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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Anna Lena Grau

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

born in Hamburg

Education

1999 Abitur (university-entrance diploma)
2000-2007 studies Fine Art at the University of Fine Arts in Hamburg, Diploma
2008-2011 member of the artist group „Von dritten Räumen“
www.annalenagrau.com

Solo exhibitions (selection)

2015
A grin without a cat, as part of the exhibition series, I, too, wondered whether I could not sell something and succeed in life, kuratiert von Bettina Steinbrügge und Nadine Droste, Kunstverein Hamburg

2014
demi-produit, Thomas Rehbein Galerie

2013
Halbzeug, Thomas Rehbein Galerie, Köln

2012
Piano Nobile, with Moritz Altmann, Kulturstiftung Schloss Agathenburg

2011
Paradies, Special Guest Nicola Torke, Kunstverein Lübbecke
New Positions, Galerie Thomas Rehbein, Art Cologne 2011, Köln

2008
zwischen falten und schatten, with Pauline M`barek, Westwerk, Hamburg

2007
Vertikale Horizontrotationen, Golden Pudelkollektion, Hamburg
wenn narziss und echo sich küssen, HfBk, Hamburg

Group exhibitions (selection)

2015
Azumitale Auflösung, Künstlerhaus Lauenburg

2014
Kunstfrühling - Notausgang am Horizont, kuratiert von Ludwig Seyfarth, Gleishalle, Bremen
Beyond Manstream, Kunsthaus Essen

2013
Betreff 28, Westwerk, Hamburg
Petersburger Salon, kuratiert von Pitt Sauerwein Level One, Hamburg
Bewerberinnen 2014 für das Hamburger Arbeitsstipendium, Kunsthaus Hamburg
Vier Wände, Filmscreening mit Filmen von: Zaheed Mawani, Suse Itzel, Corinna Schnitt und Helena Wittmann, kuratiert und moderiert mit Vanessa Nica Mueller, im Rahmen des Symposiums "Schutzraum", thealit Frauen.Kultur.Labor., Bremen
KunstInfekte VI/ Bypässe, Institut für Anatomie, Erlangen
Bernhard Onderstijn en Anna Lena Grau, Galerie de Rietlanden, Amsterdam
More shopes like this, Golem, Hamburg

2012
Last Edition, Finale Ausstellung der Galerie Oel-Früh, Hamburg
Hôtel Particulier, auf Einladung von Katrin Connan und Renata Palekcic Pasel, Galerie Oel-Früh, Hamburg
Willi Venus oder Über Formen, with Sarah Bernauer und Angelika Loderer, Schwarzwaldallee, Basel/ CH
Stillstehende Sachen, aus der Sammlung SØR Rusche Niederländische Stillleben des 17. Jahrhunderts im Dialog mit zeitgenössischer Malerei, Museum Abtei Liesborn, Wadersloh

2011
The Empty Set, a staging of „von dritten Räumen“, Kunstverein Harburger Bahnhof
An Exchange with Sol LeWitt, MASS MoCA, Massachusetts

2010
Weisser Schimmel / You Can Observe a Lot by Watching, curated by Christoph Grau and Nicola
Torke, Sammlung Falckenberg, Harburg
Von dritten Räumen, curated by „Von dritten Räumen“, Kunsthaus Hamburg
Liaisons Dangereuses, curated by Ludwig Seyfarth, Galerie Thomas Rehbein, Köln
Zwischen Welten, curated by Julia Schönfeld, Kunsthalle zu Kiel

Grants and prizes

2015 Bursary Künstlerhaus Lauenburg
2014 HAmburger Arebitsstipendium
2013 3rd prize, Franz-Hecker Stipendium
2012 Froschhausen bursary
2011 Grant for the exhibition project „The Empty Set“ throught the Hamburger Kulturbehörde and the Hamburgische Kulturstiftung
2011 Bursary of the Künstlerhaus Minden
2010 Grant for the exhibition project „Von dritten Räumen“ throught the Hamburger Kulturbehörde, the Hamburgische Kulturstiftung and the Cafe Royal Kulturstiftung
2009 Honary diploma of the Jutta Cuny-Franz Memorial Award
2007 Förderung durch den Freundeskreis Hamburg
2002 1st prize, Tetra Pak Kunstförderung

