’s films are shown in the cinema, in galleries and on television throughout the world. Her work often lends from fact and fiction at once, merging real scenarios with invented ones in new impressionistic narratives on screen. Ritual, dream and a distrust in language are some of her recurring themes. She has been the recipient of a number of commissions and awards, including London Artists Film and Video Award 2007, commissions from UK Film Council, Channel 4, Arts Council England, Independent Photography and Arte. She lives and works in London and New York.

Susanna has long been interested in film’s ability to alter our ways of looking at the world. In her filmmaking she explores and invents some of the building blocks for how our experiences might be constructed. She is interested in how our familiarity with the world must be imagined and re-imagined as well as how the unknown keeps brushing up against our every day. Susanna sees film as a meditation on the subjective experience of time where observation and imagination are at work at once. Her films often start off in actual environments involving people she meets who live and operate there. Through these meetings, Susanna develops new frameworks into which she invites these people back, exploring both the act of seeing and the condition of being seen. Wallin is interested in watching life flow differently, through new fabrics of dislocation, synchronicity and combination. Her projects can take many forms and have included: The staging of wild animals in an attempt to explore and control the workings of memory (Marker 2009), the re-enactment of the preparation for a light show (Electric Light Wonderland 2010) and the blurry edges of performance through teenagers’ rehearsals of being other people (Someone Else 2011). Susanna never makes claims on portraying anything real. All her work is fiction, however, she is excited about all the ways that fiction might help chip away at some kind of 'truth'.


Biography

Born in Lund, Sweden
Lives and works in London, UK

Education

MASTERS in ARTS Goldsmiths University, London, UK 2003
BA (Hons) Film and Video, London College of Printing, University of the Arts London, UK 2001

Nominations and awards

2011
Jury Special Mention, Birds Eye View Film Festival London, Winner of Best Direction

2010
Women International Film Festival, Rio De Janeiro, Brasil
Special Mention by Ecumenical Jury, Oberhausen Kurz Film Tage
Winner of the Jury Price at Clermont Ferrand, Labo, France
Nominated for the NPS at International Film Festival Breda
Recipient of Independent Photography Commission, London
Winner of the Jury’s Special Mention at Brest Film Festival, France

2009
Nominated for best film script, Stockholm International Film Festival

2008
Best Cinematography Byron Bay Film Festival
Best Experimental Film, Four Site International Film Festival
Winner of the Club Award (Best Short Film)
DIBA Film Festival, Barcelona, Spain

2007
Receiver of The London Artist Film And Video Award
Winner of the IMZ Award (Best Film) The Hague, The Netherlands

Selected film screenings

2012
MOCA TV, Museum of Contemporary Art, Los Angeles, Artprox, Art Basel, Miami, USA, Random Acts, Channel 4, UK, The British Film Institute, UK, Festival International de Cinema Feminino, Brasil

2011
UKS Exhibition, Oslo, Norway, Dresden International Short Film Festival, Germany Oberhausen 57th International Short Film Festival Birds Eye View International Film Festival, London Janela Internacional de Cinema do Recife, Brazil Warsaw Short Film Festival, Special Program Mujeres en Dirección, Spain Hamburg International Film Festival, Special Program Tabor Film Festival, Special Program, Croatia. Berlin Film Festival RTP Portugal Salten Kultursamarbeid, Norway Forward Motion, The Barbican, London, UK

2010
Uppsala International Short Film Festival, Sweden Rio de Jeneiro International short film festival Cork International Film Festival International Shortfilm festival Shnit, Bern, Schweiz Aye Aye Film Festival, France Impressions Gallery, UK Bong out Gallery Berlin, Germany 18th Curtas Vila do Conde, Portugal Edinburgh International Film Festival Cinema Feminino International Festival, Rio de Janeiro, Brazil Cannes, UK Pavilion, Special Screening Arte Broadcast, France and Germany 56th Oberhausen Kurz Film Tage, Germany, Special Mention by Ec.Jury) Flat Pack Film Festival, Birmingham Tabakalera, San Sebastian, Spain International Film Festival Breda, The Netherlands Nominated the NPS Early Bird)Minimalen, Norway Stuttgarter Film Winter, Germany Clermont-Ferrand Film Festival, Labo, France, Jan (Marker – Winner of the Jury Price)

