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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
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When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Eelco Brand

Works


Galleries

DAM Gallery, Berlin
Wolf Lieser
Seydelstr. 30
10177 Berlin
Germany

Phone: +49 (0)30 28 09 81 35
E-Mail: office@dam.org




Statement

Eelco Brand is an important representative of 3D art. He was born in 1969 in Rotterdam. After experiencing his first artistic recognition for his paintings, he discovered in the early 1990s the computer as an innovative tool to expand his vision on dimensions such as sound and movement. For Eelco this turn to digital art is a logical consequence of the availability and continuous development of new media. He is interested in finding new ways to experiment with modes of perception and to question them again and again. For this purpose he uses the full range of technology available to him.
Eelco Brand sees a major drive for artists in their will to imitate, to double and to improve nature, in his opinion a will deeply rooted in human culture. Visual art always wanted to imitate nature and create ideals of it. Eelco Brand cites these imitations and creations in an ironical way and creates both absurd and surreal objects from it. The nature in his paintings and 3-D animations seems surreal, placing the incidental in the center. With the help of computer technology Eelco Brand brings imitation to its extreme. His simulated reality seems so perfect that only on second sight what seems like nature gets exposed as fiction. He lives and works in Breda, Netherlands


Biography

Born 1969 in Rotterdam,

Selected Solo Shows

2012
The illusionary camera, LIPA, Lumière Gallery, Seoul, Korea
Persistence of Vision, painting with software´, Studio la Città, Verona, Italy
Doganin Plastikligi´, Açikekran New Media Arts Gallery, curated by Ali Akay, Istanbul, Turkey

2011
eelcobrand.moví #2, 38CC, Delft, NL
Slow sculptures, (duo) Heden, Den Haag, NL
Field of view extended, [DAM] Berlin
eelcobrand.movi, Centrum voor Beeldcultuur, Breda, NL

2010
Field of view, [DAM]Cologne, Cologne, Germany
Matérialisations virtuelles, TORCH Gallery, Amsterdam, The Netherlands

2008
Dreamality, Gallery Lumière, Seoul, Korea

2007
Electric Paint, [DAM]Berlin Gallery, Berlin
Torch Gallery, Amsterdam
Espacio Líquido, Gijón, Spain

2005
Digital Dao, Far East Art Museum, Chabarovsk, Russia

2004
Sam Brook Gallery, Moscow
Moving paintings, Yaroslavl Art Museum, Yaroslavl, Russia

2003
Image engineer, Museum de Beyerd, Breda, NL
Marella Arte Contemporanea Gallery, Milan
PPOW Gallery, New York

2002
Richard Goodall Gallery, Manchester

2001
Torch Gallery, Amsterdam

2000
H.Q.E. Gallery, Calais, France

1999
André Simoens Gallery, Knokke, Belgium

1996
Lokaal 01, Breda

Selected Group Shows

2012
Segment #3, curated by Necmi Sönmez, Borusan Contemporary, Istanbul, Turkey
KIAF, Int. Art Festival, Kathmandu, Nepal
Al di là della pittura' curated by Angela Madesani, Il Chiostro arte contemporanea, Saronno, Italy
I don't sleep, I dream', curated by Marijke de Bie, Schellens Factory, Eindhoven
Road to Kathmandu´, galerie Ramakers, Den Haag
Urban Outsiders, Huize Frankendael, Amsterdam
Codex Dynamic, Manhattan Bridge Anchorage, New York
Mobile Forest, curated by Hui-Ching Hsieh, Digital Art Center, Taipei
Summer Splash, group show at [DAM] Berlin gallery, Berlin
The Flash of Nature, Salone Degli Incanti, Trieste, Italy'There was a world, once', Märkisches Museum Witten, Germany

