This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Dennis Feser

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Statement

Dennis Feser challenges the limits of performance, video, costume and sculpture. For his pieces, he develops physical extensions of the body that strangely oscillate between clothing, prosthesis and sculpture-like tumors. All of the video works visualize the attempt to dissolve the material boundaries between the self and the other, and at the same time, they show the failure of the attempt. Affecting not only their content, but also their form, is the structural ambivalence of these works: They flower out in long, serial repetitions in front of a camera and concentrate happenings, which took place over a period of several days, into rhythmic montages. Feser dramatizes the original material, structuring it with editing and samples, until the work takes on the quality of a performance clip. Both the elaborate montage and the sequencing of the editing emphasize the aspect of making or constructing. This way, the original material, with its characteristics of performance, no longer seems like an authentic, unrepeatable document. Instead, it is turned into raw material whose real meaning is first achieved by being refined and adjusted. In terms of media concepts, this is an extraordinarily clever move, a way to hook up the coolness and distance of video with the apparently unavoidable, urgent authenticity of the performative. Feser’s works unfold the phantasm of authenticity, referencing the basic theme of his work: identity must, of necessity, originate through a desire for an alterity that can never be fully attained. Or to put it another way: only when the self is transcended does self-awareness arise, yet it is precisely in the act of attempting transcendence that consciousness becomes aware of its limitations


Biography

Born 1978 in Bingen am Rhein
lives and works in Berlin and Wiesbaden

Education

2006-2007MFA (Meisterschüler), Hochschule für Bildende Künste, Braunschweig; studied under Prof. Birgit Hein
2003-2006studied fine art at the HBK Braunschweig, majoring in experimental film, video art, and performance. Diploma in 2006.
2001-2003studied Visual Arts at the Akademie für Bildende Künste, Mainz
1999-2001studied Theater and Acting

Awards and grants

2014-15
Production Grant, German Film Board
2012
Project Grant, Goethe Institut Lagos, NG
2011-2012
Production Grant, Federal Cultural Foundation
2008
Project Grant, Stiftung Kunstfonds, Bonn
Junge Kunst Grant from the City of Lemgo
2006-2007
DAAD postgraduate research grant, Brazil
2006
Capacete Residency, Rio de Janeiro, Brazil
2004
Film grant from the Landesfilmdienstes Rheinland Pfalz

Solo exhibitions

2009
on Tape, Städtische Galerie im Eichenmüllerhaus, Lemgo

2008
Melancholia, Galerie Gillian Morris, Berlin

Group exhibitions & festivals (selected)

2015
Int. Kurzfilmtage Oberhausen (Dt. Wettbewerb)
TLANCHANA FEST, Festival de Cine y Arte Digital, Metepec, de México
Festival International de Video Experimental, Valparaíso, Chile

2014
steirischer herbst - Festival neuer Kunst, Graz, Österreich
Fragen wagen - Zusammenstöße mit der Sammlung Marta, Herford
Future Reflexions (Behaviour Festival Glasgow), Schottland

2013
The Bodies We Tell (Ravy Festival), Yaoundé, Kamerun
Time to Pretend (AFiRIperFOMA Performance Biennale 13), Harare, Simbabwe
Kurzfilmfestival Regensburg

2012
lagos_live, Goethe Institut, Lagos, NG
I put a spell on you - 7th International Media Art Biennale, Seoul, KR
in/compatible - Transmediale 12, Haus der Kulturen der Welt, Berlin

2011
Int. Kurzfilmtage, Oberhausen
Video- und Dokumentarfilmfest, Kassel
Curator ´s Choice, Tape Modern, Berlin

2010
Fremde Bewohner, Roemer9 / Ev. Stadtakademie, Frankfurt am Main
Plateaux 2010 - New Positions in International Performing Arts, Künstlerhaus Mousonturm, Frankfurt/Main
Vanvouver 2010 Cultural Olympiad - Culture Shock: Video Interventions at the QET, Queen Elizabeth Theater, Vancouver, CAN

2009
Selbstversuche, White Heat, Stuttgart, D, 2009
Performance // Frame, Galerie Anita Beckers, Frankfurt/Main
Hier und anderswo - OWL 2, MARTa Herford

2008
BAC!08 réveile-toi! IX. International Festival of Contemporary Art, CCCB, Barcelona, E
Nordlichter/84. Herbstausstellung, Kunstverein Hannover
Berlin Deformes, Bienal de Performance, Santiago de Chile, CL

2007
Jardim das Delícias, Museu da Repuplica, Rio de Janeiro, BR
Deutsche Videokunst 2004-2006, FORO ARTISTICO, Hannover
Video, Kunsthalle Göppingen

2006
Nominierung zum 12. Marler Video-Kunst-Preis, Skulpturenmuseum Marl
Sex and Sadness, Platform Garanti Contemporary Art Center, Istanbul, TR
Exploding Television - Satellite of Love, (Sex and Sadness TV Programm), Witte de With Contemporary Art Center, Rotterdam, NL

