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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Paulo Bruscky

Works


Galleries

Galeria Nara Roesler
01449-001 São Paulo, SP
Brazil

Phone: 55 (11) 3063 2344
E-Mail: info@nararoesler.com.br




Biography

Born 1949 in Recife
Lives and works in Recife

Solo exhibitions

2013
Foto/linguagens. Amparo 60, Recife, Brazil
Art is our last hope. The Bronx Museum, New York, USA
Plataforma Bogotá, Bogotá, Colombia

2012
Banco de ideias, Instituto Tomie Ohtake, São Paulo, Brazil

2011
Arte Correio – exposição retrospectiva. Centro Cultural dos Correios, Recife, Brazil

2010
Entreimagens. Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brazil
Paulo Bruscky: uma obra sem original. Museu de Arte da Pampulha, Belo Horizonte, Brazil
Arquiteturas do imaginário. Galeria do SESC, Garanhuns, Brazil

2009
Poiesis – contexto e limiar. Galeria Nara Roesler, São Paulo, Brazil

2008
Galeria Cilindro, Campina Grande, Brazil

2007
Ars brevis. Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil
De homens, máquinas e sonhos. Amparo 60 Galeria de Arte, Recife, Brazil

2006
Caution, work in Progress 1980. Galeria Pierre Verger, Salvador, Brazil

2005
Paulo Bruscky: poemas visuais. Micro Galeria Sechiisland, Rio Claro, Brazil
Projetos e propostas. Galeria Iberê Camargo, Centro Cultural Usina do
Gasômetro, Porto Alegre, Brazil

2003
A mostra grátis: especial Paulo Bruscky. Espaço Cultural Sérgio Porto, Rio de
Janeiro, Brazil

2002
Agora agora/agora Rio de Janeiro. Agência Agora, Rio de Janeiro, Brazil
Ima/gens. Galeria Vicente do Rego Monteiro, Recife, Brazil

2001
Entre a arte e o sonho. Observatório Cultural Malakoff, Recife, Brazil

1996
Livrobjetobraberta. Galeria Vicente do Rego Monteiro, Recife, Brazil

1994
Assim se fax arte, Mostra Visual de Poesia Brasileira. Escola Técnica Federal de Campos, Campos dos Goytacazes, Brazil

1989
Books by artist: Paulo Bruscky. Guy Schraenen Contemporary Art / Publications Archive, Antwerpen, Belgium

1988
Objetos poéticos. Praça do Sebo, Recife, Brazil
Esculturas do acaso. Galeria Metropolitana de Arte Aloísio Magalhães, Recife, Brazil
Guerreiros. Galeria Metropolitana de Arte Aloísio Magalhães, Recife, Brazil

1986
Galeria Metropolitana de Arte Aloísio Magalhães, Recife, Brazil

1985
O meu cérebro desenha assim. Centro de Convenções, Olinda, Brazil
Pelos nossos desaparecidos. Galeria Espaço Cento e Noventa, Olinda, Brazil
Arte postal de Paulo Bruscky: 1973-1985. Escritório de Arte Postal, Centro Cultural São Paulo, São Paulo, Brazil
Xerografias coloridas de Paulo Bruscky. Galeria da Casa de Cultura, Florianópolis, Brazil
Xerox colorida de Paulo Bruscky. Paço das Artes, São Paulo, Brazil
Livrobjetobraberta. SESC Santo Amaro, Recife, Brazil; SESC Guaranhuns, Garanhuns, Brazil; SESC Caruaru, Caruaru, Brazil
Os passageiros. [simultaneous solo exhibitions of visual poetry in outdoors (ARTDOOR) in 22 Brazilian cities, turning Brazil into an exhibition space from October 16 to October 30]

1984
Livrobjetobraberta. Livraria Livro 7, Recife, Brazil
Projetos e propostas de Paulo Bruscky. Galeria de Arte do Núcleo de Arte e Cultura da Universidade Federal do Rio Grande do Norte, Natal, Brazil