2009
Festival International de Vidéo Dance du Breuil, France Dance on Camera Festival, New York London Short Film Festival, London Birds Eye View, ICA , London Tiburon International Film Festival, USA 55th Oberhausen Film Festival, Germany Festival of Dance and Electronic Media FEDAME, Mexico Sans Souci Festival, USA Festival Signes de Nuit, Paris FEDAME – International Festival of Dance and Electronic Media Mexico PICA, Perth Institute of Contemporary Arts, Australia ARTE Broadcast, Franve and Germnay Artprojx screening, London 16th International Festival of Videodance, Neaples Italy Hamburg Short Film Festival, Germany Vila do Condo, International Film Festival Portugal Exis Experimental Film and Video Festival Seoul, Korea Raindance, London Janela International Short Film Festival, Brazil San Paulo International Short Film Festival, Special Programme Encounters Short Film Festival, Bristol UK Lille Film Festival, France Corona Cork Film Festival Istanbul Short Film Festival Uppsala Short Film Festival, Sweden Sinema Screening, Singapore Singapore Idill Festival, Brussels, Belgium Exground, Germany, Special Program Brest Short Film Festival, France Nov 2009 (Marker -Winner of Jury’s Special Mention) Interfilm Festival Berlin, Germany Stockholm International Film Festival, Sweden 2008 London Short Film Festival as part of UK Film Council’s ‘Challenging Visions’ programme at the ICA Birds Eye View Film Festival, London Byron Bay Film Festival, (Nominated for Best Cinematography) Bloomsberg Space Four Site International Film Festival (Nominated Best Experimental Film) ZEMOS 98, Seville, Spain 54th Oberhausen International Short Film Festival ARTE broadcast (France & Germany) Hull International Short Film Festival Labo International Film Festival, Italy Dancing in the Dark Festival, Folkets Bio, Sweden British Dance Edition – Dance For Camera Shorts

2008
Channel 4 New Media Space, Valencia Cinedance 2008 Dance Camera West June 2008, Los Angeles Hamburg International Short Film Festival Germany Kratkofiil International Short Film Festival 2008, Bosnia –Herzegovina Screening before ‘You Me and Everyone We Know’ (Miranda July) at Swedish Cinemas, Vaxsjö, Sweden Diba Festival, Barcelona, - WINNER of Best Short Film Kino im Kunstlerhaus, Hanover, Germany Ufficio Operaestate Festival, Italy 2008, Kurzfilm-Sommernacht 2008 vor dem Neuen Museum, Nurnberg, Germany Lille International Film Festival Sao Carlos Video Dance Festival, Brazil Le Bolle di Nardini del Grappa – Italy Teatro Comunale de Ferrara – Italy Artificierie Almagia Ravenna – Italy Spazio Multimediale S. Francesco Civitanova

2007
Channel 4 Boradcast Birds Eye View, ICA London 53rd Oberhausen Film Festival The BFI London Film Festival Encounters International Film Festival Cambridge International Film Festival Dance For Camera Festival UK IMZ The Hague

