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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Julia Charlotte Richter

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

SHORT ARTIST STATEMENT:My video works deal with the struggles and emotional conflicts that emerge within the process of forming a fulfilled existence. I explore the meaning of present in different stages of age and awareness, and depict how consciousness, behavior, wishes and desires blend together. On the basis of sensitively arranged scenes, I create metaphorical places of transition.


Biography

born 1982 in Gießen (Germany), lives in Berlin
www.juliacharlotterichter.com

Teaching


2014-2015
Teaching assignment, department of Mediadesign, Mediadesign Hochschule, Campus Berlin, Ger


Education

2010-2011 Meisterschülerin (master class), Prof. Corinna Schnitt, Braunschweig University of Art, Ger
2007/2008 University of Portsmouth, (UK), School of Art, Design and Media
2004-2010 Fine Art, School of Art, Kassel, Ger

Prices / scholarships

2021
Project Funding (with Lisa Seebach), Stiftung Kunstfonds Bonn (Germany)
2020
Project Funding, Hessenfilm (Germany)
2017/2018
Travel Grant (to California & Nevada), Hessian Cultural Foundation, Ger
2017
Project Grant, Kunststiftung NRW, Ger
2016
Residency, Künstlerdorf Schöppingen, Ger






2015
project funding, Bösenberg-Stiftung Meinersen, Ger
2014
Scholarship, Stiftung Kunstfonds, Ger
2013
Residency in Tbilisi, Frauenkulturbüro NRW (GER) / Ministry of Cultural Affairs (GEO)
2012/2013
Scholarship and Residency „Young Art in Essen“, Kunsthaus Essen / Kunstring Folkwang, GER
2012
Selection of the work “Learning to Fly” for the DVD-Compilation “Looking at the Big Sky”, Goethe Institut / inter media art institute, Düsseldorf (Germany)
2011
Scholarship and Residency Sparkasse Cultural Foundation Hesse-Thuringia, Künstlerkolonie Willingshausen , GER
2010
Prize by University Association Kassel, GER
2008/2009
Working Scholarship, Otto-Braun-Foundation, Kassel, GER

Publications

2015
“The Smell of Rain”, Folder, Orangerie Schloss Rheda & Werkstatt Bleichhäuschen, text: Melanie Körkemeier
2013
Promised Land, 88 p., Catalogue: Young Art in Essen, text: Jean-Christophe Ammann
2012
Learning to Fly, 64 p., Catalogue: 33rd art scholarship Willingshausen, text: Bernhard Balkenhol
2011
“Julia Charlotte Richter”, 32 pages, Braunschweig University of Art, text: Alexandra Gerbaulet

Solo exhibitions

2018
“NEW FILMS - Julia Charlotte Richter & Jonas Englert”, Projektraum LS43, Berlin (Germany)

2017
“Julia Charlotte Richter”, art space “Stolen Fire”, Quanzhou (China)

2016
“Návštěva: Julia Charlotte Richter”, Autonomní sociální centrum Klinika, Prague (Czech Republic)

2015
„LIMBO AND PARADISE“, Galerie Perpetuel, Frankfurt am Main, Germany (with Iris Musolf)
„The Smell of Rain“, Orangerie Schloss Rheda & Werkstatt Bleichhäuschen, Rheda Wiedenbrück, Germany

2013
“Promised Land”, Stipendium “Junge Kunst in Essen”, Kunsthaus Essen (solo)

2011
“Learning To Fly”, Künstlerstipendium Willingshausen, Kunsthalle Willingshausen (solo)
“Stellprobe”, Hallenbad - Kultur am Schachtweg, Wolfsburg (solo)

Group exhibitions (G) / screenings (S) / fairs (F)

G= group show, S= screening, F= fair

2019
“TOUCHING FROM A DISTANCE II”, Goethe Institut Toronto, CAN (G)
“INTERNATIONALES FRAUENFILMFESTIVAL”, Dortmund/Köln, GER (S)
“Kunst#quer#Kopf”, Hochschule für Bildende Künste Braunschweig, GER (G)
“Kino in Bewegung”, HGB Galerie Leipzig, GER (S)
“INSTABIL”, Kunstverein die H_alle Braunschweig, GER (S)
“Youth Before Age”, Coreana Museum of Art, Seoul, KOR (G)
“KLAPPE AUF!”, Kurzfilmfestival, Hamburg, GER (S)

