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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Adrian Lohmüller

Works


Galleries

Sommer + Kohl
Salome Sommer
Kurfürstenstrasse 13/14
10785 Berlin
Germany

Phone: +49 30 2300 5581
E-Mail: mail@sommerkohl.com




Biography

Born 1977, Gengenbach, Germany
Lives and works in Berlin

Education

2000–2005 Maryland Institute College of Art (MICA) (US)

Solo exhibitions

2015
Psy.3D. Dr. Dr. Adrian Lohmüller, Larry, Berlin (D)

2013
Frieze New York, Frame solo-booth with Sommer & Kohl, New York (US)
Blind Study A Psychology of Building, Koban Project, Baltimore (US)

2012
And To Make You Toe The Line, Kunstverein Harburger Bahnhof, Hamburg (DE)

2011
The Uncertainty Principle, Sommer & Kohl, Berlin (DE)
The false-self system, Städtische Galerie Nordhorn, Nordhorn (DE)
Good Morning Mr. Laing, heldart, Berlin (DE)

2010
Mining the Moon, jgb berlin, Berlin (DE)

2008
Scheuermilchmelange, Sezession Wichtelgasse, Vienna (AT)
The Way Things Are, Art in General, New York (US)

2007
Urbane Experimentalklempnerei, Ballhaus Ost, Berlin (DE)

2006
Marshall Report, 5th story, Baltimore (US)

Group exhibitions

2015
o.T., SchauFenster Berlin, (DE)
Grinder's Citizens, Off Charts, New York (US)
Amo Litio, Casa Nuova, Milan (IT)
Ngorongoro, Lehderstrasse 34, Berlin (D)
Art Cologne, Collaborations Sommer & Kohl with Daniel Marzona, Cologne (D)
Timberrr, Horseandpony Artspace, Berin (D)

2014
Le temps de la rentrée, Sommer & Kohl, Berlin (D)
Fundament III (On What Grounds), SONS – Museum, Belgium
Vector Artists Journal, Issue 5, MoMA, PS1, New York (US)
Vector Artists Journal, Issue 5, Schau Fenster, Berlin (D)
The Veto Operation, BlinkVideo, Hamburg (D)
Art Altstetten, Sommer & Kohl visiting Birchmeier Uhlmann Architekten, Zürich (SW)
Cascating Bifurcations, téte, Berlin (D)
Give Us The Future, NBK – Neuer Berliner Kunstverein, Berlin (D)
Screenings of “The Veto Operation” on French and German network, SFA
Souvenirs From Earth, Film Cologne, Art Cologne
Trockene Wahrheiten, Schau Fenster, Berlin

2013
Sezzession: Uferhallen Artists, SEZ, September, Berlin (DE)
Remix, Spor Klübü, Berlin (DE)
Smiler's Delicatessen, Smiler's Delicatessen Times Square, New York (US)
Alles Wasser, Galerie Mikael Andersen, Copenhagen (DK)
All Change, Kunstverein Harburger Bahnhof, Hamburg (DE)

2012
Perspective, Galleria Nove, Berlin (DE)
Der Schwarm kommt, NGBK, Berlin Cinema, Voorkamer, Lier, (BE)
Alles Wasser, Galerie Mikael Andersen, Berlin (DE)
Das Unerwartete erwarten, Künstlerhaus Bremen (DE)
Belgie, PopUP artspace, Berlin (DE)
In Other Words, NGBK, Berlin (DE)

2011
Les Urbaines, Lausanne, Switzerland
Bienal de Curitiba - 6ª VentoSul , Oscar Niemeyer Museum, Curitiba (BR)
Monument Valley, UFO presents, Berlin (DE)
Die Linie überschreiten, Schaufenster Berlin & Westwendischer Kunstverein (DE)
Herbei ein Licht!, Lismore Castle Arts, St Cathage Hall, Lismore (IR)
Festival Über Lebenskunst, Haus der Kulturen der Welt, Berlin (DE)
Katinka Bock / Adrian Lohmüller, Einszueins, Gut Kartzitz Rügen (DE)
Uferhallen Kunstaktien, Uferhallen, Berlin Search & Destroy, Galerie Mikael Andersen, Berlin (DE)
Pop Hits, Tanzschule Projects, München Ruine, Die Wiesenburg, Berlin (DE)
Sample, Galerienhaus Lindenstrasse, Berlin (DE)
Ruine, Die Wiesenburg, Berlin (DE)

