This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Alicja Kwade

Works


Galleries

Johann König Gallery
Erika Weiß
Dessauer Straße 6-7
10963 Berlin
Germany

Phone: +49.30.2610 308-28
E-Mail: erika@johannkoenig.de




Biography

born 1979,
lives and works in Berlin



Education

1999-2005 Universität der Künste, Berlin


Solo exhibitions


2011

Oldenburger Kunstverein, Oldenburg
Kunstverein Bremerhaven, Bremerhaven


2010

Probleme massereicher Körper, Westfälischer Kunstverein, Münster
Ereignishorizont, Kestner Gesellschaft, Hannover
Broken away from Common Standpoints, Museion at Peep-Hole, Milan


2009
Grenzfälle fundamentaler Theorien, Johann König, Berlin
Vom äußersten Rand der Bedingung, Galerie Christina Wilson, Copenhagen


2008

Von Explosionen zu Ikonen , Hamburger Bahnhof, Museum für Gegenwart, Berlin


2007

Junge Sterne rauchen, Galerie Lena Brüning, Berlin


2006

Maryon Park, Galerie Kugler, Innsbruck
B-IF 134, with Gregor Hildebrandt, UBERBAU, Düsseldorf
Daily Planet, Galerie Lena Brüning, Berlin


2005
Andernfalls ist es nur eine Schwingung des Äthers, Glue, Berlin
299711, 537 Km/s, Galerie Eugen Lendl, Graz


2004

Alicja Kwade, with Gregor Hildebrandt, Reuter, Dresden
Light suicide, Wandergalerie Stephanie Bender, Munich


2003

Stand by, Taubenstr. 13, St. Pauli, Hamburg
Adromeda-Virgo, Mt. Warning Galerie, Berlin



Group exhibitions


2010

Unsichtbare Schatten, Marta Herford, Herford
Long Long Gone, Leo König Gallery, New York
One leading away from another, 303 gallery, New York
Herbstausstellung, Kunstverein Hannover, Hannover
Die perfekte Ausstellung – oder warum eine solche nicht existiert, Heidelberger Kunstverein, Heidelberg
The Marienbad Palace, Highlanes Gallery, Drogheda
Wystawa, Museum of Modern Art in Warsaw, Warsaw
The Berlin Box, Kunsthalle Andratx / CCA, Mallorca
Silent Revolution, K21, Duesseldorf
Chapter Five: Thriller, About Change Collection, Berlin
380 – 750 nm, 401 contemporary, London
Madonna Psycho Slut, Grimm Museum, Berlin
Six Days of New Media, Linienstraße 127, Berlin-Mitte
Diamonds on the soles of her shoes, Bischoff & Weiss, London
Alicja Kwade, Adolf Luther, 401 contemporary, London
Neugierig?, Bundeskunsthalle, Bonn
Alice Channer, Dagmar Heppner, Alicja Kwade & Maria Zahle,Bolte Lang,Zürich


2009

Berlin meets Vienna, Salon Österreich, Vienna
Kunst zwischen Spurensuche und Utopie, Berlinische Galerie, Berlin
Access all areas, a drawing exhibition, Max Hetzler, Berlin
Like a Rolling Stone, Museum of Contemporary Sculpture, Oronsko
Black Hole, CCA, Andratx, Mallorca
Inkonstruktion IV, Art Biesenthal, Biesenthal
Scheinbar, Kunstverein, Eislingen
Spatial Works, Färgfabriken, Stockholm
ReMap 2, Kerameikos Metaxourgeio, Athens
Kunst zwischen Spurensuche und Utopie, Berlinische Galerie, Berlin
Was sonst soll ich lieben, wenn nicht das Rätsel?, Neuer Kunstverein,Aschaffenburg
Kunstpreis der Böttcherstraße 2009, Weserburg, Bremen
BERLIN 2000, Galerie Pace Wildenstein, New York
Pragmatismus & Romantismus, Fondation Ricard, Paris


2008

Threeallities, Galerie unosunove, Roma
Take Me There - Show Me The Way, Haunch of Venison, New York
Musical Paintings, ScheiblerMitte, Berlin
Study & Play, Galerie Jan Wentrup, Berlin
Knorke Gören, Kwadrat, Berlin
Transformational grammers, Galerie Francesca Kaufmann, Milan
Endless Sphere, Center of Contemporary Art, Kiev
AURUM, Centre PasquArt, Biel
When a Clock is seen from the Side…, Johann König, Berlin
Who`s afraid of 40 Zimmermädchen?, with Stefan Panhans, Kunsthaus, Hamburg
Madonna und Wir, cur. Caroline Nathusius, Galerie Christian Nagel, Berlin
The Krautcho Club/In and out of place, Projectspace 176, London
Lure, Galerie Frank Elbaz, Paris
INKONSTRUKTION III, Art Biesenthal, Biesenthal
Jagd & Kugelfang, SPESSHARDT & KLEIN, Berlin
Freunde und bekannte, Sparwasser H Q - Forum for contemporary art, Berlin
Do You Have Expectations?, Wartesaal, Zürich