2011
Märklinworld, museum KAdE, Amersfoort
Museum le Secet, Liefde in de kunst / p.art of our life, Zwolle
A tribute to photography, Primo Marella Gallery, Milan
De Saedeleer revisited / het landschap in de hedendaagse kunst, Stedelijk Museum Aalst, België
Into the woods, Galerie Ramakers, Den Haag
Schau Fenster, Christiane Büntgen gallery, Zurich
De stad / de rivier, Kunstenlab, Deventer
Festival Monstra - Lisbon Animated Film Festival, Lisboa, Portugal
Fragile: handle with care, Lucca Centre of contemporary Art, Lucca, Italy
Art Cologne, Studio la Città
Pulse art fair, Miami, Torch Gallery, Miami
PAN Amsterdam, Torch Gallery. Amsterdam
Art Rotterdam, Torch Gallery
VoTH, Yaroslavl Art Museum, Russia
Art Taipei, [DAM]Gallery, Taipei, Taiwan

2010
Digitale verleiding, galerie LUMC, Leiden, The Netherlands
Soul of Korea, Kaiserliche Hofburg, Gotischer Keller, Innsbruck, Austria
E-volve, [DAM]Cologne, Cologne, Germany
Art Cologne, Studio la Città, Cologne
Texture maps, Nest, Den Haag, The Netherlands
De Fantasiefabriek, Animatiekunst in Nederland', Noordbrabants Museum, 's-Hertogenbosch, The Netherlands

2009
The Unforgettable Fire, 25 years TORCH Gallery', homage to Adriaan van der Have, Kunsthal, Rotterdam
Discovering Slowness, Chinese European Art Center, Xiamen, China
Videoràma, ArtVerona, Studio la Città, Verona
Handpicked!, curated by Loek Grootjans, Locuslux Gallery, Brussels
TORCH Gallery at Temporary Gallery Cologne, Cologne
Visual Intersection.kr.nl, SIPA, Seoul
Ars Sublimis, curated by Javier Cano, Orensanz Summer Museum, New York
Huésped, Colección MUSAC en Rosario - MACRO Museo de Arte Contemporáneo de Rosario, Rosario, Argentina
Huésped, Musac at Museo Nacional de Bellas Artes, Buenos Aires
MVD, Museo d'arte contemporanea Roma, Rome
Natura Naturans, curated by Angela Madesani, Casello delle Polveri, Venice
Remain in Nature, galerie LUMC, Leiden, NL
Landscape as a dream, curated by Luigi Meneghelli, Studio la Città, Verona
01-Best of Digital Art, Gallery [DAM]Berlin, Berlin
Art Rotterdam, TORCH Gallery, Rotterdam

2008
Iniciarte Project/ Bienal de Sevilla, Spain
360º, RASA, CC Sint-Niklaas, Belgium
ARCO Madrid/ Pulse NY, Espacio Líquido
Lumen Eclipse, Cambridge, USA
Art Brussels/ Art Chicago, Studio la Città
Today Art Museum, 'The One Minutes, opening exhibition', Beijing
Exoten, Beelden op de berg, Arboretum, Wageningen, NL

2007
Existencias, MUSAC Museo de Arte Contemporáneo de Castilla y León, Spain Gallery Lumière, Seoul, Korea
ShContemporary, Studio la Città, Shanghai
Second Nature, Fette's Gallery, Los Angeles
KIAF, Gallery [DAM]Berlin, Seoul, Korea
Discovering slowness, The National Centre of Photography, St. Petersburg, Russia
CIRCA, Espacio Líquido, Puerto Rico
Paulo Post Futurum, Breda's Museum- Lokaal 01, Breda
De ontdekking van de traagheid, KW14 Waterstraat, Den Bosch, NL
1a Bienal de Canarias Arquitectura, Arte y Paisaje, Casa de los Capitanes, La Laguna, Tenerife, Canary Islands
Reale Instabile, MAM Museo d’arte Moderna e Contemporanea, Mantova, Italy
ARCO, Espacio Líquido, Madrid
Dreamland, kunstvereniging Diepenheim/ Gist galerie, Brummen, NL
FotoFinish, Centrum Beeldende Kunst, Den Bosch, NL

