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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Naho Kawabe

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Naho Kawabe shows us the world quasi in another aggregate state: not in its physical solidness, but rather in a transitory, ephemeral state, which also finds expression in her penchant for materials such as, for instance, coal dust.


Ludwig Seyfarth


Biography

born 1976 Fukuoka, Japan,
live and work in Hamburg, Germany

Education

1995 – 1999 Musashino Art Universität Tokyo, Bachelor
1999 - 2001 Tutor an der Musashino Art Universität, Tokyo, Bereich: Medienkunst
2006 University of Fine Arts of Hamburg, Diplom

Solo exhibitions

2014
piece, piece (with Jane Brucker), Port Gallery T, Osaka (JP), Cat.

2013
Observer Effect, Wassermühle Trittau (De), Cat.
Observer Effect, Galerie du Tabluau, Marseille (Fr)
relation unscharf, STORE contemporary, Dresden (De)

2012
Blüthenstaub, Port Gallery T, Osaka (Jp)

2011
Open Secret, Shiseido Gallery, Tokyo (Jp), Cat.

2010
Most things happen in the interval, Port Gallery T, Osaka (Jp), Cat.

2009 S
Stipendiaten Art (with Anne Rinn), Johann-Friedrich-Danneil-Museum, Salzwedel (De)

2005
Helgoland, Gallery IAF SHOP*, Fukuoka (Jp)

2004
dem Anschein nach, Einstellungsraum e.V., Hamburg (De), Cat.

Group exhibitions

2015
Sudden Change of Idea. An Exibition on Comperative Study between Chinese and German Conceptual Art, Union Art Museum, Wuhan (CN), Cat.
Von Wörtern und Räumen, Galerie im Marstall, Ahrensburg (DE), Cat.
presente – Interchange & Commrntary III, frapant, Hamburg (DE)

2014
IN SEARCH OF CRITICAL IMAGINATION, Fukuoka Art Museum, (JP), Cat.
Notausgang am Horizont, 8. Kunstfrühling, Bremen (DE), Cat.
How Modular Is Now?, Künstlerhaus Sootbörn, Hamburg (DE)
Can I ask you personal question?, Sichuan University Art Gallery, Chengdu (CN)
Bien Merci, Galerie Le Couer, Cologne (DE)

2013
... und Hamburg, was glaubst Du?, Kunsthaus Hamburg (De)
ONE YEAR, Galerie Marstall, Ahrensburg (G)

2012
boesner art award 2012, Märkisches Museum Witten (DE), Cat.
Moving Surface, Künstlerforum, Bonn (De)
Video Violence, Kunsthaus Dresden (DE)

2011
Archive und Geschichte(n), Hamburger Kunsthalle/Galerie der Gegenwart (De)
JCE: Jeune Creéation Européenne, with The Bee to Bee Net, Paris u.a. Cat.
INDEX 11, Hamburg (De), Cat.

2010
Versus Whiteout as The Bee to Bee Net, Kunsthaus, Hamburg (De), Cat.
come into sight, Port Gallery T, Osaka (Jp)

2009
The Bee to Bee Net, Künstlerhaus Sootbörn, Hamburg (De), Cat.
Twinism. 20 years partnercity Hamburg/Osaka, Kunsthaus Hamburg / AD&A Gallery, Osaka (De/Jp), Cat

2008
The Bee to Bee Net meets hulahoop, Gallery hulahoop, Hongkong (Cn)
Einlandung, Mecklenburgisches Künstlerhaus Schloss Plüschow (De)
Wir nennen es Hamburg, Kunstverein in Hamburg (De), Cat.

2007
Lebe wohl. Suizidalität, Kunst und Gesellschaft, Kunsthaus Hamburg (De) INDEX 07, Hamburg (De), Cat.

2006
Migration Addict, Sculpture squer, Singapore (Sg)
Joint the dots, Ben Kaufmann Gallery,Berlin (De)
Plattform#3, Kunstverein Hannover (De)

