This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

Share your thoughts with the blinkvideo community.

Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Our Partners

Follow us on Instagram

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Stefan Constantinescu

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de

Galleri Flach
Eva-Lotta Holm Flach
Hälsingegatan 43
113 31 Stockholm
Sweden

Phone: + 46 8 661 13 99
E-Mail: info@galleriflach.com




Statement

Stefan Constantinescu, born 1968, is a visual artist and film director living and working in Stockholm and Bucharest. He works with various mediums to include film, artist books and paintings approaching the political through introspection to challenge notions of identity, while working in and with issues of post-communist Romania. Within the work, monuments are challenged as permanent inscriptions of memory, fictional films resemble non-official documentaries, and artist books challenge history and education.
Currently, Stefan is working on a feature film entitled Viking Line Story, co-written with Xandra Popescu and produced by Atmo Stockholm


Biography

Stefan Constantinescu was born in Bucharest, Romania, in 1968. He lives and works in Stockholm and Bucharest.

Studies

1998
Master of Fine Arts, Royal Academy of Arts, Stockholm, Sweden

1996
Bachelor of Art, Romanian Art Academy, Bucharest, Romania

Selected Solo Exhibitions

2015
(upcoming), Norrbottens Museum
(upcoming), Norrköpings Konstmuseum

2014
(upcoming), Gävle Konstcentrum
Tree Shades of Love, Kalmar Konstmuseum, Sweden Curator Bengt Olof Johansson

2013
Stefan Constantinescu, Göteborg Konstmuseum, Sweden Curator Johan Sjöström

2012
Troleibuzul 92 and Family Dinner, Film in the White Cube, NorrlandsOperan, Umeå, Curator: Maria Lantz
Troleibuzul 92 and Family Dinner, Art in the Cinema - Moderna Museet, the Mini Cinema, Curator Catrin Lundqvist

2011
An Infinite Blue, Galerie8, London, UK, Curator Audrey Yeo

2009
The Golden Age for Children, Gallery Gal-On Art Space, Tel Aviv, Israel Curator Catrin Lundqvist

2008
The Golden Age for Children, Botkyrka Konsthall, Stockholm, Sweden Curators Joanna Sandell and Miriam Andersson-Blecher
Archive of Pain, The Romanian Cultural Institute of Stockholm, Sweden Producer Giorgiana Zachia

2007
Thanks For A Wonderful, Ordinary Day, Museum of Contemporary Art, Bucharest, Romania Curator Oana Tanase

2006
The Passage, H.arta Gallery, Timisoara, Romania
The Passage, Gallery Posibila, Bucharest, Romania

2004
Dacia 1300 – My Generation, The Museum of the Romanian Peasant, Bucharest, Romania Curator Tom Sandqvist
Dacia 1300 – My Generation, Vector Gallery, Iasi, Romania
Dacia 1300 – My Generation, H.arta Gallery, Timisoara, Romania
Dacia 1300 – My Generation, Malmö Art Museum, Malmö, Sweden Curator Tom Sandqvist

2003
Dacia 1300 – My Generation, ID:I Gallery, Stockholm, Sweden Curator Tom Sandqvist

2000
Archive of Pain, co-authors Cristi Puiu and Arina Stoenescu, Sala Dalles, Bucharest, Romania Curator Tom Sandqvist
Archive of Pain, co-authors Cristi Puiu and Arina Stoenescu, Contemporary Art Center, Vilnius, Lithuania Curator Tom Sandqvist

Selected Group Exhibitions

2014
6 big fish - Malmö Konsthall, C-salen, Malmö Konstmuseum, Malmö, Sweden

2013
Giving Form to the Impatience of Liberty, Württembergischer Kunstverein Stuttgar, Germany Curators Hans D. Christ, Iris Dressler
I have a Dream, Contemporary Art Center in Thessaloniki, Greece Curator Agnieszka Rayzacher
Art Rotterdam’ 13, presentation of Galerie Anita Beckers, Frankfurt, Germany

2012
One Sixth of the Earth: Ecologies of the Image, ZKM | Center for Art and Media Karlsruhe, Germany Curator Mark Nash
One Sixth of the Earth: Ecologies of the Image, Museo de Arte Contemporáneo de Castilla y León, Spain Curator Mark Nash
Memoirs from a Cold Utopia, Tallinn Art Hall, Tallinn, Estonia, Curator Eve Kask
Art Stage Singapore’ 12, presentation of Galerie8, London, UK

2011
Beyond the Crisis, 6 Bienal de Curitiba, Brasil, Curators Alfons Hug and Ticio Escobar
C.O.N.T.R.A.V.I.O.L.E.N.C.I.A.S Artistic practices against the aggression to women, Centre de Cultura de Palma, Spain, Curator Piedad Solans
The Last Analog Revolution, A Memory Box presented within the Romanian Cultural Resolution – documentary at 53 International Art Exhibition-La Biennale di Venezia, Italy, Curators Stefan Constantinescu and Xandra Popescu
Memoirs from a Cold Utopia, londonprintstudio, London, UK, Curator Eve Kask
Vienna Fair’ 11, presentation of Waterside Project Space, London
Moving Image, an art fair of contemporary video art, New York, presentation of lokal_30 Gallery, Warszawa
Washed Out, Konsthall C / Central Tvätt, Stockholm, Sweden, Curators Corina Oprea, Isabel Löfgren, Judith Souriau, Milena Placentile, and Valerio Del Baglivo

