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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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János Sugár

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

born 1958 in Budapest

Education

1980-1986 Studied in the Department of Sculpture at the Hungarian Academy of Fine Arts in Budapest.

Selected solo shows

2014
(monuments), Kisterem, Budapest
Subversive Designers, PopUp, Osijek

2013
Holy Shit, Müszi, Budapest

2012
Fire in the Museum, Museum Kiscell, Budapest

2011
The Situation, Videospace, Budapest

2009
Power Is Invisible Until You Provoke It, B5, Targu Mures, Romania
Fortinbras in Year Zero, Vintage Gallery, Budapest

2007
Kairos vs Expeditus, Ladaproject, Berlin
mute, Videospace, Budapest

2006
OE, Studio Gallery, Budapest

2005
Typewriter of the Illiterate, Annely Juda Fine Arts, London

2003
Check Your Six, Knoll Gallery, Budapest

2002
Convergent Series, Café Europe, Centro di Arte Contemporanea, Rome
Attention Recycling, Galerija Balen, Slavonskij Brod, Croatia

2000
General Reminder, Art Media Center, TV Gallery, Moscow, with Yuri Leiderman

1999
Calligraphy Powerplant, Galleria Spicchi dell`Est, Rome
Context Trap, Artpool, Budapest

Selected group shows

2015
Siliconvalse, Brno House of Arts, Brno
OFF-Biennale, Budapest
Artists in Residence, Krinzinger Projekte, Vienna
Art Has No Alternative, tranzit.sk, Bratislava
Identity and The Self, RAMfoundation, Rotterdam

2014
Report on the Construction of a Spaceship Module, New Museum, New York
Gramatik of Fear, Bucharest International Biennial for Contemporary Art
LUDWIG 25. The contemporary collection, Ludwig Museum, Budapest

2013
2nd Edition of the Biennial Project D-0 ARK Underground, Konjic, Croatia

2012
Video Vortex, Museum of Contemporary Art, Zagreb, Croatia

2011
The Lucifer Effect, DOX Center for Contemporary Art, Prague

2010
Re-Designing the East, WKV Stuttgart, Germany

2009
3rd Quadrilateral Biennial, Museum Of Modern And Contemporary Art, Rijeka, Croatia

2008
All that Cinema, Selection from the video collection of the Ludwig Museum, Budapest

2007
Projections, Kunsthalle, Budapest

2006
Lost and Found, Kunsthalle, Baden-Baden

2005
The Essence of Life - The Essence of Art, Tretyakov Gallery, Moscow
Traffic Exit Biennial II., Exit Art, New York

2003
Gravitation, International Public Art Exhibition, Ludwig Museum, Budapest

2002
Without Emergency Exit, Centro Multimedia of Mexico DF,

2001
Werk 01, Bildhauersymposion, Heidenheim, Germany

2000
L'Autre Moitié de l'Europe, Jeu de Paume, Paris

1999
Aspects/Positions, 50 Years Art From Middle Europe, 20er Haus, Vienna, Austria

1996
Manifesta 1, Rotterdam, Netherlands
The Butterfly Effect, International Media Art Exhibition, Kunsthalle, Budapest,

1995
Ostranenie, Dessau, Germany

1992
Documenta IX, Kassel, Germany

1991
Trigon, 8x2 aus 7, Neue Galerie am Landesmuseum Joanneum, Graz, Austria

Films and videos

2014
Persian Walk Explanatory Version, 13 min
2010
Subversive Designers, video, 2 min.
2009
The Situation, video, 2 min.
2007
Holy Shit, video, 2 min.
2005
Mute, ongoing project, eight video loops, various length
Homesick, video, 2:20 min.
2003
Check Your Six, video, 16 min.
2001
Typewriter of the Illiterate, video, 8 min.
1998
Do You Know My Method?, BW, 35mm film transferred to video, 10 min, BBS production
1996
Ariadne Unemployed, video, 13 min.
1993
Ambigous Window, BW + colour 16 mm, 17 min, (final print: 1996), BBS production
1992
Camera in Trouble, color, 16 mm, 70 min, BBS production
1987
Tweedle (with L. Révész) BW, 16 mm, 5 min. BBS production
1985
Persian Walk, color, 16 mm, 50 min.(final print: 1989), BBS production
1983
This Type of Intention is on the Border of Credibility,16 mm, 7min. final print: 1989 BBS

Selected performances

2007 The Erased Goran Djordjevic Drawing 1985, Frankfurter Kunstverein, Frankfurt
2002 One Way Design, Transart Communication, Nové Zámky, Slovak Rep.
2000 Big Yes - Big No, Art Media Center, TV Gallery, Moscow
1998 Big Yes - Big No, Stephen Gang Gallery, New York
1996 Ariadne Unemployed, Gallery KK im Fisch, Braunschweig, Germany
1995 The Shortest Labyrinth, Perforium, Intl. Perf. Art Meeting, Budapest
1992 Strecke durch Zeit, Künstlerhaus Bethanien, Berlin, Germany