Publications

I, too, wondered whether I could not sell something and succeed in life, Herausgeben vom Kunstverein Hamburg und der Kulturbehörde der Freien und Hansestadt Hamburg, 2015
Kunstfrühling 2014, Herausgegeben vom BBK, Bremen, 2014
2012 Piano Nobile, Moritz Altmann und Anna Lena Grau, Herausgegeben von der Kulturstiftung Schloss Agathenburg.
2011 Rising - Young artists to keep an eye on!, Herausgegeben von Olaf Salie, daab.
Von dritten Räumen, Herausgegeben von Anna Lena Grau, Pauline M`barek, Judith Henning, Vanessa Nica Mueller, Sonja Vohland und Anna-Lena Wenzel, Textem Verlag.
Weisser Schimmel/ You Can Observe a Lot by Watching, Herausgegeben von Harald Falckenberg Sammlung, Verlag Walther König, Köln.
Zwischen Welten, Herausgegeben von Peter Thurmann, Kunsthalle zu Kiel.
2006 Das Paradies und das Auto, Herausgeben vom Einstellungsraum e.V, hyperzine Verlag.
2005 12909 Wörter, Herausgegeben von Noemi Smolik, material-verlag.

Press (selection)

2013 Anna Lena Grau “Halbzeug”, Renate Puvogel, Kunstforum, Band 220.
2012 Subversive Maulwu¨rfe, Ute Thon, Art - Das Kunstmagazin, August 2012
2011 Im Wartesaal der Wahrnehmung, Wolf Jahn, Hamburger Abendblatt, 2. August
11 junge Ku¨nstlerinnen auf der 45. Art Cologne 2011, Et bliev nix wie et wor, Félice Gritti, Artnet magazin.
2009 Watchlist, Karin Schulze, Monopol, Nr. 2
Anna Lena Grau, Frank Hesse, Eske Schlu¨ters, der Satz “Es steht geschrieben.“, Hajo Schiff, Kunstforum, Band 196