2010
Video Zone #5– International Video Art Biennial, Tel Aviv, Israel Curator Chen Tamir, Guest curator Irina Cios
ARTISSIMA 17, Torino, presentation of lokal_30 Gallery, Warszawa
Audience as Subject, Part 1: Medium, Yerba Buena Center for the Arts, San Francisco, USA Curator Betti-Sue Hertz
C.O.N.T.R.A.V.I.O.L.E.N.C.I.A.S Artistic practices against the aggression to women, Koldo Mitxelena Cultural Centre, San Sebastia, Spain, Curator Piedad Solans
Bless my homeland forever, Kunsthalle Exnergasse, Vienna, Austria, Curators Ioana Marinescu and Karoline Mayer
Going Places, Re-thinking Tourism, Gotlands Konstmuseum, Visby, Sweden, Curator Angelica Blomhage
Handlung. On Producing Possibilities, Bucharest Biennale 4, Bucharest, Romania, Curator Felix Vogel
Vienna Fair’ 10, presentation of Waterside Project Space, London
Art Cologne, presentation of lokal_30 Gallery, London-Warszawa
The Seductiveness of the Interval, The Renaissance Society, Chicago, USA, Curator Alina Serban
All that remains… The Teenagers of Socialism, Waterside Project Space, London, England, Curator Maxa Zoller
And the moral of the story is…, Apex Art, New York City, USA curator Zoe Gray
MORALITY: Act III, And the moral of the story is…, Witte de With, Center for Contemporary Art,Rotterdam, Holland curator Zoe Gray

2009
The social critique 1993-2005, Kalmar konstmuseum, Kalmar, Sweden, Curator Martin Schibli
The Seductiveness of the Interval, Romanian Pavilion, 53 International Art Exhibition-La Biennale di Venezia, Venice, Italy, Curator Alina Serban
Dada East? Contextes roumains du Dadaïsme, Tourcoing, France, Curators Zofia Machinicka and Adrian Notz

2009
Portraits of the artists as young artist, Andreiana Mihail Gallery, Bucharest, Romania

2008
The Map: Navigating the Present, Bildmuseet, Umeå, Sweden Curator Jan-Erik Lundström
Periferic 8 – Art as Gift, Biennial for Contemporary Art, Ia?i, Romania Curator Dóra Hegyi
Dada East? Romanian Context of Dadaizm, Zacheta National Gallery of Art, Warsaw, Polen Curators Zofia Machinicka and Adrian Notz
There and Here, wip:konsthall, Stockholm, Sweden Curator Karolina Pahlén

2007
Dada East? The Romanians of Cabaret Voltaire, Färgfabriken, Stockholm, Sweden Curator Adrian Notz

2006
Dada East? The Romanians of Cabaret Voltaire, Cabaret Voltaire, Zurich, Switzerland Curator Adrian Notz
indirect speech, Kunsthalle Fridericianum, Kassel, Germany Curator Alina Serban

2005
Minnesbilder, Skulpturens Hus, Stockholm, Sweden Curator Viveca Lindenstrand
On Difference #1. Local Contexts – Hybrid Spaces, Württembergischer Kunstverein, Stuttgart, Germany Curators Hans D. Christ and Iris Dressler

2004
Blick 2004, Kunstverein Munich, Germany and Moderna Museet, Stockholm, Sweden Curators Maria Lind, Anna Livion-Ingvarsson, Cecilia Widenheim

2003
Narration in Swedish Contemporary Art, Norrköpings Konstmuseum, Norrköping, Sweden Curator Marianne Hultman

2002
Public Art TransEuropa – Position: Romania, MuseumsQuartier, Quartier 21, Vienna, Austria Curator Susanne Neuburger

Selected Screenings, Artist Talks

2014
Friday Lecture on Disruptive Convictions - Stefan Constantinescu, Konstfack, Stockholm, Sweden
I Dreamt of You so Much That..., Dok 18 - Rote Fabrik, Zürich, Switzerland
Malmö Konsthall, C-salen, Malmö, Sweden

2013
Romanian Cultural Centre, London, UK

2010
Museum of Modern Art in Warsaw, Poland
Kuntsi Museum of Modern Art / Plarform, Finland
Kingston University, London, UK
Goldsmiths College, London, UK

2009
Screening of The Passage, Eastside Projects, Extra Special People: Salon, Presented by Viviana Checchia, Birmingham, England
Screening of The Passage and Troleibuzul 92, The Center for Contemporary Art, Tel Aviv, Israel

2006
Screening of The Passage within Politics of Space – conference in the context of the exhibitionOn Difference #2: Grenzwertig, Württembergischer Kunstverein, Stuttgart, Germany, Curators Hans D. Christ and Iris Dressler
Artist talk – parallel event within Chaos: The Age of Confusion, Bucharest Biennial 2, Bucharest, Romania