2018
“AND WHAT ABOUT YOUR 'GOOD MORNING, NEW WORLD'?”, China Academy of Art Museum, Hangzhou, CHN (G)
“TOUCHING FROM A DISTANCE”, Literaturhaus, Berlin, GER (G)
“Büro Komplex – die Kunst der Artothek im politischen Raum”, Kunsthaus NRW Kornelimünster / Aachen, GER (G)
“Documentary and Videofestival”, Kassel, GER (S)
“European Media Art Festival”, Osnabrück, GER (S)
“v_kunst (The New Me)”, Frankfurt, GER (G)
“Ortstermin 2018 - Hoch Hinaus”, Projektraum LS43, Berlin, GER (G)
“FISCHERS FRITZE”, Frauenkulturbüro NRW/Goethe-Zentrum Yerevan, ARM (G)
“I'm a believer”, ATELIERFRANKFURT e.V., Frankfurt, GER (G)

2017
“Fair Play Miami”, USA (S)“B3 Biennial of the Moving Image”, Frankfurt, GER (G)
“GREENER ON THE OTHER SIDE”, HUUTO Galleria, Helsinki, FI (S)
“Gutes Sterben - Falscher Tod”, Museum für Neue Kunst, Freiburg, GER (G)
“Life in the Bubble”, Grundemark Nilsson Gallery, Berlin, GER (G)
“SEH(N)SUCHT”, Kunst Lager Haas, Berlin, GER (G)
“RENCONTRES INTERNATIONALES”, Gaîté Lyrique, Paris, FR & HKW Berlin, GER (S)
“Int. Kurzfilmwoche Regensburg”, Youth Program, GER (S)
“I SEE - Int. Video Art Festival”, Berlinische Galerie, Berlin, GER (S)

2016
“MTV! - MEDIA ART TELEVISE!”, FAQ, Bremen, GER (G)
“B3 Biennial of the Moving Image”, Shanghai/Beijing, CHN (G)
“Hybrid Realities - about the smooth transition”, Kunstverein Fam. Montez, Frankfurt, GER (S)
“20 Jahre Künstlerstipendium Willingshausen”, Kunsthalle Willingshausen, GER (G)
“I SEE - Int. Video Art Festival”, Anthology Film Archives, NY, USA (S)
“GREENER ON THE OTHER SIDE”, Cuxhavener Kunstverein, GER (S)
“32. Int. ShortFilmFestival Hamburg”, Hamburg, GER (S)
“goEast – Open Frame Award”, Filmmuseum, Frankfurt, GER (S)
“FEMMES’ VIDEO ART FESTIVAL”, Los Angeles, USA (S)
“European Media Art Festival”, Osnabrück, GER (S)
“goEast Festival”, Wiesbaden, GER (S)
“Open House”, Shortlist - Karl Schmidt Rottluff Scholarship, Kühlhaus Berlin, GER (G)
“Looking at the Big Sky”, Ya-Galerie, Kiev, UKR (G)

2015
“I SEE - Int. Video Art Festival”, Momentum, Kunstquartier Bethanien, Berlin, GER (S)
“I SEE - Int. Video Art Festival”, Insitute for Provocation, Beijing, CHN (S)
“drama baby! on staging the self”, Kühlhaus Berlin, GER (G)
“GREENER ON THE OTHER SIDE”, CCA, Glasgow, GBR (S)
“Looking at the Big Sky”, Goethe-Institut, Warschau, PL / Manila, PHL / LOOP, Seoul, KOR (S)
“You are here”, Kunstverein Wolfsburg, GER (G)
“BEWEGTE BILDER”, Marburger Kunstverein, GER (G)
“MOVE ON UP”, Hallenbad-Kultur am Schachtweg, Wolfsburg, GER (S)

2014

“ART MIAMI”, Galerie Anita Beckers, Miami, USA (F)
“KLEX - Kuala Lumpur Experimental Film & Video Festival”, MYS (S)
“SHNIT INT. SHORTFILMFESTIVAL”, Bern, CHE (S)
“Looking at the Big Sky”, Goethe Institut Chennai, IND / Chicago, USA / Barcelona, ESP / Ankara, TUR (S)
“Art Southampton”, Galerie Anita Beckers, NY, USA (F)
“Open Air Cinema”, Hamburg auf dem Rathausmarkt, GER (S)
“Transition”, Galerie Anita Beckers, AustellungsHalle, Frankfurt, GER (G)
“Die lange Nacht der Videokunst”, Europa-Haus / Goethe-Institut Tbilisi, GEO (S)
“take for granted”, Kunstraum Düsseldorf, GER (G)
“Glückskekse”, Movimentos Festwochen, Wolfsburg, GER (S)
“30. Int. ShortFilmFestival”, Hamburg, GER (S)
“SKY – AMNUA International Video Art”, Art Museum, Nanjing University of the Arts, CHN (G)
“ART Rotterdam”, Galerie Anita Beckers, NL (F)

