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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
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When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Johanna Domke

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Johanna Domke´s artistic practice derives from close observation of urban structures and socio-political contexts that she processes into formally complex film works. Her work has consistently explored the relationship between reality and its representation, as well as the limits between fact and fiction, the authentic and the scripted, the staged and the improvised. With a structural approach, based on formal camera work or including the image production process in the work, she puts the socio-political content of her videos into perspective of movie making strategies. The artist’s early works were predominantly concerned with examining behavioural patterns and power relations in public space. In her more recent films she works with found stories to investigate how memory and its representation is shaped by mediated reality. The individual is often highlighted as a singular being in conflict with its environment, urban developments or exposed to power structures in society. In these works she examines the form as well as veracity of the moving image, pinpointing how history is reflected through contemporary frames of reference and subjective points of view.


Biography


Born 1978 / Kiel, Germany

Education

2011-2014 Academy of Media Arts, Cologne, DE
2002-2006 Royal Danish Art Academy, Copenhagen, DK
2002-2004 Malmö Art Academy, SE
2000-2002 Royal Danish Art Academy, Copenhagen, DK
1998-2000 Muthesius Academy of Art and Design, Kiel, DE
1997 Goethe Schule, Buenos Aires, AR

Solo exhibitions

2013
Cairo Times" Fundación Suñol, Barcelona, ES

2011
"Bremer Video Art Award" Galerie für Gegenwartskunst Bremen, DE
"Johanna Domke" Kunstverein Harburger Bahnhof, Hamburg, DE

2010
"Let the wind blow" DSV Kunstkontor, Stuttgart, DE

2009
"Cuers" Städtische Galerie im Bunten Tor, Bremen, DE

2008
"Marginal Moments" Art Agents Gallery, Hamburg, DE
"Unbreakable space" Overgaden Institute of Contemporary Art, Copenhagen, DK

2007
"Sequent silence" Olivier Houg, Bureau pour l'art contemporain, Lyon, FR

2005
"You´ll miss what´s gonna stay" Art Agents Gallery, Hamburg, DE

2004
"You´ll miss what´s gonna stay" Graduationshow, Peep Gallery, Malmö, SE

2003
"Still in motion" Galleri Gustaf Gimm, Copenhagen, DK

2002
"Caspar David Friedrich Preis" Pommersches Landesmuseum,Greifswald, DE

Selected groupshows

2013
"Cairo Open city" Museum Folkwang, Essen, DE
"Goethe Filmweek" Goethe Institute Cairo, EG
"Focus Festival" Kunshallen Nikolaj, Copenhagen, DK
"5. Monat der Photographie" Berlin, DE

2012
"After the Krisis" General Public, Berlin, DE
"Darklight Festival" Dublin, IRE
"Cairo Open city" Fotomuseum Braunschweig
"human frames" various sites, travelling show and DVD launch
"the image as an invisible witness" UFO presents, Berlin
"the image as an invisible witness" Townhouse Gallery, Cairo, Egypt

2011
"Bremer Videokunstpreis" Galerie für Gegenwartskunst, Bremen, DE
"Terrain Video" Holsterbro Kunstmuseum, DK
"Pattern Recognition" Galleri Kant, DK
"Dump Time" Shedhalle Zürich, CH
"Domke Koslova Kromke" Pommersches Landesmuseum, Greifswald
"Arte Creativ" internet and TV feature on Arte Creative

2010
"Highlights of the Kunstfilm Biennial" KW Institute for Contemporary Art, Berlin, DE
"Postludium" dreizehn/thirteen, Berlin, DE
"L’unico / the Only One" Trieste Contemporanea, Tries, IT
"My world images" Old Fellow Pallace, Copenhagen, DK
"Indian Summer" Espace Croisé, Espace dárt contemporaine, Roubaix, FR
"Kurye" Istanbul Modern Museum, Istanbul, TR
"Off Dak´art / Dakar Biennial" Sicap Mermoz, Dakar, Senegal
"Rencontres Internationales" Jeu de Paume, Paris, FR

