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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Helen Benigson

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

1985 Born in London
Lives and works in London

Education

2014 DPhil Candidate (Clarendon Scholar) Ruskin School of Art, University of Oxford
2011 MA Fine Art Slade School of Fine Art, London
2009 BA, First Class Honors Slade School of Fine Art, London
2007 Exchange Semester Bezalel Academy of Art & Design, Jerusalem
2005 Art Foundation Course Central St Martins College of Art & Design, London

http://www.helenbenigson.com


Solo presentations

2015
Anxious, Stressful, Insomnia Fat Carroll / Fletcher, London

2014
Weightless Utopias
Site Gallery, Sheffield
Back in my Studio
Irma Stern Museum, Cape Town
Breathe Harder
Site-Specific Performance
Yorkshire Sculpture Park, Wakefield
PBD Hi Sushi Pop-Up
Site-Specific Performance and Installation
Hi Sushi Covent Garden, London
Travelling to Africa via a Machine Called a Sunbed
Stroud Valleys Artspace (SVA)
Site Festival, Stroud
Late Night Supermarket Shopping Live
Tenderpixel, London

2013
Performa After Hours
Performa.13, Fig.19, New York
Going 2 Africa via a Machine Called a Sunbed
Meantime Project Space, Cheltenham
Talmy
The South African Holocaust and Genocide Museum, Cape Town

2012
Talmy (Premier Screening)
UK Jewish Film Festival, The Tricycle Cinema, London
Window / Screen
8 Private Skype Performances at David Intercontinental Hotel, Tel Aviv
Palm Trees and Poker Players
James Hockey and Foyer Galleries, Public Gallery
The University of the Creative Arts, Farnham, Surrey

2011
Swimming Pool
Public Skype Performance, London West Hollywood Hotel, Los Angeles
The Future Queen of the Screen
ROLLO Contemporary Art, London

2010
Swimming to the Roses
Irma Stern Museum, Cape Town
Sweet and Sticky
20 Hoxton Square, London

2008
Milk Me
Cocomaya Chocolate Shop, London

Selected group exhibitions

2015
Tell Me Your Dream. Make it Succinct and Make it Spectacular.
The One Minutes
Curated by Claire Hooper and Paul Simon Richards
Essex Road II (forthcoming)
Tintype Gallery, London
Videonale.15 / Blink
Online Video Platform

2014
The House in the Sky
Concrete, Hayward Gallery, London
Curated by Chelsea Pettitt
Changing City, Shifting Spaces: Videonale in Lagos
Centre of Contemporary Art, Lagos
Videonale.14 on Tour
Bayerisches Haus (official partner of Goethe Institut Kiew), Odessa
Videofest 2k14
Bienal Internacional de Video y Cine Contemporáneo
Baja California, Mexico
Looking, Mediated
LUX Touring Programme
Arnofilni, Bristol, Talbot Rice Gallery, Edinburgh & Open School East,
London, Quays Mobile Cinema, Salford
Curated by Matt Carter
Open Screening
Zilkha Auditorium, Whitechapel Gallery
Where Were We
Meantime Project Space, Cheltenham
Pre-pop to Post-Human: Collage in the Digital Age
Hayward Touring, Southbank Centre
Hatton Gallery, Newcastle, Galway Festival, Ireland and other venues to
be announced
Curated by Isobel Harbison
How Can You Relate: A Case of Alienation and Closeness
LUX AAP Project
The Showroom, London
Edited by Pieternel
Vermoortel
Write After Reading
Hackney Picturehouse
Call Accept
Curated by Gavin Maughfling & Suzanne de Emmony
Bermondsey Project Space, London and Singapore
Dreamworld
The Newbridge Project, Newcastle

2013
Image Games: Ericka Beckman – Work in Context
Curated by Isobel Harbison
Tate Modern, London
Festival des Cinémas Différents et Expérimentaux de Paris
Collectif Jeune Cinema, Paris
Videonale.14 on Tour
The Central House of Artists, Moscow
Videocracy
Centre for Contemporary Art, Tel Aviv
Artroulette – A Wicked Game
Hackney Wicked, London
Techne
Hanmi Gallery, London
Curated by Toni Ferrer
Lab Film Festival
Mother Studios, London
Your Tongue, Teeth & Ultimately Your Lips
Curated by Minou Norouzi
Sheffield Fringe Festival
Bloc Projects, Sheffield
Videonale.14
Kunst Museum, Bonn

2012
The On Switch
Curated by Helen Benigson
Group screening with Elizabeth Price, Breda Beban, Emily Wardill, Claire
Hooper, Edward Thomasson, Nicole Morris, Andy Lacey, Patrica
Lennox-Boyd and Sophie Lee
Margaret Street Gallery, London
Tenderpixel Film Festival
Tenderpixel, London
The Supra-Sensorial Bin
VSR, The Victorian Vaults, London
The Body in Women’s Art Now Part 3 ReCreation,
Curated by Philippa Found
Group show with Miri Segal, Anne-Marie Schleiner, Gazira Babeli,
Travelling exhibition, showing at the New Hall Art Collection Cambridge
and ROLLO Contemporary Art, London