2006
Globos Sonda, MUSAC Museo de Arte Contemporáneo de Castilla y León, Spain
New Code, Studio la Città, Verona
Nuit Blanche Euronight 06 Art Video, Toronto
One minutes Fringe, Shanghai BizArt Art Center China
The salt of water, Art museum, Kaliningrad, Russia
MiArt, Studio la Città, Milan
Art Basel, Studio la Città, Basel
Voltashow 02, Torch Gallery, Basel

2005
Animotion, Studio la Città, Verona
Crysalis, Dutch Eyes, Castello Svevo di Bari, Bari
HxBxD= de Rabobank Kunstcollectie, Gemeente museum Den Haag
Constructed moment, KW-14, Den Bosch
Paradise by the laptoplight, 't Hoogt, Utrecht
Silent movements, Vlissingen, Rotterdam, Breda
Wonderkamers, Gemeente museum Den Haag
Art Basel, Studio la Città, Basel
Voltashow 01, Torch Gallery, Basel
Het Domein, Plaatwerkerij, Vlissingen, NL
Arte Fiera Bologna, Studio la Città, Bologna

2004
Urban Forest, Tatar Gallery, Toronto
ARCO Madrid/ Art Basel Miami Beach, Studio la Città
Dreamscapes, Galerie Aeroplastics, Brussel
Art Rotterdam, Torch Gallery
Parktv, Stedelijk Museum CS, Amsterdam

2003
Tremor, Lotheringer13/ spiegel, München
SKOR- INKIJK, Amsterdam
Arte Fiera Bologna, Marella Arte Contemporanea

2002
Museum Boymans Van Beuningen, 'Caldic Collectie', Rotterdam
One minute video, Centraal Museum Utrecht
La nuit art video, Strassbourg
Het Geheugen van een stad, Grote Kerk Breda
Dutch Mountains, Museum Bommel van Dam, Venlo, NL
Video-exhibition Kriterion, Amsterdam
Straal 02, de Balie, Amsterdam

2001
Stroomversnelling, Groninger Museum, Groningen
Art Film, Art Basel, Stadtkino, Basel
Achter de Horizon, Noordbrabants museum, Den Bosch
New European Artists, Sotheby's, Amsterdam
Torch Gallery, Amsterdam
Aanwinsten, Noordbrabants museum, Den Bosch

2000
Moving Still, Sandberg 2, Hoorn
Videohalte Koolhaas, Groningen
Lokaal 01, Breda
Art Cologne, Torch Gallery, Cologne
Een ceder in mijn tuin, KW 14, Den Bosch

1999
Art Brussels, Simoens Gallery, Brussel
Art Basel, Torch Gallery, Basel
Kamerschatten, KW14, Den Bosch

1998
Lokaal 01, Breda
Pépinières Européennes, Parijs
Caldic collectie, Stadhuis, Rotterdam
Lokaal 01, Breda, 1998/2001
Parktv Amsterdam, New York, 1998/2002/2003

1997
Uitgelicht Kunstrai, FvdBK
Torch Gallery, Amsterdam
NBKS, Salon, Breda
Krabbedans, Eindhoven, NL

1996
Torch Gallery, Amsterdam
Arti & Amicitiae, Amsterdam
Galerie Havré, Mons, Belgium
Kon. Subsidie v. vrije schilderkunst, Amsterdam
Lokaal 01, Breda
100 Nederlandse schilders, Living Art, Ameland, NL
Art Cologne, Torch Gallery

1995
Kunstrai, FvdBK Uitgelicht, Amsterdam
Spaendonck, Living Art, Tilburg, NL
Lokaal 01, Polygeen, Breda

Awards

1996, 1995, 1993
Publieksprijs Koninklijke Subsidie voor vrije schilderkunst
1995
Arti & Amicitiae award
1994
Buning Brongers award

Collections

Collection MUSAC, Museo de arte contemporaneo, León, Spain
Collection Rabobank, the Netherlands
Collection Solstice, Norway
Rothschild Collection Italy
Caldic Collectie Rotterdam
Collection Generali, Amsterdam
Collection Royal House the Netherlands
Collection Noordbrabants Museum Den Bosch
Collection Ministerie van Buitenlandse Zaken
Collection Gemeente Breda, The Netherlands.
Private collections; Belgium, Canada, England, Germany, France, Italy, the Netherlands, Spain, Switzerland, Russia, USA, South Korea.