2009
"Future Shorts Copenhagen" Gloria Biograf, Copenhagen, DK
"Zeigen: Eine Audiotour durch Berlin" Temporäre Kunsthalle Berlin, Berlin, DE
"BERLIN 89/09 Kunst zwischen Spurensuche und Utopie" Berlinische Galerie, Berlin, DE
"After the End / Faux Raccords" Haus der Kulturen der Welt, Berlin, DE
"After the End / Faux Raccords" Future Centre Nacional de Artes Visuales, Madrid, ES
"Rencontres Internationales National Museum Reina Sofia, Madrid, ES
"human body" Soutterain Amsterdam, Amsterdam, NL
"KURS:Söen" Vestsjällands Kunstmuseum, Sorö, DK

2008
"ENTER" Kunsthallen Brandts, Odense, DK
"Audio/Video" Gimsinghoved Kunst og Kulturcenter, Struer, DK
"Gränseland" Flensburg Kunstverein, Flensburg, DE
"Lofoten Film Festival" Svolvär, NO
"Rencontres Internationales" National Museum Reina Sofia, Madrid, ES
"Two Faced" Galleri Rebecca Kormind, Köbenhavn, DK
"Young Identities - Global Youth / EMAF" Kunsthalle Dominikanerkirche, Osnabrück, DE
"Nightclub Notes" DUNK Udstillingssted, Köbenhavn, DK

2007
"Ghosts in the Machine" 516 ARTS, Santa Fe, US
"Subtle whispering" Total Museum of Contemporary Art, Seoul, Korea
"I Need No Map" Anna Akhmatova Museum & D137 Gallery, St.Petersburg, Russia
"Nordskulptur:licht" Kunstverein Neumünster, Neumünster, DE
"Filmfestival Oberhausen" Oberhausen, DE
"Videolandschaft" Galerie Maerz, Linz, AU
"Bildschirmauge oder das neue Bild" Forum d'art contemporain, Casino Luxembourg, LUX

2006
"40 Jahre Videokunst – was fehlt?" Deutsche Künstlerbund, Berlin, DE
"Air Play" Open Air Videofestival, Copenhagen, DK
"Locarno Filmfestival", Locarno, CH
"DK – Berlin" Galleri MöllerWitt, DK
"Kvindens rum" Galleri Möller Witt, Arhus, DK
"Pulsar" encuentro internacional multimedia, Caracas, Venezuela
"Freeze" Kunstverein Rügen, Putbus, DE
"Momentum" Moss, NO
"Exit" Kunstforeningen Gammel Strand, Copenhagen, DK
"Internationales Videoforum Hamburg / Stile der Stadt" Hamburg, DE

2005
"Rencontres Internationales" Paris/Berlin, Paris, FR
"Art Cologne" New Talents, Cologne, D (catalogue)
"Time Bandits" Råhuset, Copenhagen, DK (catalogue)
"First we take museums - Urban Art Now " KIASMA Museum of Contemprorary Art, Helsinki, FI
"10 Years Anniversary" Rooseum, Malmö, SE
"Värk 05" Kulurfabrik Knabstrup, Knabstrup, DK (catalogue)
"New Swedish Photography" Hasselblad Center, Göteborg Konstmuseum, Göteborg, SE (catalogue)
"Purgatory" the living Art Museum, Reykjavik, IS (catalogue)
"K-raa-k" Film festival, Gent, B
"Videonale" Bonner Kunstmuseum, Bonn, D (catalogue)

2004
"Video 2004" Bergen Kunsthall, Bergen, N
"Kontrollierter Code konstruiert Kognition" Kornhausforum Bern, SZ
"Artronica" Goethe Institut Inter Nationes, IMKP, Bogotá, CO
"Purgatory" Signal in the Heavens, Gallery Boreas, New York, USA (catalogue)
"I need no map" Overgaden Institut for Contemporary Art, Copenhagen (catalogue)
"Repetition" Malmö Konsthall, Malmö, SE
"Blitz Ballroom" Galeri Gimm Eis, Copenhagen, DK

