This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Paola Esquivel Silva

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born
March 19, 1979, Cuernavaca Morelos, Mexico.

Education

2009- 2011 Master Degree of Arts, Faculty of Arts, University of the State of Morelos.
1998- 2003 Bachelor of Fine Arts, University of the State of Morelos.
1997- 2000 Technical Colleges of Fine Arts, Morelos Center for the Arts.

Individual exhibitions

2014
Domestic, Borda Garden, Cuernavaca, Morelos, Mexico.

2013
10 kilo Memory, Banff Centre, Banff, Canada.

2008
The boy ate his mother, Morelos Center for the Arts, Cuernavaca, Morelos, Mexico.

2007
The daughter, Exhibitor on shelf Contemporary Cell, The Cloister of Sor Juana, Mexico

2005
Transit, Cristobal Colon College Gallery, Cuernavaca, Morelos, Mexico.

2001
Everything's a test, Morelos Center for the Arts, Cuernavaca, Morelos, Mexico.

Collective exhibitions

2014
On the threshold, Faculty of Arts, University of the State of Morelos Cuernavaca,Morelos, Mexico.
Nuclear winter, Invasor gallery, Cuernavaca, Morelos, Mexico.
Art at home, Mycellium Ingenium, Mexico DF
Give me the Power, City Museum, Cuernavaca, Morelos, Mexico.

2013
Give me the Power, Legislative Palace of San Lazaro, Mexico, DF
Open Studio, Banff Centre, Banff, Canada

2012
Carnavalesco, 51 exhibition floor Torre Mayor, Mexico. DF
Transfem; online exposure Mexican Museum of Women Artists.
http://museodemujeres.com
Eight, Borda Garden, Cuernavaca, Morelos, Mexico.

2011
South Mort, Anahuacalli Museum, Mexico. DF
An artistic journey Morelos-Miami Cultural Institute of Mexico in Miami, Mimai, FL.
Day of multimedia, Morelos Center for the Arts, Cuernavaca, Morelos. Mexico.
Process 730, Museum of the city of Cuernavaca, Cuernavaca, Morelos, Mexico.

2010
Passwords cycle 9 Video Mexican, Montehermoso Cultural Center of the City of Vitoria, Spain.
Re-visions videos and discussion tribute to video artist Pola Weiss, Museo Carrillo Gil, Mexico City
(Ready) Media: media archeology and invention in Mexico, Laboratorio Arte Alameda, Mexico City.
XXX National Competition Young Art Aguascalientes, Museum of Contemporary Art Aguascalientes, Aguascalientes, Mexico.

2009
Creation in motion, Hospicio Cabanas, Guadalajara, Mexico.
Steer market is not sold or bought, Market Buenavista, Cuernavaca,Morelos, Mexico.

2008
Play, Cineclub El Pochote, Oaxaca, Mexico.
MUMA, Online Exhibition Mexican Museum of Women Artists.www.museodemujeres.com

2007
Parallel, Secretary of Finance, State UniversityMexico.

2006
WTC, Artfest, WTC, Mexico City.Third National Biennial of Visual Arts Yucatan, Merida, Mexico.
Summer Showcase, Borda Garden, Cuernavaca, Morelos.
Local Code Muros Cultural Center, Cuernavaca, Morelos.
Coyote Ugly, Tunel 55, Cuernavaca, Morelos.

2005
Ruta Correa Gallery, Freinburg, Germany.
Ruta Correa Gallery, Art Frankfurt Germany.
About ... 2004, National Arts Centre, Mexico DF
Second Biennial of Visual Arts Yucatan, Merida, Yucatan, Mexico.
Creation in Motion, Museum of the City, Querétaro, Querétaro. Mexico.
Video Festival, Film Launge Anonymous, Cholula, Puebla, Mexico.
Recipes of hope, atomic Eye Gallery, Madrid, Spain.
Death book, confussion Group, Baktum, New York, USA

2003
From the chest to the navel, Borda Garden, Cuernavaca, Morelos, Mexico.
Three Dimensional, Morelense Gallery Center for the Arts. Mexico.
The rector is innocent, Autonomous University of the State of Morelos.
Six pack, Space, Aragon and Leon, Cuernavaca, Morelos. Mexico.

