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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Dina Danish

Works


Galleries

Barbara Seiler Galerie
Barbara Seiler
Anwandstrasse 67
8004 Zuerich
Switzerland

Phone: +41 43 317 1042
E-Mail: info@barbaraseiler.ch




Biography

born 1981 in France

Education and long residencies

2009-2010 Two year Arist Residency, Rijksakademie van beeldende kunsten, Amsterdam, NL
2006-2008 MFA, California College of the Arts, San Francisco (CA), USA
2000-2005 BA in Art, The American University in Cairo, Cairo, EG

Solo and two person exhibitions

2013
Barbara Seiler Gallery, Zurich, CH "Double Bubble Gum, Doubles Bubble"
De Nederlandsche Bank, Amsterdam, NL "Four Friends Fought Furiously For The Phone"

2012
SpazioA, Pistoia, IT, "Re-Play: Back in 10 Minutes"

2011
Barbara Seiler Gallery, Zurich, CH, "A Matter of Time"
Jeanine Hofland Contemporary Art, Amsterdam, NL "Dina Danish, Shmina Shmanish"
videohOle project space, San Francisco, USA, "Dina Danish, 3 videos"

2007
PLAySpace Gallery, San Francisco (CA), US, "Howwa We Ana, However We Wanna"

Selected group exhibitions

2014
Project Arts Centre, Dublin "The Centre for Dying on Stage #1" curated by Kate Strain
de Appel Curatorial Programme; Stedleijk Museum, Amsterdam; NL "Father, Can’t You See I’m Burning?" Stedelijk Museum / Performance
Achenbach Foundation, Fine Arts Museums, San Francisco, "Artists and Editions"
Upominki, Rotterdam, NL "Ways of Working According to an Office Desk", curated by Niekolaas Johannes Lekkerkerk

2013
Parallel Projects of Maracech Biennale, Marracech, Morrocco, "With the Sound of Your Voice," curated by Niekolaas Johannes Lekkerkerk
Biennale Yogyakarta, Yogyakarta, IDN "Not A Dead End", curated by Agung Hujatnikajennong and Sarah Rifky
Beirut, Cairo, EG "Beirut Season Four: Writing with the other hand is imagining
Castlefield Gallery, Manchester, UK "Some Misunderstandings", curated by CG Associate Sevie Tsampalla
De Appel Arts Center, Amsterdam, NL "Bourgeois Leftovers"
Wilfried Lentz Gallery, Rotterdam, NL "To Scrap a proportion"
LantarenVenster, Rotterdam, NL, "Prospects & Concepts", curated by Wim Waelput

2012
Tecoh Bruce Gallery, San Francisco, USA, "We’re All Here Because We’re Not All There", curated by Dane Jensen and David Kasprzak
Jeanine Hofland Contemporary Art, Amsterdam, NL "Not in A Million Years"
Barbara Seiler Galerie, Zurich, CH ""A BRAND NEW BABY CARRIAGE STANDING THERE ON THE PORCH"

2011
Spazio A, Pistoia, IT "il gatto è sul tavolo’ The Cat is On The Table" curated by Chris Fitzpatrick
Kunsthall Oslo, NO "Run, Comrade, The Old World is Behind You" curated by Will Bradley
Annet Gelink Gallery, Amsterdam, NL, "Two Versions of the Imaginary" curated by Maria Barnas

2010
SFMOMA, San Francisco, CA, USA, ‘Shadow Shop’ a project by Stephanie Syjuko
Rijksakademie van beeldende kunsten, Amsterdam, NL, "RijksakademieOPEN
Southern Exposure, San Francisco, USA, ‘Time After Time’ Curated by Taraneh Hemami & Valerie Imus
Kunsthall Oslo, NO, "<I Must Say That At First It Was Difficult Work>" curated by Will Bradley

2009
Queen’s Nails Annex, San Francisco, CA, US, "Exercises in Seeing", curated by Post Brothers
Mediamatic, Amsterdam, NL, Amsterdam Biennale 2009, Cairo Pavillion" curated by Nat Muller
Rijksakademie van beeldende kunsten, Amsterdam, NL, "RijksakademieOPEN
CIC, Cairo, EG, "Fantasy for Allan Kaprow", curated by Mai AbulDahab and Philippe Pirotte.
San Francisco Art Commission Gallery, San Francisco (CA), US, "Reconciling America: Miraculous Encounters with the Mundane

Residencies and workshops

2014 Biennale Yogyakarta Residency, Yogyakarta, IDN
2013 A.I.R. Dubai, by Delfina FoundaBon, Tashkeel, Art Dubai, and Dubai Culture, Dubai, UAE
2011-2012 PiST///, Mondriaan Fund, Istanbul, TR
2012 ResO Fondazione Spinola Banna per l’Arte, Poirino,Italy
2010 CEIA, Bel Horizonte, BR, 2010(workshop)