János Sugár
born 1958 in Budapest Education 1980-1986 Studied in the Department of Sculpture at the Hungarian Academy of Fine Arts in Budapest. Selected solo shows 2014 (monuments), Kisterem, Budapest Subversive Designers, PopUp, Osijek 2013 Holy Shit, Müszi, Budapest 2012 Fire in the Museum, Museum Kiscell, Budapest 2011 The Situation, Videospace, Budapest 2009 Power Is Invisible Until You Provoke It, B5, Targu Mures, Romania Fortinbras in Year Zero, Vintage Gallery, Budapest 2007 Kairos vs Expeditus, Ladaproject, Berlin mute, Videospace, Budapest 2006 OE, Studio Gallery, Budapest 2005 Typewriter of the Illiterate, Annely Juda Fine Arts, London 2003 Check Your Six, Knoll Gallery, Budapest 2002 Convergent Series, Café Europe, Centro di Arte Contemporanea, Rome Attention Recycling, Galerija Balen, Slavonskij Brod, Croatia 2000 General Reminder, Art Media Center, TV Gallery, Moscow, with Yuri Leiderman 1999 Calligraphy Powerplant, Galleria Spicchi dell`Est, Rome Context Trap, Artpool, Budapest Selected group shows 2015 Siliconvalse, Brno House of Arts, Brno OFF-Biennale, Budapest Artists in Residence, Krinzinger Projekte, Vienna Art Has No Alternative, tranzit.sk, Bratislava Identity and The Self, RAMfoundation, Rotterdam 2014 Report on the Construction of a Spaceship Module, New Museum, New York Gramatik of Fear, Bucharest International Biennial for Contemporary Art LUDWIG 25. The contemporary collection, Ludwig Museum, Budapest 2013 2nd Edition of the Biennial Project D-0 ARK Underground, Konjic, Croatia 2012 Video Vortex, Museum of Contemporary Art, Zagreb, Croatia 2011 The Lucifer Effect, DOX Center for Contemporary Art, Prague 2010 Re-Designing the East, WKV Stuttgart, Germany 2009 3rd Quadrilateral Biennial, Museum Of Modern And Contemporary Art, Rijeka, Croatia 2008 All that Cinema, Selection from the video collection of the Ludwig Museum, Budapest 2007 Projections, Kunsthalle, Budapest 2006 Lost and Found, Kunsthalle, Baden-Baden 2005 The Essence of Life - The Essence of Art, Tretyakov Gallery, Moscow Traffic Exit Biennial II., Exit Art, New York 2003 Gravitation, International Public Art Exhibition, Ludwig Museum, Budapest 2002 Without Emergency Exit, Centro Multimedia of Mexico DF, 2001 Werk 01, Bildhauersymposion, Heidenheim, Germany 2000 L'Autre Moitié de l'Europe, Jeu de Paume, Paris 1999 Aspects/Positions, 50 Years Art From Middle Europe, 20er Haus, Vienna, Austria 1996 Manifesta 1, Rotterdam, Netherlands The Butterfly Effect, International Media Art Exhibition, Kunsthalle, Budapest, 1995 Ostranenie, Dessau, Germany 1992 Documenta IX, Kassel, Germany 1991 Trigon, 8x2 aus 7, Neue Galerie am Landesmuseum Joanneum, Graz, Austria Films and videos 2014 Persian Walk Explanatory Version, 13 min 2010 Subversive Designers, video, 2 min. 2009 The Situation, video, 2 min. 2007 Holy Shit, video, 2 min. 2005 Mute, ongoing project, eight video loops, various length Homesick, video, 2:20 min. 2003 Check Your Six, video, 16 min. 2001 Typewriter of the Illiterate, video, 8 min. 1998 Do You Know My Method?, BW, 35mm film transferred to video, 10 min, BBS production 1996 Ariadne Unemployed, video, 13 min. 1993 Ambigous Window, BW + colour 16 mm, 17 min, (final print: 1996), BBS production 1992 Camera in Trouble, color, 16 mm, 70 min, BBS production 1987 Tweedle (with L. Révész) BW, 16 mm, 5 min. BBS production 1985 Persian Walk, color, 16 mm, 50 min.(final print: 1989), BBS production 1983 This Type of Intention is on the Border of Credibility,16 mm, 7min. final print: 1989 BBS Selected performances 2007 The Erased Goran Djordjevic Drawing 1985, Frankfurter Kunstverein, Frankfurt 2002 One Way Design, Transart Communication, Nové Zámky, Slovak Rep. 2000 Big Yes - Big No, Art Media Center, TV Gallery, Moscow 1998 Big Yes - Big No, Stephen Gang Gallery, New York 1996 Ariadne Unemployed, Gallery KK im Fisch, Braunschweig, Germany 1995 The Shortest Labyrinth, Perforium, Intl. Perf. Art Meeting, Budapest 1992 Strecke durch Zeit, Künstlerhaus Bethanien, Berlin, Germany

János Sugár
Do You Know My Method?

Artist János Sugár
Year 1998
Duration 9:06 min
Technical info 35mm film transferred to video
Contact
János Sugár - Do You Know My Method?

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