Filmography

2013
6 Big Fish, Producer ATMO, Stockholm, Sweden

2012
Middag Med Familjen, Producer ATMO, Stockholm, Sweden

2009
My Beautiful Dacia, co-director Julio Soto, Producers The ThinkLab Media, Madrid, Spain and Hifilm Productions, Bucharest, Romania
Troleibuzul 92, Producer Comitetul Central, Bucharest, Romania

2005
The Passage, 62 min.

2003
Dacia 1300 – My Generation, 62 min.

2002
The Baron, 22.02.2002 (based on a concept by Cristi Puiu), 45 min.

Writer

2013
Viking Line Story, co-writer Xandra Popescu
Dulce de Leche, I - II (short)

2012
6 Big Fish (short), co-writer Xandra Popescu

2011
Middag Med Familjen (short), co-writer Xandra Popescu

2009
My beautiful Dacia (documentary), co-writer Julio Soto
Troleibuzul 92 (short)

Film Festivals

2014
6 big fish, Transylvania International Film Festival, Cluj-Napoca, Romania
6 big fish, NexT Film Festival, Bucuresti, Romania
6 big fish, International ShortWork Competition, Whistler Film Festival, Canada
Family Dinner, Sarajevo Film Festival, Federation of Bosnia and Herzegovina

2013
6 BIG FISH, competition Pardi di domani of the Locarno Film Festival, Switzerland
6 BIG FISH, competition Best Swedish Short Award - Göteborg International Film Festival.

2012
Family Dinner, Kinoforum - Festival Internacional de Curtas Metragens de São Paulo, Brazil
Family Dinner, Melbourne International Film Festival, Australia
Family Dinner, European Film Festival Palic, Serbia
Family Dinner, Transylvania International Film Festival, Cluj-Napoca, Romania
Family Dinner, Semaine de la Critique, Cannes, France
Family Dinner, Göteborg Film Festival, Göteborg, Sweden

2011
Troleibuzul 92, Göteborg Film Festival, Göteborg, Sweden

2010
My Beautiful Dacia, Corona Cork Film Festival, Ireland
My Beautiful Dacia, Annual Margaret Mead Film & Video Festiva, New York, USA
My Beautiful Dacia, Mediterranean Film Festival in Siroki Brijeg, Bosnia and Herzegovina
My Beautiful Dacia, San Francisco Documentary Film Festival, San Francisco, USA
My Beautiful Dacia, Jihlava International Documentary Film Festiva, Prague, Czech Repulic
My Beautiful Dacia, Festival International de Cine Documental de la Ciudat de Mexico, Mexico
My Beautiful Dacia, Medimed Documentary Film Market, Barcelona, Spain
My Beautiful Dacia, Festival de Cine de Pamplona, Spain
My Beautiful Dacia, Iasi International Film Festival, Iasi, Romania
My Beautiful Dacia, Sardinia International Ethnographic Film Festival, Nuoro, Italy
My Beautiful Dacia, Documentarist, Istanbul, Turkey
Troleibuzul 92andMy Beautiful Dacia, Transylvania International Film Festival, Cluj-Napoca, Romania
My Beautiful Dacia, Documenta Madrid, Madrid, Spania
My Beautiful Dacia, Tempo Documentary Festival, Stockholm, Sweden
My Beautiful Dacia, ZagrebDOX, Zagreb, Croatia
My Beautiful Dacia, Trieste Film Festival, Trieste, Italy
My Beautiful Dacia, Astra Film Festival, Sibiu, Romania
My Beautiful Dacia, Montreal World Film Festival, Montreal, Canada

2007
The Passage, Tempo Documentary Festival, Stockholm, Sweden

2006
The Passage, Transylvania International Film Festival, Cluj-Napoca, Romania
The Passage, festivalul cARTfilm, Iasi, Romania

2006
The Passage, Göteborg Film Festival, Göteborg, Sweden

2004
Dacia 1300 – My Generation, 8th Annual Rencontres Internationales Paris/Berlin, Paris, France

TV Broadcast

2012
Family Dinner, HBO East

2011
My Beautiful Dacia, ADR/MDR (Germany)
My Beautiful Dacia, YLE (Finland)
My Beautiful Dacia, TVR (Romania)
My Beautiful Dacia, Televisio de Catalunya (Spain)

2010
My Beautiful Dacia, SVT (Sweden)
My Beautiful Dacia, Channel 4 (UK)

Public Collections

KIASMA, Helsinki, Finland
Fondation Louis Vuitton pour la creation, Paris, France
Moderna Museet, Stockholm, Sweden
Museum of Contemporary Art, Bucharest, Romania
Malmö Museum of Contemporary Art, Malmö, Sweden

Selected Publications

2013
Stefan Constantinescu, Göteborg Konstmuseum, Sweden

2011
Romanian Cultural Resolution, Contemporary Art in Romania, Hatje Cantz Verlag, Ostfildern, Germany

2009
Stefan Constantinescu, The Romanian Cultural Institute of Stockholm, Labyrinth Press, pionier press, Stockholm, Sweden

2008
The Golden Age for Children, The Romanian Cultural Institute of Stockholm, Labyrinth Press, pionier press, Stockholm, Sweden

2006
Northern Lights, IDEA arts+society, No. 23, Cluj-Napoca, Romania

2003
Dacia 1300 – My Generation, Simetria, Bucharest, Romania

2000
Archive of Pain, pionier press, Stockholm, Sweden

Selected Articles

2013
Eskil Larsson "?tefan Constantinescu på Göteborgs Konstmuseum". Radio P1 (Publicerat: tisdag 24 september kl 08:00 , Kulturnytt)

