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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Anke Röhrscheid

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

1965 born in Erfurt
1992-1998, Städel Academy of Fine Arts, Frankfurt
Tutor: Hermann Nitsch
1998 Graduation as a master student under Hermann Nitsch
Lives and works in Frankfurt

Solo exhibitions (selection)

2019
Apperception, Videoinstallation, Blue Box, Sprengelmuseum, Hannover

2018
Granulation, Galerie Anita Beckers, Frankfurt/M

2016
Phenomena in Space, DNA Galerie, Berlin

2014
phasmes, Galerie Martina Detterer, Frankfurt am Main

2012
Verführung & Extase, ATELIERFRANKFURT, Frankfurt, curated by Jean Christophe Ammann (C)

2009
Werkschau, Deutscher Wetterdienst, Offenbach
transfer, Galerie Martina Detterer, Frankfurt

2008
Kunstverein Leverkusen

2007
Undercover, Galerie Martina Detterer, Frankfurt 2005
Ivory Black, Karmeliterkloster, Frankfurt (C)

2004
Innocent Nature, Pfefferwerk, Berlin
Oberhessisches Museum, Gießen

2003
Bright Red, Kunst im Dominikanerkloster, Frankfurt (C)

2002
Werno Strobel Gallery, Mannheim

2001
Contemporary Art Gallery, Budapest

1997
Kunst im Dominikanerkloster, Frankfurt (C)

(c.) = catalogue

Group exhibitions (selection)

2019
BAUHAUS.LINES, Part IV, MEDIA: Technik. Material. Medien, Soundinstallation, Neue Galerie für Zeitgenössische Kunst, Gera
Die Rückkehr des Pre Bell Man: Nam June Paik und Medienkunst aus der Sammlung Kelterborn, Museum für Kommunikation Frankfurt/M
The Wall and Other Stories, Von Kelterborn Collection, Total Museum of Contemporary Art, Seoul
Viermal Neues auf Papier II, Sprengel Museum Hannover, Hannover

2018
One moment in time – Part II, Galerie Anita Beckers, Frankfurt/M
#meinMuseum – 175 Jahre, Staatsgalerie Stuttgart
Metamorphoses, Goethe Institut, Paris
Breaking News – von Kelterborn Collection, Mönchehaus Museum, Goslar

2017
Coincedence & Reference, Museum Villa Seiz, Schwäbisch Gmünd

2016
Green, Galerie Martina Dettterer, Frankfurt/M
Alptraum, RAE space for contemporary art, Berlin

2015
Kleine Formate, Galerie Martina Detterer, Frankfurt/M
Nightmare, Visual Arts Centre, Galerie McClure, Montreal, QC
Wurzeln Weit Mehr Aufmerksamkeit Widmen, KVFM, Kunstverein Familie Montez e.V., Frankfurt/M
Flights of the Mind, Cinque Garzoni Art Film Festival, Venedig, Italien, curated by Elke Kania und Ludwig Seyfarth
Alptraum, Salon de Lirio, Velim, Salcete
Artemovendo, The Hidden Soul of the Inanimate, Goethe-Institut Porto Alegre, Porto Alegre
Alptraum, Salon de Lirio, Goa

2014
gewünscht, geschenkt, gekauft, Hessisches Landesmuseum, Darmstadt
Komm und Sieh – von Kelterborn Collection, Museum of Modern Art Weserburg, Bremen (c.)
Physis der Seele – Inszenierte Rituale, Hernann Nitsch Orlan Anke Röhrscheid, curated by Dr. Danièle Perrier, Artspace Frankfurt- Dreieich (c.)

2013
Peanuts of joy, Kunstraum Dreieich, curated by Ludwig Seyfarth
Montez im Exil, Wanderausstellung der Kunstfamilie Montez, gezeigt in: Nürnberg, Weimar, Leipzig Museum Lytke, Hamburg, Karlsruhe, Berlin
Pophits und Alptraum, Artspace Rhein Main, Offenbach/M
Fundamental Ephemeris, Bronx Arspace, NYC
Lord Byron 2021, Embros Theatre, Athens
Blau, Galerie Martina Detterer, Frankfurt/M
Give me Five, Städel Museum, Frankfurt/M
Art Slam, Kunstverein Frankfurt, Frankfurt/M
Drawing at Universe, KAI 10 Arthena Foundation, Düsseldorf (c.)
Kleine Formate Galerie Martina Detterer, Frankfurt

