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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Amparo Sard


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

Mallorca, 1973

Exposiciones y premios:

2013
ARCO 2013. February 13-17. Espacio Liquido Gallery.
Arte Fiera / Art First. January 25-28. Paola Verrengia Gallery, Bologne.
From madonna to Maddona. DA2. Domius Artivm, Salamanca.
M.A.V. Fundación Pilar y Joan Miró.

2012
Arte Fiera. Galería Paola Verrengia, Galería Ferran Cano.
RAWart, Rotterdam. Galería Phoebus, Rotterdam.
Galería Rena Bransten, San Francisco.
ARCO. Galería Espacio Líquido.
SWAB, Barcelona. Galería Ferran Cano.
Galería N2. Jaume Plensa y Amparo Sard.
PULSE, Basilea. Galería N2.
Palma Photo. Institut Ramon Llull.
Eva Vetközni. Instituto Cervantes. Budapest.
Sieben Grüne Sterne. Kunstraum, Frankfurt.
Imagery Affairs. Cineteca, Matadero. Madrid.
La Fuga. Galería Espacio Líquido, Gijón.
La fugue. La Galerie 38, Casablanca.
Cntemporary Istambul. Galería Paola Verrengia.
The Solo Project. Galería Rena Bransten. Miami.
ARTBO. October 19-22. Espacio Liquido Gallery, Bogota

2011
Art Miami, Galería Ferran Cano.
TOP 25, Casablanca. Galería Anita Beckers.
Desnudo a Eva. Instituto Cervantes, Berlin.
Art First, Galería Ferran Cano, Galería Paola Verrengia.
Miami International Art Fair. Galería Hardcore Miami.
Everything Changes. Galería DNA, Berlin. Colectiva con Nezaket Ekici, Gary Hill, Tatsumi Orimoto, Hung-Chih Peng, Mariana Vasileva and Liu Zhenchen.
Pure Paper, Galería Rena Bransten. Colectiva con Vik Muniz, Bovely Lee, Paul Hayes, Peter Callesen.
Art Rotterdam. Galería Phoebus.
Ellas. Creadoras de los siglos XX y XXI. Colectiva. Sala Caja Vital. Vitoria.
Moving Image Fair, New York. Galería N2.
The Armory Show. Video(S)torias. Artium. New York.
Higher Institute of Cinema in Cairo. Organizado por Instituto Cervantes y Loop. Colectiva con Joana Vasconcelos, Kaoru Katayama, Carla Zacagnini, Vasco Araújo (…)
“Visión: Desafíos”. Instituto Cervantes. Nuevo México.
Artivm Museo. Video(S)torias. Colectiva.
Art Amsterdam. Galería Phoebus.
Art Chicago. Galería Ferran Cano.
Roma. The Road to Contemporary Art. Galería Paola Verrengia.
Art Amsterdam. Galería Phoebus.
LOOP / Screen from Barcelona. Galería Ferran Cano. Galería Espacio Líquido.
LICHT!. Nieuwe Vide. Haarlem. The Netherlands
Concepts. Gabarron Foundation. New York.
F for FAKE. Belvedere of S. Leucio, Caserta.Italia
TWÓRCY WIEK XX, XXI. Second Skin / Warszawa / Polska
ART:GWANGJU. International Korean Art Fair. Anita Beckers Gallery.
Nagi / ul. Kanonicza 12, 31-002 Kraków / 14 lipca do 02 wrzesnia 2011Gallery.
CONCEPTS. Instituto Cervantes Vienna.
SWAB. Espacio Liquido Gallery, N2 Gallery.
SEVEN, Miami. Bravin Lee Gallery.
MICROWAVE. Hong Kong.