2011
Richard Unwin, “Romanian project to premiere at Venice”, The Art Newspaper, June 2011, London, UK
Magnus Bons, “På jakt efter invärtesminnet”, Konstperspektiv, Nr 2 May, Stockholm, Sweden
Marianna Liosi, “Stefan Constantinescu”, Drome Magazine, Italy
Chris Bors, “Audience as Subject, Part 1: Medium”, Artforum International Magazine (January), New York, USA
Luisa Etxenike, “Vuelco radical”, El Pais (24.02), Madrid, Spain

2010
Amanda Cachia, “Audience as Subject, Part 1: Public Relations”, Canadian Art (WINTER 2010–11), Toronto, Canada
Kenneth Baker, Chronicle Art Critic, “Audience as Subject: Part I: Medium”, SFGate (9 december), San Fracisco, USA
Michele Carlson “Audience as Subject, Part I: Medium”, Art Practical – Online Magazine (2.6)
RTVE, “CONTRAVIOLENCIAS, Prácticas artísticas contra la agresión a la mujerl”, Metropolis, programa semanal sobre cultura y arte contemporáneo, Madrid, Spain
Richard Unwin, “Iron Curtain project unites European artists from East and West”, The Art Newspaper, Jul 2010, London, UK
Alexander Ferrando, “From Venice to the Renaissance Society”, Flash Art, July
Daniel Tucker, “The Bucharest Biennale 4: Getting Real”, Hart International, June 2010 Sinziana Ravini, “Bukarestbiennalen BB4”, Göteborg_Posten, June
Daniel Tucker, “Truth is Stranger On the Bucharest Biennale 4: Handlung. On Producing Possibilities”, Art-Agenda, June
Jamie Keesling, “The Seductiveness of the Interval at The Renaissance Society”, Chicago Art Criticism, May
Roxanne Samer, “The Seductiveness of the Interval at The Renaissance Society”, Chicago Art Magazine, May

2009
Lynn Macritchie, “Melancholy Giardini: The National Pavilions”, Art in America, September
Catherine Millet, “Venise – Participations nationales”, Artpress, No. 359
Patricia Bickers, Art Monthly, July-August
Barbara A. MacAdam, “Reviews – 53rd Venice Biennale”, Art News, Summer
Astrid Mania, “AUSNAHMEN VON DER SELBSTGENÜGSAMKEIT”, Artnet, Juni
Simona Nastac, “New Media, New Europe”, Eikon – International Magazine for Photography and Media Art No. 63

2007
Sinziana Ravini, “An Archive of Pain in the Palace of Oblivion”, Site No. 21
Alina ?erban, “Dada East? The Romanians of Cabaret Voltaire”, Flash ArtNo. 258
Simona Nastac, “?tefan Constantinescu”, Flash Art No. 256

2006
“Focus Romania”, Flash Art No. 251

2005
Ulrika Stahre, “Så kort är ett liv – och så långt”, Aftonbladet 24 November

2004
Susanne Neuburger, “?tefan Constantinescu: Dacia 1300 – My Generation”, Springerin No. 3
Martin Schibli, “Med rumänsk folkbil till det förflutna”, Helsingborgs Dagblad
Jelena Zetterström, “Jelena Zetterström ser ?tefan Constantinescu”, Sydsvenskan 30 March

2003
Andreas Engström, “Centraleuropeisk ‘professionalism’ i den svenska idyllen?”, Nutida Musik No. 4
Milou Allerholm, “Framtidens bil”, På stan Dagens Nyheter 31 October
Milou Allerholm, “Konsten att berätta”, Dagens Nyheter 31 October
Cristina Karlstam, “Berättelser i ung svensk konst”, Uppsala Nya Tidning 24 October
Bo Borg, “Konsten som berättar”, Norrköpings Tidningar
Ulrika Stahre, “Tomheten vinner”, Aftonbladet 4 November
Pauli Olavi Kuivanen, “Konsten har blivit mer tillgänglig”, Norrköpings Tidningar 24 October
Måns Hirschfeldt, “Globala vyer”, Bildbyrån, P 1, Sveriges Radio 1 December

Selected Grants

2011
Stockholm Kulturstipendium

2009
The Swedish Arts Grants Committee: Two-Year Working Grant

2008
Media Desk Broadcast Grant for My Beautiful Dacia, co-director Julio Soto
The Swedish Arts Grants Committee Project Support for The Golden Age for Children

2007
Romanian National Film Board Grant for My Beautiful Dacia, co-director Julio Soto

2004
The Swedish Arts Grants Committee Project Support for The Passage
The Swedish Arts Grants Committee: Two-Year Working Grant
The Swedish Arts Grants Committee Project Support for Dacia 1300 – My Generation

1999
The Swedish Arts Grants Committee Project Support for Archive of Pain
The Swedish Arts Grants Committee: Two-Year Working Grant

Selected Prizes

2010
Jury Award “Best International TV Documentary” for My Beautiful Dacia at The International Documentary Film Festival of Mexico City, Mexico
Second Prize, jury award for My Beautiful Dacia, Documenta Madrid, Spania