Anna Lena Grau
born in Hamburg Education 1999 Abitur (university-entrance diploma) 2000-2007 studies Fine Art at the University of Fine Arts in Hamburg, Diploma 2008-2011 member of the artist group „Von dritten Räumen“www.annalenagrau.com Solo exhibitions (selection) 2015 A grin without a cat, as part of the exhibition series, I, too, wondered whether I could not sell something and succeed in life, kuratiert von Bettina Steinbrügge und Nadine Droste, Kunstverein Hamburg 2014 demi-produit, Thomas Rehbein Galerie 2013 Halbzeug, Thomas Rehbein Galerie, Köln 2012 Piano Nobile, with Moritz Altmann, Kulturstiftung Schloss Agathenburg 2011 Paradies, Special Guest Nicola Torke, Kunstverein Lübbecke New Positions, Galerie Thomas Rehbein, Art Cologne 2011, Köln 2008 zwischen falten und schatten, with Pauline M`barek, Westwerk, Hamburg 2007 Vertikale Horizontrotationen, Golden Pudelkollektion, Hamburg wenn narziss und echo sich küssen, HfBk, Hamburg Group exhibitions (selection) 2015 Azumitale Auflösung, Künstlerhaus Lauenburg 2014 Kunstfrühling - Notausgang am Horizont, kuratiert von Ludwig Seyfarth, Gleishalle, Bremen Beyond Manstream, Kunsthaus Essen 2013 Betreff 28, Westwerk, Hamburg Petersburger Salon, kuratiert von Pitt Sauerwein Level One, Hamburg Bewerberinnen 2014 für das Hamburger Arbeitsstipendium, Kunsthaus Hamburg Vier Wände, Filmscreening mit Filmen von: Zaheed Mawani, Suse Itzel, Corinna Schnitt und Helena Wittmann, kuratiert und moderiert mit Vanessa Nica Mueller, im Rahmen des Symposiums Schutzraum, thealit Frauen.Kultur.Labor., Bremen KunstInfekte VI/ Bypässe, Institut für Anatomie, Erlangen Bernhard Onderstijn en Anna Lena Grau, Galerie de Rietlanden, Amsterdam More shopes like this, Golem, Hamburg 2012 Last Edition, Finale Ausstellung der Galerie Oel-Früh, Hamburg Hôtel Particulier, auf Einladung von Katrin Connan und Renata Palekcic Pasel, Galerie Oel-Früh, Hamburg Willi Venus oder Über Formen, with Sarah Bernauer und Angelika Loderer, Schwarzwaldallee, Basel/ CH Stillstehende Sachen, aus der Sammlung SØR Rusche Niederländische Stillleben des 17. Jahrhunderts im Dialog mit zeitgenössischer Malerei, Museum Abtei Liesborn, Wadersloh 2011 The Empty Set, a staging of „von dritten Räumen“, Kunstverein Harburger Bahnhof An Exchange with Sol LeWitt, MASS MoCA, Massachusetts 2010 Weisser Schimmel / You Can Observe a Lot by Watching, curated by Christoph Grau and Nicola Torke, Sammlung Falckenberg, Harburg Von dritten Räumen, curated by „Von dritten Räumen“, Kunsthaus Hamburg Liaisons Dangereuses, curated by Ludwig Seyfarth, Galerie Thomas Rehbein, Köln Zwischen Welten, curated by Julia Schönfeld, Kunsthalle zu Kiel Grants and prizes 2015 Bursary Künstlerhaus Lauenburg 2014 HAmburger Arebitsstipendium 2013 3rd prize, Franz-Hecker Stipendium 2012 Froschhausen bursary 2011 Grant for the exhibition project „The Empty Set“ throught the Hamburger Kulturbehörde and the Hamburgische Kulturstiftung 2011 Bursary of the Künstlerhaus Minden 2010 Grant for the exhibition project „Von dritten Räumen“ throught the Hamburger Kulturbehörde, the Hamburgische Kulturstiftung and the Cafe Royal Kulturstiftung 2009 Honary diploma of the Jutta Cuny-Franz Memorial Award 2007 Förderung durch den Freundeskreis Hamburg 2002 1st prize, Tetra Pak Kunstförderung Publications I, too, wondered whether I could not sell something and succeed in life, Herausgeben vom Kunstverein Hamburg und der Kulturbehörde der Freien und Hansestadt Hamburg, 2015 Kunstfrühling 2014, Herausgegeben vom BBK, Bremen, 2014 2012 Piano Nobile, Moritz Altmann und Anna Lena Grau, Herausgegeben von der Kulturstiftung Schloss Agathenburg. 2011 Rising - Young artists to keep an eye on!, Herausgegeben von Olaf Salie, daab. Von dritten Räumen, Herausgegeben von Anna Lena Grau, Pauline M`barek, Judith Henning, Vanessa Nica Mueller, Sonja Vohland und Anna-Lena Wenzel, Textem Verlag. Weisser Schimmel/ You Can Observe a Lot by Watching, Herausgegeben von Harald Falckenberg Sammlung, Verlag Walther König, Köln. Zwischen Welten, Herausgegeben von Peter Thurmann, Kunsthalle zu Kiel. 2006 Das Paradies und das Auto, Herausgeben vom Einstellungsraum e.V, hyperzine Verlag. 2005 12909 Wörter, Herausgegeben von Noemi Smolik, material-verlag. Press (selection) 2013 Anna Lena Grau “Halbzeug”, Renate Puvogel, Kunstforum, Band 220. 2012 Subversive Maulwu¨rfe, Ute Thon, Art - Das Kunstmagazin, August 2012 2011 Im Wartesaal der Wahrnehmung, Wolf Jahn, Hamburger Abendblatt, 2. August 11 junge Ku¨nstlerinnen auf der 45. Art Cologne 2011, Et bliev nix wie et wor, Félice Gritti, Artnet magazin. 2009 Watchlist, Karin Schulze, Monopol, Nr. 2 Anna Lena Grau, Frank Hesse, Eske Schlu¨ters, der Satz “Es steht geschrieben.“, Hajo Schiff, Kunstforum, Band 196

Anna Lena Grau
Schatterling

Artist Anna Lena Grau
Year 2010
Duration 14:57 min
Technical info videoloop
Contact

About the video

The video will be projected into a corner with a 90° angel. The shadow (german: Schatten) moves symmetrically like in a mirror on the adjacent walls. It reminds of a butterfly (german: Schmetterling) dancing in always new scary, enchanting, elusive forms

Anna Lena Grau - Schatterling
The video will be projected into a corner with a 90° angel. The shadow (german: Schatten) moves symmetrically like in a mirror on the adjacent walls. It reminds of a butterfly (german: Schmetterling) dancing in always new scary, enchanting, elusive forms

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