2010
Hope Against Hope, Phoenix Shot Tower, Baltimore (US)
Schwarzgold, Schloss Beesenstedt, Halle (DE)
Baltimore vs. The World, Current Space, Baltimore (US)
FischGrätenMelkStand, Temporäre Kunsthalle, Berlin (DE)
6th Berlin Biennale for Contemporary Art, Berlin (DE)
Hostile Aestetik Takeover, Appartement, Berlin (DE)
I Know It When I See It, Temporary Art Space, Cologne (DE)
Radical Adults, The Forgotten Bar, Berlin (DE)
Selected Artists, NGBK, Berlin (DE)

2009
Antezzo, Gfader, Lohmüller, Pilarsky, Weber, The Forgotten Bar, Berlin (DE)
Postalternativ, Kunstraum Niederösterreich, Vienna (AT)
Die Braut spricht (Society of Sweaty Palms), Cruise & Callas, Berlin (DE)
Urban Hacking, paraflows, Vienna (AT)
Abandon Ship, Current Space, Baltimore (US)
Out Of Wedding, Uferhallen, Berlin (US)
Pollen and Pearls, Kunstagenten, Berlin (DE)
Penned, Lump Gallery/Projects, Raleigh, NC (US)
Treppehochstrichpunkt, Strichpunktprojekte, Berlin (DE)

2008
Outdoor Lounge, Current Gallery, Baltimore (US)
Artscape Festival, Baltimore (US)
Friends and Family, Anton Kern Gallery, New York (US)
Motion4 - Tachometer, Kunstverein Tiergarten, Berlin (DE)

2007
Yearly Show, Embassy Gallery, Edinburgh (UK)
Fresh Trips, Kunstraum Innsbruck, Innsbruck (AT)
Hacking Utopia(s), Current Gallery, Baltimore (US)
Interventions / Mobile Projects, Version 07 Festival, Chicago (US)
Speaking of Silence, Sub-Basement Gallery, Baltimore (US)

2006
Material Matters, Maryland Art Place (MAP), Baltimore (US)
Automation Constipation, Current Gallery, Baltimore (US)
Urban Gardening, Version 06 Festival, Chicago (US)

2005
Soft Terror, 5th story, Baltimore (US)
Ghosts of Liberty, MICA, Baltimore (US)
Under Construction, Current Gallery, Baltimore (US)
Removal/Exposure, Farmer’s Market Exposition, Baltimore (US)
While Working, Campbaltimore, Baltimore (US)
Removal Exposition Guide, Printed Matter Inc., New York (US)

2004
Picture Window, Area 405, Baltimore (US)
Suckers Without Homes, MICA, Baltimore (US)
Blank Chalkboard, 5th story, Baltimore (US)
Annual Exhibition, Whole Gallery, Baltimore (US)
(Re)current Blueprint, 5th story, Baltimore (US)

Awards

2016 CCA Andratx, Residency Mallorca (SP)
2015 Research Fellowship of the Berlin Senate (DE)
2013 Stipend of the Senate, Berlin (DE)
2011 Artist Residency, Gut Kartzitz, Ruegen (DE)
2009 Stipend of the Senate, Berlin (DE)
2008 Blauorange Prize, Shortlist (DE)

