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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Philipp Lachenmann

Works


Galleries

Galerie Andreas Binder
Andreas Binder
Knöbelstrasse 27
80538 München
Germany

Phone: +49-89-219 39 250
E-Mail: info@andreasbinder.de




Biography

Born 1963 in Munich
Works in Berlin and Los Angeles

Education

1983-1987 Diploma as Modeler in Architecture and Design
1987-1994 Academy for Film and Television (HFF), Munich
Master MFA in Art History and Philosophy, Ludwig Maximilians University, Munich
1999-2003 Diploma in Audiovisual Media, Academy for Media Arts (KHM), Cologne
Postgraduate studies with Valie Export, Jürgen Klauke, Marcel Odenbach

Solo shows (selection)

2013
"Cine//Città", Gallery Andreas Binder, Munich

2010/2011
"Some Scenic Views", Nationalgalerie im Hamburger Bahnhof - Museum für Gegenwart, Berlin

2008
„Eclipse (I)“, Galerie Andreas Binder, Munich

2004
„Space Surrogates“,Gallery Andreas Binder, Munich

2003
„Rethinking Representation“, Gallery Horst Schuler, Düsseldorf

2002
"Preview. LOTR II“, Projektraum Kunst-Werke, Berlin

2001
„Space Surrogate I“, Projektraum, Cologne

2000
„Altarbild 2000“, St. Lukas-Church, Munich
„Rethinking Representation“, Goethe-Institut, Galerie Condé, Paris
„ART-Serie“, Künstlerwerkstatt Lothringerstraße, Munich

Group shows (selection)

2013
"The Whole Earth - Kalifornien und das Verschwinden des Außen", HKW - Haus der Kulturen der Welt, Berlin
"Villa-Massimo-Night", Martin-Gropius-Bau, Berlin

2012
"Kunst Film Kino. L'art du cinéma", European Kunsthalle, Cologne
"Reality Show", Galleria Tiziana di Caro, Salerno, Italy
"Passing Time" - Salina Art Center, Salina, KS, USA
"Sonic Acts - Travelling Time", NIMk - Netherlands Media Art Institute, Amsterdam
"Passing Time", Richard E. Peeler Art Center - DePauw University, Greencastle, IN, USA

2011
"Wonder - Art, Science, Religion", Deichtorhallen Museum, Hamburg
"Passing Time - Ezra and Cecile Zilkha Gallery - CFA Center for the Arts Wesleyan University, Connecticut, USA

2010
"Es werde Dunkel!", Kunstmuseum Mühlheim/Ruhr, Germany
"Es werde Dunkel!", Stadtgalerie Kiel, Germany

2009
"Hängung #5", Kunstwerk - Collection Alison & Peter Klein, Eberdingen, Germany
"Es werde Dunkel!", Städt. Galerie Bietigheim-Bissingen, Germany

2008
„Hello Darkness", Museum K21, Duesseldorf

2007
„Rencontre Paris/Berlin/Madrid“, Paris, & Madrid
„Jubilee”, Galerie Andreas Binder, Munich

2006
„Culture of Fear“, Halle 14/Stiftung Federkiel, Leipzig & ACC Galerie, Weimar, Germany
„Shining“, Galerie Andreas Binder, Munich
„Transatlantic Impulses“, Martin-Gropius-Bau, Berlin

2005
„Detox“, Moderna Museet, Stockholm
„Lost Paradise“, Zentrum für Kunst, Stiftung Opelvillen, Rüsselsheim, Germany

2004
„Shanghai Biennale“, Shanghai, China
„Storytelling - Contemporary Approaches to New Media", George Eastman House, Rochester, USA
„Detox“, Sørlandets Kunstmuseum, Kristiansand, Norway
„Mehrfach Belichtet. Multiple Exposure“, Galerie im Taxispalais, Innsbruck
„Black&White“, Galerie Gabriele Rivet, Cologne

2003
„Wings of Art“, Ludwig Forum, Aachen
„Arche Noah“, Galerie Gabriele Rivet, Cologne
„Rencontre Paris/Berlin“, Podewil, Berlin