Eelco Brand
Born 1969 in Rotterdam, Selected Solo Shows 2012 The illusionary camera, LIPA, Lumière Gallery, Seoul, Korea Persistence of Vision, painting with software´, Studio la Città, Verona, Italy Doganin Plastikligi´, Açikekran New Media Arts Gallery, curated by Ali Akay, Istanbul, Turkey 2011 eelcobrand.moví #2, 38CC, Delft, NL Slow sculptures, (duo) Heden, Den Haag, NL Field of view extended, [DAM] Berlin eelcobrand.movi, Centrum voor Beeldcultuur, Breda, NL 2010 Field of view, [DAM]Cologne, Cologne, Germany Matérialisations virtuelles, TORCH Gallery, Amsterdam, The Netherlands 2008 Dreamality, Gallery Lumière, Seoul, Korea 2007 Electric Paint, [DAM]Berlin Gallery, Berlin Torch Gallery, Amsterdam Espacio Líquido, Gijón, Spain 2005 Digital Dao, Far East Art Museum, Chabarovsk, Russia 2004 Sam Brook Gallery, Moscow Moving paintings, Yaroslavl Art Museum, Yaroslavl, Russia 2003 Image engineer, Museum de Beyerd, Breda, NL Marella Arte Contemporanea Gallery, Milan PPOW Gallery, New York 2002 Richard Goodall Gallery, Manchester 2001 Torch Gallery, Amsterdam 2000 H.Q.E. Gallery, Calais, France 1999 André Simoens Gallery, Knokke, Belgium 1996 Lokaal 01, Breda Selected Group Shows 2012 Segment #3, curated by Necmi Sönmez, Borusan Contemporary, Istanbul, Turkey KIAF, Int. Art Festival, Kathmandu, Nepal Al di là della pittura' curated by Angela Madesani, Il Chiostro arte contemporanea, Saronno, Italy I don't sleep, I dream', curated by Marijke de Bie, Schellens Factory, Eindhoven Road to Kathmandu´, galerie Ramakers, Den Haag Urban Outsiders, Huize Frankendael, Amsterdam Codex Dynamic, Manhattan Bridge Anchorage, New York Mobile Forest, curated by Hui-Ching Hsieh, Digital Art Center, Taipei Summer Splash, group show at [DAM] Berlin gallery, Berlin The Flash of Nature, Salone Degli Incanti, Trieste, Italy'There was a world, once', Märkisches Museum Witten, Germany 2011 Märklinworld, museum KAdE, Amersfoort Museum le Secet, Liefde in de kunst / p.art of our life, Zwolle A tribute to photography, Primo Marella Gallery, Milan De Saedeleer revisited / het landschap in de hedendaagse kunst, Stedelijk Museum Aalst, België Into the woods, Galerie Ramakers, Den Haag Schau Fenster, Christiane Büntgen gallery, Zurich De stad / de rivier, Kunstenlab, Deventer Festival Monstra - Lisbon Animated Film Festival, Lisboa, Portugal Fragile: handle with care, Lucca Centre of contemporary Art, Lucca, Italy Art Cologne, Studio la Città Pulse art fair, Miami, Torch Gallery, Miami PAN Amsterdam, Torch Gallery. Amsterdam Art Rotterdam, Torch Gallery VoTH, Yaroslavl Art Museum, Russia Art Taipei, [DAM]Gallery, Taipei, Taiwan 2010 Digitale verleiding, galerie LUMC, Leiden, The Netherlands Soul of Korea, Kaiserliche Hofburg, Gotischer Keller, Innsbruck, Austria E-volve, [DAM]Cologne, Cologne, Germany Art Cologne, Studio la Città, Cologne Texture maps, Nest, Den Haag, The Netherlands De Fantasiefabriek, Animatiekunst in Nederland', Noordbrabants Museum, 's-Hertogenbosch, The Netherlands 2009 The Unforgettable Fire, 25 years TORCH Gallery', homage to Adriaan van der Have, Kunsthal, Rotterdam Discovering Slowness, Chinese European Art