2003
"Bandits-Mages" 8 ème festival des arts multi-média, Bourges, FR
"VIPER" Internationales Festival für Film Video und neue Medien, Basel, CH
"Constructed Life" Medialounge, ZKM, Karlsruhe, D (catalogue)
"Gottfried Brockmann Preis" Stadtgalerie Kiel, D (catalogue)
"Larger than Life" European Media Art Festival, Osnabrück, D (catalogue)

2002
"still in motion" Galleri Gustaf Gimm, Copenhagen, DK (solo)
"Artgenda 2002", Bienale for ung kunst, Hamburg
"Bits & pieces" Statens Museum for Kunst, Copenhagen, DK
"CopKop", Galleri Asbäk, Copenhagen
"Prima Kunst", Prima Kunst, Kiel, D
"Touching from a distance" Germinations 13, Crawford Municipal Art Gallery, Cork, IRE (catalogue)

Awards and scholarships

2012
Danish Art Council production grant for art film CROP
Danish Art Council residency at Townhouse, Cairo
2011
Danish Art Council working grant
Danish Art Council travel grant
Bremer Videokunstpreis, Filmbüro Bremen, DE
Residency at EMPAC, Troy, NY
2010
Danish Art Council working grant
Danish Art Council national Production Grant for video work “Man kenenki”
2009
Danish Art Council working grant
Danish Art Council national Production Grant for video work “100% Yün”
Danish Art Council national Production Grant for video work “Söen i spejlet”
Danish Art Council residency at Platform Garanti, Istanbul
2008
Danish Art Council national Production Grant for video work “Stultifera Garden”
Danish Art Council working grant
Danish Art Council national Production Grant for video work Cuers + catalogue production
2007
Residency Sölyst, Vestsjäland, DK
Danish Art Council international travel grant
Danish Art Council international production grant for video work Sleepers
Danish Art Council international production grant for video work Crossing Fields
Danish Art Council international production grant for video work Unbreakable Space
2006
Award of the International Video Art Forum, Hamburg, D
2005
nomination for the Hasselblad Postgraduate Grant, Göteborg, SE
2004
Edstranska Stiftelsen, Grant for graduating students, Malmö,
Assistant Grant, Swedish Art Council, Stockholm, SE
2003
ZKM International Media Art Award 2003, Audience Award, Karlsruhe,
Gottfried Brockmann Preis, Cultur Award of Landeshauptstadt Kiel , Stadtgalerie Kiel, D
2002
Caspar David Friedrich Preis, Caspar David Friedrich Gesellschaft, Greifswald, D
Frk. Inger Natja Borchsenius m. fl.s Legat
nomination for the ZKM International Media Art Award 2002, Karlsruhe,50 best, D
Germinations 13, European Programme for Young Artists, Germination Europe, NL
Residency at Sirius Art Center, Cobh, Irland

Videologie

2014
“Paradise lost” feature film, (in pre-production)
2013
“So Nah so Weit” experimental feature film (in production)
2012
“JABNI” artistic documentary (in production)
“CROP” artistic documentary in collaboration with Marouan Omara
2010
”Man kenenki” HVD on DVD, single channel video installation
”100 % Yün” 16 mm on DVD, single channel video
2009/10
”Söen i spejlet” 16 mm on DVD, single channel video
2008/09
”Stultifera Garden” HD DVC PRO on DVD, single channel video
2008
”Cuers” HD DVC PRO on DVD, single channel video
2007
”Unbreakable Space” HD DVC PRO on DVD, 3 screen channel video
”Crossing fields” HD DVC PRO on DVD, single channel video
2006
”Sleepers” DVCAM on DVD, single channel video
2005
”A sunset takes 7 minutes” 16 mm on DVD, singel channel video
2004
“You´ll miss what´s gonna stay I“ 16 mm on DVD, multi-channel video installation
“You´ll miss what´s gonna stay II“ 16 mm on DVD, single-channel video installation
2003
“Let the wind blow“ digital single shots on DVD, single-channel video installation