2013

“PULSE MIAMI”, blinkvideo/Galerie A. Beckers, Miami, USA (F)
“Triennial of Video 2013”, Beijing Film Academy, CHN (G)
“B3 Biennial of the Moving Image”, Frankfurt, GER (G)
“ARTISTERIUM VI”, Georgian National Museum, Tbilisi, GEO (G)
“Looking at the Big Sky”, Goethe Institut, Hanoi, VNM / BABEL-Festival, Genua, ITA / Goethe Institut Porto, PRT (S)
“Emerge Art Fair”, blinkvideo/Galerie Anita Beckers, Washington, USA (F)
“Zeitgenössische Positionen zum ländlichen Raum”, Kunsthalle Willingshausen, GER (G)
“Contemplating Death”, Manege Moscow/Goethe Institut, RUS (G)
“GREENER ON THE OTHER SIDE”, Babel Gallery Trondheim, NO (S)
“26. Filmwinter Stuttgart”, exhibition “EXPANDED MEDIA”, GER (G)

2012
“Kunstfilmtag 012”, Düsseldorf, GER (S)
“29. Documentary and Videofestival”, Kassel, GER (S)
“GREENER ON THE OTHER SIDE”, Eesti Kunstiakadeemia, Tallinn, EST (S)
“GREENER ON THE OTHER SIDE”, Kallio Kunsthalle, Helsinki, FIN (S)
“A Letter from Pocket Embassy”, Caracas, VEN (S)

2011
“Hotel Poetry Nr.4”, Frankfurt, GER (S)
Gasunie Art Prize 2011”, Groningen, NL (G)
“v_kunst Frankfurt - la vie en général” , Frankfurt, GER (G)
“Video Folkwang - Screening V”, Museum Folkwang, Essen, GER (S)

2010
“Spiegeltest”, Schnittraum, Galerie HBK Braunschweig , GER (G)
“Monitoring”, 27. Documentary and Videofestival Kassel, GER (G)
“Interventionen 2010”, Regierungspräsidium Kassel, GER (G)

2009
“b4.2009 - Die Sprache der Menschen ist ihrem Leben gleich”, Brüder-Grimm-Platz e.V., Kassel, GER (G)

2008
“Platform 5”, Kunstverein Hannover, Germany (G)
“Monitoring”, Medienkunstausstellung, 25. Dokumentarfilm- und Videofest Kassel, Germany (G)

2007
2007“Filmfestival Max-Ophüls-Preis”, Saarbrücken, GER (S)
“goEast-Festival”, Wiesbaden, GER (S)
“31. Open-Air-Filmfest”, Weiterstadt, GER (S)
“4. Haydauer Filmtage”, GER (S)
“Survey”, Galerieraum Satellit, Galerie Anita Beckers, Frankfurt, GER (G)
“Privacy 101”, Hotel Grand Londres, Istanbul, TUR (G)
“24. Documentary and Videofestival”, Kassel, GER (S)

2006
“23. Documentary and Videofestival,” Kassel, GER (S)

2005
“International Student Forum: European Media Art Festival”, Osnabrück, GER (G)

