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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Tobias Yves Zintel

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Statement

Tobias Yves Zintel (GERMANY, 1975) is an Berlin based visual artist, mainly working in the field of video and performance. He studied conceptual art at the Academy of Fine Arts in Munich Germany in the class of Joseph Kosuth. His work has been shown in numerous international exhibitions and film festivals.

The film work by Tobias Yves Zintel integrates various genres such as performance, installation, music, and theater. He makes films in an idiosyncratic visual language, confronting us with scenes of grotesqueries, mysterious actions, and sublime universes.


Biography

1975 Born in Passau, Bavaria
Lives and works in Berlin

Education

2002-2007 Studies at the Academy of Fine Arts in Munich in the class of Joseph Kosuth
Diploma in Fine Arts at the Academy of Fine Arts in Munich in the class of Joseph Kosuth
2001-2003 Studies in Sociology, LMU Munich
1996-2001 Studies in Social Work, Catholic University Eichstaett
Diploma in Social Work, Catholic University Eichstaett

Solo exhibitions

2015
V, Moves #104, Image Movement Berlin, Germany
V, Braennen, Berlin, Germany

2013
Mental Radio, Season Projects, London, United Kingdom
Symbolic Exchange, Braennen, Berlin, Germany

2012
Mental Radio, Barbara Gross Gallery, Munich, Germany
Mental Radio, Moves #44, Image Movement, Berlin, Germany

2011
God loves fags, Mo David North Gallery, Glen Wild, New York, USA

2010
Acid and ice cream, video roam curated by Paul Young, Honor Fraser Gallery, Los Angeles, USA
Open Space, The Fountainhead, Art Cologne, Cologne, Germany

2008
Confession of Aggression, Doing Identity Bastard, Kammerspiele München - Neues Haus, Munich, Germany

2007
Entertaining Satan, Barbara Gross Galerie, Munich, Germany

Performances
2014
Performers, Oracle, Theater Neumarkt Zürich, Switzerland

2013
Arrivals II, Videobased Performance, Theater Neumarkt Zürich, Switzerland

2012
The Genetic Drive (in collaboration with Paul Knight), Glasgow International Festival of Visual Art, Glasgow, Scotland
Action Unites - Words Divide, Jump and Run Festival, Hau3, Hebbel am Ufer, Berlin, Germany

2010
Breed and Educate, X-Schulen Festival Hebbel am Ufer, Berlin

2009
Interesting Productions, The Office, Berlin, Germany

2008
Confession of Aggression (Performance), Doing Identity Bastard, Kammerspiele München - Neues Haus, Munich, Germany

2006
Fear Fear Fear, Münchner Kammerspiele, Munich, Germany
The Redesign of Satanism, Städtische Kunsthalle Lothringer 13, Munich, Germany

2004
Battle, Battle, Battle, Münchner Kammerspiele

Group exhibitions

2015
The thing that feels, PomPom Gallery, Sydney, Australia
Videonale.15, Kunstmuseum Bonn (cat.), Bonn, Germany

2014
Vagabundenkongress, Theater Rampe, Stuttgart, Germany
Premio Combat, Museo Civico Giovanni Fattori, Livorno, Italy
Videonale.14 on Tour, HudPromo Galerie, Odessa, Ukraine

2013
Videonale.14 on Tour, Central House of Artists, 5th Moscow Biennale, Moscow, Russia
Stromfestival, Kunsthaus Rhenania, Cologne, Germany
Videonale.14, Kunstmuseum Bonn (cat.), Bonn, Germany

2012
Age of Consent, Doris McCarthy Gallery, Toronto, Canada

2011
Sospechas: Martin Hast & Tobias Yves Zintel, Espacio Vacio, Guayaquil, Ecuador
Impulse, Groupeshow, Aando Fine Art, Berlin, Germany
Luxus Loft, Friedenstrasse 16, Berlin, Germany

2010
Acid and Ice Cream, Cinema Loop, Arco Madrid 2010, Madrid, Spain
Barbara Gross Gallery, Eröffnung in neuen Räumen, mit Alicia Framis, Beate Gütschow, Carlos Garaicoa, Katharina Grosse, Kiki Smith, Jana Sterbak u.a., Munich, Germany