1983
Xerografias coloridas de Paulo Bruscky. Espaço Cultural José Lins do Rego, João Pessoa, Brazil; Galeria Metropolitana de Arte Aloísio Magalhães, Recife, Brazil
Sala Paulo Bruscky. Núcleo de Arte e Cultura da Universidade Federal do Rio Grande do Norte, Natal, Brazil

1981
Arte sem original. Pinacoteca do Estado de São Paulo, São Paulo, Brazil
Mostra de arte correio de Paulo Bruscky. Café Passacale, Recife, Brazil

1980
Arte postal / Paulo Bruscky. Café Paris, São Paulo, Brazil
Exercícios. Museu do Estado de Pernambuco, Recife, Brazil

1979
Paulo Bruscky mostra arte postal, filmes, projetos e publicações. Espaço NO, Porto Alegre, Brazil

1974
Ex-posição-objetos. Museu de Arte Contemporânea de Pernambuco, Olinda, Brazil

1971
Galeria da Emetur, Recife, Brazil

Group exhibitions

2014
À sua saúde. Museu Nacional de Brasília Honestino Guimarães, Brasília, Brazil
Prática portátil. Galeria Nara Roesler, São Paulo, Brazil

2013
30 x Bienal. Fundação Bienal de São Paulo, São Paulo, Brazil
Reinventando o mundo. Museu Vale, Vila Velha, Brazil
Mitologias por procuração. Museu de Arte Moderna de São Paulo, São Paulo, Brazil
Insurgencias urbanas. Document Art Gallery, Buenos Aires, Argentina
Bola na rede. Funarte, Brasília, Brazil
Obranome III. Mosteiro de Alcobaça, Alcobaça, Portugal
Acervo. Casa da Cultura da América Latina, Universidade de Brasília, Brasília, Brazil
As tramas do tempo na arte contemporânea: estética ou poética?. Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil
In cloud country. Harewood House, Leeds, England
Algunas lagunas. Proyecto Paralelo, Mexico D.F., Mexico

2012
A gênese do Gabinete do Desenho. Gabinete do Desenho, São Paulo, Brazil
É preciso confrontar as imagens vagas com os gestos claros. Oficina Cultural Oswald de Andrade, São Paulo, Brazil
Perder la forma humana. Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Mediations Biennale 2012. Mediations Biennale Foundation, Poznan, Poland
Entre Trópicos: 46?05”: Cuba/Brasil. Caixa Cultural, Rio de Janeiro, Brazil
Trienal Poli/Gráfica de San Juan. San Juan, Puerto Rico

2011
Exposição arte postal. Clube Filatélico e Numismático de Poços de Caldas, Poços de Caldas, Brazil
Frames and documents: conceptualist practices. Cisneros Fontanals Art Foundation, Miami, USA
O colecionador de sonhos. Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil
Rituals of the art world. Mini Goethe Institut Curatorial Residencies Ludlow 38, New York, USA
Ordem e progresso: vontade construtiva na arte brasileira, Museu de Arte Moderna de São Paulo, São Paulo, Brazil
Sistemas, acciones y procesos: 1965-1975. Fundación Proa, Buenos Aires, Argentina

2010
29ª Bienal Internacional de São Paulo. Fundação Bienal de São Paulo, São Paulo, Brazil
Bienal Brasileira de Design. Curitiba, Brazil
A arte postal da 16ª Bienal de São Paulo. Centro Cultural São Paulo, São Paulo, Brazil
TÉKHNE - dos multimeios à arte digital. Museu de Arte Brasileira da Fundação Armando Álvares Penteado, São Paulo, Brazil
Press art. Museum der Moderne, Salzburg, Austria
Contidonãocontido. Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil
Cine a contracorriente: Latinoamérica y España. Centro de Cultura Contemporánea, Barcelona, Spain
Optimismo radical. Josée Bienvenue Gallery, New York, USA