Stefan Constantinescu
Stefan Constantinescu was born in Bucharest, Romania, in 1968. He lives and works in Stockholm and Bucharest. Studies 1998Master of Fine Arts, Royal Academy of Arts, Stockholm, Sweden 1996Bachelor of Art, Romanian Art Academy, Bucharest, Romania Selected Solo Exhibitions 2015(upcoming), Norrbottens Museum (upcoming), Norrköpings Konstmuseum 2014(upcoming), Gävle Konstcentrum Tree Shades of Love, Kalmar Konstmuseum, Sweden Curator Bengt Olof Johansson 2013Stefan Constantinescu, Göteborg Konstmuseum, Sweden Curator Johan Sjöström 2012Troleibuzul 92 and Family Dinner, Film in the White Cube, NorrlandsOperan, Umeå, Curator: Maria Lantz Troleibuzul 92 and Family Dinner, Art in the Cinema - Moderna Museet, the Mini Cinema, Curator Catrin Lundqvist 2011An Infinite Blue, Galerie8, London, UK, Curator Audrey Yeo 2009The Golden Age for Children, Gallery Gal-On Art Space, Tel Aviv, Israel Curator Catrin Lundqvist 2008The Golden Age for Children, Botkyrka Konsthall, Stockholm, Sweden Curators Joanna Sandell and Miriam Andersson-Blecher Archive of Pain, The Romanian Cultural Institute of Stockholm, Sweden Producer Giorgiana Zachia 2007Thanks For A Wonderful, Ordinary Day, Museum of Contemporary Art, Bucharest, Romania Curator Oana Tanase 2006The Passage, H.arta Gallery, Timisoara, Romania The Passage, Gallery Posibila, Bucharest, Romania 2004Dacia 1300 – My Generation, The Museum of the Romanian Peasant, Bucharest, Romania Curator Tom Sandqvist Dacia 1300 – My Generation, Vector Gallery, Iasi, Romania Dacia 1300 – My Generation, H.arta Gallery, Timisoara, Romania Dacia 1300 – My Generation, Malmö Art Museum, Malmö, Sweden Curator Tom Sandqvist 2003Dacia 1300 – My Generation, ID:I Gallery, Stockholm, Sweden Curator Tom Sandqvist 2000Archive of Pain, co-authors Cristi Puiu and Arina Stoenescu, Sala Dalles, Bucharest, Romania Curator Tom Sandqvist Archive of Pain, co-authors Cristi Puiu and Arina Stoenescu, Contemporary Art Center, Vilnius, Lithuania Curator Tom Sandqvist Selected Group Exhibitions 20146 big fish - Malmö Konsthall, C-salen, Malmö Konstmuseum, Malmö, Sweden 2013Giving Form to the Impatience of Liberty, Württembergischer Kunstverein Stuttgar, Germany Curators Hans D. Christ, Iris Dressler I have a Dream, Contemporary Art Center in Thessaloniki, Greece Curator Agnieszka Rayzacher Art Rotterdam’ 13, presentation of Galerie Anita Beckers, Frankfurt, Germany 2012One Sixth of the Earth: Ecologies of the Image, ZKM | Center for Art and Media Karlsruhe, Germany Curator Mark Nash One Sixth of the Earth: Ecologies of the Image, Museo de Arte Contemporáneo de Castilla y León, Spain Curator Mark Nash Memoirs from a Cold Utopia, Tallinn Art Hall, Tallinn, Estonia, Curator Eve Kask Art Stage Singapore’ 12, presentation of Galerie8, London, UK 2011Beyond the Crisis, 6 Bienal de Curitiba, Brasil, Curators Alfons Hug and Ticio Escobar C.O.N.T.R.A.V.I.O.L.E.N.C.I.A.S Artistic practices against the aggression to women, Centre de Cultura de Palma, Spain, Curator Piedad Solans The Last Analog Revolution, A Memory Box presented within the Romanian Cultural Resolution – documentary at 53 International Art Exhibition-La Biennale di Venezia, Italy, Curators Stefan Constantinescu and Xandra Popescu Memoirs from a Cold Utopia, londonprintstudio, London, UK, Curator Eve Kask Vienna Fair’ 11, presentation of Waterside Project Space, London Moving Image, an art fair of contemporary video art, New York, presentation of lokal_30 Gallery, Warszawa Washed Out, Konsthall C / Central Tvätt, Stockholm, Sweden, Curators Corina Oprea, Isabel Löfgren, Judith Souriau, Milena Placentile, and Valerio Del Baglivo 2010Video Zone #5– International Video Art Biennial, Tel Aviv, Israel Curator Chen Tamir, Guest curator Irina Cios ARTISSIMA 17, Torino, presentation of lokal_30 Gallery, Warszawa Audience as Subject, Part 1: Medium, Yerba Buena Center for the Arts, San Francisco, USA Curator Betti-Sue Hertz C.O.N.T.R.A.V.I.O.L.E.N.C.I.A.S Artistic practices against the aggression to women, Koldo Mitxelena Cultural Centre, San Sebastia, Spain, Curator Piedad Solans Bless my homeland forever, Kunsthalle Exnergasse, Vienna, Austria, Curators Ioana Marinescu and Karoline Mayer Going Places, Re-thinking Tourism, Gotlands Konstmuseum, Visby, Sweden, Curator Angelica Blomhage Handlung. On Producing Possibilities, Bucharest Biennale 4, Bucharest, Romania, Curator