Susanna Wallin
Born in Lund, Sweden Lives and works in London, UK Education MASTERS in ARTS Goldsmiths University, London, UK 2003 BA (Hons) Film and Video, London College of Printing, University of the Arts London, UK 2001 Nominations and awards 2011 Jury Special Mention, Birds Eye View Film Festival London, Winner of Best Direction 2010 Women International Film Festival, Rio De Janeiro, Brasil Special Mention by Ecumenical Jury, Oberhausen Kurz Film Tage Winner of the Jury Price at Clermont Ferrand, Labo, France Nominated for the NPS at International Film Festival Breda Recipient of Independent Photography Commission, London Winner of the Jury’s Special Mention at Brest Film Festival, France 2009 Nominated for best film script, Stockholm International Film Festival 2008 Best Cinematography Byron Bay Film Festival Best Experimental Film, Four Site International Film Festival Winner of the Club Award (Best Short Film) DIBA Film Festival, Barcelona, Spain 2007 Receiver of The London Artist Film And Video Award Winner of the IMZ Award (Best Film) The Hague, The Netherlands Selected film screenings 2012 MOCA TV, Museum of Contemporary Art, Los Angeles, Artprox, Art Basel, Miami, USA, Random Acts, Channel 4, UK, The British Film Institute, UK, Festival International de Cinema Feminino, Brasil 2011 UKS Exhibition, Oslo, Norway, Dresden International Short Film Festival, Germany Oberhausen 57th International Short Film Festival Birds Eye View International Film Festival, London Janela Internacional de Cinema do Recife, Brazil Warsaw Short Film Festival, Special Program Mujeres en Dirección, Spain Hamburg International Film Festival, Special Program Tabor Film Festival, Special Program, Croatia. Berlin Film Festival RTP Portugal Salten Kultursamarbeid, Norway Forward Motion, The Barbican, London, UK 2010 Uppsala International Short Film Festival, Sweden Rio de Jeneiro International short film festival Cork International Film Festival International Shortfilm festival Shnit, Bern, Schweiz Aye Aye Film Festival, France Impressions Gallery, UK Bong out Gallery Berlin, Germany 18th Curtas Vila do Conde, Portugal Edinburgh International Film Festival Cinema Feminino International Festival, Rio de Janeiro, Brazil Cannes, UK Pavilion, Special Screening Arte Broadcast, France and Germany 56th Oberhausen Kurz Film Tage, Germany, Special Mention by Ec.Jury) Flat Pack Film Festival, Birmingham Tabakalera, San Sebastian, Spain International Film Festival Breda, The Netherlands Nominated the NPS Early Bird)Minimalen, Norway Stuttgarter Film Winter, Germany Clermont-Ferrand Film Festival, Labo, France, Jan (Marker – Winner of the Jury Price) 2009 Festival International de Vidéo Dance du Breuil, France Dance on Camera Festival, New York London Short Film Festival, London Birds Eye View, ICA , London Tiburon International Film Festival, USA 55th Oberhausen Film Festival, Germany Festival of Dance and Electronic Media FEDAME, Mexico Sans Souci Festival, USA Festival Signes de Nuit, Paris FEDAME – International Festival of Dance and Electronic Media Mexico PICA, Perth Institute of Contemporary Arts, Australia ARTE Broadcast, Franve and Germnay Artprojx screening, London 16th International Festival of Videodance, Neaples Italy Hamburg Short Film Festival, Germany Vila do Condo, International Film Festival Portugal Exis Experimental Film and Video Festival Seoul, Korea Raindance, London Janela International Short Film Festival, Brazil San Paulo International Short Film Festival, Special Programme Encounters Short Film Festival, Bristol UK Lille Film Festival, France Corona Cork Film Festival Istanbul Short Film Festival Uppsala Short Film Festival, Sweden Sinema Screening, Singapore Singapore Idill Festival, Brussels, Belgium Exground, Germany, Special Program Brest Short Film Festival, France Nov 2009 (Marker -Winner of Jury’s Special Mention) Interfilm Festival Berlin, Germany Stockholm International Film Festival, Sweden 2008 London Short Film Festival as part of UK Film Council’s ‘Challenging Visions’ programme at the ICA Birds Eye View Film Festival, London Byron Bay Film Festival, (Nominated for Best Cinematography) Bloomsberg Space Four Site International Film Festival (Nominated Best Experimental Film) ZEMOS 98, Seville, Spain 54th Oberhausen International Short Film Festival ARTE broadcast (France & Germany) Hull International Short Film Festival Labo International Film Festival, Italy Dancing in the Dark Festival, Folkets Bio, Sweden British Dance Edition – Dance For Camera Shorts 2008 Channel 4 New Media Space, Valencia Cinedance 2008 Dance Camera West June 2008, Los Angeles Hamburg International Short Film Festival Germany Kratkofiil International Short Film Festival 2008, Bosnia –Herzegovina Screening before ‘You Me and Everyone We Know’ (Miranda July) at Swedish Cinemas, Vaxsjö, Sweden Diba Festival, Barcelona, - WINNER of Best Short Film Kino im Kunstlerhaus, Hanover, Germany Ufficio Operaestate Festival, Italy 2008, Kurzfilm-Sommernacht 2008 vor dem Neuen Museum, Nurnberg, Germany Lille International Film Festival Sao Carlos Video Dance Festival, Brazil Le Bolle di Nardini del Grappa – Italy Teatro Comunale de Ferrara – Italy Artificierie Almagia Ravenna – Italy Spazio Multimediale S. Francesco Civitanova 2007 Channel 4 Boradcast Birds Eye View, ICA London 53rd Oberhausen Film Festival The BFI London Film Festival Encounters International Film Festival Cambridge International Film Festival Dance For Camera Festival UK IMZ The Hague

Susanna Wallin
ECHO PARK

Artist Susanna Wallin
Year 2012
Duration 2:03 min
Technical info HD Video
Contact
Artprojx
David Gryn
1 Hillside Gardens
N6 5SU London
United Kingdom

Phone: +44(0)7711 127848
E-Mail: david@artprojx.com

About the video

Echo Park is part of a series of works dealing with the notion of entertainment. Set inside an amusement park, entertainment here is explored as a bodily experience, in an attempt to shut out thought.


Credits

Funded by Flamin, Film London Artist Film and Video Network, Channel 4 UK

Susanna Wallin - ECHO PARK
Echo Park is part of a series of works dealing with the notion of entertainment. Set inside an amusement park, entertainment here is explored as a bodily experience, in an attempt to shut out thought.

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.