2009
X Bienal de la Habana. Havana, Cuba

2008
Panorama dos panoramas. Museu de Arte Moderna de São Paulo, São Paulo, Brazil

2007
Futuro do presente. Itaú Cultural, São Paulo, Brazil
Anos 70 - arte como questão. Instituto Tomie Ohtake, São Paulo, Brazil
Tecnopoéticas. Espaço Cultural Marcantonio Vilaça, Brasília, Brazil
Jardim do poder. Centro Cultural Banco do Brasil, Brasília, Brazil

2006
Sinais na pista, Museu Imperial, Petrópolis, Brazil
Arte e neurociência. Centro de Convenções de Pernambuco, Recife, Brazil

2005
O corpo na arte contemporânea brasileira. Itaú Cultural, São Paulo, Brazil

2004
26ª Bienal Internacional de São Paulo. Fundação Bienal de São Paulo, São Paulo, Brazil
Divergências tecnológicas, Emoção Art.ficial 2.0. Itaú Cultural, São Paulo, Brazil
Coleção MAMAM. Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil

2003
Arte e sociedade: uma relação polêmica. Itaú Cultural, São Paulo, Brazil
A subversão dos meios. Itaú Cultural, São Paulo, Brazil
Ver de novo/ver o novo. Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil
Imagética. Casa Romário Martins, Curitiba, Brazil

2002
27º Panorama de Arte Atual Brasileira. Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil; Museu de Arte Moderna da Bahia, Salvador, Brazil
Brazilian visual poetry. Mexic-Arte Museum, Austin, USA
Caminhos do contemporâneo. Paço Imperial, Rio de Janeiro, Brazil

2001
27º Panorama de Arte Atual Brasileira. Museu de Arte Moderna de São Paulo, São Paulo, Brazil
Prêmio Sergio Motta. Instituto Sergio Motta, São Paulo, Brazil
Mistura + confronto. Estação Elétrica do Freixo, Porto, Portugal
(Quase) efêmera arte. Itaú Cultural, Campinas, Brazil

2000
Arte conceitual e conceitualismos: anos 70 no acervo do MAC/USP. Galeria
de Arte do SESI, São Paulo, Brazil
Situações: arte brasileira anos 70. Fundação Casa França-Brasil, Rio de
Janeiro, Brazil
LibrArt – Mail Art Show, 13 Salon International d'Art Contemporain à Libramont, Libramont, Belgium
Exposição Internacional de Poesia Visual. Centro de Arte Moderno, Quilmes,
Argentina

1999
Second wrap – a mail art project for Christo. Taubenturm, Diessen am
Ammersee, Germany

1998
A point of view – visual poetry: the 90s. The Kaliningrad State Centre for
Contemporary Art, Kaliningrad, Russia
La arte de los libros de artista. Instituto de Artes Gráficas de Oaxaca, Oaxaca, Mexico

1997
3 Salon Internal Du Collage a Paris. Artcolle, Paris, France

1996
II Bienal de Arte y Comunicación a Distancia. Casa Del Arte El Viejo Módulo, Pedregal, Panama
One-man exhibition “rubber stamp”. Stamp Art Gallery, San Francisco, USA
Homage to Ray Johnson, Mail Art Show. Warhol Family Museum of Modern
Art, Medzilborce, Slovakia

1995
PISA 95. Palazzo Gambacorti, Pisa, Itália
Visual art poetry 1985-1995. Balaton Museum, Budapest, Hungary

1994
Bienal Brasil Século XX. Fundação Bienal de São Paulo, São Paulo, Brazil
Via fax. Museu do Telephone, Rio de Janeiro, Brazil
Fax heart, Fax Art Show. Xerox Parc, Palo Alto, USA

1993
Montage 93 International Festival of the Image. Mercer Gallery, Monroe
Community College, Rochester, USA

1992
Juan Gris: una mirada tecnológica. Fundación de Arte y Tecnologia de
Madrid, Madrid, Spain

1991
Projeto: 100 anos de Paulista. Casa das Rosas, São Paulo, Brazil

1989
20ª Bienal Internacional de São Paulo. Fundação Bienal de São Paulo, São Paulo, Brazil

1988
1ª Mostra Internacional de Poesia Visual de São Paulo. Centro Cultural São Paulo, São Paulo, Brazil