Awards

2012 Winner, Curator’s Choice Celeste Prize, Rome IT
Finalist, illy Art RoMerdam Prize with Barbara Seiler Gallery
2011 Winner, illy Present Future award, Artissima 18 curated by Chris Fitzpatrick (jury:Anne Ellegood, Tessa Giblin, Beatrix Ruf)
2008 Finalist, Toby Devan Lewis Fellowship, San Francisco (CA), US
Winner, Barclay Simpson Award, San Francisco (CA), US
2007 Finalist, SECA Art award SFMOMA, San Francisco (CA), US

Selected collections

Nomas Foundation, IT
SFMOMA, San Francisco, USA
The Museum of Modern Art, New York, USA
Texeira de Fritas Collection, Lisbon, Portugal
The Berkeley Art Museum, Berkeley, California
The Achenbach Foundation for Graphic Arts, Fine Arts Museums, San Francisco, California
The Henry Gallery, University of Washington, Seattle, Washington
The Getty Art Museum, Los Angeles, California

Fellowships / stipends

2013 Mondriaan Fund work budget, NL
2011 BKVB Starts*pendium, NL
2010 Dutch Ministry of Foreign Affairs (ICE), NL
2009 Institut Français des Pays-Bas Van den Berch van Heemstede Stichting, NL
2008 Headlands Center for the Arts, Marin (CA), US, Headlands Graduate Fellowship

Related work experience

2014-present Tutor, Royal Academy of Art, The Hague, NL
2012 Tutor, Gerrit Rietveld Academy, Amsterdam, NL
2009 Workshop Tutor, AKV/St. Joost, Den Bosch, NL
2007 Teaching Assistant, California College of the Arts, Graduate Program, San Francisco
2005-2006 Art Program Coordinator, (Department of Performing and Visual Arts), (Full-Time), American University in Cairo (AUC), Egypt
2003-2004 Researcher, CULTNAT (Centre for Documentation of Cultural and Natural Heritage), (Freelance), Bibliotheca Alexandrina, Cairo, Egypt