2010
Arte Fiera, Bolonia. Galería Ferran Cano, Galería Paola Verrengia.
ARCO, Madrid. Galería Miguel Marcos.
Círculo de Bellas Artes de Tenerife.
Primer Premio Videoarte Rendibú 10.
“El Ángel Exterminador. A room for Contemporary Art”. En el Palais des Beaux Arts de Bruselas (BOZAR) del 28 de abril al 20 de junio. Comisariada por Fernando Castro.
The Armory Show. New York. Galería Rena Bransten, San Francisco.
Palacio de la Diputación de Cádiz. Comisariada por Paula Llull.
Screen Festival de Oslo.
Art Chicago, Galería Ferran Cano, Galería Anita Beckers.
Art Amsterdam. Solo Show. Galería Paola Verrengia.
Colectiva en la Galería Marlborough de Madrid.
Colectiva en la Galería Marlborough de Barcelona.
Holland Paper Bienale 2010. CODA Museum.
“Visión: Desafíos”. Organiza Instituto Cervantes. Comisariada por Magda González-Mora.
Galería VOSS. Dusseldorf.
Impakt Ferstival, Amsterdam.
Galería Ferran Cano, Barcelona.
Galería Phoebus, Rotterdam.
Art Miami. Galería Ferran Cano.
Museo de Arte Contemopráneo de Korea (colectiva). MoCa Seoul.
Munich Contempo, Galería Voss.

2009
LOOP’09, Galería N2, Barcelona.
Galería Rena Bransten, San Francisco.
Arte Fiera. Bolonia. Galería Paola Verrengia
ARCO. Madrid. Galería Miguel Marcos, Galería Espacio Líquido.
Art Cologne. Galería Miguel Marcos.
Art Chicago. Galería Anita Beckers, Galería Ferran Cano.
Art Miami. Galería Ferran Cano.
Expanded drawings. Galería DNA. Colectiva. Berlin.
Royal Ontario Museum. Toronto. Colectiva organizada por ICC (Institute for Contemporary Culture).
Itinerante Cervantes-LOOP.
Salon Du Dessin Contemporain 2009, France
PULSE Miami. Galería Espacio Líquido, Galería Anita Beckers y Galería Bravin Lee.

2008
I have a dream. Colectiva conmemorativa Martin Luther King. Con Bourgeois, Jasper Johns, Kiki Smith, Bruce Nauwman.
Arte fiera. Bolonia. Galería Paola Verrengia
ARCO. Madrid. Galería Ferran Cano, Galería Espacio Líquido.
Galería Bravin Lee, Nueva York.
Irish Museum of Modern Art, colectiva con Kentridge, Le Witt, Muniz, Oursler, Polke, Richter, Smith, Tapies, entre otros)Galería Grusenmeyer. Deurle, Bélgica.
White Box Gallery (colectiva con Wolf Vostell, Marina Abramovic,Gary Hill...). Nueva York.
Pulse New York, Galería Anita Beckers.
Natuur Historisch Museum Rotterdam.
Tina B, Praga. Galería Vernon.
Art Chicago, Galería Bravin Lee, Galería Anita Beckers.
In Flux, Truman Brewery, Londres. Colectiva.
Galería Signature, Miami.
CIRCA, Puerto Rico. Galería Espacio Líquido
NEXT, Chicago. Galería Espacio Líquido
Hot, Basilea. Galería Espacio Líquido.
Galería Thomas, Munich. Colectiva.
Galería Terreno Baldío. México D.F.
Art Forum, Berlín. Galería Anita Beckers.
Pulse Miami. Galería Espacio Líquido.
Showoff 2008, France

2007
Scope Miami.
Art Miami. Galería Hardcore
Arte Fiera, Bolonia. Galería Paola Verrengia, Galería Miguel Marcos.
Galería Phoebus. Rótterdam.
ARCO. Galería Ferran Cano, Galería Espacio Líquido.
PULSE New York. Galería Anita Beckers.
Art Cologne. Galería Ferran Cano.
Fundación La Caixa, Lérida.
CIRCA, Puerto Rico. Galería Espacio Líquido.
Galería N3, Madrid.
"Aquí y ahora". Alcalá 31. Colectiva organizada por la Comunidad de Madrid y comisariada por María Martín.
Galería María Prego, Vigo.
Bale Latina-Art Basel. Galería Espacio Líquido.
Galería Ferran Cano, Palma de Mallorca.
Art Cologne - Palma de Mallorca, Galería Ferran Cano.
Pulse Londres, Galería Anita Beckers (Frankfurt) y Galería Bravin Post Lee (Nueva York)
Art Forum Berlin, Galería Anita Beckers.
Art Brussels, Galería Paola Verrengia y Galería Grussenmeyer.