1987
Palavra imágica. Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil

1986
7th International Impact Art Festival. Kyoto City Museum, Kyoto, Japan

1985
Tendências do livro de artista no Brasil. Centro Cultural São Paulo,
São Paulo, Brazil
Arte novos meios/multimeios: Brasil 70/80. Museu de Arte Brasileira da Fundação
Armando Álvares , São Paulo, Brazil
8º Salão Nacional de Artes Plásticas. Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil
Tendências do livro de artista no Brasil. Galeria de Arte da Universidade
Federal Fluminense, Niterói, Brazil

1984
Arte xerox Brasil. Pinacoteca do Estado de São Paulo, São Paulo, Brazil
15º Panorama de Arte Atual Brasileira. Museu de Arte Moderna de São Paulo, São Paulo, Brazil
Intervenções no espaço urbano. Galeria Sérgio Milliet, Funarte, Rio de
Janeiro, Brazil

1983
Xerografia: amostragem brasileira. Universidade de São Paulo, Ribeirão Preto, Brazil
36º Salão de Artes Plásticas de Pernambuco. Museu do Estado de
Pernambuco, Recife, Brazil

1981
16ª Bienal Internacional de São Paulo. Fundação Bienal de São Paulo, São Paulo, Brazil

1980
Xeroxarte. Museu do Estado de Pernambuco, Recife, Brazil

1977
Poéticas visuais. Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil

1976
Aquisições e doações recentes. Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil
1º Arte Agora. Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil

1973
22º Salão Nacional de Arte Moderna. Rio de Janeiro, Brazil
30º Salão Paranaense. Teatro Guaíra, Curitiba, Brazil

1969
28º Salão Anual de Pintura. Museu do Estado de Pernambuco, Recife, Brazil
2º Jovem Arte Contemporânea. Museu de Arte do Rio Grande do Sul Ado
Malagoli, Porto Alegre, Brazil

Public collections

Bronx Museum, New York, USA
Museu d'Art Contemporani de Barcelona, Barcelona, Spain
Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil
Museu de Arte Contemporânea de Pernambuco, Olinda, Brazil
Museu de Arte Contemporânea do Dragão do Mar, Fortaleza, Brazil
Museu de Arte Contemporânea do Rio Grande do Sul Ado Malagoli, Porto Alegre, Brazil
Museu de Arte da Pampulha, Belo Horizonte, Brazil
Museu de Arte da Universidade Federal do Paraná, Curitiba, Brazil
Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil
Stedelijk Museum, Amsterdam, the Netherlands
Museu de Arte Moderna de São Paulo, São Paulo, Brazil
Museu do Estado de Pernambuco, Recife, Brazil
Museum of Modern Art, New York, USA
Tate Modern, London, England