2002
"Awards - Medienkunstpreis Wiesbaden/Kunstadapter", Museum Wiesbaden, Germany
Transmediale 02, Haus der Kulturen der Welt, Berlin
„Berge“, Galerie Six Friedrich/Lisa Ungar, Munich

2001
„See You Hear“, Akademie der Künste, Berlin
„Selected Bavarian Artists“, Museum of Modern Art, Moskau

2000
"Förderpreisnominierungen", Künstlerwerkstatt Lothringerstraße, Munich

Screenings (selection)

2012
San Francisco Cinematheque, San Francisco
Rencontres Internationales c/o Centre Georges Pompidou, Paris
2011
HKIFF Hongkong International Film Festival
2010
NYFF New York Film Festival
SFIFF San Francisco International Film Festival
2009
SIFF Seattle International Film Festival
COURTISANE Short Film Festival Ghent
IFFR International Filmfestival Rotterdam
2008
MIT Short Film Festival, Boston
ZKM Center for Art and Media, Karlsruhe
2006
Arsenal Kino, Berlin
FIPATEL, Biarritz
2003
MAK Center for Art and Architecture, Los Angeles
2002
Kunst-Werke, Berlin
Museum Reina Sofia, Madrid
Museum Kunst Palast, Düsseldorf
2001
Goethe-Institut, Sao Paulo
Festival Centro Culturale, Buenos Aires
Museum of Film, Photography and Television, Bradford
Academy of Fine Arts, Riga

Grants/awards

2012 Villa Massimo, Grant Residency, Rome
2010 Kunstfonds, Work Grant
2008 Cité des Arts, Grant Residency, Paris
2007 Kunstfonds, Publication Grant
2006 USA Travel Grant of the State of Nordrhein/Westfalia
2005 Grant Else-Heiliger-Fond (EHF), Konrad Adenauer Foundation Berlin
2003 USA Travel Grant of the State of Bavaria
Villa Aurora Grant Residency, Los Angeles
2002 Media Award 1st prize Kunstadapter, Museum Wiesbaden
Award of the R+V-Insurance, Kunst-Werke, Berlin
1997/98 German Academic Program (DAAD) scholarship, New York