Julia Charlotte Richter
born 1982 in Gießen (Germany), lives in Berlinwww.juliacharlotterichter.comTeaching2014-2015Teaching assignment, department of Mediadesign, Mediadesign Hochschule, Campus Berlin, GerEducation2010-2011 Meisterschülerin (master class), Prof. Corinna Schnitt, Braunschweig University of Art, Ger2007/2008 University of Portsmouth, (UK), School of Art, Design and Media2004-2010 Fine Art, School of Art, Kassel, GerPrices / scholarships2021Project Funding (with Lisa Seebach), Stiftung Kunstfonds Bonn (Germany)2020Project Funding, Hessenfilm (Germany)2017/2018Travel Grant (to California & Nevada), Hessian Cultural Foundation, Ger2017Project Grant, Kunststiftung NRW, Ger2016Residency, Künstlerdorf Schöppingen, Ger2015project funding, Bösenberg-Stiftung Meinersen, Ger2014 Scholarship, Stiftung Kunstfonds, Ger2013Residency in Tbilisi, Frauenkulturbüro NRW (GER) / Ministry of Cultural Affairs (GEO)2012/2013Scholarship and Residency „Young Art in Essen“, Kunsthaus Essen / Kunstring Folkwang, GER2012 Selection of the work “Learning to Fly” for the DVD-Compilation “Looking at the Big Sky”, Goethe Institut / inter media art institute, Düsseldorf (Germany)2011Scholarship and Residency Sparkasse Cultural Foundation Hesse-Thuringia, Künstlerkolonie Willingshausen , GER2010Prize by University Association Kassel, GER2008/2009Working Scholarship, Otto-Braun-Foundation, Kassel, GERPublications2015“The Smell of Rain”, Folder, Orangerie Schloss Rheda & Werkstatt Bleichhäuschen, text: Melanie Körkemeier2013Promised Land, 88 p., Catalogue: Young Art in Essen, text: Jean-Christophe Ammann2012Learning to Fly, 64 p., Catalogue: 33rd art scholarship Willingshausen, text: Bernhard Balkenhol2011“Julia Charlotte Richter”, 32 pages, Braunschweig University of Art, text: Alexandra GerbauletSolo exhibitions2018“NEW FILMS - Julia Charlotte Richter & Jonas Englert”, Projektraum LS43, Berlin (Germany)2017“Julia Charlotte Richter”, art space “Stolen Fire”, Quanzhou (China)2016“Návštěva: Julia Charlotte Richter”, Autonomní sociální centrum Klinika, Prague (Czech Republic)2015„LIMBO AND PARADISE“, Galerie Perpetuel, Frankfurt am Main, Germany (with Iris Musolf)„The Smell of Rain“, Orangerie Schloss Rheda & Werkstatt Bleichhäuschen, Rheda Wiedenbrück, Germany2013 “Promised Land”, Stipendium “Junge Kunst in Essen”, Kunsthaus Essen (solo)2011 “Learning To Fly”, Künstlerstipendium Willingshausen, Kunsthalle Willingshausen (solo)“Stellprobe”, Hallenbad - Kultur am Schachtweg, Wolfsburg (solo)Group exhibitions (G) / screenings (S) / fairs (F)G= group show, S= screening, F= fair 2019“TOUCHING FROM A DISTANCE II”, Goethe Institut Toronto, CAN (G)“INTERNATIONALES FRAUENFILMFESTIVAL”, Dortmund/Köln, GER (S)“Kunst#quer#Kopf”, Hochschule für Bildende Künste Braunschweig, GER (G)“Kino in Bewegung”, HGB Galerie Leipzig, GER (S)“INSTABIL”, Kunstverein die H_alle Braunschweig, GER (S)“Youth Before Age”, Coreana Museum of Art, Seoul, KOR (G)“KLAPPE AUF!”, Kurzfilmfestival, Hamburg, GER (S) 2018“AND WHAT ABOUT YOUR 'GOOD MORNING, NEW WORLD'?”, China Academy of Art Museum, Hangzhou, CHN (G)“TOUCHING FROM A DISTANCE”, Literaturhaus, Berlin, GER (G)“Büro Komplex – die Kunst der Artothek im politischen Raum”, Kunsthaus NRW Kornelimünster / Aachen, GER (G)“Documentary and Videofestival”, Kassel, GER (S)“European Media Art Festival”, Osnabrück, GER (S)“v_kunst (The New Me)”, Frankfurt, GER (G)“Ortstermin 2018 - Hoch Hinaus”, Projektraum LS43, Berlin, GER (G)“FISCHERS FRITZE”, Frauenkulturbüro NRW/Goethe-Zentrum Yerevan, ARM (G)“I'm a believer”, ATELIERFRANKFURT e.V., Frankfurt, GER (G)2017“Fair Play Miami”, USA (S)“B3 Biennial of the Moving Image”, Frankfurt, GER (G)“GREENER ON THE OTHER SIDE”, HUUTO Galleria, Helsinki, FI (S)“Gutes Sterben - Falscher Tod”, Museum für Neue Kunst, Freiburg, GER (G)“Life in the Bubble”, Grundemark Nilsson Gallery, Berlin, GER (G)“SEH(N)SUCHT”, Kunst Lager Haas, Berlin, GER (G)“RENCONTRES INTERNATIONALES”, Gaîté Lyrique, Paris, FR & HKW Berlin, GER (S)“Int. Kurzfilmwoche Regensburg”, Youth Program, GER (S)“I SEE - Int. Video Art Festival”, Berlinische Galerie, Berlin, GER (S)2016“MTV! - MEDIA ART TELEVISE!”, FAQ, Bremen, GER (G)“B3 Biennial of the Moving Image”, Shanghai/Beijing, CHN (G)“Hybrid Realities - about the smooth transition”, Kunstverein Fam. Montez, Frankfurt, GER (S)“20 Jahre Künstlerstipendium Willingshausen”, Kunsthalle Willingshausen, GER (G)“I SEE - Int. Video Art Festival”, Anthology Film Archives, NY, USA (S)“GREENER ON THE OTHER SIDE”, Cuxhavener Kunstverein, GER (S) “32. Int. ShortFilmFestival Hamburg”, Hamburg, GER (S)“goEast – Open Frame Award”, Filmmuseum, Frankfurt, GER (S)“FEMMES’ VIDEO ART FESTIVAL”, Los Angeles, USA (S)“European Media Art Festival”, Osnabrück, GER (S)“goEast Festival”, Wiesbaden, GER (S)“Open House”, Shortlist - Karl Schmidt Rottluff Scholarship, Kühlhaus Berlin, GER (G)“Looking at the Big Sky”, Ya-Galerie, Kiev, UKR (G)2015“I SEE - Int. Video Art Festival”, Momentum, Kunstquartier Bethanien, Berlin, GER (S)“I SEE - Int. Video Art Festival”, Insitute for Provocation, Beijing, CHN (S)“drama baby! on staging the self”, Kühlhaus Berlin, GER (G)“GREENER ON THE OTHER SIDE”, CCA, Glasgow, GBR (S)“Looking at the Big Sky”, Goethe-Institut, Warschau, PL / Manila, PHL / LOOP, Seoul, KOR (S)“You are here”, Kunstverein Wolfsburg, GER (G)“BEWEGTE BILDER”, Marburger Kunstverein, GER (G)“MOVE ON UP”, Hallenbad-Kultur am Schachtweg, Wolfsburg, GER (S)2014“ART MIAMI”, Galerie Anita Beckers, Miami, USA (F)“KLEX - Kuala Lumpur Experimental Film & Video Festival”, MYS (S) “SHNIT INT. SHORTFILMFESTIVAL”, Bern, CHE (S)“Looking at the Big Sky”, Goethe Institut Chennai, IND / Chicago, USA / Barcelona, ESP / Ankara, TUR (S)“Art Southampton”, Galerie Anita Beckers, NY, USA (F)“Open Air Cinema”, Hamburg auf dem Rathausmarkt, GER (S)“Transition”, Galerie Anita Beckers, AustellungsHalle, Frankfurt, GER (G)“Die lange Nacht der Videokunst”, Europa-Haus / Goethe-Institut Tbilisi, GEO (S)“take for granted”, Kunstraum Düsseldorf, GER (G)“Glückskekse”, Movimentos Festwochen, Wolfsburg, GER (S)“30. Int. ShortFilmFestival”, Hamburg, GER (S) “SKY – AMNUA International Video Art”, Art Museum, Nanjing University of the Arts, CHN (G)“ART Rotterdam”, Galerie Anita Beckers, NL (F)2013“PULSE MIAMI”, blinkvideo/Galerie A. Beckers, Miami, USA (F)“Triennial of Video 2013”, Beijing Film Academy, CHN (G)“B3 Biennial of the Moving Image”, Frankfurt, GER (G)“ARTISTERIUM VI”, Georgian National Museum, Tbilisi, GEO (G)“Looking at the Big Sky”, Goethe Institut, Hanoi, VNM / BABEL-Festival, Genua, ITA / Goethe Institut Porto, PRT (S)“Emerge Art Fair”, blinkvideo/Galerie Anita Beckers, Washington, USA (F)“Zeitgenössische Positionen zum ländlichen Raum”, Kunsthalle Willingshausen, GER (G)“Contemplating Death”, Manege Moscow/Goethe Institut, RUS (G)“GREENER ON THE OTHER SIDE”, Babel Gallery Trondheim, NO (S)“26. Filmwinter Stuttgart”, exhibition “EXPANDED MEDIA”, GER (G)2012“Kunstfilmtag 012”, Düsseldorf, GER (S)“29. Documentary and Videofestival”, Kassel, GER (S)“GREENER ON THE OTHER SIDE”, Eesti Kunstiakadeemia, Tallinn, EST (S)“GREENER ON THE OTHER SIDE”, Kallio Kunsthalle, Helsinki, FIN (S)“A Letter from Pocket Embassy”, Caracas, VEN (S)2011“Hotel Poetry Nr.4”, Frankfurt, GER (S) Gasunie Art Prize 2011”, Groningen, NL (G)“v_kunst Frankfurt - la vie en général” , Frankfurt, GER (G)“Video Folkwang - Screening V”, Museum Folkwang, Essen, GER (S)2010“Spiegeltest”, Schnittraum, Galerie HBK Braunschweig , GER (G)“Monitoring”, 27. Documentary and Videofestival Kassel, GER (G)“Interventionen 2010”, Regierungspräsidium Kassel, GER (G)2009“b4.2009 - Die Sprache der Menschen ist ihrem Leben gleich”, Brüder-Grimm-Platz e.V., Kassel, GER (G)2008“Platform 5”, Kunstverein Hannover, Germany (G)“Monitoring”, Medienkunstausstellung, 25. Dokumentarfilm- und Videofest Kassel, Germany (G)20072007“Filmfestival Max-Ophüls-Preis”, Saarbrücken, GER (S)“goEast-Festival”, Wiesbaden, GER (S)“31. Open-Air-Filmfest”, Weiterstadt, GER (S)“4. Haydauer Filmtage”, GER (S)“Survey”, Galerieraum Satellit, Galerie Anita Beckers, Frankfurt, GER (G)“Privacy 101”, Hotel Grand Londres, Istanbul, TUR (G)“24. Documentary and Videofestival”, Kassel, GER (S)2006“23. Documentary and Videofestival,” Kassel, GER (S)2005“International Student Forum: European Media Art Festival”, Osnabrück, GER (G)