2002
First Biennial of Visual Arts Yucatan, Merida, Yucatan. Mexico.
Fourth freedom art contest, Querétaro, Querétaro. Mexico.
Steamed, E21 Space Gallery, Cuernavaca, Morelos. Mexico.

2001
The last and we go, Morelos Center for the Arts. Mexico
Poetry 2000 the Zocalo, Mexico Zocalo, Mexico City
My Bed, Casa del Lago, Chapultepec, Mexico City
1st Sample Performance and Installation, Borda Garden, Cuernavaca, Mor. Mexico.

1999
A motion itself, Morelos Center for the Arts, Cuernavaca, Morelos. Mexico.

Awards

2013
Banff Centre Residence, Banff Canada.
2011-2012
Young Artists Scholarship, FONCA, Sculpture category.
2010
XXX Aguascalientes National Youth Art Contest, Honorable Mention.
2008-2009
Young Artists Scholarship, FONCA. Video category
2004-2005
Young Artists Scholarship, FOECA of Morelos. Sculpture category.
2003-2004
Young Artists Scholarship, FONCA. Alternative Media category.
2002
Fourth Freedom Art Contest, Honorable Mention, Querétaro, Querétaro. Mexico.
2002 -2003
Young Artists Scholarship , FOECA the State of Morelos. Sculpture category.

Collections

Collection Ministry of Culture of the State of Morelos.

Paola Esquivel Silva
Born March 19, 1979, Cuernavaca Morelos, Mexico. Education 2009- 2011 Master Degree of Arts, Faculty of Arts, University of the State of Morelos. 1998- 2003 Bachelor of Fine Arts, University of the State of Morelos. 1997- 2000 Technical Colleges of Fine Arts, Morelos Center for the Arts. Individual exhibitions 2014 Domestic, Borda Garden, Cuernavaca, Morelos, Mexico. 2013 10 kilo Memory, Banff Centre, Banff, Canada. 2008 The boy ate his mother, Morelos Center for the Arts, Cuernavaca, Morelos, Mexico. 2007 The daughter, Exhibitor on shelf Contemporary Cell, The Cloister of Sor Juana, Mexico 2005 Transit, Cristobal Colon College Gallery, Cuernavaca, Morelos, Mexico. 2001 Everything's a test, Morelos Center for the Arts, Cuernavaca, Morelos, Mexico. Collective exhibitions 2014 On the threshold, Faculty of Arts, University of the State of Morelos Cuernavaca,Morelos, Mexico. Nuclear winter, Invasor gallery, Cuernavaca, Morelos, Mexico. Art at home, Mycellium Ingenium, Mexico DF Give me the Power, City Museum, Cuernavaca, Morelos, Mexico. 2013 Give me the Power, Legislative Palace of San Lazaro, Mexico, DF Open Studio, Banff Centre, Banff, Canada 2012 Carnavalesco, 51 exhibition floor Torre Mayor, Mexico. DF Transfem; online exposure Mexican Museum of Women Artists. http://museodemujeres.com Eight, Borda Garden, Cuernavaca, Morelos, Mexico. 2011 South Mort, Anahuacalli Museum, Mexico. DF An artistic journey Morelos-Miami Cultural Institute of Mexico in Miami, Mimai, FL. Day of multimedia, Morelos Center for the Arts, Cuernavaca, Morelos. Mexico. Process 730, Museum of the city of Cuernavaca, Cuernavaca, Morelos, Mexico. 2010 Passwords cycle 9 Video Mexican, Montehermoso Cultural Center of the City of Vitoria, Spain. Re-visions videos and discussion tribute to video artist Pola Weiss, Museo Carrillo Gil, Mexico City (Ready) Media: media archeology and invention in Mexico, Laboratorio Arte Alameda, Mexico City. XXX National Competition Young Art Aguascalientes, Museum of Contemporary Art Aguascalientes, Aguascalientes, Mexico. 2009 Creation in motion, Hospicio Cabanas, Guadalajara, Mexico. Steer market is not sold or bought, Market Buenavista, Cuernavaca,Morelos, Mexico. 2008 Play, Cineclub El Pochote, Oaxaca, Mexico. MUMA, Online Exhibition Mexican Museum of Women Artists.www.museodemujeres.com 2007 Parallel, Secretary of Finance, State UniversityMexico. 2006 WTC, Artfest, WTC, Mexico City.Third National Biennial of Visual Arts Yucatan, Merida, Mexico. Summer Showcase, Borda Garden, Cuernavaca, Morelos. Local Code Muros Cultural Center, Cuernavaca, Morelos. Coyote Ugly, Tunel 55, Cuernavaca, Morelos. 2005 Ruta Correa Gallery, Freinburg, Germany. Ruta Correa Gallery, Art Frankfurt Germany. About ... 2004, National Arts Centre, Mexico DF Second Biennial of Visual Arts Yucatan, Merida, Yucatan, Mexico. Creation in Motion, Museum of the City, Querétaro, Querétaro. Mexico. Video Festival, Film Launge Anonymous, Cholula, Puebla, Mexico. Recipes of hope, atomic Eye Gallery, Madrid, Spain. Death book, confussion Group, Baktum, New York, USA 2003 From the chest to the navel, Borda Garden, Cuernavaca, Morelos, Mexico. Three Dimensional, Morelense Gallery Center for the Arts. Mexico. The rector is innocent, Autonomous University of the State of Morelos. Six pack, Space, Aragon and Leon, Cuernavaca, Morelos. Mexico. 2002 First Biennial of Visual Arts Yucatan, Merida, Yucatan. Mexico. Fourth freedom art contest, Querétaro, Querétaro. Mexico. Steamed, E21 Space Gallery, Cuernavaca, Morelos. Mexico. 2001 The last and we go, Morelos Center for the Arts. Mexico Poetry 2000 the Zocalo, Mexico Zocalo, Mexico City My Bed, Casa del Lago, Chapultepec, Mexico City 1st Sample Performance and Installation, Borda Garden, Cuernavaca, Mor. Mexico. 1999 A motion itself, Morelos Center for the Arts, Cuernavaca, Morelos. Mexico. Awards 2013 Banff Centre Residence, Banff Canada. 2011-2012 Young Artists Scholarship, FONCA, Sculpture category. 2010 XXX Aguascalientes National Youth Art Contest, Honorable Mention. 2008-2009 Young Artists Scholarship, FONCA. Video category 2004-2005 Young Artists Scholarship, FOECA of Morelos. Sculpture category. 2003-2004 Young Artists Scholarship, FONCA. Alternative Media category. 2002 Fourth Freedom Art Contest, Honorable Mention, Querétaro, Querétaro. Mexico. 2002 -2003 Young Artists Scholarship , FOECA the State of Morelos. Sculpture category. Collections Collection Ministry of Culture of the State of Morelos.