2006
Círculo de Bellas Artes. Colectiva organizada por Fundación Loewe y comisariada por Amelie Aranguren (directora Espacio 1 del Reina Sofía)
Galería Espacio Líquido, Gijón.
CIRCA, Galería Espacio Líquido.
Art Bolonia. Galería Paola Verrengia.
Galería N2. Barcelona.
ARCO. Galería Ferran Cano.
Scope New York. (invitada por Lee Wells de PerpetualArtMachine)
Riparte, Nápoles. Galería Paola Verrengia, Galería Ferran Cano.
Museo Mori, Tokio. Colectiva "Take me with you"
Galeria Bravin Post Lee, Nueva York.
Art Cologne, Galería Ferran Cano.
Oltre Lilith, Roma. Colectiva con Marina Abramovic, Rebeca Horn …
Medidetrraneo Contemporaneo. Museo Castelo Aragonese. Taranto. Colectiva comisariada por Antonio D’Avossa.

2005
ARCO. Galería Ferran Cano. Madrid.
Galería Contemporary Space, Tokio.
Galería Parisud, París.
DIVA Video Art Fair, Nueva York.
START ‘ 05. Galería Parisud, Estrasburgo.
Art París. Galería Parisud, París.
Galería Van der Voort, Ibiza.
Galería Paola Verrengia, Italia
Art Cologne. Galería Ferran Cano
Galería Phoebus, Rótterdam.
3D+1. Castillo de Santa Bábara, Alicante. Colectiva comisariada por Paco Rico.
Art Report. Palma de Mallorca.Colectiva con Miquel Barceló, Barry Flanagan y Bernardí Roig, comisariada por Gabriel Amer.

2004
Bienal de Valencia, Martínez Guerrikabeitia. Galería Ferran Cano.
START ’04. Galería Pascal Van Hoecke, Estrasburgo.
ARCO. Galería Ferran Cano, Madrid.
Bienal de Cachan. Galería Pascal Van Hoecke, Paris.
Galería Phoebus, Rotterdam.
Video Mix. La Casa Encendida, Caja Madrid. Madrid.
Art Paris, Galería Pascal Van Hoecke, Paris.
Finalista Generación 2005, Caja Madrid.
Art Cologne. Galería ferran Cano.

2003
ARCO. Galería Ferran Cano, Madrid.
Palma Photo, Galeria Ferran Cano.
Galeria Van der Voort, Ibiza.
LOOP ’04, Barcelona
Galería Ferran Cano, Barcelona.
Art Cologne. Galería Ferran Cano.

2002
Art Chicago, Galería Ferran Cano.
Feria de Arte de Montreal, Galería Eude.
“Art emergent a les Illes Balears (I)”, Espai Ramón Llull, Palma e itinerante por Mallorca, Menoría, Ibiza y Barcelona.
Galería Eude, Barcelona. 18 septiembre 2002. New York-Barcelona-September 11.
Torre de ses Puntes, Manacor.
New Art Barcelona, Galeria Ferran Cano.

2001
Galería Plaza XV, Río de Janeiro.
Galería Chatillón, Luxeburgo.
Sala de exposiciones Deutsche Bank, Madrid.
Beca Sa Nostra (Master of Arts in Media Studies), New School University, Nueva York.
I Certamen para Jóvenes Artistas, Fundación Barceló, Palma de Mallorca.

2000
Primer Premio al Premio Ciutat de Palma. Casal Solleric, Palma de Mallorca.
Primer Premio Nacional Deutsche Bank, Barcelona.
Primer Premio Internacional Deutsche Bank, Berlín.
Galería Eude, Barcelona.

Colecciones más relevantes:

Moma, Nueva York.
Guggenheim, Nueva York.
Deutsche Bank, Nueva York.
West Collection (Museo de Arte Contemporaneo de Chelsea), Nueva York.
Taylers Museum, Holanda.
Artium Museo.
Deutsche Bank, Berlín.
Casal Solleric, Palma de Mallorca.
Fundación Loewe.
Colección Testimoni, La Caixa.
Fundació Pilar i Joan Miró.
Museo de Arte Contemporáneo de Murcia.
Gobierno de Cantabria
Es Baluard Museu d’Art Modern i Contemporani de Palma.
CODA Museum.
Olor Visual. Ernesto Ventos.
Colección Hera.
(...)