Julia Charlotte Richter
Setting

Artist Julia Charlotte Richter
Year 2013
Duration 4:58 min
Technical info HD, 16:9, Sound, Loop
Contact
Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de

About the video

A girl builds a golden tower with chocolate coins that are scattered around. Another puts so much candy in her mouth that she almost cannot manage to swallow it. (...) A skull that looks more like a shrunken head appears along with a pair of pale, crippled, bizarre looking witch hands. The shutters of a colorfully painted walk-in card- board house open up and play-money comes flying out. The floor is already covered with bills. (...) A girl wears a devil mask. When she pushes a button, a rough male voice can be heard. A little pony stands on another shelf along with a model of a black luxury car. The ambiguity of this film conveys our experience of today through the viewpoint of a child: abundance, pouring money down the drain, unnecessary craving and consumption of food, the ecstasy of ideal beauty, the domino effect that is caused by rapidly progressing debt, the artificiality of the everyday world, social isolation, luxury and evil. The girls’ childlike impetus is acting of its own accord and a scenario is described that one day may be catching up with them. This is only one aspect though. The other, which is central, shows how adults, though they may mean well, infiltrate the minds of children by purposefully giving them toys. It is need- less to say that the artist manipulates and stages the girls, but at the same time she consciously exposes the manipulation. (...)

(excerpt, catalogue Promised Land, by Jean-Christophe Ammann)

Julia Charlotte Richter - Setting
A girl builds a golden tower with chocolate coins that are scattered around. Another puts so much candy in her mouth that she almost cannot manage to swallow it. (...) A skull that looks more like a shrunken head appears along with a pair of pale, crippled, bizarre looking witch hands. The shutters of a colorfully painted walk-in card- board house open up and play-money comes flying out. The floor is already covered with bills. (...) A girl wears a devil mask. When she pushes a button, a rough male voice can be heard. A little pony stands on another shelf along with a model of a black luxury car. The ambiguity of this film conveys our experience of today through the viewpoint of a child: abundance, pouring money down the drain, unnecessary craving and consumption of food, the ecstasy of ideal beauty, the domino effect that is caused by rapidly progressing debt, the artificiality of the everyday world, social isolation, luxury and evil. The girls’ childlike impetus is acting of its own accord and a scenario is described that one day may be catching up with them. This is only one aspect though. The other, which is central, shows how adults, though they may mean well, infiltrate the minds of children by purposefully giving them toys. It is need- less to say that the artist manipulates and stages the girls, but at the same time she consciously exposes the manipulation. (...)(excerpt, catalogue Promised Land, by Jean-Christophe Ammann)

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