Johanna Domke
Born 1978 / Kiel, Germany Education 2011-2014 Academy of Media Arts, Cologne, DE 2002-2006 Royal Danish Art Academy, Copenhagen, DK 2002-2004 Malmö Art Academy, SE 2000-2002 Royal Danish Art Academy, Copenhagen, DK 1998-2000 Muthesius Academy of Art and Design, Kiel, DE 1997 Goethe Schule, Buenos Aires, AR Solo exhibitions 2013 Cairo Times Fundación Suñol, Barcelona, ES 2011 Bremer Video Art Award Galerie für Gegenwartskunst Bremen, DE Johanna Domke Kunstverein Harburger Bahnhof, Hamburg, DE 2010 Let the wind blow DSV Kunstkontor, Stuttgart, DE 2009 Cuers Städtische Galerie im Bunten Tor, Bremen, DE 2008 Marginal Moments Art Agents Gallery, Hamburg, DE Unbreakable space Overgaden Institute of Contemporary Art, Copenhagen, DK 2007 Sequent silence Olivier Houg, Bureau pour l'art contemporain, Lyon, FR 2005 You´ll miss what´s gonna stay Art Agents Gallery, Hamburg, DE 2004 You´ll miss what´s gonna stay Graduationshow, Peep Gallery, Malmö, SE 2003 Still in motion Galleri Gustaf Gimm, Copenhagen, DK 2002 Caspar David Friedrich Preis Pommersches Landesmuseum,Greifswald, DE Selected groupshows 2013 Cairo Open city Museum Folkwang, Essen, DE Goethe Filmweek Goethe Institute Cairo, EG Focus Festival Kunshallen Nikolaj, Copenhagen, DK 5. Monat der Photographie Berlin, DE 2012 After the Krisis General Public, Berlin, DE Darklight Festival Dublin, IRE Cairo Open city Fotomuseum Braunschweig human frames various sites, travelling show and DVD launch the image as an invisible witness UFO presents, Berlin the image as an invisible witness Townhouse Gallery, Cairo, Egypt 2011 Bremer Videokunstpreis Galerie für Gegenwartskunst, Bremen, DE Terrain Video Holsterbro Kunstmuseum, DK Pattern Recognition Galleri Kant, DK Dump Time Shedhalle Zürich, CH Domke Koslova Kromke Pommersches Landesmuseum, Greifswald Arte Creativ internet and TV feature on Arte Creative 2010 Highlights of the Kunstfilm Biennial KW Institute for Contemporary Art, Berlin, DE Postludium dreizehn/thirteen, Berlin, DE L’unico / the Only One Trieste Contemporanea, Tries, IT My world images Old Fellow Pallace, Copenhagen, DK Indian Summer Espace Croisé, Espace dárt contemporaine, Roubaix, FR Kurye Istanbul Modern Museum, Istanbul, TR Off Dak´art / Dakar Biennial Sicap Mermoz, Dakar, Senegal Rencontres Internationales Jeu de Paume, Paris, FR 2009 Future Shorts Copenhagen Gloria Biograf, Copenhagen, DK Zeigen: Eine Audiotour durch Berlin Temporäre Kunsthalle Berlin, Berlin, DE BERLIN 89/09 Kunst zwischen Spurensuche und Utopie Berlinische Galerie, Berlin, DE After the End / Faux Raccords Haus der Kulturen der Welt, Berlin, DE After the End / Faux Raccords Future Centre Nacional de Artes Visuales, Madrid, ES Rencontres Internationales National Museum Reina Sofia, Madrid, ES human body Soutterain Amsterdam, Amsterdam, NL KURS:Söen Vestsjällands Kunstmuseum, Sorö, DK 2008 ENTER Kunsthallen Brandts, Odense, DK Audio/Video Gimsinghoved Kunst og Kulturcenter, Struer, DK Gränseland Flensburg Kunstverein, Flensburg, DE Lofoten Film Festival Svolvär, NO Rencontres Internationales National Museum Reina Sofia, Madrid, ES Two Faced Galleri Rebecca Kormind, Köbenhavn, DK Young Identities - Global Youth / EMAF Kunsthalle Dominikanerkirche, Osnabrück, DE Nightclub Notes DUNK Udstillingssted, Köbenhavn, DK 2007 Ghosts in the Machine 516 ARTS, Santa Fe, US Subtle whispering Total Museum of Contemporary Art, Seoul, Korea I Need No Map Anna Akhmatova Museum & D137 Gallery, St.Petersburg, Russia Nordskulptur:licht Kunstverein Neumünster, Neumünster, DE Filmfestival Oberhausen Oberhausen, DE Videolandschaft Galerie Maerz, Linz, AU Bildschirmauge oder das neue Bild Forum d'art contemporain, Casino Luxembourg, LUX 2006 40 Jahre Videokunst – was fehlt? Deutsche Künstlerbund, Berlin, DE Air Play Open Air Videofestival, Copenhagen, DK Locarno Filmfestival, Locarno, CH DK – Berlin Galleri MöllerWitt, DK Kvindens rum Galleri Möller Witt, Arhus, DK Pulsar encuentro internacional multimedia, Caracas, Venezuela Freeze Kunstverein Rügen, Putbus, DE Momentum Moss, NO Exit Kunstforeningen Gammel Strand, Copenhagen, DK Internationales Videoforum Hamburg / Stile der Stadt Hamburg, DE 2005 Rencontres Internationales Paris/Berlin, Paris, FR Art Cologne New Talents, Cologne, D (catalogue) Time Bandits Råhuset, Copenhagen, DK (catalogue) First we take museums - Urban Art Now