Paulo Bruscky
Born 1949 in Recife Lives and works in Recife Solo exhibitions 2013 Foto/linguagens. Amparo 60, Recife, Brazil Art is our last hope. The Bronx Museum, New York, USA Plataforma Bogotá, Bogotá, Colombia 2012 Banco de ideias, Instituto Tomie Ohtake, São Paulo, Brazil 2011 Arte Correio – exposição retrospectiva. Centro Cultural dos Correios, Recife, Brazil 2010 Entreimagens. Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brazil Paulo Bruscky: uma obra sem original. Museu de Arte da Pampulha, Belo Horizonte, Brazil Arquiteturas do imaginário. Galeria do SESC, Garanhuns, Brazil 2009 Poiesis – contexto e limiar. Galeria Nara Roesler, São Paulo, Brazil 2008 Galeria Cilindro, Campina Grande, Brazil 2007 Ars brevis. Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil De homens, máquinas e sonhos. Amparo 60 Galeria de Arte, Recife, Brazil 2006 Caution, work in Progress 1980. Galeria Pierre Verger, Salvador, Brazil 2005 Paulo Bruscky: poemas visuais. Micro Galeria Sechiisland, Rio Claro, Brazil Projetos e propostas. Galeria Iberê Camargo, Centro Cultural Usina do Gasômetro, Porto Alegre, Brazil 2003 A mostra grátis: especial Paulo Bruscky. Espaço Cultural Sérgio Porto, Rio de Janeiro, Brazil 2002 Agora agora/agora Rio de Janeiro. Agência Agora, Rio de Janeiro, Brazil Ima/gens. Galeria Vicente do Rego Monteiro, Recife, Brazil 2001 Entre a arte e o sonho. Observatório Cultural Malakoff, Recife, Brazil 1996 Livrobjetobraberta. Galeria Vicente do Rego Monteiro, Recife, Brazil 1994 Assim se fax arte, Mostra Visual de Poesia Brasileira. Escola Técnica Federal de Campos, Campos dos Goytacazes, Brazil 1989 Books by artist: Paulo Bruscky. Guy Schraenen Contemporary Art / Publications Archive, Antwerpen, Belgium 1988 Objetos poéticos. Praça do Sebo, Recife, Brazil Esculturas do acaso. Galeria Metropolitana de Arte Aloísio Magalhães, Recife, Brazil Guerreiros. Galeria Metropolitana de Arte Aloísio Magalhães, Recife, Brazil 1986 Galeria Metropolitana de Arte Aloísio Magalhães, Recife, Brazil 1985 O meu cérebro desenha assim. Centro de Convenções, Olinda, Brazil Pelos nossos desaparecidos. Galeria Espaço Cento e Noventa, Olinda, Brazil Arte postal de Paulo Bruscky: 1973-1985. Escritório de Arte Postal, Centro Cultural São Paulo, São Paulo, Brazil Xerografias coloridas de Paulo Bruscky. Galeria da Casa de Cultura, Florianópolis, Brazil Xerox colorida de Paulo Bruscky. Paço das Artes, São Paulo, Brazil Livrobjetobraberta. SESC Santo Amaro, Recife, Brazil; SESC Guaranhuns, Garanhuns, Brazil; SESC Caruaru, Caruaru, Brazil Os passageiros. [simultaneous solo exhibitions of visual poetry in outdoors (ARTDOOR) in 22 Brazilian cities, turning Brazil into an exhibition space from October 16 to October 30] 1984 Livrobjetobraberta. Livraria Livro 7, Recife, Brazil Projetos e propostas de Paulo Bruscky. Galeria de Arte do Núcleo de Arte e Cultura da Universidade Federal do Rio Grande do Norte, Natal, Brazil 1983 Xerografias coloridas de Paulo Bruscky. Espaço Cultural José Lins do Rego, João Pessoa, Brazil; Galeria Metropolitana de Arte Aloísio Magalhães, Recife, Brazil Sala Paulo Bruscky. Núcleo de Arte e Cultura da Universidade Federal do Rio Grande do Norte, Natal, Brazil 1981 Arte sem original. Pinacoteca do Estado de São Paulo, São Paulo, Brazil Mostra de arte correio de Paulo Bruscky. Café Passacale, Recife, Brazil 1980 Arte postal / Paulo Bruscky. Café Paris, São Paulo, Brazil Exercícios. Museu do Estado de Pernambuco, Recife, Brazil 1979 Paulo Bruscky mostra arte postal, filmes, projetos e publicações. Espaço NO, Porto Alegre, Brazil 1974 Ex-posição-objetos. Museu de Arte Contemporânea de Pernambuco, Olinda, Brazil 1971 Galeria da Emetur, Recife, Brazil Group exhibitions 2014 À sua saúde. Museu Nacional de Brasília Honestino Guimarães, Brasília, Brazil Prática portátil. Galeria Nara Roesler, São Paulo, Brazil 2013 30 x Bienal. Fundação Bienal de São Paulo, São Paulo, Brazil Reinventando o mundo. Museu Vale, Vila Velha, Brazil Mitologias por procuração. Museu de Arte Moderna de São Paulo, São Paulo, Brazil Insurgencias urbanas. Document Art Gallery, Buenos Aires, Argentina Bola na rede. Funarte, Brasília, Brazil Obranome III. Mosteiro de Alcobaça, Alcobaça, Portugal Acervo. Casa da Cultura da América Latina, Universidade de Brasília, Brasília, Brazil As tramas do tempo na arte contemporânea: estética ou poética?. Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil In cloud country. Harewood House, Leeds, England Algunas lagunas. Proyecto Paralelo, Mexico D.F., Mexico 2012 A gênese do Gabinete do Desenho. Gabinete do Desenho, São Paulo, Brazil É preciso confrontar as imagens vagas com os gestos claros. Oficina Cultural Oswald de Andrade, São Paulo, Brazil Perder la forma humana. Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain Mediations Biennale 2012. Mediations Biennale Foundation, Poznan, Poland Entre Trópicos: 46?05”: Cuba/Brasil. Caixa Cultural, Rio de Janeiro, Brazil Trienal Poli/Gráfica de San Juan. San Juan, Puerto Rico 2011 Exposição arte postal. Clube Filatélico e Numismático de Poços de Caldas, Poços de Caldas, Brazil Frames and documents: conceptualist practices. Cisneros Fontanals Art Foundation, Miami, USA O colecionador de sonhos. Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil Rituals of the art world. Mini Goethe Institut Curatorial Residencies Ludlow 38, New York, USA Ordem e progresso: vontade construtiva na arte brasileira, Museu de Arte Moderna de São Paulo, São Paulo, Brazil Sistemas, acciones y procesos: 1965-1975. Fundación Proa, Buenos Aires, Argentina 2010 29ª Bienal Internacional de São Paulo. Fundação Bienal de São Paulo, São Paulo, Brazil Bienal Brasileira de Design. Curitiba, Brazil A arte postal da 16ª Bienal de São Paulo. Centro Cultural São Paulo, São Paulo, Brazil TÉKHNE - dos multimeios à arte digital. Museu de Arte Brasileira da Fundação Armando Álvares Penteado, São Paulo, Brazil Press art. Museum der Moderne, Salzburg, Austria Contidonãocontido. Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil Cine a contracorriente: Latinoamérica y España. Centro de Cultura Contemporánea, Barcelona, Spain Optimismo radical. Josée Bienvenue Gallery, New York, USA 2009 X Bienal de la Habana. Havana, Cuba 2008 Panorama dos panoramas. Museu de Arte Moderna de São Paulo, São Paulo, Brazil 2007 Futuro do presente. Itaú Cultural, São Paulo, Brazil Anos 70 - arte como questão. Instituto Tomie Ohtake, São Paulo, Brazil Tecnopoéticas. Espaço Cultural Marcantonio Vilaça, Brasília, Brazil Jardim do poder. Centro Cultural Banco do Brasil, Brasília, Brazil 2006 Sinais na pista, Museu Imperial, Petrópolis, Brazil Arte e neurociência. Centro de Convenções de Pernambuco, Recife, Brazil 2005 O corpo na arte contemporânea brasileira. Itaú Cultural, São Paulo, Brazil 2004 26ª Bienal Internacional de São Paulo. Fundação Bienal de São Paulo, São Paulo, Brazil Divergências tecnológicas, Emoção Art.ficial 2.0. Itaú Cultural, São Paulo, Brazil Coleção MAMAM. Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil 2003 Arte e sociedade: uma relação polêmica. Itaú Cultural, São Paulo, Brazil A subversão dos meios. Itaú Cultural, São Paulo, Brazil Ver de novo/ver o novo. Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil Imagética. Casa Romário Martins, Curitiba, Brazil 2002 27º Panorama de Arte Atual Brasileira. Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil; Museu de Arte Moderna da Bahia, Salvador, Brazil Brazilian visual poetry. Mexic-Arte Museum, Austin, USA Caminhos do contemporâneo. Paço Imperial, Rio de Janeiro, Brazil 2001 27º Panorama de Arte Atual Brasileira. Museu de Arte Moderna de São Paulo, São Paulo, Brazil Prêmio Sergio Motta. Instituto Sergio Motta, São Paulo, Brazil Mistura + confronto. Estação Elétrica do Freixo, Porto, Portugal (Quase) efêmera arte. Itaú Cultural, Campinas, Brazil 2000 Arte conceitual e conceitualismos: anos 70 no acervo do MAC/USP. Galeria de Arte do SESI, São Paulo, Brazil Situações: arte brasileira anos 70. Fundação Casa França-Brasil, Rio de