Center, Xiamen, China Videoràma, ArtVerona, Studio la Città, Verona Handpicked!, curated by Loek Grootjans, Locuslux Gallery, Brussels TORCH Gallery at Temporary Gallery Cologne, Cologne Visual Intersection.kr.nl, SIPA, Seoul Ars Sublimis, curated by Javier Cano, Orensanz Summer Museum, New York Huésped, Colección MUSAC en Rosario - MACRO Museo de Arte Contemporáneo de Rosario, Rosario, Argentina Huésped, Musac at Museo Nacional de Bellas Artes, Buenos Aires MVD, Museo d'arte contemporanea Roma, Rome Natura Naturans, curated by Angela Madesani, Casello delle Polveri, Venice Remain in Nature, galerie LUMC, Leiden, NL Landscape as a dream, curated by Luigi Meneghelli, Studio la Città, Verona 01-Best of Digital Art, Gallery [DAM]Berlin, Berlin Art Rotterdam, TORCH Gallery, Rotterdam 2008 Iniciarte Project/ Bienal de Sevilla, Spain 360º, RASA, CC Sint-Niklaas, Belgium ARCO Madrid/ Pulse NY, Espacio Líquido Lumen Eclipse, Cambridge, USA Art Brussels/ Art Chicago, Studio la Città Today Art Museum, 'The One Minutes, opening exhibition', Beijing Exoten, Beelden op de berg, Arboretum, Wageningen, NL 2007 Existencias, MUSAC Museo de Arte Contemporáneo de Castilla y León, Spain Gallery Lumière, Seoul, Korea ShContemporary, Studio la Città, Shanghai Second Nature, Fette's Gallery, Los Angeles KIAF, Gallery [DAM]Berlin, Seoul, Korea Discovering slowness, The National Centre of Photography, St. Petersburg, Russia CIRCA, Espacio Líquido, Puerto Rico Paulo Post Futurum, Breda's Museum- Lokaal 01, Breda De ontdekking van de traagheid, KW14 Waterstraat, Den Bosch, NL 1a Bienal de Canarias Arquitectura, Arte y Paisaje, Casa de los Capitanes, La Laguna, Tenerife, Canary Islands Reale Instabile, MAM Museo d’arte Moderna e Contemporanea, Mantova, Italy ARCO, Espacio Líquido, Madrid Dreamland, kunstvereniging Diepenheim/ Gist galerie, Brummen, NL FotoFinish, Centrum Beeldende Kunst, Den Bosch, NL 2006 Globos Sonda, MUSAC Museo de Arte Contemporáneo de Castilla y León, Spain New Code, Studio la Città, Verona Nuit Blanche Euronight 06 Art Video, Toronto One minutes Fringe, Shanghai BizArt Art Center China The salt of water, Art museum, Kaliningrad, Russia MiArt, Studio la Città, Milan Art Basel, Studio la Città, Basel Voltashow 02, Torch Gallery, Basel 2005 Animotion, Studio la Città, Verona Crysalis, Dutch Eyes, Castello Svevo di Bari, Bari HxBxD= de Rabobank Kunstcollectie, Gemeente museum Den Haag Constructed moment, KW-14, Den Bosch Paradise by the laptoplight, 't Hoogt, Utrecht Silent movements, Vlissingen, Rotterdam, Breda Wonderkamers, Gemeente museum Den Haag Art Basel, Studio la Città, Basel Voltashow 01, Torch Gallery, Basel Het Domein, Plaatwerkerij, Vlissingen, NL Arte Fiera Bologna, Studio la Città, Bologna 2004 Urban Forest, Tatar Gallery, Toronto ARCO Madrid/ Art Basel Miami Beach, Studio la Città Dreamscapes, Galerie Aeroplastics, Brussel Art Rotterdam, Torch Gallery Parktv, Stedelijk Museum CS, Amsterdam 2003 Tremor, Lotheringer13/ spiegel, München SKOR- INKIJK, Amsterdam Arte Fiera Bologna, Marella Arte Contemporanea 2002 Museum Boymans Van Beuningen, 'Caldic Collectie', Rotterdam One minute video, Centraal Museum Utrecht