KIASMA Museum of Contemprorary Art, Helsinki, FI 10 Years Anniversary Rooseum, Malmö, SE Värk 05 Kulurfabrik Knabstrup, Knabstrup, DK (catalogue) New Swedish Photography Hasselblad Center, Göteborg Konstmuseum, Göteborg, SE (catalogue) Purgatory the living Art Museum, Reykjavik, IS (catalogue) K-raa-k Film festival, Gent, B Videonale Bonner Kunstmuseum, Bonn, D (catalogue) 2004 Video 2004 Bergen Kunsthall, Bergen, N Kontrollierter Code konstruiert Kognition Kornhausforum Bern, SZ Artronica Goethe Institut Inter Nationes, IMKP, Bogotá, CO Purgatory Signal in the Heavens, Gallery Boreas, New York, USA (catalogue) I need no map Overgaden Institut for Contemporary Art, Copenhagen (catalogue) Repetition Malmö Konsthall, Malmö, SE Blitz Ballroom Galeri Gimm Eis, Copenhagen, DK 2003 Bandits-Mages 8 ème festival des arts multi-média, Bourges, FR VIPER Internationales Festival für Film Video und neue Medien, Basel, CH Constructed Life Medialounge, ZKM, Karlsruhe, D (catalogue) Gottfried Brockmann Preis Stadtgalerie Kiel, D (catalogue) Larger than Life European Media Art Festival, Osnabrück, D (catalogue) 2002 still in motion Galleri Gustaf Gimm, Copenhagen, DK (solo) Artgenda 2002, Bienale for ung kunst, Hamburg Bits & pieces Statens Museum for Kunst, Copenhagen, DK CopKop, Galleri Asbäk, Copenhagen Prima Kunst, Prima Kunst, Kiel, D Touching from a distance Germinations 13, Crawford Municipal Art Gallery, Cork, IRE (catalogue) Awards and scholarships 2012 Danish Art Council production grant for art film CROP Danish Art Council residency at Townhouse, Cairo 2011 Danish Art Council working grant Danish Art Council travel grant Bremer Videokunstpreis, Filmbüro Bremen, DE Residency at EMPAC, Troy, NY 2010 Danish Art Council working grant Danish Art Council national Production Grant for video work “Man kenenki” 2009 Danish Art Council working grant Danish Art Council national Production Grant for video work “100% Yün” Danish Art Council national Production Grant for video work “Söen i spejlet” Danish Art Council residency at Platform Garanti, Istanbul 2008 Danish Art Council national Production Grant for video work “Stultifera Garden” Danish Art Council working grant Danish Art Council national Production Grant for video work Cuers + catalogue production 2007 Residency Sölyst, Vestsjäland, DK Danish Art Council international travel grant Danish Art Council international production grant for video work Sleepers Danish Art Council international production grant for video work Crossing Fields Danish Art Council international production grant for video work Unbreakable Space 2006 Award of the International Video Art Forum, Hamburg, D 2005 nomination for the Hasselblad Postgraduate Grant, Göteborg, SE 2004 Edstranska Stiftelsen, Grant for graduating students, Malmö, Assistant Grant, Swedish Art Council, Stockholm, SE 2003 ZKM International Media Art Award 2003, Audience Award, Karlsruhe, Gottfried Brockmann Preis, Cultur Award of Landeshauptstadt Kiel , Stadtgalerie Kiel, D 2002 Caspar David Friedrich Preis, Caspar David Friedrich Gesellschaft, Greifswald, D Frk. Inger Natja Borchsenius m. fl.s Legat nomination for the ZKM International Media Art Award 2002, Karlsruhe,50 best, D Germinations 13, European Programme for Young Artists, Germination Europe, NL Residency at Sirius Art Center, Cobh, Irland Videologie 2014 “Paradise lost” feature film, (in pre-production) 2013 “So Nah so Weit” experimental feature film (in production) 2012 “JABNI” artistic documentary (in production) “CROP” artistic documentary in collaboration with Marouan Omara 2010 ”Man kenenki” HVD on DVD, single channel video installation ”100 % Yün” 16 mm on DVD, single channel video 2009/10 ”Söen i spejlet” 16 mm on DVD, single channel video 2008/09 ”Stultifera Garden” HD DVC PRO on DVD, single channel video 2008 ”Cuers” HD DVC PRO on DVD, single channel video 2007 ”Unbreakable Space” HD DVC PRO on DVD, 3 screen channel video ”Crossing fields” HD DVC PRO on DVD, single channel video 2006 ”Sleepers” DVCAM on DVD, single channel video 2005 ”A sunset takes 7 minutes” 16 mm on DVD, singel channel video 2004 “You´ll miss what´s gonna stay I“ 16 mm on DVD, multi-channel video installation “You´ll miss what´s gonna stay II“ 16 mm on DVD, single-channel video installation 2003 “Let the wind blow“ digital single shots on DVD, single-channel video installation