Felix Vogel Vienna Fair’ 10, presentation of Waterside Project Space, London Art Cologne, presentation of lokal_30 Gallery, London-Warszawa The Seductiveness of the Interval, The Renaissance Society, Chicago, USA, Curator Alina Serban All that remains… The Teenagers of Socialism, Waterside Project Space, London, England, Curator Maxa Zoller And the moral of the story is…, Apex Art, New York City, USA curator Zoe Gray MORALITY: Act III, And the moral of the story is…, Witte de With, Center for Contemporary Art,Rotterdam, Holland curator Zoe Gray 2009The social critique 1993-2005, Kalmar konstmuseum, Kalmar, Sweden, Curator Martin Schibli The Seductiveness of the Interval, Romanian Pavilion, 53 International Art Exhibition-La Biennale di Venezia, Venice, Italy, Curator Alina Serban Dada East? Contextes roumains du Dadaïsme, Tourcoing, France, Curators Zofia Machinicka and Adrian Notz 2009Portraits of the artists as young artist, Andreiana Mihail Gallery, Bucharest, Romania 2008The Map: Navigating the Present, Bildmuseet, Umeå, Sweden Curator Jan-Erik Lundström Periferic 8 – Art as Gift, Biennial for Contemporary Art, Ia?i, Romania Curator Dóra Hegyi Dada East? Romanian Context of Dadaizm, Zacheta National Gallery of Art, Warsaw, Polen Curators Zofia Machinicka and Adrian Notz There and Here, wip:konsthall, Stockholm, Sweden Curator Karolina Pahlén 2007Dada East? The Romanians of Cabaret Voltaire, Färgfabriken, Stockholm, Sweden Curator Adrian Notz 2006Dada East? The Romanians of Cabaret Voltaire, Cabaret Voltaire, Zurich, Switzerland Curator Adrian Notz indirect speech, Kunsthalle Fridericianum, Kassel, Germany Curator Alina Serban 2005Minnesbilder, Skulpturens Hus, Stockholm, Sweden Curator Viveca Lindenstrand On Difference #1. Local Contexts – Hybrid Spaces, Württembergischer Kunstverein, Stuttgart, Germany Curators Hans D. Christ and Iris Dressler 2004Blick 2004, Kunstverein Munich, Germany and Moderna Museet, Stockholm, Sweden Curators Maria Lind, Anna Livion-Ingvarsson, Cecilia Widenheim 2003Narration in Swedish Contemporary Art, Norrköpings Konstmuseum, Norrköping, Sweden Curator Marianne Hultman 2002Public Art TransEuropa – Position: Romania, MuseumsQuartier, Quartier 21, Vienna, Austria Curator Susanne Neuburger Selected Screenings, Artist Talks 2014Friday Lecture on Disruptive Convictions - Stefan Constantinescu, Konstfack, Stockholm, Sweden I Dreamt of You so Much That..., Dok 18 - Rote Fabrik, Zürich, Switzerland Malmö Konsthall, C-salen, Malmö, Sweden 2013Romanian Cultural Centre, London, UK 2010Museum of Modern Art in Warsaw, Poland Kuntsi Museum of Modern Art / Plarform, Finland Kingston University, London, UK Goldsmiths College, London, UK 2009Screening of The Passage, Eastside Projects, Extra Special People: Salon, Presented by Viviana Checchia, Birmingham, England Screening of The Passage and Troleibuzul 92, The Center for Contemporary Art, Tel Aviv, Israel 2006Screening of The Passage within Politics of Space – conference in the context of the exhibitionOn Difference #2: Grenzwertig, Württembergischer Kunstverein, Stuttgart, Germany, Curators Hans D. Christ and Iris Dressler Artist talk – parallel event within Chaos: The Age of Confusion, Bucharest Biennial 2, Bucharest, Romania Filmography 20136 Big Fish, Producer ATMO, Stockholm, Sweden 2012Middag Med Familjen, Producer ATMO, Stockholm, Sweden 2009My Beautiful Dacia, co-director Julio Soto, Producers The ThinkLab Media, Madrid, Spain and Hifilm Productions, Bucharest, Romania Troleibuzul 92, Producer Comitetul Central, Bucharest, Romania 2005The Passage, 62 min. 2003Dacia 1300 – My Generation, 62 min. 2002The Baron, 22.02.2002 (based on a concept by Cristi Puiu), 45 min. Writer 2013Viking Line Story, co-writer Xandra Popescu Dulce de Leche, I - II (short) 20126 Big Fish (short), co-writer Xandra Popescu 2011Middag Med Familjen (short), co-writer Xandra Popescu 2009My beautiful Dacia (documentary), co-writer Julio Soto Troleibuzul 92 (short) Film Festivals 20146 big fish, Transylvania International Film Festival, Cluj-Napoca, Romania 6 big fish, NexT Film Festival, Bucuresti, Romania 6 big fish, International ShortWork Competition, Whistler Film Festival, Canada Family Dinner, Sarajevo Film Festival, Federation of Bosnia and Herzegovina 20136 BIG FISH, competition Pardi di domani of the Locarno Film Festival, Switzerland 6 BIG FISH, competition Best Swedish Short Award - Göteborg International Film Festival. 