Dennis Feser
Born 1978 in Bingen am Rhein lives and works in Berlin and Wiesbaden Education 2006-2007MFA (Meisterschüler), Hochschule für Bildende Künste, Braunschweig; studied under Prof. Birgit Hein 2003-2006studied fine art at the HBK Braunschweig, majoring in experimental film, video art, and performance. Diploma in 2006. 2001-2003studied Visual Arts at the Akademie für Bildende Künste, Mainz 1999-2001studied Theater and Acting Awards and grants 2014-15 Production Grant, German Film Board 2012 Project Grant, Goethe Institut Lagos, NG 2011-2012 Production Grant, Federal Cultural Foundation 2008 Project Grant, Stiftung Kunstfonds, BonnJunge Kunst Grant from the City of Lemgo 2006-2007 DAAD postgraduate research grant, Brazil 2006 Capacete Residency, Rio de Janeiro, Brazil 2004 Film grant from the Landesfilmdienstes Rheinland Pfalz Solo exhibitions 2009on Tape, Städtische Galerie im Eichenmüllerhaus, Lemgo 2008Melancholia, Galerie Gillian Morris, Berlin Group exhibitions & festivals (selected) 2015 Int. Kurzfilmtage Oberhausen (Dt. Wettbewerb) TLANCHANA FEST, Festival de Cine y Arte Digital, Metepec, de México Festival International de Video Experimental, Valparaíso, Chile 2014 steirischer herbst - Festival neuer Kunst, Graz, Österreich Fragen wagen - Zusammenstöße mit der Sammlung Marta, Herford Future Reflexions (Behaviour Festival Glasgow), Schottland 2013 The Bodies We Tell (Ravy Festival), Yaoundé, Kamerun Time to Pretend (AFiRIperFOMA Performance Biennale 13), Harare, Simbabwe Kurzfilmfestival Regensburg 2012 lagos_live, Goethe Institut, Lagos, NG I put a spell on you - 7th International Media Art Biennale, Seoul, KR in/compatible - Transmediale 12, Haus der Kulturen der Welt, Berlin 2011 Int. Kurzfilmtage, Oberhausen Video- und Dokumentarfilmfest, Kassel Curator ´s Choice, Tape Modern, Berlin 2010 Fremde Bewohner, Roemer9 / Ev. Stadtakademie, Frankfurt am Main Plateaux 2010 - New Positions in International Performing Arts, Künstlerhaus Mousonturm, Frankfurt/Main Vanvouver 2010 Cultural Olympiad - Culture Shock: Video Interventions at the QET, Queen Elizabeth Theater, Vancouver, CAN 2009 Selbstversuche, White Heat, Stuttgart, D, 2009 Performance // Frame, Galerie Anita Beckers, Frankfurt/Main Hier und anderswo - OWL 2, MARTa Herford 2008 BAC!08 réveile-toi! IX. International Festival of Contemporary Art, CCCB, Barcelona, E Nordlichter/84. Herbstausstellung, Kunstverein Hannover Berlin Deformes, Bienal de Performance, Santiago de Chile, CL 2007 Jardim das Delícias, Museu da Repuplica, Rio de Janeiro, BR Deutsche Videokunst 2004-2006, FORO ARTISTICO, Hannover Video, Kunsthalle Göppingen 2006 Nominierung zum 12. Marler Video-Kunst-Preis, Skulpturenmuseum Marl Sex and Sadness, Platform Garanti Contemporary Art Center, Istanbul, TR Exploding Television - Satellite of Love, (Sex and Sadness TV Programm), Witte de With Contemporary Art Center, Rotterdam, NL

Dennis Feser
Bud

Artist Dennis Feser
Year 2005
Duration 3:00 min
Edition 7 + 2 AE
Technical info Performancevideo, 4:3, SD, PAL
Master: Digibeta
Contact
Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de

About the video

All of Feser’s video works visualize the attempt to dissolve the material boundaries between the self and the other, and at the same time, they show the failure of the attempt. In Knospe (or Bud, 2005) the artist lies on a sheet of PVC printed with a rosebud pattern, while a bump made of adhesive tape grows over his mouth and nose. The use of this material alone makes it clear that this growth is also a wound, and at the same time, it is the very thing that is supposed to heal the facial features.


Credits

Performancevideo by Dennis Feser

Dennis Feser - Bud
All of Feser’s video works visualize the attempt to dissolve the material boundaries between the self and the other, and at the same time, they show the failure of the attempt. In Knospe (or Bud, 2005) the artist lies on a sheet of PVC printed with a rosebud pattern, while a bump made of adhesive tape grows over his mouth and nose. The use of this material alone makes it clear that this growth is also a wound, and at the same time, it is the very thing that is supposed to heal the facial features.

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.