2005
Wintergarden, Raboisen, Hamburg (De)
Migration Addict, Warehouse, Shanghai (Cn), Cat.

2003
Sweet Tune, Hotel Stadt Altona, Hamburg (De)

2000
KROM, Setagaya Museum Gallery, Tokyo (Jp)

1998
World Wide Network Art, Asahi Super Dry Hall, Tokyo (Jp).

Festivals, video-screenings

2015 Performance, Artville/Dockvillefestival, Hamburg (DE)
Video Screening, Transit. Über Medialität und Bewegung (kuratiert von Elke Kania), Venedig (IT)
2013 Video Screening, Schwanken und Verschwinden (kuratiert von Ludwig Seyfarth), Via Pietro Garzoni 5, Venedig (IT)
Video Screening, MEDIA MATTERS (kuratiert von Elke Kania) Museum Folkwang, Essen (DE)
2011 Online-Performance-Session, POW! FOLD Gallery, London (Gb)
2010 Kongress für Anders, medibüro, Michaelis-krankenhaus, Hamburg (De)
2007 loop pool, Lounge for shortfilms, Oberhausen (De)
2005 Berliner Kunstsalon mitLiebe The Bee to Bee Net, Berlin (De)
Juan Media Festival, Inchon (Kr)
2004 Stand der Dinge, Metropolis Kino, Hamburg (De)
2003 International Short Film Festival, Hamburg (De)
2000 Mukojima EXPO, Tokyo (Jp)

Awards/fellowships

2013 Nomura Foundation Fellowship
2012 Wassermühle Trittau, Sparkasse-Kulturstiftung Stormarn
2012 Boesner Art Award 2012, Jury's Special Award
2010 Shiseido Art Egg05
2009 Japanese Government Overseas Study Programme for Artists
2008 Hamburger Arbeitsstipendium für bildende Kunst
2008 Atelierstipendium der Stadt Salzwedel, Sachsen-Anhalt
2006 Mecklenburgisches Künstlerhaus Schloss Plüschow
2005 Leistungsstipendium für Ausländische Studenten
2001 DAAD

Public collection

Hamburger Kunsthalle
Sparkassen-Kulturstiftung Stormarn
Sichuan University
Brodtmann/Berenberg Bank

Naho Kawabe
born 1976 Fukuoka, Japan, live and work in Hamburg, Germany Education 1995 – 1999 Musashino Art Universität Tokyo, Bachelor 1999 - 2001 Tutor an der Musashino Art Universität, Tokyo, Bereich: Medienkunst 2006 University of Fine Arts of Hamburg, Diplom Solo exhibitions 2014 piece, piece (with Jane Brucker), Port Gallery T, Osaka (JP), Cat. 2013 Observer Effect, Wassermühle Trittau (De), Cat. Observer Effect, Galerie du Tabluau, Marseille (Fr) relation unscharf, STORE contemporary, Dresden (De) 2012 Blüthenstaub, Port Gallery T, Osaka (Jp) 2011 Open Secret, Shiseido Gallery, Tokyo (Jp), Cat. 2010 Most things happen in the interval, Port Gallery T, Osaka (Jp), Cat. 2009 S Stipendiaten Art (with Anne Rinn), Johann-Friedrich-Danneil-Museum, Salzwedel (De) 2005 Helgoland, Gallery IAF SHOP*, Fukuoka (Jp) 2004 dem Anschein nach, Einstellungsraum e.V., Hamburg (De), Cat. Group exhibitions 2015 Sudden Change of Idea. An Exibition on Comperative Study between Chinese and German Conceptual Art, Union Art Museum, Wuhan (CN), Cat. Von Wörtern und Räumen, Galerie im Marstall, Ahrensburg (DE), Cat. presente – Interchange & Commrntary III, frapant, Hamburg (DE) 2014 IN SEARCH OF CRITICAL IMAGINATION, Fukuoka Art Museum, (JP), Cat. Notausgang am Horizont, 8. Kunstfrühling, Bremen (DE), Cat. How Modular Is Now?, Künstlerhaus Sootbörn, Hamburg (DE) Can I ask you personal question?, Sichuan University Art Gallery, Chengdu (CN) Bien Merci, Galerie Le Couer, Cologne (DE) 2013 ... und Hamburg, was glaubst Du?, Kunsthaus Hamburg (De) ONE YEAR, Galerie Marstall, Ahrensburg (G) 2012 boesner art award 2012, Märkisches Museum Witten (DE), Cat. Moving Surface, Künstlerforum, Bonn (De) Video Violence, Kunsthaus Dresden (DE) 2011 Archive und Geschichte(n), Hamburger Kunsthalle/Galerie der Gegenwart (De) JCE: Jeune Creéation Européenne, with The Bee to Bee Net, Paris u.a. Cat. INDEX 11, Hamburg (De), Cat. 2010 Versus Whiteout as The Bee to Bee Net, Kunsthaus, Hamburg (De), Cat. come into sight, Port Gallery T, Osaka (Jp) 2009 The Bee to Bee Net, Künstlerhaus Sootbörn, Hamburg (De), Cat. Twinism. 20 years partnercity Hamburg/Osaka, Kunsthaus Hamburg / AD&A Gallery, Osaka (De/Jp), Cat 2008 The Bee to Bee Net meets hulahoop, Gallery hulahoop, Hongkong (Cn) Einlandung, Mecklenburgisches Künstlerhaus Schloss Plüschow (De) Wir nennen es Hamburg, Kunstverein in Hamburg (De), Cat. 2007 Lebe wohl. Suizidalität, Kunst und Gesellschaft, Kunsthaus Hamburg (De) INDEX 07, Hamburg (De), Cat. 2006 Migration Addict, Sculpture squer, Singapore (Sg) Joint the dots, Ben Kaufmann Gallery,Berlin (De) Plattform#3, Kunstverein Hannover (De) 2005 Wintergarden, Raboisen, Hamburg (De) Migration Addict, Warehouse, Shanghai (Cn), Cat. 2003 Sweet Tune, Hotel Stadt Altona, Hamburg (De) 2000 KROM, Setagaya Museum Gallery, Tokyo (Jp) 1998 World Wide Network Art, Asahi Super Dry Hall, Tokyo (Jp). Festivals, video-screenings 2015 Performance, Artville/Dockvillefestival, Hamburg (DE) Video Screening, Transit. Über Medialität und Bewegung (kuratiert von Elke Kania), Venedig (IT) 2013 Video Screening, Schwanken und Verschwinden (kuratiert von Ludwig Seyfarth), Via Pietro Garzoni 5, Venedig (IT) Video Screening, MEDIA MATTERS (kuratiert von Elke Kania) Museum Folkwang, Essen (DE) 2011 Online-Performance-Session, POW! FOLD Gallery, London (Gb) 2010 Kongress für Anders, medibüro, Michaelis-krankenhaus, Hamburg (De) 2007 loop pool, Lounge for shortfilms, Oberhausen (De) 2005 Berliner Kunstsalon mitLiebe The Bee to Bee Net, Berlin (De) Juan Media Festival, Inchon (Kr) 2004 Stand der Dinge, Metropolis Kino, Hamburg (De) 2003 International Short Film Festival, Hamburg (De) 2000 Mukojima EXPO, Tokyo (Jp) Awards/fellowships 2013 Nomura Foundation Fellowship 2012 Wassermühle Trittau, Sparkasse-Kulturstiftung Stormarn 2012 Boesner Art Award 2012, Jury's Special Award 2010 Shiseido Art Egg05 2009 Japanese Government Overseas Study Programme for Artists 2008 Hamburger Arbeitsstipendium für bildende Kunst 2008 Atelierstipendium der Stadt Salzwedel, Sachsen-Anhalt 2006 Mecklenburgisches Künstlerhaus Schloss Plüschow 2005 Leistungsstipendium für Ausländische Studenten 2001 DAAD Public collection Hamburger Kunsthalle Sparkassen-Kulturstiftung Stormarn Sichuan University Brodtmann/Berenberg Bank