2011
Princess Belsize Dollar
Lucky PDF, Frieze Foundation, performance and presenter
Frieze Art Fair, London
Gewaltopia and Other Places
Curated by John Hill
Flat Time House, London
BFAMI, Contemporary Art Auction
Phillips de Pury, London
Acoustic Sessions
Curated by SHIFT Gallery
Angus Hughes Gallery, London
MA Exhibition
Slade School of Art, London
TVOD
Transition Gallery, London
Concept
Ace Gallery, Los Angeles, USA

2010
Cheltenham Film Festival
Meantime Project Space, Cheltenham
The Body in Women’s Art Now: Part 2 - Flux
Group show with Tracey Emin, Cecily Brown, Nathalie Djurberg, Tiina
Heiska and Sarah Lederman
Rollo Contemporary Art, London, travelling to the New Hall Art
Collection, University of Cambridge, Cambridge

2009
BA Degree Show
Slade School of Art London
Prints Charming
Liberty, London
My Kingdom
Space In Between, London

2008
Curated by Lior Waterman !
Bezalel Gallery, Tel Aviv
Mewswork (collaboration of 3 girls from Slade),
London
Making Mistakes
Wallis Gallery and Royal College of Art, London

Awards and residencies

2014
Clarendon Scholarship
University of Oxford
Santander Scholarship
Lady Margaret Hall, University of Oxford
Platform Residency at Site Gallery, Sheffield
Supported by The University of Sheffield
ArtAngel Open 2014, Longlisted
2013
Residency at Meantime Project Space, Cheltenham
Residency at The Irma Stern Museum, Cape Town
2012
LUX Associate Artist Program
Tenderpixel Film Festival Finalist
2011
Zabludowicz Collection Curatorial Open, Shortlisted
2005
Art Prize, The Grocers’ Company, City of London

Public collections and commissions

DAATA Editions
The Hammer Museum, Los Angeles
Irma Stern Museum, Cape Town
Videonale Online Archive, Kunst Museum, Bonn
Centre for Contemporary Art Public Archive, Tel Aviv
University of Cape Town Collection, Cape Town
Zabludowicz Collection, London

Catalogues and publications

2013
Image Games: Ericka Beckman
Tate Film
Videonale.14, Festival For Contemporary Video Art
Edited by Tasja Langenbach
Distanz
2012
Body in Women’s Art Now: Part 3 – ReCreation
ROLLO Contemporary Art
2011
The Future Queen of the Screen
ROLLO Contemporary Art
2010
The Body in Women’s Art Now: Part 2 – Flux
ROLLO Contemporary Art