Bibliography

2015 Valerie Smith, “Possess to Repossess” Exhibition catalogue Kunstverein Harburger Bahnhof, Hamburg
2014 Sabine B. Vogel, Grenzenlose Skulptur: Ein Überblick über das Skulpturale Heute, Kunstforum Intl. Bd.229 ct-Nov 2014: (pp. 148 - 151
2013 Kolja Reichert, “In den Ruinen einer Utopie”, Welt am Sonntag 04.Aug.2013: ( pp. 17 - 20)
Veronika Olbrich, "Adrian Lohmüller's Psychoarchitecture", The False-Self System, Expert Printing, New York
2012 Nicole Büsing, "Rasen, der stillstand: Adrian Lohmüller im Kunstverein Harburger Bahnhof", monopol
Melanie Schehl, "Adrian Lohmüller im Kunstverein Harburger Bahnhof", ArtBerlin (online)
2011 T.J. Demos, "Matter and Memory: The Sculpture of Adrian Lohmüller" The Uncertainty Principle, Einszueins, Primeline Print Berlin
Kolja Reichert, "Er müsste hier mal eine Leitung legen" Die Welt, 23.Aug 201: ( p. 22 )
2010 Kolja Reichert; Buddeln, baggern, Inseln retten, Der Tagesspiegel, 11 Jul 2010, p.31
John Bock, Andreas Schlaegel; Artist's Favourites by John Bock, Spike, Summer 2010, p.26
Kolja Reichert; Adrian Lohmüller, was draußen wartet / what is waiting out there, Jun 2010, pp.109–111
Kolja Reichert; 6th Berlin Biennale for Contemporary Art, Jun 2010, p.207 / p.217
Kathrin Rhomberg, Denhart V. Harling; Zehn Fragen an die Kunst, Zitty Berlin, Apr 2010, p.52
Nicola Kuhn; K – eine Stadt sucht ihre Künstler, Selected Artist, 2009, NGBK, Jan 2010, p.15
2009 John Bock; The Artists' Artists, Artforum, Dec 2009, p.94
Hubert Lobnig; Postalternativ, Kunstraum Niederösterreich, Oct – Nov 2009, p.35
Adrian Lohmüller; Epidemie der Trägheit, Urban Hacking, paraflows 09, Sep 2009, pp.47–75
2008 Timo Kaabi-Linke; Klärwerk, BlauOrange Prize 2008, pp.1–10
Claire Sexton; Audio in the Elevator/Stairwell, Art in General, Inside 08, Spring 2008, p.5
2007 Stefan Bidner, Roland Maurmair; Fresh Trips, Jun – Aug 2007, p.108 / p.125
2006 Saaret E. Yoseph; update, Urbanite, Dec 2006, p.19
John Lewis; Photo: Sam Holden; Vive la Map. Baltimore, Nov 2006, pp.138–142
Jason Hughes; Material Matters, Maryland Art Place, Jul – Sep 2006, p.7 / p.14
Bret McCabe; Best Art Imp, Citypaper, 20 Sep 2006, p.173
Bret McCabe; Trash and Carry, Citypaper, 31 May 2006, p.42
Heather Harris; Navigating Urban Space: Why isn't walking a part of Baltimore's lifestyle?, Urbanite, Apr 2006, pp.37–40
2005 Bret McCabe; Strange Days: Or how two artists learned to stop worrying and love the orange alert, Citypaper, 19 Oct 2005, p.40
2004 Ding Ren; Picture Window, Radar, Feb 2004, pp.22–23
Ding Ren; 5th Story, Radar, Jan 2004, p.23