2009
Hauptschule der Freiheit, project of Münchner Kammerspiele, Munich, Germany

2008
Interesting Productions #3, The Fortress of Night and Day, ZKMax, Munich, Germany
Interesting productions #2, Städtische Galerie im Lenbachhaus, Munich, Germany

2008
Confession of Aggression, Doing Identity Festival, Kammerspiele München - Neues Haus, Munich, Germany

2006
Interesting Productions #2, Städtische Kunsthalle Lothringer 13 (cat.), Munich, Germany
Bonnie Prince German, Galerie Low Salt, Glasgow, GB
Drei Minuten Nationalsozialismus, Bunnyhill II – Wem gehört die Stadt?, Münchner Kammerspiele, Munich, Germany

2005
5 Days Off - Festival, Paradiso, Amsterdam, The Netherlands
Favoriten - Junge Kunst in München, Kunstbau Lenbachhaus, Munich, Germany
Club Transmediale, Maria am Ostbahnhof, Berlin, Germany
Ghostakademie, Rathausgalerie, Munich, Germany

2004
Battle Battle Battle, Bunnyhill I, Kammerspiele München, Munich, Germany
Reject, International Filmfestival Rotterdam, The Netherlands

2003
La Vitesse du Voyage, Die Klasse Joseph Kosuth & Joseph Kosuth, Stiftung Starke, Berlin, Germany

Screenings

2015
Poff Filmfestival, Pori, Finnland
Mental Radio, Séance Favorit München, Munich, Germany
2014
„Der Tod“, Rencontres Internationales, Gaîté Lyrique, Paris, France
Der Tod, Kunstfilmtage Düsseldorf, Düsseldorf, Germany
2013
Mental Radio, Rencontres internationales, Haus der Kulturen der Welt, Berlin, Germany
2012
Mental Radio, Rencontres Internationales, Palais du Tokyo, Paris, France
Mental Radio, Moves #44, Image Movement, Berlin, Germany
Earthly Powers, Bukarest Filmfestival, Bukarest, Rumania
Earthly Powers, Rencontres Internationales, Haus der Kulturen der Welt, Berlin, Germany
2011
Earthly Powers, 36min, Centre Pompidou, Rencontres Internationales, Paris, France
And the Demon said, Club Transmediale, Glogauair, Festival, Berlin.
2010
Hell Hotel, Galleria Sinne, Helsikni, Finnland.
Hell Hotel, Galleria Rajtaide, Tampare, Finnland.
The Demon said..., Home Sweet Home, Performance Festival, Werkstatt der Kulturen, Berlin.
Traumberuf Realität, Rencontres Internationales, Filmoteca Espanola, Madrid, Spain.
Traumberuf Realität, Rencontres Internationales, Haus der Kulturen der Welt, Berlin.
2009
Traumberuf Realität, Rencontres Internationales, Jeu de Paume, Paris, France.
Hell Hotel, Rencontres Internationales, Haus der Kulturen der welt,Berlin, Germany.
Hell Hotel, Galleria 3H-K, Maaherrankatu 32 Pori, Finnland.
Hell Hotel, Makan, Amman, Jordan.
The Redesign of Satanism, Source Codes, Image Movement, Berlin, Germany.
Hell Hotel, Rencontres Internationales, Reina Sofia National Museum, Madrid, Spain.
2008
"Hell Hotel", Rencontres Internationales, Centre Pompidou, Paris, France.
2006
Interesting Productions #1, in cooperation with Blumenbar Verlag and Matias Faldbakken, Bühne des Lebens -Rethorik des Gefühls, Städtische Galerie im Lenbachhaus, Munich, Germany
Interesting Productions #1, Das Leben, eine Gebrauchsanweisung, Haus der Kunst, Munich, Germany
Drei Minuten..., bei Petula im Park (cat.), Petuelpark, Munich, Germany