2012Family Dinner, Kinoforum - Festival Internacional de Curtas Metragens de São Paulo, Brazil Family Dinner, Melbourne International Film Festival, Australia Family Dinner, European Film Festival Palic, Serbia Family Dinner, Transylvania International Film Festival, Cluj-Napoca, Romania Family Dinner, Semaine de la Critique, Cannes, France Family Dinner, Göteborg Film Festival, Göteborg, Sweden 2011Troleibuzul 92, Göteborg Film Festival, Göteborg, Sweden 2010My Beautiful Dacia, Corona Cork Film Festival, Ireland My Beautiful Dacia, Annual Margaret Mead Film & Video Festiva, New York, USA My Beautiful Dacia, Mediterranean Film Festival in Siroki Brijeg, Bosnia and Herzegovina My Beautiful Dacia, San Francisco Documentary Film Festival, San Francisco, USA My Beautiful Dacia, Jihlava International Documentary Film Festiva, Prague, Czech Repulic My Beautiful Dacia, Festival International de Cine Documental de la Ciudat de Mexico, Mexico My Beautiful Dacia, Medimed Documentary Film Market, Barcelona, Spain My Beautiful Dacia, Festival de Cine de Pamplona, Spain My Beautiful Dacia, Iasi International Film Festival, Iasi, Romania My Beautiful Dacia, Sardinia International Ethnographic Film Festival, Nuoro, Italy My Beautiful Dacia, Documentarist, Istanbul, Turkey Troleibuzul 92andMy Beautiful Dacia, Transylvania International Film Festival, Cluj-Napoca, Romania My Beautiful Dacia, Documenta Madrid, Madrid, Spania My Beautiful Dacia, Tempo Documentary Festival, Stockholm, Sweden My Beautiful Dacia, ZagrebDOX, Zagreb, Croatia My Beautiful Dacia, Trieste Film Festival, Trieste, Italy My Beautiful Dacia, Astra Film Festival, Sibiu, Romania My Beautiful Dacia, Montreal World Film Festival, Montreal, Canada 2007The Passage, Tempo Documentary Festival, Stockholm, Sweden 2006The Passage, Transylvania International Film Festival, Cluj-Napoca, Romania The Passage, festivalul cARTfilm, Iasi, Romania 2006The Passage, Göteborg Film Festival, Göteborg, Sweden 2004Dacia 1300 – My Generation, 8th Annual Rencontres Internationales Paris/Berlin, Paris, France TV Broadcast 2012Family Dinner, HBO East 2011My Beautiful Dacia, ADR/MDR (Germany) My Beautiful Dacia, YLE (Finland) My Beautiful Dacia, TVR (Romania) My Beautiful Dacia, Televisio de Catalunya (Spain) 2010My Beautiful Dacia, SVT (Sweden) My Beautiful Dacia, Channel 4 (UK) Public Collections KIASMA, Helsinki, Finland Fondation Louis Vuitton pour la creation, Paris, France Moderna Museet, Stockholm, Sweden Museum of Contemporary Art, Bucharest, Romania Malmö Museum of Contemporary Art, Malmö, Sweden Selected Publications 2013Stefan Constantinescu, Göteborg Konstmuseum, Sweden 2011Romanian Cultural Resolution, Contemporary Art in Romania, Hatje Cantz Verlag, Ostfildern, Germany 2009Stefan Constantinescu, The Romanian Cultural Institute of Stockholm, Labyrinth Press, pionier press, Stockholm, Sweden 2008The Golden Age for Children, The Romanian Cultural Institute of Stockholm, Labyrinth Press, pionier press, Stockholm, Sweden 2006Northern Lights, IDEA arts+society, No. 23, Cluj-Napoca, Romania 2003Dacia 1300 – My Generation, Simetria, Bucharest, Romania 2000Archive of Pain, pionier press, Stockholm, Sweden Selected Articles 2013Eskil Larsson ?tefan Constantinescu på Göteborgs Konstmuseum. Radio P1 (Publicerat: tisdag 24 september kl 08:00 , Kulturnytt) 2011Richard Unwin, “Romanian project to premiere at Venice”, The Art Newspaper, June 2011, London, UK Magnus Bons, “På jakt efter invärtesminnet”, Konstperspektiv, Nr 2 May, Stockholm, Sweden Marianna Liosi, “Stefan Constantinescu”, Drome Magazine, Italy Chris Bors, “Audience as Subject, Part 1: Medium”, Artforum International Magazine (January), New York, USA Luisa Etxenike, “Vuelco radical”, El Pais (24.02), Madrid, Spain 2010Amanda Cachia, “Audience as Subject, Part 1: Public Relations”, Canadian Art (WINTER 2010–11), Toronto, Canada Kenneth Baker, Chronicle Art Critic, “Audience as Subject: Part I: Medium”, SFGate (9 december), San Fracisco, USA Michele Carlson “Audience as Subject, Part I: Medium”, Art Practical – Online Magazine (2.6) RTVE, “CONTRAVIOLENCIAS, Prácticas artísticas contra la agresión a la mujerl”, Metropolis, programa semanal sobre cultura y arte contemporáneo, Madrid, Spain Richard Unwin, “Iron Curtain project unites European artists from East and West”, The Art