Paola Esquivel Silva
EL ATASQUE

Artist Paola Esquivel Silva
Year 2005
Duration 2:00 min
Technical info Hi 8 video
Contact

About the video

The descriptions of sexual intercourse are viewed from a distant land, to a different scale, as if I were a child playing. It is not a child's viewpoint, although this view is built from there. The first video, The bread of life, is an idealized vision where two dolls (my parents), made by me from puff pastry with branding of their personal characteristics. Dolls perform a sexual act with music in the background, while the song says, "Love is the bread of life." In the following videos; The monster and The Jam, my mother Aydeé participates actively, she made her own dolls representing my father and even herself, the video shows a realistic scene unfolding on the kitchen table, as the background music disappears, leaving only comments afloat between her and me, dealing with the production of the piece. This set a communication channel that allowed me to delve into the history of my origin in a playful way and to confront my idealized vision. Huevito, “egg” is a video where I represent my chimuelo (toothless) father.

Paola Esquivel Silva - EL ATASQUE
The descriptions of sexual intercourse are viewed from a distant land, to a different scale, as if I were a child playing. It is not a child's viewpoint, although this view is built from there. The first video, The bread of life, is an idealized vision where two dolls (my parents), made by me from puff pastry with branding of their personal characteristics. Dolls perform a sexual act with music in the background, while the song says, Love is the bread of life. In the following videos; The monster and The Jam, my mother Aydeé participates actively, she made her own dolls representing my father and even herself, the video shows a realistic scene unfolding on the kitchen table, as the background music disappears, leaving only comments afloat between her and me, dealing with the production of the piece. This set a communication channel that allowed me to delve into the history of my origin in a playful way and to confront my idealized vision. Huevito, “egg” is a video where I represent my chimuelo (toothless) father.

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.