Opera theatre

2015
Posen in Angst, Stage Design, Ballhaus Ost, Berlin
2014
Posen in Angst, Stage Design & Video Installation, Ballhaus Ost, Berlin
Karte und Gebiet, Video Installation, Theater Neumarkt, Zurich, Switzerland
2013
Rocco and his Brothers, Video Installation, Neumarkt Theater, Zürich, Switzerland
Das Gegenteil von Tod, Co-Director with Peter Kastenmüller, Maxim Gorki Theater, Berlin, Germany
Der Ring - Next Generation, Stage Design & Filminstallation, Deutsche Oper Berlin, Berlin, Germany.
2012
Action Unites - Words Divide, video-based performance, HAU 3, Berlin, Germany.
2011
Das siebente Siegel, video installation, Theater Basel, Switzerland.
A hole in my Heart, video installation, Theater Neumarkt, Zurich, Switzerland.
East of Eden, video installation, Theater Basel, Switzerland.
2010
Neverland, video installation, Schauspielhaus Hannover, Hannover, Germany.
Breed and Educate, video based Performance, Hebbel am Ufer, Berlin, Germany.
Herakles, video installation, Theater Basel, Basel, Switzerland.
Weekend, video installation, Neumarkt Theater Zürich, Zurich, Switzerland.
2009
Hauptschule der Freiheit, performance and film, Kammerspiele München, Munich, Germany.
Schwarz, Rot, Gold, video installation, Schauspiel Frankfurt, Frankfurt, Germany.
2008
Confession of Aggression, director, video-based perfromance, Kammerspiele München, Munich, Germany.
2007
Pool - No Water, video installation, Schauspielhaus Frankfurt, Frankfurt, Germany.
Die Familie Schroffenstein, video installation, Kammerspiele München, Munich Germany.
Falstaff, video installation, Schauspiel Frankfurt, Frankfurt, Germany.
2006
Schwarz, video installation, Thalia Theater Hamburg, Hamburg, Germany.
Drei Minuten Nationalsozialismus, director, video-based performance, Kammerspiele München, Munich, Germany.
Die Räuber, video installation, Volkstheater Wien, Vienna, Austria.
2005
Abalon, videoinstallation, Schauspiel Frankfurt, Frankfurt, Germany.
Plattform, videoinstallation, Schauspiel Frankfurt, Frankfurt, Germany.
2004
Battle Battle Battle, director, video-based performance, Kammerspiele München, Munich, Germany.

Filmography

1998 Revue Rouge, 40 min
2004 Die chymische Hochzeit, 12 min
2005 Interesting Productions #1, 5 min
2006 Interesting Productions #2, 45 min
2006 The Redesign of Satanism, 66 min
2007 Hell Hotel, 36 min
2008 Acid and ice cream, 12 min
2008 Confession of Aggression, 60 min
2008 Interesting Productions #3, 30 min
2009 Traumberuf Realität, 30 min
2010 The Fountainhead, 12 min
2010 Neverland Rising, 45 min
2010 Breed and Educate, 12 min
2011 Earthly Powers, 38 min
2011 Totentanz, 15 min
2012 Action Unites - Words Divide, 33 min
2012 Mental Radio, 42 min
2013 Der Tod, 23 min
2013 Arrivals, 45 min
2014 Oracle, 7 min
2014 Buried Cities, 39 min
2015 V, 40 min