2012
Science & Fiction, A Laboratory of Drawing, curated by Sebastian Utzni,
Galerie Katz Contemporary, Zürich

2011
Another World – Eine andere Welt, Kunstraum Dreieich, curated by Ludwig Seyfarth
Drawing in Relation, DNA Galerie, Berlin
Limits and Desperate, Gail Schöntag Gallery, Sag Harbor, New York
Kleine Formate, Galerie Martina Detterer, Frankfurt/M
Monte Verita, Montez art organization, Frankfurt/M

2010
Kleine Formate, Galerie Martina Detterer, Frankfurt/M
Artist in Residence, Anniversary exhibition, curated by Peter Waiermeir, Atelier Frankfurt/M

2009
Kleine Formate, Galerie Martina Detterer, Frankfurt/M
Montez art organization, Frankfurt/M

2007
Kleine Formate, Galerie Martina Detterer, Frankfurt/
Arnsberg Art Organization

2006
Lucie Beppler, Anke Röhrscheid, Elly Strik, curated by Dr. Jean-Christoph Ammann, Palazzo Art Space Basel
VOKUHILA curated by Ludwig Seyfarth, Galerie Elly Brose-Eiermann, Dresden
Deck Gallery, Stuttgart
Summer in the City, Galerie Martina Detterer, Frankfurt/M
Amor Vincit Omnia curated by Dr. Dadja Altenburg-Kohl Saarland gallery association- European Art Forum e.V., Berlin
Master drawings, Lang Gallery, Vienna

2005
Kleine Formate, Galerie Martina Detterer, Frankfurt/M
Cellular, Exhibition Space, Schulstraße 1A, Frankfurt/M
Pathetischer Betrug, special art exhibition from Frankfurt catalogue Salon, Verlag, curated by Ludwig Seyfarth (c.)

2003
Klasse Hermann Nitsch, Exhibition Space, Schulstraße 1A, Frankfurt/M

2002
Natur und Zeit, Hanau Garden Party Art Show, Hanau, Winner

1998
Stuttgart 17.7.1956 - Salem Visconsin 3.3.1979, Portikus, Frankfurt/M

1994
Guest appearance with Hermann Nitsch, Prinzendorf

c.) = catalogue

Awards

1998
Verein Freunde der Städelschule e.V
2001
Budapest stipend awarded by the City of Frankfurt
2005
Rudi Seitz Prize, City of Frankfurt
2008
Zonta Prize, Zonta Art Contemporary
2012
Dr. Rolf-Seisser-Prize

Works in public exhibitions:

Staatliche Kunsthalle Karlsruhe
KAI 10 Arthena Foundation, Düsseldorf
Staatsgalerie Stuttgart
Sprengel Museum Hannover
Kupferstichkabinett, Berlin
Städel Museum, Frankfurt/M
Hessisches Landmuseum, Darmstadt
Deutsche Bank Collection
Paribas Bank
Hypobank
L-Bank-Staatsbank Baden-Württemberg
Department of Science and the Arts, Frankfurt
Hessen Ministry of Finance, Wiesbaden
Hessen Ministry for Science and Art, Wiesbaden
Hessisches Landesmuseum, Darmstadt
Henkel von Donnersmark Foundation, Berlin
Deutscher Wetterdienst Foundation, Offenbach/M
Rausch Collection, Frankfurt/M
Von Kelterborn Collection, Frankfurt/M
Reinhard und Sonja Ernst Collection, Wiesbaden