Naho Kawabe
Wash Your Blues

Artist Naho Kawabe
Year 2007
Duration 4:07 min
Edition 5 + 2 AE
Technical info mini-DV transferred on DVD, 4:3 loop
Contact

About the video

Visiting the La Palmyre zoo on the South African Atlantic coast in the summer of 2007, I saw a polar bear in a small water tank who swam again and again up to the glass wall of his tank and quickly breathed in air to dive down again to he bottom. I documented these hospitalised actions of caged animals who, in their natural habitat have a large area to move in, and worked on it in my studio, cutting it into a loop and adding sound.

During the course of the video, the colour fades into white to represent the gradual loss of power and energy, but also as an image for the ice in the animal’s natural habitat of which he dreamt. The color white implies eternity and death in my culture. The fading of the the color corresponds to the change in the soundtrack; at first, the technically produced sound seems to imitate the noises of the water in the basin; as the video continues, the audience are under the impression that they hear the natural sounds of the sea and the cry of gulls.


Credits

Sound: Veit Kenner

Naho Kawabe - Wash Your Blues
Visiting the La Palmyre zoo on the South African Atlantic coast in the summer of 2007, I saw a polar bear in a small water tank who swam again and again up to the glass wall of his tank and quickly breathed in air to dive down again to he bottom. I documented these hospitalised actions of caged animals who, in their natural habitat have a large area to move in, and worked on it in my studio, cutting it into a loop and adding sound.During the course of the video, the colour fades into white to represent the gradual loss of power and energy, but also as an image for the ice in the animal’s natural habitat of which he dreamt. The color white implies eternity and death in my culture. The fading of the the color corresponds to the change in the soundtrack; at first, the technically produced sound seems to imitate the noises of the water in the basin; as the video continues, the audience are under the impression that they hear the natural sounds of the sea and the cry of gulls.

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