Tobias Yves Zintel
1975 Born in Passau, Bavaria Lives and works in Berlin Education 2002-2007 Studies at the Academy of Fine Arts in Munich in the class of Joseph Kosuth Diploma in Fine Arts at the Academy of Fine Arts in Munich in the class of Joseph Kosuth 2001-2003 Studies in Sociology, LMU Munich 1996-2001 Studies in Social Work, Catholic University Eichstaett Diploma in Social Work, Catholic University Eichstaett Solo exhibitions 2015 V, Moves #104, Image Movement Berlin, Germany V, Braennen, Berlin, Germany 2013 Mental Radio, Season Projects, London, United Kingdom Symbolic Exchange, Braennen, Berlin, Germany 2012 Mental Radio, Barbara Gross Gallery, Munich, Germany Mental Radio, Moves #44, Image Movement, Berlin, Germany 2011 God loves fags, Mo David North Gallery, Glen Wild, New York, USA 2010 Acid and ice cream, video roam curated by Paul Young, Honor Fraser Gallery, Los Angeles, USA Open Space, The Fountainhead, Art Cologne, Cologne, Germany 2008 Confession of Aggression, Doing Identity Bastard, Kammerspiele München - Neues Haus, Munich, Germany 2007 Entertaining Satan, Barbara Gross Galerie, Munich, Germany Performances 2014 Performers, Oracle, Theater Neumarkt Zürich, Switzerland 2013 Arrivals II, Videobased Performance, Theater Neumarkt Zürich, Switzerland 2012 The Genetic Drive (in collaboration with Paul Knight), Glasgow International Festival of Visual Art, Glasgow, Scotland Action Unites - Words Divide, Jump and Run Festival, Hau3, Hebbel am Ufer, Berlin, Germany 2010 Breed and Educate, X-Schulen Festival Hebbel am Ufer, Berlin 2009 Interesting Productions, The Office, Berlin, Germany 2008 Confession of Aggression (Performance), Doing Identity Bastard, Kammerspiele München - Neues Haus, Munich, Germany 2006 Fear Fear Fear, Münchner Kammerspiele, Munich, Germany The Redesign of Satanism, Städtische Kunsthalle Lothringer 13, Munich, Germany 2004 Battle, Battle, Battle, Münchner Kammerspiele Group exhibitions 2015 The thing that feels, PomPom Gallery, Sydney, Australia Videonale.15, Kunstmuseum Bonn (cat.), Bonn, Germany 2014 Vagabundenkongress, Theater Rampe, Stuttgart, Germany Premio Combat, Museo Civico Giovanni Fattori, Livorno, Italy Videonale.14 on Tour, HudPromo Galerie, Odessa, Ukraine 2013 Videonale.14 on Tour, Central House of Artists, 5th Moscow Biennale, Moscow, Russia Stromfestival, Kunsthaus Rhenania, Cologne, Germany Videonale.14, Kunstmuseum Bonn (cat.), Bonn, Germany 2012 Age of Consent, Doris McCarthy Gallery, Toronto, Canada 2011 Sospechas: Martin Hast & Tobias Yves Zintel, Espacio Vacio, Guayaquil, Ecuador Impulse, Groupeshow, Aando Fine Art, Berlin, Germany Luxus Loft, Friedenstrasse 16, Berlin, Germany 2010 Acid and Ice Cream, Cinema Loop, Arco Madrid 2010, Madrid, Spain Barbara Gross Gallery, Eröffnung in neuen Räumen, mit Alicia Framis, Beate Gütschow, Carlos Garaicoa, Katharina Grosse, Kiki Smith, Jana Sterbak u.a., Munich, Germany 2009 Hauptschule der Freiheit, project of Münchner Kammerspiele, Munich, Germany 2008 Interesting Productions #3, The Fortress of Night and Day, ZKMax, Munich, Germany Interesting productions #2, Städtische Galerie im Lenbachhaus, Munich, Germany 2008 Confession of Aggression, Doing Identity Festival, Kammerspiele München - Neues Haus, Munich, Germany 2006 Interesting Productions #2, Städtische Kunsthalle Lothringer 13 (cat.), Munich, Germany Bonnie Prince German, Galerie Low Salt, Glasgow, GB Drei Minuten Nationalsozialismus, Bunnyhill II – Wem gehört die Stadt?, Münchner Kammerspiele, Munich, Germany 2005 5 Days Off - Festival, Paradiso, Amsterdam, The Netherlands Favoriten - Junge Kunst in München, Kunstbau Lenbachhaus, Munich, Germany Club Transmediale, Maria am Ostbahnhof, Berlin, Germany Ghostakademie, Rathausgalerie, Munich, Germany 2004 Battle Battle Battle, Bunnyhill I, Kammerspiele München, Munich, Germany Reject, International Filmfestival Rotterdam, The Netherlands 2003 La Vitesse du Voyage, Die Klasse Joseph Kosuth & Joseph Kosuth, Stiftung Starke, Berlin, Germany Screenings 2015 Poff Filmfestival, Pori, Finnland Mental Radio, Séance Favorit München, Munich, Germany 2014 „Der Tod“, Rencontres Internationales, Gaîté Lyrique, Paris, France Der Tod, Kunstfilmtage Düsseldorf, Düsseldorf, Germany 2013 Mental Radio, Rencontres internationales, Haus der Kulturen der Welt, Berlin, Germany 2012 Mental Radio, Rencontres Internationales, Palais du Tokyo, Paris, France Mental Radio, Moves #44, Image Movement, Berlin, Germany Earthly Powers, Bukarest Filmfestival, Bukarest, Rumania Earthly Powers, Rencontres Internationales, Haus der Kulturen der Welt, Berlin, Germany 2011 Earthly Powers, 36min, Centre Pompidou, Rencontres Internationales, Paris, France And the Demon said, Club Transmediale, Glogauair, Festival, Berlin. 