2007

Kunstpreis Junger Westen für Skulptur, Kunsthalle Recklinghausen
Schöne Aussichten in der Bank, IBB Investitionsbank, Berlin
Auktion, NAK, Neuer Aachener Kunstverein, Aachen
La Boum 3, Rowley Kennerk Gallery, Chicago
WG, Malkasten, Düsseldorf
Nightcomers, 10th Istanbul Biennale, IMC, Istanbul
Niveaualarm, Kunstraum Innsbruck, Innsbruck
Papierarbeiten, Galerie Lena Brüning, Berlin
MMVI, Galerie Meyer-Riegger, Karlsruhe
Künstler der Galerie 1, Galerie Lena Brüning, Berlin


2006

Justice for Spirit, Flaca, London
Kn’yan, Galerie Christine Mayer, Munich
Lichtwerke aus der Sammlung, MUMOK, Wien


2005

The other sight, Künstlerhaus Dortmund, Dortmund
Art and Science in Europe, Max-Planck-Institut für molekulare Zellbiologie und Genetik, Dresden
Kunststudentinnen und Kunststudenten stellen aus, Bundeskunsthalle, Bonn


2004

Fleurs du mal, Schickeria, Berlin
Fuck you it is all flowers, Turboplex, Berlin
bMd connection, Wandergalerie Stephanie Bender, Munich
Oh tender sailorman, Turboplex, Berlin
Cave miser, Schickeria, Berlin
Wenzel Kliniczna, Internationales Festival der Wandmalerei, Danzig


2003

Kalter Hund, Galerie Michael Kapinos, Berlin
Illegale Arbeiten auf Papier, PR 17 Projekt, Berlin
Wheeling London, ceel projekt space, London
Mixed, Backfabrik, Berlin
Apres Ski, Schickeria, Berlin


2002

Sounds, G7, Berlin
Aurora Berlinalis, Münze, Berlin
Hardland, G7, Berlin
Wheeling Krad-Kulttour, Galerie Jette Rudolph, Berlin
Ausstellungsraum de light, Frankfurt am Main