Janeiro, Brazil LibrArt – Mail Art Show, 13 Salon International d'Art Contemporain à Libramont, Libramont, Belgium Exposição Internacional de Poesia Visual. Centro de Arte Moderno, Quilmes, Argentina 1999 Second wrap – a mail art project for Christo. Taubenturm, Diessen am Ammersee, Germany 1998 A point of view – visual poetry: the 90s. The Kaliningrad State Centre for Contemporary Art, Kaliningrad, Russia La arte de los libros de artista. Instituto de Artes Gráficas de Oaxaca, Oaxaca, Mexico 1997 3 Salon Internal Du Collage a Paris. Artcolle, Paris, France 1996 II Bienal de Arte y Comunicación a Distancia. Casa Del Arte El Viejo Módulo, Pedregal, Panama One-man exhibition “rubber stamp”. Stamp Art Gallery, San Francisco, USA Homage to Ray Johnson, Mail Art Show. Warhol Family Museum of Modern Art, Medzilborce, Slovakia 1995 PISA 95. Palazzo Gambacorti, Pisa, Itália Visual art poetry 1985-1995. Balaton Museum, Budapest, Hungary 1994 Bienal Brasil Século XX. Fundação Bienal de São Paulo, São Paulo, Brazil Via fax. Museu do Telephone, Rio de Janeiro, Brazil Fax heart, Fax Art Show. Xerox Parc, Palo Alto, USA 1993 Montage 93 International Festival of the Image. Mercer Gallery, Monroe Community College, Rochester, USA 1992 Juan Gris: una mirada tecnológica. Fundación de Arte y Tecnologia de Madrid, Madrid, Spain 1991 Projeto: 100 anos de Paulista. Casa das Rosas, São Paulo, Brazil 1989 20ª Bienal Internacional de São Paulo. Fundação Bienal de São Paulo, São Paulo, Brazil 1988 1ª Mostra Internacional de Poesia Visual de São Paulo. Centro Cultural São Paulo, São Paulo, Brazil 1987 Palavra imágica. Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil 1986 7th International Impact Art Festival. Kyoto City Museum, Kyoto, Japan 1985 Tendências do livro de artista no Brasil. Centro Cultural São Paulo, São Paulo, Brazil Arte novos meios/multimeios: Brasil 70/80. Museu de Arte Brasileira da Fundação Armando Álvares , São Paulo, Brazil 8º Salão Nacional de Artes Plásticas. Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil Tendências do livro de artista no Brasil. Galeria de Arte da Universidade Federal Fluminense, Niterói, Brazil 1984 Arte xerox Brasil. Pinacoteca do Estado de São Paulo, São Paulo, Brazil 15º Panorama de Arte Atual Brasileira. Museu de Arte Moderna de São Paulo, São Paulo, Brazil Intervenções no espaço urbano. Galeria Sérgio Milliet, Funarte, Rio de Janeiro, Brazil 1983 Xerografia: amostragem brasileira. Universidade de São Paulo, Ribeirão Preto, Brazil 36º Salão de Artes Plásticas de Pernambuco. Museu do Estado de Pernambuco, Recife, Brazil 1981 16ª Bienal Internacional de São Paulo. Fundação Bienal de São Paulo, São Paulo, Brazil 1980 Xeroxarte. Museu do Estado de Pernambuco, Recife, Brazil 1977 Poéticas visuais. Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil 1976 Aquisições e doações recentes. Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil 1º Arte Agora. Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil 1973 22º Salão Nacional de Arte Moderna. Rio de Janeiro, Brazil 30º Salão Paranaense. Teatro Guaíra, Curitiba, Brazil 1969 28º Salão Anual de Pintura. Museu do Estado de Pernambuco, Recife, Brazil 2º Jovem Arte Contemporânea. Museu de Arte do Rio Grande do Sul Ado Malagoli, Porto Alegre, Brazil Public collections Bronx Museum, New York, USA Museu d'Art Contemporani de Barcelona, Barcelona, Spain Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brazil Museu de Arte Contemporânea de Pernambuco, Olinda, Brazil Museu de Arte Contemporânea do Dragão do Mar, Fortaleza, Brazil Museu de Arte Contemporânea do Rio Grande do Sul Ado Malagoli, Porto Alegre, Brazil Museu de Arte da Pampulha, Belo Horizonte, Brazil Museu de Arte da Universidade Federal do Paraná, Curitiba, Brazil Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil Stedelijk Museum, Amsterdam, the Netherlands Museu de Arte Moderna de São Paulo, São Paulo, Brazil Museu do Estado de Pernambuco, Recife, Brazil Museum of Modern Art, New York, USA Tate Modern, London, England