Adrian Lohmüller
Born 1977, Gengenbach, GermanyLives and works in BerlinEducation2000–2005 Maryland Institute College of Art (MICA) (US)Solo exhibitions2015Psy.3D. Dr. Dr. Adrian Lohmüller, Larry, Berlin (D)2013Frieze New York, Frame solo-booth with Sommer & Kohl, New York (US)Blind Study A Psychology of Building, Koban Project, Baltimore (US)2012And To Make You Toe The Line, Kunstverein Harburger Bahnhof, Hamburg (DE)2011The Uncertainty Principle, Sommer & Kohl, Berlin (DE)The false-self system, Städtische Galerie Nordhorn, Nordhorn (DE)Good Morning Mr. Laing, heldart, Berlin (DE)2010Mining the Moon, jgb berlin, Berlin (DE)2008Scheuermilchmelange, Sezession Wichtelgasse, Vienna (AT)The Way Things Are, Art in General, New York (US)2007Urbane Experimentalklempnerei, Ballhaus Ost, Berlin (DE)2006Marshall Report, 5th story, Baltimore (US)Group exhibitions2015o.T., SchauFenster Berlin, (DE)Grinder's Citizens, Off Charts, New York (US)Amo Litio, Casa Nuova, Milan (IT)Ngorongoro, Lehderstrasse 34, Berlin (D)Art Cologne, Collaborations Sommer & Kohl with Daniel Marzona, Cologne (D)Timberrr, Horseandpony Artspace, Berin (D)2014Le temps de la rentrée, Sommer & Kohl, Berlin (D)Fundament III (On What Grounds), SONS – Museum, BelgiumVector Artists Journal, Issue 5, MoMA, PS1, New York (US)Vector Artists Journal, Issue 5, Schau Fenster, Berlin (D)The Veto Operation, BlinkVideo, Hamburg (D)Art Altstetten, Sommer & Kohl visiting Birchmeier Uhlmann Architekten, Zürich (SW)Cascating Bifurcations, téte, Berlin (D)Give Us The Future, NBK – Neuer Berliner Kunstverein, Berlin (D)Screenings of “The Veto Operation” on French and German network, SFASouvenirs From Earth, Film Cologne, Art CologneTrockene Wahrheiten, Schau Fenster, Berlin2013Sezzession: Uferhallen Artists, SEZ, September, Berlin (DE)Remix, Spor Klübü, Berlin (DE)Smiler's Delicatessen, Smiler's Delicatessen Times Square, New York (US)Alles Wasser, Galerie Mikael Andersen, Copenhagen (DK)All Change, Kunstverein Harburger Bahnhof, Hamburg (DE)2012Perspective, Galleria Nove, Berlin (DE)Der Schwarm kommt, NGBK, Berlin Cinema, Voorkamer, Lier, (BE)Alles Wasser, Galerie Mikael Andersen, Berlin (DE)Das Unerwartete erwarten, Künstlerhaus Bremen (DE)Belgie, PopUP artspace, Berlin (DE)In Other Words, NGBK, Berlin (DE)2011Les Urbaines, Lausanne, Switzerland Bienal de Curitiba - 6ª VentoSul , Oscar Niemeyer Museum, Curitiba (BR)Monument Valley, UFO presents, Berlin (DE)Die Linie überschreiten, Schaufenster Berlin & Westwendischer Kunstverein (DE)Herbei ein Licht!, Lismore Castle Arts, St Cathage Hall, Lismore (IR)Festival Über Lebenskunst, Haus der Kulturen der Welt, Berlin (DE)Katinka Bock / Adrian Lohmüller, Einszueins, Gut Kartzitz Rügen (DE)Uferhallen Kunstaktien, Uferhallen, Berlin Search & Destroy, Galerie Mikael Andersen, Berlin (DE)Pop Hits, Tanzschule Projects, München Ruine, Die Wiesenburg, Berlin (DE)Sample, Galerienhaus Lindenstrasse, Berlin (DE)Ruine, Die Wiesenburg, Berlin (DE)2010Hope Against Hope, Phoenix Shot Tower, Baltimore (US)Schwarzgold, Schloss Beesenstedt, Halle (DE)Baltimore vs. The World, Current Space, Baltimore (US)FischGrätenMelkStand, Temporäre Kunsthalle, Berlin (DE)6th Berlin Biennale for Contemporary Art, Berlin (DE)Hostile Aestetik Takeover, Appartement, Berlin (DE)I Know It When I See It, Temporary Art Space, Cologne (DE)Radical Adults, The Forgotten Bar, Berlin (DE)Selected Artists, NGBK, Berlin (DE)2009Antezzo, Gfader, Lohmüller, Pilarsky, Weber, The Forgotten Bar, Berlin (DE)Postalternativ, Kunstraum Niederösterreich, Vienna (AT)Die Braut spricht (Society of Sweaty Palms), Cruise & Callas, Berlin (DE)Urban Hacking, paraflows, Vienna (AT)Abandon Ship, Current Space, Baltimore (US)Out Of Wedding, Uferhallen, Berlin (US)Pollen and Pearls, Kunstagenten, Berlin (DE)Penned, Lump Gallery/Projects, Raleigh, NC (US)Treppehochstrichpunkt, Strichpunktprojekte, Berlin (DE)2008Outdoor Lounge, Current Gallery, Baltimore (US)Artscape Festival, Baltimore (US)Friends and Family, Anton Kern Gallery, New York (US)Motion4 - Tachometer, Kunstverein Tiergarten, Berlin (DE)2007Yearly Show, Embassy Gallery, Edinburgh (UK)Fresh Trips, Kunstraum Innsbruck, Innsbruck (AT)Hacking Utopia(s), Current