2010 Hell Hotel, Galleria Sinne, Helsikni, Finnland. Hell Hotel, Galleria Rajtaide, Tampare, Finnland. The Demon said..., Home Sweet Home, Performance Festival, Werkstatt der Kulturen, Berlin. Traumberuf Realität, Rencontres Internationales, Filmoteca Espanola, Madrid, Spain. Traumberuf Realität, Rencontres Internationales, Haus der Kulturen der Welt, Berlin. 2009 Traumberuf Realität, Rencontres Internationales, Jeu de Paume, Paris, France. Hell Hotel, Rencontres Internationales, Haus der Kulturen der welt,Berlin, Germany. Hell Hotel, Galleria 3H-K, Maaherrankatu 32 Pori, Finnland. Hell Hotel, Makan, Amman, Jordan. The Redesign of Satanism, Source Codes, Image Movement, Berlin, Germany. Hell Hotel, Rencontres Internationales, Reina Sofia National Museum, Madrid, Spain. 2008 Hell Hotel, Rencontres Internationales, Centre Pompidou, Paris, France. 2006 Interesting Productions #1, in cooperation with Blumenbar Verlag and Matias Faldbakken, Bühne des Lebens -Rethorik des Gefühls, Städtische Galerie im Lenbachhaus, Munich, Germany Interesting Productions #1, Das Leben, eine Gebrauchsanweisung, Haus der Kunst, Munich, Germany Drei Minuten..., bei Petula im Park (cat.), Petuelpark, Munich, Germany Opera theatre 2015 Posen in Angst, Stage Design, Ballhaus Ost, Berlin 2014 Posen in Angst, Stage Design & Video Installation, Ballhaus Ost, Berlin Karte und Gebiet, Video Installation, Theater Neumarkt, Zurich, Switzerland 2013 Rocco and his Brothers, Video Installation, Neumarkt Theater, Zürich, Switzerland Das Gegenteil von Tod, Co-Director with Peter Kastenmüller, Maxim Gorki Theater, Berlin, Germany Der Ring - Next Generation, Stage Design & Filminstallation, Deutsche Oper Berlin, Berlin, Germany. 2012 Action Unites - Words Divide, video-based performance, HAU 3, Berlin, Germany. 2011 Das siebente Siegel, video installation, Theater Basel, Switzerland. A hole in my Heart, video installation, Theater Neumarkt, Zurich, Switzerland. East of Eden, video installation, Theater Basel, Switzerland. 2010 Neverland, video installation, Schauspielhaus Hannover, Hannover, Germany. Breed and Educate, video based Performance, Hebbel am Ufer, Berlin, Germany. Herakles, video installation, Theater Basel, Basel, Switzerland. Weekend, video installation, Neumarkt Theater Zürich, Zurich, Switzerland. 2009 Hauptschule der Freiheit, performance and film, Kammerspiele München, Munich, Germany. Schwarz, Rot, Gold, video installation, Schauspiel Frankfurt, Frankfurt, Germany. 2008 Confession of Aggression, director, video-based perfromance, Kammerspiele München, Munich, Germany. 2007 Pool - No Water, video installation, Schauspielhaus Frankfurt, Frankfurt, Germany. Die Familie Schroffenstein, video installation, Kammerspiele München, Munich Germany. Falstaff, video installation, Schauspiel Frankfurt, Frankfurt, Germany. 2006 Schwarz, video installation, Thalia Theater Hamburg, Hamburg, Germany. Drei Minuten Nationalsozialismus, director, video-based performance, Kammerspiele München, Munich, Germany. Die Räuber, video installation, Volkstheater Wien, Vienna, Austria. 2005 Abalon, videoinstallation, Schauspiel Frankfurt, Frankfurt, Germany. Plattform, videoinstallation, Schauspiel Frankfurt, Frankfurt, Germany. 2004 Battle Battle Battle, director, video-based performance, Kammerspiele München, Munich, Germany. Filmography 1998 Revue Rouge, 40 min 2004 Die chymische Hochzeit, 12 min 2005 Interesting Productions #1, 5 min 2006 Interesting Productions #2, 45 min 2006 The Redesign of Satanism, 66 min 2007 Hell Hotel, 36 min 2008 Acid and ice cream, 12 min 2008 Confession of Aggression, 60 min 2008 Interesting Productions #3, 30 min 2009 Traumberuf Realität, 30 min 2010 The Fountainhead, 12 min 2010 Neverland Rising, 45 min 2010 Breed and Educate, 12 min 2011 Earthly Powers, 38 min 2011 Totentanz, 15 min 2012 Action Unites - Words Divide, 33 min 2012 Mental Radio, 42 min 2013 Der Tod, 23 min 2013 Arrivals, 45 min 2014 Oracle, 7 min 2014 Buried Cities, 39 min 2015 V, 40 min