Helen Benigson
1985 Born in London Lives and works in London Education 2014 DPhil Candidate (Clarendon Scholar) Ruskin School of Art, University of Oxford 2011 MA Fine Art Slade School of Fine Art, London 2009 BA, First Class Honors Slade School of Fine Art, London 2007 Exchange Semester Bezalel Academy of Art & Design, Jerusalem 2005 Art Foundation Course Central St Martins College of Art & Design, Londonhttp://www.helenbenigson.com Solo presentations 2015 Anxious, Stressful, Insomnia Fat Carroll / Fletcher, London 2014 Weightless Utopias Site Gallery, Sheffield Back in my Studio Irma Stern Museum, Cape Town Breathe Harder Site-Specific Performance Yorkshire Sculpture Park, Wakefield PBD Hi Sushi Pop-Up Site-Specific Performance and Installation Hi Sushi Covent Garden, London Travelling to Africa via a Machine Called a Sunbed Stroud Valleys Artspace (SVA) Site Festival, Stroud Late Night Supermarket Shopping Live Tenderpixel, London 2013 Performa After Hours Performa.13, Fig.19, New York Going 2 Africa via a Machine Called a Sunbed Meantime Project Space, Cheltenham Talmy The South African Holocaust and Genocide Museum, Cape Town 2012 Talmy (Premier Screening) UK Jewish Film Festival, The Tricycle Cinema, London Window / Screen 8 Private Skype Performances at David Intercontinental Hotel, Tel Aviv Palm Trees and Poker Players James Hockey and Foyer Galleries, Public Gallery The University of the Creative Arts, Farnham, Surrey 2011 Swimming Pool Public Skype Performance, London West Hollywood Hotel, Los Angeles The Future Queen of the Screen ROLLO Contemporary Art, London 2010 Swimming to the Roses Irma Stern Museum, Cape Town Sweet and Sticky 20 Hoxton Square, London 2008 Milk Me Cocomaya Chocolate Shop, London Selected group exhibitions 2015 Tell Me Your Dream. Make it Succinct and Make it Spectacular. The One Minutes Curated by Claire Hooper and Paul Simon Richards Essex Road II (forthcoming) Tintype Gallery, London Videonale.15 / Blink Online Video Platform 2014 The House in the Sky Concrete, Hayward Gallery, London Curated by Chelsea Pettitt Changing City, Shifting Spaces: Videonale in Lagos Centre of Contemporary Art, Lagos Videonale.14 on Tour Bayerisches Haus (official partner of Goethe Institut Kiew), Odessa Videofest 2k14 Bienal Internacional de Video y Cine Contemporáneo Baja California, Mexico Looking, Mediated LUX Touring Programme Arnofilni, Bristol, Talbot Rice Gallery, Edinburgh & Open School East, London, Quays Mobile Cinema, Salford Curated by Matt Carter Open Screening Zilkha Auditorium, Whitechapel Gallery Where Were We Meantime Project Space, Cheltenham Pre-pop to Post-Human: Collage in the Digital Age Hayward Touring, Southbank Centre Hatton Gallery, Newcastle, Galway Festival, Ireland and other venues to be announced Curated by Isobel Harbison How Can You Relate: A Case of Alienation and Closeness LUX AAP Project The Showroom, London Edited by Pieternel Vermoortel Write After Reading Hackney Picturehouse Call Accept Curated by Gavin Maughfling & Suzanne de Emmony Bermondsey Project Space, London and Singapore Dreamworld The Newbridge Project, Newcastle 2013 Image Games: Ericka Beckman – Work in Context Curated by Isobel Harbison Tate Modern, London Festival des Cinémas Différents et Expérimentaux de Paris Collectif Jeune Cinema, Paris Videonale.14 on Tour The Central House of Artists, Moscow Videocracy Centre for Contemporary Art, Tel Aviv Artroulette – A Wicked Game Hackney Wicked, London Techne Hanmi Gallery, London Curated by Toni Ferrer Lab Film Festival Mother Studios, London Your Tongue, Teeth & Ultimately Your Lips Curated by Minou Norouzi Sheffield Fringe Festival Bloc Projects, Sheffield Videonale.14 Kunst Museum, Bonn 2012 The On Switch Curated by Helen Benigson Group screening with Elizabeth Price, Breda Beban, Emily Wardill, Claire Hooper, Edward Thomasson, Nicole Morris, Andy Lacey, Patrica Lennox-Boyd and Sophie Lee Margaret Street Gallery, London Tenderpixel Film Festival Tenderpixel, London The Supra-Sensorial Bin VSR, The Victorian Vaults, London The Body in Women’s Art Now Part 3 ReCreation, Curated by Philippa Found Group show with Miri Segal, Anne-Marie Schleiner, Gazira Babeli, Travelling exhibition, showing at the New Hall Art Collection Cambridge and ROLLO Contemporary Art, London 2011 Princess Belsize Dollar Lucky PDF, Frieze Foundation, performance and presenter Frieze Art Fair, London Gewaltopia and Other Places Curated by John Hill Flat Time House, London BFAMI, Contemporary Art Auction Phillips de Pury, London Acoustic Sessions Curated by SHIFT Gallery Angus Hughes Gallery, London MA Exhibition Slade School of Art, London TVOD Transition Gallery, London Concept Ace Gallery, Los Angeles, USA 2010 Cheltenham Film Festival Meantime Project Space, Cheltenham The Body in Women’s Art Now: Part 2 - Flux Group show with Tracey Emin, Cecily Brown, Nathalie Djurberg, Tiina Heiska and Sarah Lederman Rollo Contemporary Art, London, travelling to the New Hall Art Collection, University of Cambridge, Cambridge 2009 BA Degree Show Slade School of Art London Prints Charming Liberty, London My Kingdom Space In Between, London 2008 Curated by Lior Waterman ! Bezalel Gallery, Tel Aviv Mewswork (collaboration of 3 girls from Slade), London Making Mistakes Wallis Gallery and Royal College of Art, London Awards and residencies 2014 Clarendon Scholarship University of Oxford Santander Scholarship Lady Margaret Hall, University of Oxford Platform Residency at Site Gallery, Sheffield Supported by The University of Sheffield ArtAngel Open 2014, Longlisted 2013 Residency at Meantime Project Space, Cheltenham Residency at The Irma Stern Museum, Cape Town 2012 LUX Associate Artist Program Tenderpixel Film Festival Finalist 2011 Zabludowicz Collection Curatorial Open, Shortlisted 2005 Art Prize, The Grocers’ Company, City of London Public collections and commissions DAATA Editions The Hammer Museum, Los Angeles Irma Stern Museum, Cape Town Videonale Online Archive, Kunst Museum, Bonn Centre for Contemporary Art Public Archive, Tel Aviv University of Cape Town Collection, Cape Town Zabludowicz Collection, London Catalogues and publications 2013 Image Games: Ericka Beckman Tate Film Videonale.14, Festival For Contemporary Video Art Edited by Tasja Langenbach Distanz 2012 Body in Women’s Art Now: Part 3 – ReCreation ROLLO Contemporary Art 2011 The Future Queen of the Screen ROLLO Contemporary Art 2010 The Body in Women’s Art Now: Part 2 – Flux ROLLO Contemporary Art

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