Amparo Sard
Mallorca, 1973 Exposiciones y premios: 2013 ARCO 2013. February 13-17. Espacio Liquido Gallery. Arte Fiera / Art First. January 25-28. Paola Verrengia Gallery, Bologne. From madonna to Maddona. DA2. Domius Artivm, Salamanca. M.A.V. Fundación Pilar y Joan Miró. 2012 Arte Fiera. Galería Paola Verrengia, Galería Ferran Cano. RAWart, Rotterdam. Galería Phoebus, Rotterdam. Galería Rena Bransten, San Francisco. ARCO. Galería Espacio Líquido. SWAB, Barcelona. Galería Ferran Cano. Galería N2. Jaume Plensa y Amparo Sard. PULSE, Basilea. Galería N2. Palma Photo. Institut Ramon Llull. Eva Vetközni. Instituto Cervantes. Budapest. Sieben Grüne Sterne. Kunstraum, Frankfurt. Imagery Affairs. Cineteca, Matadero. Madrid. La Fuga. Galería Espacio Líquido, Gijón. La fugue. La Galerie 38, Casablanca. Cntemporary Istambul. Galería Paola Verrengia. The Solo Project. Galería Rena Bransten. Miami. ARTBO. October 19-22. Espacio Liquido Gallery, Bogota 2011 Art Miami, Galería Ferran Cano. TOP 25, Casablanca. Galería Anita Beckers. Desnudo a Eva. Instituto Cervantes, Berlin. Art First, Galería Ferran Cano, Galería Paola Verrengia. Miami International Art Fair. Galería Hardcore Miami. Everything Changes. Galería DNA, Berlin. Colectiva con Nezaket Ekici, Gary Hill, Tatsumi Orimoto, Hung-Chih Peng, Mariana Vasileva and Liu Zhenchen. Pure Paper, Galería Rena Bransten. Colectiva con Vik Muniz, Bovely Lee, Paul Hayes, Peter Callesen. Art Rotterdam. Galería Phoebus. Ellas. Creadoras de los siglos XX y XXI. Colectiva. Sala Caja Vital. Vitoria. Moving Image Fair, New York. Galería N2. The Armory Show. Video(S)torias. Artium. New York. Higher Institute of Cinema in Cairo. Organizado por Instituto Cervantes y Loop. Colectiva con Joana Vasconcelos, Kaoru Katayama, Carla Zacagnini, Vasco Araújo (…) “Visión: Desafíos”. Instituto Cervantes. Nuevo México. Artivm Museo. Video(S)torias. Colectiva. Art Amsterdam. Galería Phoebus. Art Chicago. Galería Ferran Cano. Roma. The Road to Contemporary Art. Galería Paola Verrengia. Art Amsterdam. Galería Phoebus. LOOP / Screen from Barcelona. Galería Ferran Cano. Galería Espacio Líquido. LICHT!. Nieuwe Vide. Haarlem. The Netherlands Concepts. Gabarron Foundation. New York. F for FAKE. Belvedere of S. Leucio, Caserta.Italia TWÓRCY WIEK XX, XXI. Second Skin / Warszawa / Polska ART:GWANGJU. International Korean Art Fair. Anita Beckers Gallery. Nagi / ul. Kanonicza 12, 31-002 Kraków / 14 lipca do 02 wrzesnia 2011Gallery. CONCEPTS. Instituto Cervantes Vienna. SWAB. Espacio Liquido Gallery, N2 Gallery. SEVEN, Miami. Bravin Lee Gallery. MICROWAVE. Hong Kong. 2010 Arte Fiera, Bolonia. Galería Ferran Cano, Galería Paola Verrengia. ARCO, Madrid. Galería Miguel Marcos. Círculo de Bellas Artes de Tenerife. Primer Premio Videoarte Rendibú 10. “El Ángel Exterminador. A room for Contemporary Art”. En el Palais des Beaux Arts de Bruselas (BOZAR) del 28 de abril al 20 de junio. Comisariada por Fernando Castro. The Armory Show. New York. Galería Rena Bransten, San Francisco. Palacio de la Diputación de Cádiz. Comisariada por Paula Llull. Screen Festival de Oslo. Art Chicago, Galería