Philipp Lachenmann
Born 1963 in Munich Works in Berlin and Los Angeles Education 1983-1987 Diploma as Modeler in Architecture and Design 1987-1994 Academy for Film and Television (HFF), Munich Master MFA in Art History and Philosophy, Ludwig Maximilians University, Munich 1999-2003 Diploma in Audiovisual Media, Academy for Media Arts (KHM), Cologne Postgraduate studies with Valie Export, Jürgen Klauke, Marcel Odenbach Solo shows (selection) 2013 Cine//Città, Gallery Andreas Binder, Munich 2010/2011 Some Scenic Views, Nationalgalerie im Hamburger Bahnhof - Museum für Gegenwart, Berlin 2008 „Eclipse (I)“, Galerie Andreas Binder, Munich 2004 „Space Surrogates“,Gallery Andreas Binder, Munich 2003 „Rethinking Representation“, Gallery Horst Schuler, Düsseldorf 2002 Preview. LOTR II“, Projektraum Kunst-Werke, Berlin 2001 „Space Surrogate I“, Projektraum, Cologne 2000 „Altarbild 2000“, St. Lukas-Church, Munich „Rethinking Representation“, Goethe-Institut, Galerie Condé, Paris „ART-Serie“, Künstlerwerkstatt Lothringerstraße, Munich Group shows (selection) 2013 The Whole Earth - Kalifornien und das Verschwinden des Außen, HKW - Haus der Kulturen der Welt, Berlin Villa-Massimo-Night, Martin-Gropius-Bau, Berlin 2012 Kunst Film Kino. L'art du cinéma, European Kunsthalle, Cologne Reality Show, Galleria Tiziana di Caro, Salerno, Italy Passing Time - Salina Art Center, Salina, KS, USA Sonic Acts - Travelling Time, NIMk - Netherlands Media Art Institute, Amsterdam Passing Time, Richard E. Peeler Art Center - DePauw University, Greencastle, IN, USA 2011 Wonder - Art, Science, Religion, Deichtorhallen Museum, Hamburg Passing Time - Ezra and Cecile Zilkha Gallery - CFA Center for the Arts Wesleyan University, Connecticut, USA 2010 Es werde Dunkel!, Kunstmuseum Mühlheim/Ruhr, Germany Es werde Dunkel!, Stadtgalerie Kiel, Germany 2009 Hängung #5, Kunstwerk - Collection Alison & Peter Klein, Eberdingen, Germany Es werde Dunkel!, Städt. Galerie Bietigheim-Bissingen, Germany 2008 „Hello Darkness, Museum K21, Duesseldorf 2007 „Rencontre Paris/Berlin/Madrid“, Paris, & Madrid „Jubilee”, Galerie Andreas Binder, Munich 2006 „Culture of Fear“, Halle 14/Stiftung Federkiel, Leipzig & ACC Galerie, Weimar, Germany „Shining“, Galerie Andreas Binder, Munich „Transatlantic Impulses“, Martin-Gropius-Bau, Berlin 2005 „Detox“, Moderna Museet, Stockholm „Lost Paradise“, Zentrum für Kunst, Stiftung Opelvillen, Rüsselsheim, Germany 2004 „Shanghai Biennale“, Shanghai, China „Storytelling - Contemporary Approaches to New Media, George Eastman House, Rochester, USA „Detox“, Sørlandets Kunstmuseum, Kristiansand, Norway „Mehrfach Belichtet. Multiple Exposure“, Galerie im Taxispalais, Innsbruck „Black&White“, Galerie Gabriele Rivet, Cologne 2003 „Wings of Art“, Ludwig Forum, Aachen „Arche Noah“, Galerie Gabriele Rivet, Cologne „Rencontre Paris/Berlin“, Podewil, Berlin 2002 Awards - Medienkunstpreis Wiesbaden/Kunstadapter, Museum Wiesbaden, Germany Transmediale 02, Haus der Kulturen der Welt, Berlin „Berge“, Galerie Six Friedrich/Lisa Ungar, Munich 2001 „See You Hear“, Akademie der Künste, Berlin „Selected Bavarian Artists“, Museum of Modern Art, Moskau 2000 Förderpreisnominierungen, Künstlerwerkstatt Lothringerstraße, Munich Screenings (selection) 2012 San Francisco Cinematheque, San Francisco Rencontres Internationales c/o Centre Georges Pompidou, Paris 2011 HKIFF Hongkong International Film Festival 2010 NYFF New York Film Festival SFIFF San Francisco International Film Festival 2009 SIFF Seattle International Film Festival COURTISANE Short Film Festival Ghent IFFR International Filmfestival Rotterdam 2008 MIT Short Film Festival, Boston ZKM Center for Art and Media, Karlsruhe 2006 Arsenal Kino, Berlin FIPATEL, Biarritz 2003 MAK Center for Art and Architecture, Los Angeles 2002 Kunst-Werke, Berlin Museum Reina Sofia, Madrid Museum Kunst Palast, Düsseldorf 2001 Goethe-Institut, Sao Paulo Festival Centro Culturale, Buenos Aires Museum of Film, Photography and Television, Bradford Academy of Fine Arts, Riga Grants/awards 2012 Villa Massimo, Grant Residency, Rome 2010 Kunstfonds, Work Grant 2008 Cité des Arts, Grant Residency, Paris 2007 Kunstfonds, Publication Grant 2006 USA Travel Grant of the State of Nordrhein/Westfalia 2005 Grant Else-Heiliger-Fond (EHF), Konrad Adenauer Foundation Berlin 2003 USA Travel Grant of the State of Bavaria Villa Aurora Grant Residency, Los Angeles 2002 Media Award 1st prize Kunstadapter, Museum Wiesbaden Award of the R+V-Insurance, Kunst-Werke, Berlin 1997/98 German Academic Program (DAAD) scholarship, New York

Philipp Lachenmann
Grey Study (Surfer) xl

Artist Philipp Lachenmann
Year 2003
Technical info Lightjet Print, Diasec, framed, 180 x 240 cm
Contact
Galerie Andreas Binder
Andreas Binder
Knöbelstrasse 27
80538 München
Germany

Phone: +49-89-219 39 250
E-Mail: info@andreasbinder.de
Philipp Lachenmann - Grey Study (Surfer) xl

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