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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Rebecca Ann Tess

Works


Galleries

Philipp von Rosen Galerie
Philipp von Rosen
Aachener Straße 65
50674 Aachen
Germany

Phone: +49 221 27056840
E-Mail: info@philippvonrosen.com




Biography

born 1980 in Annweiler am Trifels, Germany
lives in Berlin.

Education

2007–2009 Master of Fine Art, HfBK Städelschule Frankfurt am Main
2002–2007 Diploma of Fine Art, University of the Arts Berlin
2004–2005 Study of Fine Art, Chelsea College of Art and Design London

Solo shows

2016
Alpha++ at Philipp von Rosen Galerie, Cologne
Upper, Space One, Seoul
12x12 IBB-video space at Berlinische Galerie

2013
Home Time Show Time, Figge von Rosen Galerie, Berlin
Container. A video installation by Rebecca Ann Tess, basis e.V., Frankfurt am Main
Rebecca Ann Tess, Freilichtmuseum Hessenpark, Neu-Anspach

2012
“It takes a company to make art great”, lampione, Frankfurt am Main

2011
A Crime must be Committed, Figge von Rosen Galerie, Berlin

2010
Not Dad Yet Sad!, Figge von Rosen Galerie, Cologne
Dad Dracula is Dead, Nassausicher Kunstverein, Wiesbaden

Group shows

2015
Monitoring, 32. Kassel Documentary Film and Video Festival, Kassel
Turtlelab Studios, Berlin

2014
High Today What’s Tomorrow?, sign CIAT – Contemporary Institute for Art & Thought, Berlin
Big Picture, part of 11th Fair of Culture, Zagreb, Croatia
pop up nak, Galerie Sabine Knust, München

2013
Villa Romana 1905–2013. Das Künstlerhaus in Florenz, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn
Risk Society, MOCA Museum of Contemporary Art, Taipei
Qual & Wahl, Pflicht, Freiheit, Zwang, Kunstverein Wolfsburg

2012
AIR – Artist in Residence, Atelierfrankfurt, Frankfurt am Main
Jahresgaben 2012, Neuer Aachener Kunstverein, Aachen
BCC #10: The Gap, Sankt Georgen, Frankfurt am Main
Open Studios, National Art Studio, Seoul
Etna Carrara, Ludwigforum, Aachen
Reality Manifestos – Can Reality Break Bricks?, Kunsthalle Exnergasse, Vienna

2011
km 500 4, Kunsthalle, Mainz
28. Kasseler Dokumentarfilm- und Videofest, Kassel
Filmtage – Lichter Art Award, Saasfee Pavillon, Frankfurt am Main
Villa Romana – Fellows 2011, Villa Romana, Florence

2010
New Frankfurt Internationals: Stories and Stages, Frankfurter Kunstverein
A Thousand Endless Tales – Dancing the Line of Flight, White Space, Zurich
11 Frankfurter Gegen Uni, Institut für vergleichende Irrelevanz, Frankfurt am Main
Krise / Kriza, Goethe-Institut Belgrad
Filmtage – Kunstlichter: Stimulus Kino, Frankfurt am Main
Astronomical Frontiers, BKS Garage, Copenhagen
Das ist die Lebenswelt, NAK Neuer Aachener Kunstverein, Aachen

2009
Videonale 12, Kunst Museum, Bonn
Queer Arts Festival - Threads, QCC/SOMArts Cultural Center, San Francisco
SMart Festival, Open Concept Gallery, Grand Rapids
Naneci Yurdagül zeigt Angst, Geburtshaus Adam Opel, Rüsselsheim
Past Imperfect, European Media Art Event Beursschouwburg, Brussels
Dude, where´s my career?, MMK Zollamt, Frankfurt am Main

2008
Teleport Färgfabriken, Färgfabriken Norr, Östersund
Vertrautes Terrain – Aktuelle Kunst in und über Deutschland, ZKM, Karlsruhe
Tormpe-loeil Polizei, Realism Working Group, Free Class FMM, Frankfurter Kunstverein
Farnsworth Galleries, Project Space Rungestrasse, Berlin
Gender*d*rama, Statthaus Böcklerpark, Berlin