Anke Röhrscheid
1965 born in Erfurt 1992-1998, Städel Academy of Fine Arts, Frankfurt Tutor: Hermann Nitsch 1998 Graduation as a master student under Hermann Nitsch Lives and works in Frankfurt Solo exhibitions (selection)2019Apperception, Videoinstallation, Blue Box, Sprengelmuseum, Hannover 2018 Granulation, Galerie Anita Beckers, Frankfurt/M 2016 Phenomena in Space, DNA Galerie, Berlin 2014phasmes, Galerie Martina Detterer, Frankfurt am Main 2012 Verführung & Extase, ATELIERFRANKFURT, Frankfurt, curated by Jean Christophe Ammann (C) 2009 Werkschau, Deutscher Wetterdienst, Offenbach transfer, Galerie Martina Detterer, Frankfurt 2008 Kunstverein Leverkusen 2007 Undercover, Galerie Martina Detterer, Frankfurt 2005 Ivory Black, Karmeliterkloster, Frankfurt (C) 2004 Innocent Nature, Pfefferwerk, Berlin Oberhessisches Museum, Gießen 2003 Bright Red, Kunst im Dominikanerkloster, Frankfurt (C) 2002 Werno Strobel Gallery, Mannheim 2001 Contemporary Art Gallery, Budapest 1997 Kunst im Dominikanerkloster, Frankfurt (C)(c.) = catalogueGroup exhibitions (selection)2019BAUHAUS.LINES, Part IV, MEDIA: Technik. Material. Medien, Soundinstallation, Neue Galerie für Zeitgenössische Kunst, Gera Die Rückkehr des Pre Bell Man: Nam June Paik und Medienkunst aus der Sammlung Kelterborn, Museum für Kommunikation Frankfurt/M The Wall and Other Stories, Von Kelterborn Collection, Total Museum of Contemporary Art, Seoul Viermal Neues auf Papier II, Sprengel Museum Hannover, Hannover 2018 One moment in time – Part II, Galerie Anita Beckers, Frankfurt/M #meinMuseum – 175 Jahre, Staatsgalerie Stuttgart Metamorphoses, Goethe Institut, ParisBreaking News – von Kelterborn Collection, Mönchehaus Museum, Goslar 2017 Coincedence & Reference, Museum Villa Seiz, Schwäbisch Gmünd 2016 Green, Galerie Martina Dettterer, Frankfurt/M Alptraum, RAE space for contemporary art, Berlin 2015 Kleine Formate, Galerie Martina Detterer, Frankfurt/M Nightmare, Visual Arts Centre, Galerie McClure, Montreal, QC Wurzeln Weit Mehr Aufmerksamkeit Widmen, KVFM, Kunstverein Familie Montez e.V., Frankfurt/M Flights of the Mind, Cinque Garzoni Art Film Festival, Venedig, Italien, curated by Elke Kania und Ludwig Seyfarth Alptraum, Salon de Lirio, Velim, SalceteArtemovendo, The Hidden Soul of the Inanimate, Goethe-Institut Porto Alegre, Porto Alegre Alptraum, Salon de Lirio, Goa 2014 gewünscht, geschenkt, gekauft, Hessisches Landesmuseum, Darmstadt Komm und Sieh – von Kelterborn Collection, Museum of Modern Art Weserburg, Bremen (c.) Physis der Seele – Inszenierte Rituale, Hernann Nitsch Orlan Anke Röhrscheid, curated by Dr. Danièle Perrier, Artspace Frankfurt- Dreieich (c.) 2013 Peanuts of joy, Kunstraum Dreieich, curated by Ludwig Seyfarth Montez im Exil, Wanderausstellung der Kunstfamilie Montez, gezeigt in: Nürnberg, Weimar, Leipzig Museum Lytke, Hamburg, Karlsruhe, Berlin Pophits und Alptraum, Artspace Rhein Main, Offenbach/M Fundamental Ephemeris, Bronx Arspace, NYCLord Byron 2021, Embros Theatre, AthensBlau, Galerie Martina Detterer, Frankfurt/MGive me Five, Städel Museum, Frankfurt/MArt Slam, Kunstverein Frankfurt, Frankfurt/M Drawing at Universe, KAI 10 Arthena Foundation, Düsseldorf (c.) Kleine Formate Galerie Martina Detterer, Frankfurt 2012 Science & Fiction, A Laboratory of Drawing, curated by Sebastian Utzni,Galerie Katz Contemporary, Zürich 2011 Another World – Eine andere Welt, Kunstraum Dreieich, curated by Ludwig Seyfarth Drawing in Relation, DNA Galerie, BerlinLimits and Desperate, Gail Schöntag Gallery, Sag Harbor, New York Kleine Formate, Galerie Martina Detterer, Frankfurt/M Monte Verita, Montez art organization, Frankfurt/M 2010 Kleine Formate, Galerie Martina Detterer, Frankfurt/M Artist in Residence, Anniversary exhibition, curated by Peter Waiermeir, Atelier Frankfurt/M 2009 Kleine Formate, Galerie Martina Detterer, Frankfurt/M Montez art organization, Frankfurt/M 2007 Kleine Formate, Galerie Martina Detterer, Frankfurt/Arnsberg Art Organization2006 Lucie Beppler, Anke Röhrscheid, Elly Strik, curated by Dr. Jean-Christoph Ammann, Palazzo Art Space Basel VOKUHILA curated by Ludwig Seyfarth, Galerie Elly Brose-Eiermann, Dresden Deck Gallery, Stuttgart Summer in the City, Galerie Martina Detterer, Frankfurt/M Amor Vincit Omnia curated by Dr. Dadja Altenburg-Kohl Saarland gallery association- European Art Forum e.V., Berlin Master drawings, Lang Gallery, Vienna 2005 Kleine Formate, Galerie Martina Detterer, Frankfurt/M Cellular, Exhibition Space, Schulstraße 1A, Frankfurt/M Pathetischer Betrug, special art exhibition from Frankfurt catalogue Salon, Verlag, curated by Ludwig Seyfarth (c.) 2003 Klasse Hermann Nitsch, Exhibition Space, Schulstraße 1A, Frankfurt/M2002 Natur und Zeit, Hanau Garden Party Art Show, Hanau, Winner 1998Stuttgart 17.7.1956 - Salem Visconsin 3.3.1979, Portikus, Frankfurt/M 1994 Guest appearance with Hermann Nitsch, Prinzendorf c.) = catalogueAwards1998 Verein Freunde der Städelschule e.V2001 Budapest stipend awarded by the City of Frankfurt 2005 Rudi Seitz Prize, City of Frankfurt 2008 Zonta Prize, Zonta Art Contemporary 2012 Dr. Rolf-Seisser-Prize Works in public exhibitions:Staatliche Kunsthalle Karlsruhe KAI 10 Arthena Foundation, DüsseldorfStaatsgalerie StuttgartSprengel Museum HannoverKupferstichkabinett, Berlin Städel Museum, Frankfurt/M Hessisches Landmuseum, DarmstadtDeutsche Bank Collection Paribas Bank HypobankL-Bank-Staatsbank Baden-Württemberg Department of Science and the Arts, Frankfurt Hessen Ministry of Finance, Wiesbaden Hessen Ministry for Science and Art, Wiesbaden Hessisches Landesmuseum, Darmstadt Henkel von Donnersmark Foundation, Berlin Deutscher Wetterdienst Foundation, Offenbach/MRausch Collection, Frankfurt/M Von Kelterborn Collection, Frankfurt/M Reinhard und Sonja Ernst Collection, Wiesbaden