Paulo Bruscky
Xeroperformance

Artist Paulo Bruscky
Year 1980
Duration 0:41 min
Edition 5 + 2 AE
Technical info Super 8mm film on video
Contact
Galeria Nara Roesler
01449-001 São Paulo, SP
Brazil

Phone: 55 (11) 3063 2344
E-Mail: info@nararoesler.com.br

About the video

“Xerography is everything you cannot obtain from other means of reproducibility. They produce effects and results - intricacies - that only xerox machines can offer; a recording of the mo(ve)ment: a recording of a moment and of a movement. In every catalogue I make, I signed the xerox machine as co-author. Although I have the initial idea, the machine is the executor of my works. When working in series, the chance encounters (occurences?) that appear make me stop in the direction I am headed and start afresh a new work that has nothing to do with the original. There are many images I presumably made which I have no idea of how it was done (...). But one important aspect in xerography is that a work is never finished: possibilites never run out.” “One important aspect in xerography is that a work is never finished; the possibilities never run out. The more you go about working, the more the machine, united with chance and boldness, offers new options. It is always an open piece... I never consider a xerographic piece finished.”
Paulo Bruscky

In 1982, the Guggenheim Grant enabled Bruscky to continue exploring copy-art works at Xerox in New York, a residency that also afforded him the opportunity to make personal contact with Fluxus artists Dick Higgins and Ken Friedman as well as other mail artists, to meet John Cage, and to participate in a number of Happenings. There, he embarked in an experimentation with “xerofilms,” a new form of animation, and conducted experiments with color copiers he had little access to in Brazil. The resulting works are often layered, distorted, abstract images of the artist’s face encountering and engaging with the Xerox machine.

Paulo Bruscky - Xeroperformance
“Xerography is everything you cannot obtain from other means of reproducibility. They produce effects and results - intricacies - that only xerox machines can offer; a recording of the mo(ve)ment: a recording of a moment and of a movement. In every catalogue I make, I signed the xerox machine as co-author. Although I have the initial idea, the machine is the executor of my works. When working in series, the chance encounters (occurences?) that appear make me stop in the direction I am headed and start afresh a new work that has nothing to do with the original. There are many images I presumably made which I have no idea of how it was done (...). But one important aspect in xerography is that a work is never finished: possibilites never run out.” “One important aspect in xerography is that a work is never finished; the possibilities never run out. The more you go about working, the more the machine, united with chance and boldness, offers new options. It is always an open piece... I never consider a xerographic piece finished.”Paulo BrusckyIn 1982, the Guggenheim Grant enabled Bruscky to continue exploring copy-art works at Xerox in New York, a residency that also afforded him the opportunity to make personal contact with Fluxus artists Dick Higgins and Ken Friedman as well as other mail artists, to meet John Cage, and to participate in a number of Happenings. There, he embarked in an experimentation with “xerofilms,” a new form of animation, and conducted experiments with color copiers he had little access to in Brazil. The resulting works are often layered, distorted, abstract images of the artist’s face encountering and engaging with the Xerox machine.

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