Ferran Cano, Galería Anita Beckers. Art Amsterdam. Solo Show. Galería Paola Verrengia. Colectiva en la Galería Marlborough de Madrid. Colectiva en la Galería Marlborough de Barcelona. Holland Paper Bienale 2010. CODA Museum. “Visión: Desafíos”. Organiza Instituto Cervantes. Comisariada por Magda González-Mora. Galería VOSS. Dusseldorf. Impakt Ferstival, Amsterdam. Galería Ferran Cano, Barcelona. Galería Phoebus, Rotterdam. Art Miami. Galería Ferran Cano. Museo de Arte Contemopráneo de Korea (colectiva). MoCa Seoul. Munich Contempo, Galería Voss. 2009 LOOP’09, Galería N2, Barcelona. Galería Rena Bransten, San Francisco. Arte Fiera. Bolonia. Galería Paola Verrengia ARCO. Madrid. Galería Miguel Marcos, Galería Espacio Líquido. Art Cologne. Galería Miguel Marcos. Art Chicago. Galería Anita Beckers, Galería Ferran Cano. Art Miami. Galería Ferran Cano. Expanded drawings. Galería DNA. Colectiva. Berlin. Royal Ontario Museum. Toronto. Colectiva organizada por ICC (Institute for Contemporary Culture). Itinerante Cervantes-LOOP. Salon Du Dessin Contemporain 2009, France PULSE Miami. Galería Espacio Líquido, Galería Anita Beckers y Galería Bravin Lee. 2008 I have a dream. Colectiva conmemorativa Martin Luther King. Con Bourgeois, Jasper Johns, Kiki Smith, Bruce Nauwman. Arte fiera. Bolonia. Galería Paola Verrengia ARCO. Madrid. Galería Ferran Cano, Galería Espacio Líquido. Galería Bravin Lee, Nueva York. Irish Museum of Modern Art, colectiva con Kentridge, Le Witt, Muniz, Oursler, Polke, Richter, Smith, Tapies, entre otros)Galería Grusenmeyer. Deurle, Bélgica. White Box Gallery (colectiva con Wolf Vostell, Marina Abramovic,Gary Hill...). Nueva York. Pulse New York, Galería Anita Beckers. Natuur Historisch Museum Rotterdam. Tina B, Praga. Galería Vernon. Art Chicago, Galería Bravin Lee, Galería Anita Beckers. In Flux, Truman Brewery, Londres. Colectiva. Galería Signature, Miami. CIRCA, Puerto Rico. Galería Espacio Líquido NEXT, Chicago. Galería Espacio Líquido Hot, Basilea. Galería Espacio Líquido. Galería Thomas, Munich. Colectiva. Galería Terreno Baldío. México D.F. Art Forum, Berlín. Galería Anita Beckers. Pulse Miami. Galería Espacio Líquido. Showoff 2008, France 2007 Scope Miami. Art Miami. Galería Hardcore Arte Fiera, Bolonia. Galería Paola Verrengia, Galería Miguel Marcos. Galería Phoebus. Rótterdam. ARCO. Galería Ferran Cano, Galería Espacio Líquido. PULSE New York. Galería Anita Beckers. Art Cologne. Galería Ferran Cano. Fundación La Caixa, Lérida. CIRCA, Puerto Rico. Galería Espacio Líquido. Galería N3, Madrid. Aquí y ahora. Alcalá 31. Colectiva organizada por la Comunidad de Madrid y comisariada por María Martín. Galería María Prego, Vigo. Bale Latina-Art Basel. Galería Espacio Líquido. Galería Ferran Cano, Palma de Mallorca. Art Cologne - Palma de Mallorca, Galería Ferran Cano. Pulse Londres, Galería Anita Beckers (Frankfurt) y Galería Bravin Post Lee (Nueva York) Art Forum Berlin, Galería Anita Beckers. Art Brussels, Galería Paola Verrengia y Galería Grussenmeyer. 