Dina Danish
born 1981 in France Education and long residencies 2009-2010 Two year Arist Residency, Rijksakademie van beeldende kunsten, Amsterdam, NL 2006-2008 MFA, California College of the Arts, San Francisco (CA), USA 2000-2005 BA in Art, The American University in Cairo, Cairo, EG Solo and two person exhibitions 2013 Barbara Seiler Gallery, Zurich, CH Double Bubble Gum, Doubles Bubble De Nederlandsche Bank, Amsterdam, NL Four Friends Fought Furiously For The Phone 2012 SpazioA, Pistoia, IT, Re-Play: Back in 10 Minutes 2011 Barbara Seiler Gallery, Zurich, CH, A Matter of Time Jeanine Hofland Contemporary Art, Amsterdam, NL Dina Danish, Shmina Shmanish videohOle project space, San Francisco, USA, Dina Danish, 3 videos 2007 PLAySpace Gallery, San Francisco (CA), US, Howwa We Ana, However We Wanna Selected group exhibitions 2014 Project Arts Centre, Dublin The Centre for Dying on Stage #1 curated by Kate Strain de Appel Curatorial Programme; Stedleijk Museum, Amsterdam; NL Father, Can’t You See I’m Burning? Stedelijk Museum / Performance Achenbach Foundation, Fine Arts Museums, San Francisco, Artists and Editions Upominki, Rotterdam, NL Ways of Working According to an Office Desk, curated by Niekolaas Johannes Lekkerkerk 2013 Parallel Projects of Maracech Biennale, Marracech, Morrocco, With the Sound of Your Voice, curated by Niekolaas Johannes Lekkerkerk Biennale Yogyakarta, Yogyakarta, IDN Not A Dead End, curated by Agung Hujatnikajennong and Sarah Rifky Beirut, Cairo, EG Beirut Season Four: Writing with the other hand is imagining Castlefield Gallery, Manchester, UK Some Misunderstandings, curated by CG Associate Sevie Tsampalla De Appel Arts Center, Amsterdam, NL Bourgeois Leftovers Wilfried Lentz Gallery, Rotterdam, NL To Scrap a proportion LantarenVenster, Rotterdam, NL, Prospects & Concepts, curated by Wim Waelput 2012 Tecoh Bruce Gallery, San Francisco, USA, We’re All Here Because We’re Not All There, curated by Dane Jensen and David Kasprzak Jeanine Hofland Contemporary Art, Amsterdam, NL Not in A Million Years Barbara Seiler Galerie, Zurich, CH A BRAND NEW BABY CARRIAGE STANDING THERE ON THE PORCH 2011 Spazio A, Pistoia, IT il gatto è sul tavolo’ The Cat is On The Table curated by Chris Fitzpatrick Kunsthall Oslo, NO Run, Comrade, The Old World is Behind You curated by Will Bradley Annet Gelink Gallery, Amsterdam, NL, Two Versions of the Imaginary curated by Maria Barnas 2010 SFMOMA, San Francisco, CA, USA, ‘Shadow Shop’ a project by Stephanie Syjuko Rijksakademie van beeldende kunsten, Amsterdam, NL, RijksakademieOPEN Southern Exposure, San Francisco, USA, ‘Time After Time’ Curated by Taraneh Hemami & Valerie Imus Kunsthall Oslo, NO, <I Must Say That At First It Was Difficult Work> curated by Will Bradley 2009 Queen’s Nails Annex, San Francisco, CA, US, Exercises in Seeing, curated by Post Brothers Mediamatic, Amsterdam, NL, Amsterdam Biennale 2009, Cairo Pavillion curated by Nat Muller Rijksakademie van beeldende kunsten, Amsterdam, NL, RijksakademieOPEN CIC, Cairo, EG, Fantasy for Allan Kaprow, curated by Mai AbulDahab and Philippe Pirotte. San Francisco Art Commission Gallery, San Francisco (CA), US, Reconciling America: Miraculous Encounters with the Mundane Residencies and workshops 2014 Biennale Yogyakarta Residency, Yogyakarta, IDN 2013 A.I.R. Dubai, by Delfina FoundaBon, Tashkeel, Art Dubai, and Dubai Culture, Dubai, UAE 2011-2012 PiST///, Mondriaan Fund, Istanbul, TR 2012 ResO Fondazione Spinola Banna per l’Arte, Poirino,Italy 2010 CEIA, Bel Horizonte, BR, 2010(workshop) Awards 2012 Winner, Curator’s Choice Celeste Prize, Rome IT Finalist, illy Art RoMerdam Prize with Barbara Seiler Gallery 2011 Winner, illy Present Future award, Artissima 18 curated by Chris Fitzpatrick (jury:Anne Ellegood, Tessa Giblin, Beatrix Ruf) 2008 Finalist, Toby Devan Lewis Fellowship, San Francisco (CA), US Winner, Barclay Simpson Award, San Francisco (CA), US 2007 Finalist, SECA Art award SFMOMA, San Francisco (CA), US Selected collections Nomas Foundation, IT SFMOMA, San Francisco, USA The Museum of Modern Art, New York, USA Texeira de Fritas Collection, Lisbon, Portugal The Berkeley Art Museum, Berkeley, California The Achenbach Foundation for Graphic Arts, Fine Arts Museums, San Francisco, California The Henry Gallery, University of Washington, Seattle, Washington The Getty Art Museum, Los Angeles, California Fellowships / stipends 2013 Mondriaan Fund work budget, NL 2011 BKVB Starts*pendium, NL 2010 Dutch Ministry of Foreign Affairs (ICE), NL 2009 Institut Français des Pays-Bas Van den Berch van Heemstede Stichting, NL 2008 Headlands Center for the Arts, Marin (CA), US, Headlands Graduate Fellowship Related work experience 2014-present Tutor, Royal Academy of Art, The Hague, NL 2012 Tutor, Gerrit Rietveld Academy, Amsterdam, NL 2009 Workshop Tutor, AKV/St. Joost, Den Bosch, NL 2007 Teaching Assistant, California College of the Arts, Graduate Program, San Francisco 2005-2006 Art Program Coordinator, (Department of Performing and Visual Arts), (Full-Time), American University in Cairo (AUC), Egypt 2003-2004 Researcher, CULTNAT (Centre for Documentation of Cultural and Natural Heritage), (Freelance), Bibliotheca Alexandrina, Cairo, Egypt

Dina Danish
Halim: The Dark Whistling Nightingale

Artist Dina Danish
Year 2011
Duration 10:20 min
Technical info single-channel video
Contact
Barbara Seiler Galerie
Barbara Seiler
Anwandstrasse 67
8004 Zuerich
Switzerland

Phone: +41 43 317 1042
E-Mail: info@barbaraseiler.ch

About the video

This is an ongoing project and investigation based on found footage of Egyptian singer Abdel Halim Hafez.

'Halim – The Dark Whistling Nightingale' analyses a notorious television performance of the Egyptian singer Abdel Halim Hafez, where he is seen angrily whistling back at his audience for mysterious reasons.Dina Danish balances an inquisitive approach to rhetoric, superstition, and homogeneity with an irreverence toward the often-stiff mannerisms of contemporary art.

Dina Danish (*1981 Paris FR) studied at the American University in Cairo and CalArts in San Francisco. She later completed a residency at the Rijksakademie in Amsterdam and last year received a Delfina Foundation award for a research residency in Dubai. She lives and works in Amsterdam.

Dina Danish - Halim: The Dark Whistling Nightingale
This is an ongoing project and investigation based on found footage of Egyptian singer Abdel Halim Hafez.'Halim – The Dark Whistling Nightingale' analyses a notorious television performance of the Egyptian singer Abdel Halim Hafez, where he is seen angrily whistling back at his audience for mysterious reasons.Dina Danish balances an inquisitive approach to rhetoric, superstition, and homogeneity with an irreverence toward the often-stiff mannerisms of contemporary art.Dina Danish (*1981 Paris FR) studied at the American University in Cairo and CalArts in San Francisco. She later completed a residency at the Rijksakademie in Amsterdam and last year received a Delfina Foundation award for a research residency in Dubai. She lives and works in Amsterdam.

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