Tobias Yves Zintel
Mental Radio

Artist Tobias Yves Zintel
Year 2012
Duration 42:17 min
Technical info HD Video, color/sound
Contact
Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org

About the video

"Mental Radio" is a filmed portrait about the artist's family: his parents, his brother, and the house in which they live. The house is the framework for the social construct of the family. The brother is an autistic person, as well as deaf and mute. Day in and day out, he makes drawings of his favorite animal, the pig. Communication between parents and son seems to be guided by extra-sensory forces, which Zintel visualizes in scenes of effective surrealistic power. Objects, such as a tree house built by the father, and an ectoplasmic sculpture made of meringue and baked by the mother, replace verbal exchanges in the house. Sounds of nature and musical pieces composed for the film by the band Pollyester and Daniel Murena, along with the continuous sound of the radio, form the film's acoustic setting.

Mental Radio", the film's title, is taken from the title of a book written in 1930 by Upton Sinclair, which describes the experiments conducted with his wife, who had telepathic powers. Besides the attempt to trace the inexplicable things in a family constellation, Zintel also grapples with the question of how to deal with the mentally ill in our society.

Tobias Yves Zintel - Mental Radio
Mental Radio is a filmed portrait about the artist's family: his parents, his brother, and the house in which they live. The house is the framework for the social construct of the family. The brother is an autistic person, as well as deaf and mute. Day in and day out, he makes drawings of his favorite animal, the pig. Communication between parents and son seems to be guided by extra-sensory forces, which Zintel visualizes in scenes of effective surrealistic power. Objects, such as a tree house built by the father, and an ectoplasmic sculpture made of meringue and baked by the mother, replace verbal exchanges in the house. Sounds of nature and musical pieces composed for the film by the band Pollyester and Daniel Murena, along with the continuous sound of the radio, form the film's acoustic setting.Mental Radio, the film's title, is taken from the title of a book written in 1930 by Upton Sinclair, which describes the experiments conducted with his wife, who had telepathic powers. Besides the attempt to trace the inexplicable things in a family constellation, Zintel also grapples with the question of how to deal with the mentally ill in our society.

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