2006 Círculo de Bellas Artes. Colectiva organizada por Fundación Loewe y comisariada por Amelie Aranguren (directora Espacio 1 del Reina Sofía) Galería Espacio Líquido, Gijón. CIRCA, Galería Espacio Líquido. Art Bolonia. Galería Paola Verrengia. Galería N2. Barcelona. ARCO. Galería Ferran Cano. Scope New York. (invitada por Lee Wells de PerpetualArtMachine) Riparte, Nápoles. Galería Paola Verrengia, Galería Ferran Cano. Museo Mori, Tokio. Colectiva Take me with you Galeria Bravin Post Lee, Nueva York. Art Cologne, Galería Ferran Cano. Oltre Lilith, Roma. Colectiva con Marina Abramovic, Rebeca Horn … Medidetrraneo Contemporaneo. Museo Castelo Aragonese. Taranto. Colectiva comisariada por Antonio D’Avossa. 2005 ARCO. Galería Ferran Cano. Madrid. Galería Contemporary Space, Tokio. Galería Parisud, París. DIVA Video Art Fair, Nueva York. START ‘ 05. Galería Parisud, Estrasburgo. Art París. Galería Parisud, París. Galería Van der Voort, Ibiza. Galería Paola Verrengia, Italia Art Cologne. Galería Ferran Cano Galería Phoebus, Rótterdam. 3D+1. Castillo de Santa Bábara, Alicante. Colectiva comisariada por Paco Rico. Art Report. Palma de Mallorca.Colectiva con Miquel Barceló, Barry Flanagan y Bernardí Roig, comisariada por Gabriel Amer. 2004 Bienal de Valencia, Martínez Guerrikabeitia. Galería Ferran Cano. START ’04. Galería Pascal Van Hoecke, Estrasburgo. ARCO. Galería Ferran Cano, Madrid. Bienal de Cachan. Galería Pascal Van Hoecke, Paris. Galería Phoebus, Rotterdam. Video Mix. La Casa Encendida, Caja Madrid. Madrid. Art Paris, Galería Pascal Van Hoecke, Paris. Finalista Generación 2005, Caja Madrid. Art Cologne. Galería ferran Cano. 2003 ARCO. Galería Ferran Cano, Madrid. Palma Photo, Galeria Ferran Cano. Galeria Van der Voort, Ibiza. LOOP ’04, Barcelona Galería Ferran Cano, Barcelona. Art Cologne. Galería Ferran Cano. 2002 Art Chicago, Galería Ferran Cano. Feria de Arte de Montreal, Galería Eude. “Art emergent a les Illes Balears (I)”, Espai Ramón Llull, Palma e itinerante por Mallorca, Menoría, Ibiza y Barcelona. Galería Eude, Barcelona. 18 septiembre 2002. New York-Barcelona-September 11. Torre de ses Puntes, Manacor. New Art Barcelona, Galeria Ferran Cano. 2001 Galería Plaza XV, Río de Janeiro. Galería Chatillón, Luxeburgo. Sala de exposiciones Deutsche Bank, Madrid. Beca Sa Nostra (Master of Arts in Media Studies), New School University, Nueva York. I Certamen para Jóvenes Artistas, Fundación Barceló, Palma de Mallorca. 2000 Primer Premio al Premio Ciutat de Palma. Casal Solleric, Palma de Mallorca. Primer Premio Nacional Deutsche Bank, Barcelona. Primer Premio Internacional Deutsche Bank, Berlín. Galería Eude, Barcelona. Colecciones más relevantes: Moma, Nueva York. Guggenheim, Nueva York. Deutsche Bank, Nueva York. West Collection (Museo de Arte Contemporaneo de Chelsea), Nueva York. Taylers Museum, Holanda. Artium Museo. Deutsche Bank, Berlín. Casal Solleric, Palma de Mallorca. Fundación Loewe. Colección Testimoni, La Caixa. Fundació Pilar i Joan Miró. Museo de Arte Contemporáneo de Murcia. Gobierno de Cantabria Es Baluard Museu d’Art Modern i Contemporani de Palma. CODA Museum. Olor Visual. Ernesto Ventos. Colección Hera. (...)

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