La nuit art video, Strassbourg Het Geheugen van een stad, Grote Kerk Breda Dutch Mountains, Museum Bommel van Dam, Venlo, NL Video-exhibition Kriterion, Amsterdam Straal 02, de Balie, Amsterdam 2001 Stroomversnelling, Groninger Museum, Groningen Art Film, Art Basel, Stadtkino, Basel Achter de Horizon, Noordbrabants museum, Den Bosch New European Artists, Sotheby's, Amsterdam Torch Gallery, Amsterdam Aanwinsten, Noordbrabants museum, Den Bosch 2000 Moving Still, Sandberg 2, Hoorn Videohalte Koolhaas, Groningen Lokaal 01, Breda Art Cologne, Torch Gallery, Cologne Een ceder in mijn tuin, KW 14, Den Bosch 1999 Art Brussels, Simoens Gallery, Brussel Art Basel, Torch Gallery, Basel Kamerschatten, KW14, Den Bosch 1998 Lokaal 01, Breda Pépinières Européennes, Parijs Caldic collectie, Stadhuis, Rotterdam Lokaal 01, Breda, 1998/2001 Parktv Amsterdam, New York, 1998/2002/2003 1997 Uitgelicht Kunstrai, FvdBK Torch Gallery, Amsterdam NBKS, Salon, Breda Krabbedans, Eindhoven, NL 1996 Torch Gallery, Amsterdam Arti & Amicitiae, Amsterdam Galerie Havré, Mons, Belgium Kon. Subsidie v. vrije schilderkunst, Amsterdam Lokaal 01, Breda 100 Nederlandse schilders, Living Art, Ameland, NL Art Cologne, Torch Gallery 1995 Kunstrai, FvdBK Uitgelicht, Amsterdam Spaendonck, Living Art, Tilburg, NL Lokaal 01, Polygeen, Breda Awards 1996, 1995, 1993 Publieksprijs Koninklijke Subsidie voor vrije schilderkunst 1995 Arti & Amicitiae award 1994 Buning Brongers award Collections Collection MUSAC, Museo de arte contemporaneo, León, Spain Collection Rabobank, the Netherlands Collection Solstice, Norway Rothschild Collection Italy Caldic Collectie Rotterdam Collection Generali, Amsterdam Collection Royal House the Netherlands Collection Noordbrabants Museum Den Bosch Collection Ministerie van Buitenlandse Zaken Collection Gemeente Breda, The Netherlands. Private collections; Belgium, Canada, England, Germany, France, Italy, the Netherlands, Spain, Switzerland, Russia, USA, South Korea.

Eelco Brand
T.movi

Artist Eelco Brand
Year 2011
Duration 12:29 min
Edition 6
Technical info digital 3D-animation, HD, loop
Contact
DAM Gallery, Berlin
Wolf Lieser
Seydelstr. 30
10177 Berlin
Germany

Phone: +49 (0)30 28 09 81 35
E-Mail: office@dam.org

About the video

The 3-D animation T.movie shows a seemingly natural situation. Blooming flowers are growing out out of a harmonic green gras setting in fast motion. Suddenly they explode. This movement is repeated with different flowers in yellow, lilac, white and blue. The innocent scene of a natural process is turned into something else: Fireworks of exploding blossoms – is this the final result of a genetically modified nature?

Eelco Brand - T.movi
The 3-D animation T.movie shows a seemingly natural situation. Blooming flowers are growing out out of a harmonic green gras setting in fast motion. Suddenly they explode. This movement is repeated with different flowers in yellow, lilac, white and blue. The innocent scene of a natural process is turned into something else: Fireworks of exploding blossoms – is this the final result of a genetically modified nature?

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