Anke Röhrscheid
Apperception

Artist Anke Röhrscheid
Year 2013
Duration 3:50 min
Edition 5 + 2 AE
Technical info 3D Animation- und 2D Animation
Contact
Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de

About the video

Anke Röhrscheid’s animated film depicts a world of continuous metamorphoses. Whether what we see is microscopic in scale or rather moving in the infinite realms of outer space, remains equally ambivalent as the nature of the objects, appearing like birds or planes emerging from black grounds, flying towards us and thus creating a sense of vague threat. Here, the dreamlike spheres of the Symbolists and Surrealists seem to fuse with the techno-utopias of science fiction.

We permanently get the impression that we are looking into a world of its own, one that is not only subject to different laws of nature and dimensions from the one that we are familiar with, but also has a different consistency, a different state of aggregation. It would be possible to find historical precedents in the world of art in the rarefied world of the Symbolists who sometimes, as was the case Odilon Redon, were inspired by scientific observations through the microscope and with whom the pictorial space appears to be filled with liquid ether. Or, the viewer is reminded of the polymorphous mutations of the shapes employed by the Surrealists, with their frequent sexual connotations. (text excerpt Ludwig Seyfarth)


Credits

Musik:
„Inside“ Ludwig Röhrscheid
Umsetzung:
Maiken Laackmann

Anke Röhrscheid - Apperception
Anke Röhrscheid’s animated film depicts a world of continuous metamorphoses. Whether what we see is microscopic in scale or rather moving in the infinite realms of outer space, remains equally ambivalent as the nature of the objects, appearing like birds or planes emerging from black grounds, flying towards us and thus creating a sense of vague threat. Here, the dreamlike spheres of the Symbolists and Surrealists seem to fuse with the techno-utopias of science fiction.We permanently get the impression that we are looking into a world of its own, one that is not only subject to different laws of nature and dimensions from the one that we are familiar with, but also has a different consistency, a different state of aggregation. It would be possible to find historical precedents in the world of art in the rarefied world of the Symbolists who sometimes, as was the case Odilon Redon, were inspired by scientific observations through the microscope and with whom the pictorial space appears to be filled with liquid ether. Or, the viewer is reminded of the polymorphous mutations of the shapes employed by the Surrealists, with their frequent sexual connotations. (text excerpt Ludwig Seyfarth)

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