Newspaper, Jul 2010, London, UK Alexander Ferrando, “From Venice to the Renaissance Society”, Flash Art, July Daniel Tucker, “The Bucharest Biennale 4: Getting Real”, Hart International, June 2010 Sinziana Ravini, “Bukarestbiennalen BB4”, Göteborg_Posten, June Daniel Tucker, “Truth is Stranger On the Bucharest Biennale 4: Handlung. On Producing Possibilities”, Art-Agenda, June Jamie Keesling, “The Seductiveness of the Interval at The Renaissance Society”, Chicago Art Criticism, May Roxanne Samer, “The Seductiveness of the Interval at The Renaissance Society”, Chicago Art Magazine, May 2009Lynn Macritchie, “Melancholy Giardini: The National Pavilions”, Art in America, September Catherine Millet, “Venise – Participations nationales”, Artpress, No. 359 Patricia Bickers, Art Monthly, July-August Barbara A. MacAdam, “Reviews – 53rd Venice Biennale”, Art News, Summer Astrid Mania, “AUSNAHMEN VON DER SELBSTGENÜGSAMKEIT”, Artnet, Juni Simona Nastac, “New Media, New Europe”, Eikon – International Magazine for Photography and Media Art No. 63 2007Sinziana Ravini, “An Archive of Pain in the Palace of Oblivion”, Site No. 21 Alina ?erban, “Dada East? The Romanians of Cabaret Voltaire”, Flash ArtNo. 258 Simona Nastac, “?tefan Constantinescu”, Flash Art No. 256 2006“Focus Romania”, Flash Art No. 251 2005Ulrika Stahre, “Så kort är ett liv – och så långt”, Aftonbladet 24 November 2004Susanne Neuburger, “?tefan Constantinescu: Dacia 1300 – My Generation”, Springerin No. 3 Martin Schibli, “Med rumänsk folkbil till det förflutna”, Helsingborgs Dagblad Jelena Zetterström, “Jelena Zetterström ser ?tefan Constantinescu”, Sydsvenskan 30 March 2003Andreas Engström, “Centraleuropeisk ‘professionalism’ i den svenska idyllen?”, Nutida Musik No. 4 Milou Allerholm, “Framtidens bil”, På stan Dagens Nyheter 31 October Milou Allerholm, “Konsten att berätta”, Dagens Nyheter 31 October Cristina Karlstam, “Berättelser i ung svensk konst”, Uppsala Nya Tidning 24 October Bo Borg, “Konsten som berättar”, Norrköpings Tidningar Ulrika Stahre, “Tomheten vinner”, Aftonbladet 4 November Pauli Olavi Kuivanen, “Konsten har blivit mer tillgänglig”, Norrköpings Tidningar 24 October Måns Hirschfeldt, “Globala vyer”, Bildbyrån, P 1, Sveriges Radio 1 December Selected Grants 2011Stockholm Kulturstipendium 2009The Swedish Arts Grants Committee: Two-Year Working Grant 2008Media Desk Broadcast Grant for My Beautiful Dacia, co-director Julio Soto The Swedish Arts Grants Committee Project Support for The Golden Age for Children 2007Romanian National Film Board Grant for My Beautiful Dacia, co-director Julio Soto 2004The Swedish Arts Grants Committee Project Support for The Passage The Swedish Arts Grants Committee: Two-Year Working Grant The Swedish Arts Grants Committee Project Support for Dacia 1300 – My Generation 1999The Swedish Arts Grants Committee Project Support for Archive of Pain The Swedish Arts Grants Committee: Two-Year Working Grant Selected Prizes 2010Jury Award “Best International TV Documentary” for My Beautiful Dacia at The International Documentary Film Festival of Mexico City, Mexico Second Prize, jury award for My Beautiful Dacia, Documenta Madrid, Spania

Stefan Constantinescu
Troleibuzul 92

Artist Stefan Constantinescu
Year 2009
Duration 9:01 min
Edition 5 + 2 AE
Contact
Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de

Galleri Flach
Eva-Lotta Holm Flach
Hälsingegatan 43
113 31 Stockholm
Sweden

Phone: + 46 8 661 13 99
E-Mail: info@galleriflach.com

About the video

A man gets on a trolleybus and starts a phone conversation with his wife or girlfriend. Because she didn’t answer the phone, he is talking extremely violent and he threatens her with death. The passengers become spectators, unwillingly.


Credits

Director: Stefan Constantinescu
Writer: Stefan Constantinescu
Production: Comitetul Central, Bucharest
Colour, Red One
Original Language(s): Romanian
Actor: Gheorghe Ifrim
Producer: Barbu Balasoiu, Toma Velio
Director of Photography: Barbu Balasoiu

Stefan Constantinescu - Troleibuzul 92
A man gets on a trolleybus and starts a phone conversation with his wife or girlfriend. Because she didn’t answer the phone, he is talking extremely violent and he threatens her with death. The passengers become spectators, unwillingly.

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies.


Enter your E-mail address below and we'll get you back to the art.