Johanna Domke
You’ll miss what’s gonna stay II

Artist Johanna Domke
Year 2004
Duration 8:53 min
Edition 5
Technical info 16mm transferred to DVD
Contact

About the video

In "You’ll Miss What’s Gonna Stay II" the scene is set in a trashy backyard of some big city. Here are four groups of people: from left to right a young couple laughing and making out in a broken armchair, a single guy talking on his cell phone, three boys in a sofa, and finally a second couple leaning against a spraypainted van, enjoying the spectacle of the boys. All of them move about in slow motion. Looked at closely, however, one may notice that their movements loop, that the video runs backward and forward and backward again. Another moment of scrutiny reveals that each of the four groups loops in its own rhythm, separate from the others, and that this rhythm is not constant but sometimes longer, sometimes shorter. It is this resulting variation of interlocking rhythms that is important. Supplementing the video’s representation of the four groups, these rhythms express their social being-with-each-other: sometimes looping faster, sometimes a bit slower, each rhythm relates intensively both to itself and to all the others.

Johanna Domke - You’ll miss what’s gonna stay II
In You’ll Miss What’s Gonna Stay II the scene is set in a trashy backyard of some big city. Here are four groups of people: from left to right a young couple laughing and making out in a broken armchair, a single guy talking on his cell phone, three boys in a sofa, and finally a second couple leaning against a spraypainted van, enjoying the spectacle of the boys. All of them move about in slow motion. Looked at closely, however, one may notice that their movements loop, that the video runs backward and forward and backward again. Another moment of scrutiny reveals that each of the four groups loops in its own rhythm, separate from the others, and that this rhythm is not constant but sometimes longer, sometimes shorter. It is this resulting variation of interlocking rhythms that is important. Supplementing the video’s representation of the four groups, these rhythms express their social being-with-each-other: sometimes looping faster, sometimes a bit slower, each rhythm relates intensively both to itself and to all the others.

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