Gallery, Baltimore (US)Interventions / Mobile Projects, Version 07 Festival, Chicago (US)Speaking of Silence, Sub-Basement Gallery, Baltimore (US)2006Material Matters, Maryland Art Place (MAP), Baltimore (US)Automation Constipation, Current Gallery, Baltimore (US)Urban Gardening, Version 06 Festival, Chicago (US)2005Soft Terror, 5th story, Baltimore (US)Ghosts of Liberty, MICA, Baltimore (US)Under Construction, Current Gallery, Baltimore (US)Removal/Exposure, Farmer’s Market Exposition, Baltimore (US)While Working, Campbaltimore, Baltimore (US)Removal Exposition Guide, Printed Matter Inc., New York (US)2004Picture Window, Area 405, Baltimore (US)Suckers Without Homes, MICA, Baltimore (US)Blank Chalkboard, 5th story, Baltimore (US)Annual Exhibition, Whole Gallery, Baltimore (US)(Re)current Blueprint, 5th story, Baltimore (US)Awards2016 CCA Andratx, Residency Mallorca (SP)2015 Research Fellowship of the Berlin Senate (DE)2013 Stipend of the Senate, Berlin (DE)2011 Artist Residency, Gut Kartzitz, Ruegen (DE)2009 Stipend of the Senate, Berlin (DE)2008 Blauorange Prize, Shortlist (DE)Bibliography2015 Valerie Smith, “Possess to Repossess” Exhibition catalogue Kunstverein Harburger Bahnhof, Hamburg2014 Sabine B. Vogel, Grenzenlose Skulptur: Ein Überblick über das Skulpturale Heute, Kunstforum Intl. Bd.229 ct-Nov 2014: (pp. 148 - 1512013 Kolja Reichert, “In den Ruinen einer Utopie”, Welt am Sonntag 04.Aug.2013: ( pp. 17 - 20)Veronika Olbrich, Adrian Lohmüller's Psychoarchitecture, The False-Self System, Expert Printing, New York2012 Nicole Büsing, Rasen, der stillstand: Adrian Lohmüller im Kunstverein Harburger Bahnhof, monopolMelanie Schehl, Adrian Lohmüller im Kunstverein Harburger Bahnhof, ArtBerlin (online)2011 T.J. Demos, Matter and Memory: The Sculpture of Adrian Lohmüller The Uncertainty Principle, Einszueins, Primeline Print BerlinKolja Reichert, Er müsste hier mal eine Leitung legen Die Welt, 23.Aug 201: ( p. 22 )2010 Kolja Reichert; Buddeln, baggern, Inseln retten, Der Tagesspiegel, 11 Jul 2010, p.31John Bock, Andreas Schlaegel; Artist's Favourites by John Bock, Spike, Summer 2010, p.26Kolja Reichert; Adrian Lohmüller, was draußen wartet / what is waiting out there, Jun 2010, pp.109–111Kolja Reichert; 6th Berlin Biennale for Contemporary Art, Jun 2010, p.207 / p.217Kathrin Rhomberg, Denhart V. Harling; Zehn Fragen an die Kunst, Zitty Berlin, Apr 2010, p.52Nicola Kuhn; K – eine Stadt sucht ihre Künstler, Selected Artist, 2009, NGBK, Jan 2010, p.152009 John Bock; The Artists' Artists, Artforum, Dec 2009, p.94Hubert Lobnig; Postalternativ, Kunstraum Niederösterreich, Oct – Nov 2009, p.35Adrian Lohmüller; Epidemie der Trägheit, Urban Hacking, paraflows 09, Sep 2009, pp.47–752008 Timo Kaabi-Linke; Klärwerk, BlauOrange Prize 2008, pp.1–10Claire Sexton; Audio in the Elevator/Stairwell, Art in General, Inside 08, Spring 2008, p.52007 Stefan Bidner, Roland Maurmair; Fresh Trips, Jun – Aug 2007, p.108 / p.1252006 Saaret E. Yoseph; update, Urbanite, Dec 2006, p.19John Lewis; Photo: Sam Holden; Vive la Map. Baltimore, Nov 2006, pp.138–142Jason Hughes; Material Matters, Maryland Art Place, Jul – Sep 2006, p.7 / p.14Bret McCabe; Best Art Imp, Citypaper, 20 Sep 2006, p.173Bret McCabe; Trash and Carry, Citypaper, 31 May 2006, p.42Heather Harris; Navigating Urban Space: Why isn't walking a part of Baltimore's lifestyle?, Urbanite, Apr 2006, pp.37–402005 Bret McCabe; Strange Days: Or how two artists learned to stop worrying and love the orange alert, Citypaper, 19 Oct 2005, p.402004 Ding Ren; Picture Window, Radar, Feb 2004, pp.22–23Ding Ren; 5th Story, Radar, Jan 2004, p.23

Adrian Lohmüller
The Veto Operation

Artist Adrian Lohmüller
Year 2008
Duration 27:18 min
Edition 3
Contact
Sommer + Kohl
Salome Sommer
Kurfürstenstrasse 13/14
10785 Berlin
Germany

Phone: +49 30 2300 5581
E-Mail: mail@sommerkohl.com

About the video

Camera & Light: Martin Schlecht
Editing: Adrian Lohmüller, Martin Schlecht
Actors: Matti Isan Blind, Cy Wood - Adrian Lohmüller

Adrian Lohmüller - The Veto Operation
Camera & Light: Martin SchlechtEditing: Adrian Lohmüller, Martin SchlechtActors: Matti Isan Blind, Cy Wood - Adrian Lohmüller

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