2007
Altenburg: Provinz in Europa, Lindenau Museum, Altenburg
Student Show, Catalyst Arts, Belfast

Screenings

2015
Cairo Video Festival, Cairoc
Message to Man International Film Festival, St. Petersburg
International Short Film Festival, Hamburg
Cinema Akil – Outbox Short Film Festival, Dubai
2014
In the Heat of the Night, Kunstverein Harburger Bahnhof, Hamburg
Short Films by German and Israeli Filmmakers, Kunstmuseum, Bochum
2013
Kunst im Kino, München
2012
Videoart at Midnight #40, Kino Babylon, Berlin
Wisdom of Shadow, Sinopale 4 (Sinop Biennale), Sinop
Home Time Show Time, Villa Romana, Florence
Films by Kerstin Cmelka, Keren Cytter, Rebecca Ann Tess, Elaine MGK, Basel
Rencontres International Paris/Berlin/Madrid, Haus der Kulturen der Welt, Berlin
Basel Art Week, Elaine MGK, Basel
Athens Video Art Festival, Stoa Kourtaki, Athens
2011
Rencontres International Paris/Berlin/Madrid, Gaité Lyrique, Paris
Videovisionen, Edith-Russ-Haus für Medienkunst, Oldenburg
Lichter Kurzfilmnacht, Hafen 2, Frankfurt
2009
Queer cafe, Copenhagen
Entzaubert – Queer DIY Film Festival, Schwarzer Kanal, Berlin

Lectures

2014
Artist Talk, Black Sheep Lecture, Panic Blossom, Seoul
Artist Talk, Department for Culture and Education of the German Consulate General, Shanghai
2012
Reenactment in Video Art, Freie Universität, Berlin
Symposium Reality Manifestos – Can Reality Break Bricks?, Kunsthalle Exnergasse, Vienna
2011
Screening and Artist Talk, Residency Unlimited, New York City
2009
Free Class/FFM, Academies – Along the Rhine, Kölnischer Kunstverein, Cologne

Awards

2012
Artist in Residence Program, Kulturamt Frankfurt, Seoul
Studio Scholarship, Aus der Stadt aufs Land, Freilichtmuseum Hessenpark
2011
Villa Romana Fellowship, Florence
2010
Balmoral Scholarship for New York
2006–2008
German National Academic Foundation
2004–2005
Erasmus/Sokrates Scholarship, London