2001

Trilemma,Kunstverein Potsdam
Boppstr. 13b, Boppstr 13b, Mainz


2000

Zentrale Moabit, Rostockerstr. 51/Laden, Berlin

Alicja Kwade
born 1979, lives and works in Berlin Education 1999-2005 Universität der Künste, Berlin Solo exhibitions 2011 Oldenburger Kunstverein, Oldenburg Kunstverein Bremerhaven, Bremerhaven 2010 Probleme massereicher Körper, Westfälischer Kunstverein, Münster Ereignishorizont, Kestner Gesellschaft, Hannover Broken away from Common Standpoints, Museion at Peep-Hole, Milan 2009 Grenzfälle fundamentaler Theorien, Johann König, Berlin Vom äußersten Rand der Bedingung, Galerie Christina Wilson, Copenhagen 2008 Von Explosionen zu Ikonen , Hamburger Bahnhof, Museum für Gegenwart, Berlin 2007 Junge Sterne rauchen, Galerie Lena Brüning, Berlin 2006 Maryon Park, Galerie Kugler, Innsbruck B-IF 134, with Gregor Hildebrandt, UBERBAU, Düsseldorf Daily Planet, Galerie Lena Brüning, Berlin 2005 Andernfalls ist es nur eine Schwingung des Äthers, Glue, Berlin 299711, 537 Km/s, Galerie Eugen Lendl, Graz 2004 Alicja Kwade, with Gregor Hildebrandt, Reuter, Dresden Light suicide, Wandergalerie Stephanie Bender, Munich 2003 Stand by, Taubenstr. 13, St. Pauli, Hamburg Adromeda-Virgo, Mt. Warning Galerie, Berlin Group exhibitions 2010 Unsichtbare Schatten, Marta Herford, Herford Long Long Gone, Leo König Gallery, New York One leading away from another, 303 gallery, New York Herbstausstellung, Kunstverein Hannover, Hannover Die perfekte Ausstellung – oder warum eine solche nicht existiert, Heidelberger Kunstverein, Heidelberg The Marienbad Palace, Highlanes Gallery, Drogheda Wystawa, Museum of Modern Art in Warsaw, Warsaw The Berlin Box, Kunsthalle Andratx / CCA, Mallorca Silent Revolution, K21, Duesseldorf Chapter Five: Thriller, About Change Collection, Berlin 380 – 750 nm, 401 contemporary, London Madonna Psycho Slut, Grimm Museum, Berlin Six Days of New Media, Linienstraße 127, Berlin-Mitte Diamonds on the soles of her shoes, Bischoff & Weiss, London Alicja Kwade, Adolf Luther, 401 contemporary, London Neugierig?, Bundeskunsthalle, Bonn Alice Channer, Dagmar Heppner, Alicja Kwade & Maria Zahle,Bolte Lang,Zürich 2009 Berlin meets Vienna, Salon Österreich, Vienna Kunst zwischen Spurensuche und Utopie, Berlinische Galerie, Berlin Access all areas, a drawing exhibition, Max Hetzler, Berlin Like a Rolling Stone, Museum of Contemporary Sculpture, Oronsko Black Hole, CCA, Andratx, Mallorca Inkonstruktion IV, Art Biesenthal, Biesenthal Scheinbar, Kunstverein, Eislingen Spatial Works, Färgfabriken, Stockholm ReMap 2, Kerameikos Metaxourgeio, Athens Kunst zwischen Spurensuche und Utopie, Berlinische Galerie, Berlin Was sonst soll ich lieben, wenn nicht das Rätsel?, Neuer Kunstverein,Aschaffenburg Kunstpreis der Böttcherstraße 2009, Weserburg, Bremen BERLIN 2000, Galerie Pace Wildenstein, New York Pragmatismus & Romantismus, Fondation Ricard, Paris 2008 Threeallities, Galerie unosunove, Roma Take Me There - Show Me The Way, Haunch of Venison, New York Musical Paintings, ScheiblerMitte, Berlin Study & Play, Galerie Jan Wentrup, Berlin Knorke Gören, Kwadrat, Berlin Transformational grammers, Galerie Francesca Kaufmann, Milan Endless Sphere, Center of Contemporary Art, Kiev AURUM, Centre PasquArt, Biel When a Clock is seen from the Side…, Johann König, Berlin Who`s afraid of 40 Zimmermädchen?, with Stefan Panhans, Kunsthaus, Hamburg Madonna und Wir, cur. Caroline Nathusius, Galerie Christian Nagel, Berlin The Krautcho Club/In and out of place, Projectspace 176, London Lure, Galerie Frank Elbaz, Paris INKONSTRUKTION III, Art Biesenthal, Biesenthal Jagd & Kugelfang, SPESSHARDT & KLEIN, Berlin Freunde und bekannte, Sparwasser H Q - Forum for contemporary art, Berlin Do You Have Expectations?, Wartesaal, Zürich 2007 Kunstpreis Junger Westen für Skulptur, Kunsthalle Recklinghausen Schöne Aussichten in der Bank, IBB Investitionsbank, Berlin Auktion, NAK, Neuer Aachener Kunstverein, Aachen La Boum 3, Rowley Kennerk Gallery, Chicago WG, Malkasten, Düsseldorf Nightcomers, 10th Istanbul Biennale, IMC, Istanbul Niveaualarm, Kunstraum Innsbruck, Innsbruck Papierarbeiten, Galerie Lena Brüning, Berlin MMVI, Galerie Meyer-Riegger, Karlsruhe Künstler der Galerie 1, Galerie Lena Brüning, Berlin 2006 Justice for Spirit, Flaca, London Kn’yan, Galerie Christine Mayer, Munich Lichtwerke aus der Sammlung, MUMOK, Wien 2005 The other sight, Künstlerhaus Dortmund, Dortmund Art and Science in Europe, Max-Planck-Institut für molekulare Zellbiologie und Genetik, Dresden Kunststudentinnen und Kunststudenten stellen aus, Bundeskunsthalle, Bonn 2004 Fleurs du mal, Schickeria, Berlin Fuck you it is all flowers, Turboplex, Berlin bMd connection, Wandergalerie Stephanie Bender, Munich Oh tender sailorman, Turboplex, Berlin Cave miser, Schickeria, Berlin Wenzel Kliniczna, Internationales Festival der Wandmalerei, Danzig 2003 Kalter Hund, Galerie Michael Kapinos, Berlin Illegale Arbeiten auf Papier, PR 17 Projekt, Berlin Wheeling London, ceel projekt space, London Mixed, Backfabrik, Berlin Apres Ski, Schickeria, Berlin 2002 Sounds, G7, Berlin Aurora Berlinalis, Münze, Berlin Hardland, G7, Berlin Wheeling Krad-Kulttour, Galerie Jette Rudolph, Berlin Ausstellungsraum de light, Frankfurt am Main 2001 Trilemma,Kunstverein Potsdam Boppstr. 13b, Boppstr 13b, Mainz 2000 Zentrale Moabit, Rostockerstr. 51/Laden, Berlin

Alicja Kwade
Kreisel (Inception)

Artist Alicja Kwade
Year 2012
Duration 38:47 min
Edition 3 + 1 AP
Technical info HD video, sound, loop
Contact
Johann König Gallery
Erika Weiß
Dessauer Straße 6-7
10963 Berlin
Germany

Phone: +49.30.2610 308-28
E-Mail: erika@johannkoenig.de
Alicja Kwade - Kreisel (Inception)

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.