Rebecca Ann Tess
born 1980 in Annweiler am Trifels, Germany lives in Berlin. Education 2007–2009 Master of Fine Art, HfBK Städelschule Frankfurt am Main 2002–2007 Diploma of Fine Art, University of the Arts Berlin 2004–2005 Study of Fine Art, Chelsea College of Art and Design London Solo shows2016Alpha++ at Philipp von Rosen Galerie, CologneUpper, Space One, Seoul 12x12 IBB-video space at Berlinische Galerie 2013 Home Time Show Time, Figge von Rosen Galerie, Berlin Container. A video installation by Rebecca Ann Tess, basis e.V., Frankfurt am Main Rebecca Ann Tess, Freilichtmuseum Hessenpark, Neu-Anspach 2012 “It takes a company to make art great”, lampione, Frankfurt am Main 2011 A Crime must be Committed, Figge von Rosen Galerie, Berlin 2010 Not Dad Yet Sad!, Figge von Rosen Galerie, Cologne Dad Dracula is Dead, Nassausicher Kunstverein, Wiesbaden Group shows 2015 Monitoring, 32. Kassel Documentary Film and Video Festival, Kassel Turtlelab Studios, Berlin 2014 High Today What’s Tomorrow?, sign CIAT – Contemporary Institute for Art & Thought, Berlin Big Picture, part of 11th Fair of Culture, Zagreb, Croatia pop up nak, Galerie Sabine Knust, München 2013 Villa Romana 1905–2013. Das Künstlerhaus in Florenz, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn Risk Society, MOCA Museum of Contemporary Art, Taipei Qual & Wahl, Pflicht, Freiheit, Zwang, Kunstverein Wolfsburg 2012 AIR – Artist in Residence, Atelierfrankfurt, Frankfurt am Main Jahresgaben 2012, Neuer Aachener Kunstverein, Aachen BCC #10: The Gap, Sankt Georgen, Frankfurt am Main Open Studios, National Art Studio, Seoul Etna Carrara, Ludwigforum, Aachen Reality Manifestos – Can Reality Break Bricks?, Kunsthalle Exnergasse, Vienna 2011 km 500 4, Kunsthalle, Mainz 28. Kasseler Dokumentarfilm- und Videofest, Kassel Filmtage – Lichter Art Award, Saasfee Pavillon, Frankfurt am Main Villa Romana – Fellows 2011, Villa Romana, Florence 2010 New Frankfurt Internationals: Stories and Stages, Frankfurter Kunstverein A Thousand Endless Tales – Dancing the Line of Flight, White Space, Zurich 11 Frankfurter Gegen Uni, Institut für vergleichende Irrelevanz, Frankfurt am Main Krise / Kriza, Goethe-Institut Belgrad Filmtage – Kunstlichter: Stimulus Kino, Frankfurt am Main Astronomical Frontiers, BKS Garage, Copenhagen Das ist die Lebenswelt, NAK Neuer Aachener Kunstverein, Aachen 2009 Videonale 12, Kunst Museum, Bonn Queer Arts Festival - Threads, QCC/SOMArts Cultural Center, San Francisco SMart Festival, Open Concept Gallery, Grand Rapids Naneci Yurdagül zeigt Angst, Geburtshaus Adam Opel, Rüsselsheim Past Imperfect, European Media Art Event Beursschouwburg, Brussels Dude, where´s my career?, MMK Zollamt, Frankfurt am Main 2008 Teleport Färgfabriken, Färgfabriken Norr, Östersund Vertrautes Terrain – Aktuelle Kunst in und über Deutschland, ZKM, Karlsruhe Tormpe-loeil Polizei, Realism Working Group, Free Class FMM, Frankfurter Kunstverein Farnsworth Galleries, Project Space Rungestrasse, Berlin Gender*d*rama, Statthaus Böcklerpark, Berlin 2007 Altenburg: Provinz in Europa, Lindenau Museum, Altenburg Student Show, Catalyst Arts, Belfast Screenings 2015 Cairo Video Festival, Cairoc Message to Man International Film Festival, St. Petersburg International Short Film Festival, Hamburg Cinema Akil – Outbox Short Film Festival, Dubai 2014 In the Heat of the Night, Kunstverein Harburger Bahnhof, Hamburg Short Films by German and Israeli Filmmakers, Kunstmuseum, Bochum 2013 Kunst im Kino, München 2012 Videoart at Midnight #40, Kino Babylon, Berlin Wisdom of Shadow, Sinopale 4 (Sinop Biennale), Sinop Home Time Show Time, Villa Romana, Florence Films by Kerstin Cmelka, Keren Cytter, Rebecca Ann Tess, Elaine MGK, Basel Rencontres International Paris/Berlin/Madrid, Haus der Kulturen der Welt, Berlin Basel Art Week, Elaine MGK, Basel Athens Video Art Festival, Stoa Kourtaki, Athens 2011 Rencontres International Paris/Berlin/Madrid, Gaité Lyrique, Paris Videovisionen, Edith-Russ-Haus für Medienkunst, Oldenburg Lichter Kurzfilmnacht, Hafen 2, Frankfurt 2009 Queer cafe, Copenhagen Entzaubert – Queer DIY Film Festival, Schwarzer Kanal, Berlin Lectures 2014 Artist Talk, Black Sheep Lecture, Panic Blossom, Seoul Artist Talk, Department for Culture and Education of the German Consulate General, Shanghai 2012 Reenactment in Video Art, Freie Universität, Berlin Symposium Reality Manifestos – Can Reality Break Bricks?, Kunsthalle Exnergasse, Vienna 2011 Screening and Artist Talk, Residency Unlimited, New York City 2009 Free Class/FFM, Academies – Along the Rhine, Kölnischer Kunstverein, Cologne Awards 2012 Artist in Residence Program, Kulturamt Frankfurt, Seoul Studio Scholarship, Aus der Stadt aufs Land, Freilichtmuseum Hessenpark 2011 Villa Romana Fellowship, Florence 2010 Balmoral Scholarship for New York 2006–2008 German National Academic Foundation 2004–2005 Erasmus/Sokrates Scholarship, London

Rebecca Ann Tess
The Tallest

Artist Rebecca Ann Tess
Year 2014
Duration 14:00 min
Technical info HD video
Contact
Philipp von Rosen Galerie
Philipp von Rosen
Aachener Straße 65
50674 Aachen
Germany

Phone: +49 221 27056840
E-Mail: info@philippvonrosen.com

About the video

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Rebecca Ann Tess - The Tallest
The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

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